8 444 résultats
198025332San Francisco CA: Scenic Road Press 1980. Small broadside keepsake printed at the Scenic Road Press for members of the Roxburghe & Zamorano Clubs on the occasion of their Joint Meeting in 1980; one of 200 printed. A letter of February 24 1887 from William Morris to 'My dear Smith' noticing his indignation that he'd been sent by Smith to visit a woman he'd thought to be a potential client who actually wanted him instead to look at her designs. Approx. 4 1/2" x 7" size; printed black in a Kelmscott-style type on quality paper stock; with the original plain paper envelope; slight wear; in very good condition. First Edition. Broadside. Very Good. Scenic Road Press books
198437659Frankfurt/ M., o.Vlg. 1984. 72 S. unpag. mit 1 losen Beilage und zahlr. s/w. Abb. OLeinen 18x18 cm.
198537660Frankfurt/ M., o.Vlg. 1985. 782 S. unpag. mit 1 losen Beilage und zahlr. s/w. Abb. OLeinen 18x18 cm.
198637661Frankfurt/ M., o.Vlg. 1986. 78 S. unpag. mit 1 losen Beilage und zahlr. s/w. Abb. OLeinen 18x18 cm.
198825327San Francisco California: Scenic Road Press 1988. Folding keepsake printed at the Scenic Road Press for members of the Roxburghe & Zamorano Clubs on the occasion of their Joint Meeting in San Francisco in September 1988; one of 150 printed. A letter of November 3 1879 from William Morris to Ruskin noticing the indignation in England at the proposed restoration of St. Marks in Venice. Approx. 6" x 9 3/4" size; printed black and white on quality paper stock; slight wear; in very good condition. First Edition. Soft Cover. Very Good. Scenic Road Press paperback books
19912090502113715443Not Available 1991. Soft Cover. Fine. The book is in fine condition. Not Available paperback
198937773Antique Collectors Club, Woodbridge, 1989. Reprinted. 504 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 28 x 22 cm, Leinen mit Schutzumschlag / Cloth with Jacket
19711512101429xbvk[Lisboa], Imprimarte, 1971. 141 pages on glossy paper, illustrated throughout. - Publisher's graphically designed softcover with title at spine; small-4to.(ca. 20,5 x 20,5 cm).
19472110502150412187Aiiku-sha 1947. Soft Cover. Fine. Number of books: 2 Aiiku-sha paperback
1936028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
1936028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
19801116517Düsseldorf, 1980. S. 239-290; Illustr.; 30 cm; kart.
1989050051Stuttgart., 1989. Veranstaltet vom Landesgewerbeamt Baden-Württemberg - Design Ceter Stuttgart, Haus der Wirtschaft. 326 Seiten mit zahlreichen Abbildungen. Guter Zustand. Quer- 8°. S OBroschur / Okarton.
1928059012London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. <br/> <br/> Gollancz unknown
196713060Ravensburg : O. Maier, 1967. 58 S. : Abb. mit Text 8°. Ill. OBroschur. (Ravensburger Hobbybücher)
195520183ABDarmstadt, Schneekluth (ca 1955). 32 S. mit Abb. und 27 Abb. auf 20 Tafeln im Bildanhang. OHLwd mit OU. Kleine Gebrauchsspuren. (=Wohnkunst und Hausrat / Einst und jetzt Bd 10).
19961187979Deutsches Institut für Japanstudien (Hrsg.); Tokyo, 1996. 254 Seiten; sehr zahlr. (farbige) Illustrationen; 30 cm; kart.
1987671182Konstanz: Terra. 1987. 167 S. 24 x 22 cm. Zustand: Gut bis Sehr Gut, sogar eher ungelesen, aber min. bis gering wellig (Innen); Deckel min. bis gering wellig-gebogen; Eng. Broschiert
1968BBS-2020383National Publishers Inc. / Metro-Goldwyn-Mayer Inc 1968. First Edition. Paperback. Good. Wraps creased edgeworn scratch to front cover a few tiny spots of staining. Staplebound; staples secure free of rust. Binding sound. 24 unpaginated pages with every third leaf tissue paper; these pages have faint signs of ambient moisture including slight wave faint toning. Interior else bright text unmarked. The souvenir from the first screenings of this film classic. National Publishers, Inc. / Metro-Goldwyn-Mayer Inc paperback
197217200Staatliche Museen Preussischer Kulturbesitz - Kunstgewerbemuseum Berlin 1972. 34 S. mit 8 Farbtafeln u. 16 s/w Abbildungen, 7 S. Anzeigen. Gr.-8°. Kart. Geringe Gebrsp.
20002090202118108521Published by Sankei Shimbun News Service published by Fusosha 2000. Soft Cover. Fine. The book is in fine condition. Published by Sankei Shimbun News Service, published by Fusosha paperback
199668944ABStuttgart., Arnoldsche., 1996. 30,3 x 22,8 cm. 231 S. OLeinen mit illustriertem OUmschlag., 68944A Erste Auflage. Umschlag minimal lichtspurig. Innen papierbedingt wenig lichtrandig, sonst gutes bis sehr gutes Exemplar.
19802080502106910488Not Available 1980. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1989G785(Friedberg), Edition & Galerie Hoffmann, 1989. Erste Ausgabe. Gutes und sauberes Exemplar.
196934419Los Angeles: NP 1969. First edition. Softcover. vg. Octavo Oblong. 29 leaves. Original spiral bound stiff wraps with handwritten lettering on cover. 23 pieces leaves of photographic plates of late sixties Los Angeles environment. Motives listed at end of publcation. First artist book by Allen Ruppersberg one of the first generation of American Conceptual artists. lightly age-toned. Binding and interior in overall very good condition. NP unknown
