DARROW, ClarenceBiblio.com
Idea & Design WorksBiblio.com
A Pickles Passover
0689852320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Bonita · États-Unis82,89 $US≈ 70,13 €
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1902DEMO003083IChicago: C.L. Ricketts 1902. First edition thus. Hardcover. Good. 8vo 160 pages decorated boards & white cloth untrimmed edges worn spine darkened <br/><br/>Author's first book and proof of his activity in the Chicago Literary Renaissance. Hunsberger 44. These essays present a Chicago view of literary realism. In "Realism in Literature and Art" he rejects 'thesis novels' because they falsified human nature in order to teach a theoretical lesson. "The true man neither guiltily conceals nor anxiously explains nor vulgarly parades. He simply lives his life the best he can and lets it stand for what it is." Includes essays on Omar Khayyam Walt Whitman R. Burns etc. C. L. Ricketts was a calligrapher who designed this book and published it. C.L. Ricketts hardcover
0689852320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1984SKU1045457Universal Press 1984-01-01. paperback. Very Good. 0x0x0. Privately Published; city not noted 1984. Softcover. A Very Good plastic comb binding binding intact some handling/scuffing and sunning to covers several small soiled specks on rear cover bit of age toning to pages mild scattered foxing to text block edges readers crease front cover a nice overall clean and unmarked copy in Oversize Wraps. Oblong 4toquarto or approx. 9.5 x 12 inches 67pp. b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Universal Press paperback
6781630John Wiley & Sons pp. 240 . Papeback. New. John Wiley & Sons unknown
1961030750Nebraska: Department of Roads State of Nebraska and U.S. Bureau of Public Roads. CLEAN EX UNIVERSITY LIBRARY COPY. SOFT COVER SPIRAL BOUND GRADE B NO NAMES OR MARKINGS THE TEST PROJECT WAS SPONSORED BY DEPARTMENT OF ROADS STATE OF NEBRASKA AND U.S. BUREAU OF PUBLIC ROADS. Tests of Center Creek Bridge State Highway No.3. Franklin County Nebraska and Loup River Bridge State Highway No. 60. Howard County Nebraska. Profusely Illustrated w/Photos and Figures tables charts etc.Foreword Conclusions Acknowledgments Reference Appendices Listings of Photographs & Figures Tables & Charts. 231 clean crisp & solid pp. Excellent Personal Collectible/Reference. Nice copy of a Fascinating Read!!!! . Very Good. Soft cover. 1961. Department of Roads, State of Nebraska and U.S. Bureau of Public Roads paperback
19972090202118107151Kairyusha 1997. Soft Cover. Fine. The book is in fine condition. Kairyusha paperback
72508Calumet Press. Broadside Poster. POEM BROADSIDE SIGNED: Fully signed by the poet Richard Wilbur. 24.5 x 18.5 inches poster broadside. Fine in full color. Please: all print broadside shipping is by Priority Mail which requires extra costs to be invoiced and/or payment by Paypal or personal check. Calumet Press unknown
74-0379New York : MacMillan 1953. 8vo. Light signs of shelf wear. Minor creasing. Clipped price corners. Very Good. Original Price on Dust Jacket: $2.00Jacket design by Riki Levinson New York : MacMillan, 1953. unknown
200346564St. Louis MO: Missouri Historical Society Press / University of Missouri Press 2003. Fine/Near Fine. St. Louis MO: Missouri Historical Society Press / University of Missouri Press 2003. First Edition with full number line. Octavo; publisher's cloth in photo-illustrated dust jacket; xv3190pp.; halftone photographic illus. throughout. Light shelf wear else a Fine copy. Signed by Freeman on title page and additionally signed by the cover designer Lucy Josey on copyright page. <br /> <br /> Memoir of the first woman to be appointed to the U.S. Commission on Civil Rights in 1964 under the Lyndon B. Johnson administration a post she held until 1979 in order to serve as inspector general of the Community Services Administration. Missouri Historical Society Press / University of Missouri Press unknown
196525243Simon & Schuster 1965. HB NO DJ Issued 1965 1st edition 4th Printing Statedillustrated Black Purple & white Cvr minor Rub & wearScuff primarily Extremities & spine Cvr Interior Nice Tight Clean VG/VG- AS-IS NOJACKET 95 pgs. First Edition. Hard Cover. Simon & Schuster hardcover
196545569New York: Simon and Schuster 1965. Very Good-. New York: Simon and Schuster 1965. Second Printing. Small octavo; publisher's photo-illustrated paper covered boards; 90pp.; illus. throughout by Lennon. Boards quite rubbed front hinge starting to crack; overall a Good to Very Good only example of this fragile work. Signed by Lennon on title page with Certificate of Authenticity laid in. Simon and Schuster unknown
