1 706 résultats
1971ARTE1436Lausanne, Editions Anthony Krafft 1970-1971. Lex.-8°, 102 S. u. 62 Text in Französisch, Deutsch und Spanisch, 308 S. u. 422 S., m. zahlr., tlw. farb. Abb., 1 OPpbd. m. farb. OU., 1 OLnbd. m. farb. OU., an beiden Bänden nur geringe Gebrauchsspuren
91749o.J. Ca. 40 nn. farb. Fototaf. auf schwerem Papier, vereinzelt durch bedruckte Pergaminbl. getrennnt. Quer-8vo. 21 x 30 cm. Spiralbindung (diese puntuell gequetscht).
197911086ABNew York, nternational Typeface Corporation, 1979. 38 x 28,5 cm. 72 Seiten (inkl. Umschlag). Mit zahlreichen, teils ganzseitigen und farbigen Abbildungen. Illustr. Orig.-Broschur. Umschlag minimal randgebräunt. Sonst schönes Exemplar.
197811085ABNew York, nternational Typeface Corporation, 1978. 38 x 28,5 cm. 64 Seiten (inkl. Umschlag). Mit zahlreichen, teils ganzseitigen und farbigen Abbildungen. Illustr. Orig.-Broschur., 11085ab|11085ab 2 [2 Warenabbildungen] Umschlag etw. randgebräunt. Sonst schönes Exemplar.
4to, 29.5cm. Pp. 223, very numerous colour photos (many large, partly full-page), smaller monochrome photos, all of lighting equipment. Orig. boards.
188025003Nantes 1880 une photographie originale albuminée en noir, INTERIEUR DE L'EGLISE NOTRE DAME DE BON PORT(LA VOUTE) (1880), format : 15,8 x 12,5 cm pour la photo, 24 x 31 cm avec le carton ou la photo est contrecollée,
188025004Nantes 1880 une photographie originale albuminée en noir,INTERIEUR DE L'EGLISE NOTRE DAME DE BON PORT (L'AUTEL ET LA CHAIRE) (1880), format : 17 x 13 cm pour la photo, 24 x 31 cm avec le carton ou la photo est contrecollée,
Bound, bleu illustrated cardboard cover, 200 x 215mm., 144pp., very profound colour illustration. ISBN 9788874395392. As the birthplace of the Industrial Revolution, Great Britain was the epicenter of the development of modern industrial design. This book -the fourth volume in the MoMA Design Series, featuring works in the Museum's extraordinary collection- explores this legacy, tracing the growth of British design from the eighteenth century to the Millennium Dome and beyond. In its more than twohundred-year scope, British Design explores Wedgwood pottery, the Arts and Crafts Movement, the Mini car and Dyson vacuum cleaner, the 'Cool Britannia' cultural explosion in the late 1990s, and British designers' take on the digital devices that define entertainment and communication in the early twenty-first century. An introduction by Paola Antonelli, Senior Curator of Architecture and Design at The Museum of Modern Art, provides an overview of design culture in Great Britain; an essay and timeline by Hugh Aldersey-Williams, author of The Most Beautiful Molecule and New American, illuminate the masterpieces of modern British design superbly reproduced in the volume's plate section. New book.
1894EEzz10039Köln, Eigenverlag 1894. Gr.-4°. 122 S. mit zahlr. ganzseitigen photographischen Abb. auf Tafeln unter Seidenhemdchen. Bedruckte OBrosch., diese mit starken Gebrauchsspuren. Rücken mit Fehlstellen, Deckel a. unteren Rand leicht wasserfleckig. Innen sehr gut erhalten.
ART5044MFrance Loisirs / Solar. 1999. In-4. Relié sous jaquette. 192 pages augmentées de nombreuses photos en couleurs dans et hors texte. Signet conservé.
190911614Schwann, Düsseldorf ca. 1909. 13 Seiten Text mit mehreren Abbildungen u. 31 Tafeln. 4°. Kart. Leichte Gebrsp. Anstreichungen im Text.
199572541Frankfurt am Main, Verlag Form, (1995). 136 S., in Schwarz, Grün u. Blau gedruckt. Mit zahlr. farbigen Abb. (= Designermonographien, 5). 4to (28 cm). OLn (o. SU).
19691259431969 Eric Losfeld - 1969 - In-4 broché - 64 pages - 23 illustrations pleine pages en N&B par Robert Lagarde, Jean Benoît, Jorge Camacho, Mimi Parent, Toyen, Jean-Claude Silbermann et Adrien Dax
1962015110Paris Théâtre de la Cité 1962 In-8 En feuilles
Hardcover with dusjacket,. ISBN 9780500519103. While Josef Albers' Bauhaus colleagues Klee and Kandinsky are household names, Albers himself has remained inscrutable. He is best known as the painter of the Homages to the Square, a series of over 2,000 seemingly tightly controlled experiments in the interaction of colour. Yet he did not begin these pictures until he was in his sixties, already several decades into his career as an artist, maker and theorist, much of it pursued in the United States following the Nazi dissolution of the Bauhaus in 1933. Misunderstanding of the Homages reflects a wider misreading of Albers' life and work. Married to the textile artist Anni Albers, his papers include letters from fellow artists John Cage, Robert Rauschenberg, Richard Serra and Eva Hesse; colleagues such as Buckminster Fuller and Philip Johnson; and fans and collectors ranging from the composer Virgil Thomson to the cartoonist Saul Steinberg. If his network of influence was surprisingly wide, so, too, were his interests. Albers started life at the Bauhaus as a glassmaker, ran their renowned wallpaper workshop, and designed furniture that is still in production eighty years later. He pioneered the study of colour at Black Mountain College, organized its famed Summer Sessions' with guest tutors from Willem de Kooning to Merce Cunningham, and went on to head the design department at Yale. Drawing on extensive unpublished writings, documents and illustrations, Darwent offers a broad view of not only the artistic and political currents, but also the friendships and rivalries that formed the backdrop to Albers' creative output.
Hardcover, 141 pages, English/Francais, 225 x 197 mm, fine copy , richly illustrated with coloured illustrations, . ISBN 9788836623440. Cheick Diallo, (né au Mali en 1960) découvre le design dans les années 1980 lors de ses études d'architecture en France. Il oeuvre à la fois en France et au Mali. Cette première monographie du designer accompagne une exposition au musée Mandet de Riom (France) qui présente une rétrospective de son travail depuis 25 ans. On y trouve ses premières pièces basées sur le principe de la récupération : bibliothèques, tables et sièges en boîtes de conserve mais aussi sa ligne de mobilier tressé de fils de nylon et une multitude de meubles et d'objets reposant sur le détournement de techniques traditionnelles : de l'impression de cire sur du cuir à la création d'objets précieux mêlant le savoir-faire des bijoutiers touaregs à ceux des sculpteurs sur ébène pour des coffrets, des lampes et des couverts. Préfacé par Marie-Josée Linou, Conservateur en chef du patrimoine, directrice des musées de Riom Communauté, l'ouvrage donne la parole à des spécialistes du design et de l'art contemporain africain, à travers un cheminement très richement illustré, où les objets racontent une histoire.
19506115Paris, L’Arche, 1950 ; in-8, broché ; 247, 6 pp. , (1) f. , couverture beige imprimée rouge et noir.
60153Indiana University, Christie, Manson & Woods, 1967 Bound, 32 pages, ENG, 245 x 190 mm, good condition, illustrated in colour / b/w.
Softcover met flappen, 187pp., 26x21cm., ills. in kleur en z/w., in goede staat. ISBN 9789058560865. Toen bakeliet, nu composiet = From bakelite to composite / Ignaas Verpoest, Moniek E. Bucquoye -- De ondraaglijke lichtheid van composieten = The unbearable lightness of composite materials / Adriaan Beukers -- Auto's en composieten : moeilijk verleden, hoopvolle inburgering = Cars and composites : a difficult past, a hopeful future / Tony Verhelle -- Auto's en koolstofvezels in de toekomst = The future of carbon-fibers in cars / Klaus Drechsler -- Met het oog op snelheid en vorm = Built for beauty and speed / Ignaas Verpoest -- Composieten in sportartikelen = Composites in sporting goods / Vicki P. McConnell -- Van mobile home tot kloon : composieten in de hedendaagse kunst = From mobile home to clone : composites in contemporary art / Lut Pil -- Composieten en meubeldesign : van Leo Baekeland tot Maarten Van Severen = Composites and furniture design : from Leo Baekeland to Maarten Van Severen / Lieven Daenens, Moniek E. Bucquoye.
Softcover, 288 pages, English, 210 x 165 mm, fine copy, illustrated in colour and b/w, . ISBN 9780847839445. Those who know one or two aspects of the Eameses' work are often surprised to learn just how far and vast their range extended. Yet, throughout their myriad works, from architecture and furniture to exhibition design and filmmaking, their core philosophy prevails. An Eames Primer is the first book to illuminate this seamless connection. Author Eames Demetrios explores the rich energy of the Eameses' world from a unique perspective, informed by his close relationship with Charles and Ray. He shares personal anecdotes, previously unpublished photos, and his extensive interviews with former friends and colleagues of the Eameses to make connections between the Eameses' influential philosophy and their widely admired work. For those unacquainted with the designers, the stories behind the design process will inform, entertain, and inspire, while readers with an extensive knowledge of the Eameses' work gain a deeper level of understanding their process.
199349954Hannover, Th. Schäfer, ( 1993). 12 nn. TextS. + 26 doppelblattgr. farb. Taf. (= Klassische Vorlagenbücher für den Praktiker, Bd. 7 / Edition "Libri rari"). 4to. 28,5 cm. OPp.
199163111Westheim/Pfalz : Rhein-Verl. Haaff 1991. 456 S. : 1150 Abb. ; 31 cm, mit Schutzumschlag Gewebe, gebundene Ausgabe, Leinen, leichte Gebrauchsspuren am Einband, sonst guter Zustand
737327 mai 1933 - Broché
2010REL7003MIn-4 broché, couverture illustrée, 358 p. Une sélection de plus de 200 objets, dont la moitié provient du musée Guimet et l'autre moitié de musées étrangers. Très bon état général, quasi neuf. Paru chez RMN en 2010.
J. P. Gyss , 1989. In folio relié toile avec jaquette, 35 pp suivies de 96 planches couleurs