1990008657New York N.Y. U.S.A. : Viking 1990. 1990. 1st Edition 1st Printing. Hardcover. Fine/Fine. 1st ed. 1st printing ; xiii 460 pages ; 24 cm ; SIGNED presentation by author on front endpaper ; ISBN 9780670818969 0670818968 ; OCLC 21294889 ; LCCN 89040687 ; LOC No PS3563.C38837 S76 1990 ; gold and red cloth in color pictorial dustjacket ; Lives interlock break apart and recombine in a southern novel that surges forward through heartbreak farce triumph betrayal and ultimately love. "An ambitious first novel" The Philadelphia Inquirer that sweeps through three eras of shattering change that formed the American South. ; Thomas McNamee is an American writer and Guggenheim Fellow. He has written four nonfiction books in the field of natural history and conservation as well as a novel. He has also written biographies of notable culinary figures Craig Claiborne and Alice Waters. ; Author's first novel ; newspaper review of the book from the Memphis Tennessee Commercial Appeal Sunday October 21 1990 laid in ; FINE/FINE <br/> <br/> New York, N.Y., U.S.A. : Viking, 1990. hardcover
19862090202118103265Kobunsha 1986. Soft Cover. Fine. The book is in fine condition. Kobunsha paperback
181956897Kyoto Japan: Marubeni Shoten Design Dept. Keimeikai Textile & Dyeing Studio Tanioka Shoten Design Dept. ca. 1918-1945. Folio. 61 original hand-painted inked and pencil designs with a few on a lightly toned but quality semi-translucent paper the majority on thick paper stock and still others with two pieces carefully pasted together with contiguous designs sized from 9 x 15 in. up to 19.25 x 38.5 in. with 13 of the pieces larger the larger size a number of them sized 18 x 32 in. and many in the 14.25 x 15.5 in. size colour painted; the majority feature the design studio chop or crest at lower corners throughout many w/ annotations in margins several w/ change orders neatly annotated or even the title of the design and still many others w/ Roman numeric inventory codes in margins as well two still retaining original small silk samples many with creasing or minor tears & edgewear or creasing to fore-edges a few w/ small & large closed tears while others show some creasing and thumbing from continued use still an exceptional group of manuscripts. This superb archive of 61 original hand-painted kimono designs furnishes an exceptional visual array of Taisho- and early Showa-era Japanese motifs and styles. A number of the designs evoke traditional Japanese Ukiyo-e woodblock prints with deep vivid colours and well rendered illustrations. Many of these designs incorporate floral patterns including Kiku Chrysanthemum Botan Mon Peony Pattern Manju Kiku Marigolds Japanese Irises Morning Glory Cockscomb Ivy Dahlias and many other botanical motifs. In addition there are many illustrating ornately embroidered designs austere bamboo mushrooms and intriguing landscapes some with a small portion fully painted in with brilliant colouring while the outline of the kimono fills out the drawing. Two of the designs still features their original small attached silk kimono sample more reminiscent of Western Design houses which often attached their chosen fabric samples to their clothing designs. A few of the designs are executed on translucent thin paper for the kimono draper to transfer the design to white silk or other fabrics via some type of carbon paper process. Another of the designs has been executed on a stunning silver metallic paper with palm or bamboo leaf fronds executed in vivid blues & browns. Some feature a nearly surrealist quality while several others include illustrations of doves or chickens. Two of the designs incorporate Art Deco representations of Chinese Junks and Japanese sailing vessels typical of the 1930’s prior to World War II. In the Taisho Era a new era opened for textile designers working with Kyoto drapers and department stores with many having trained at new art colleges and then working in the design studios of Marubeni Keimeikai Textile & Dyeing Studio and others. The Tachiki Artist design studio designs on thin translucent paper include one with designer stamp of character embedded within a skull. Some appear to have two different date stamps for the Marubeni Shoten Design and some are unsigned or stamped. The Taisho- and Showa-era kimonos featured brighter colours more groundbreaking designs as Japan’s designers embraced traditional dress and transformed it into a new garment equally appealing to the “Moga†or brazen “Modern Girl.†The designer notes include instructions to “leave a little more space between the fans;†“Drop the little fan crest;†“too much white bush clover†on the pine cones and even that Matsuo Taishichi had ordered a design for “clothes for paying a visit for a young person.†The Marubeni Shoten originated with Chubei Itho who began in 1858 as a salesman for linen cloth and by 1872 had opened his drapery store Benchu in Senba Osaka. By 1918 Chubei Itoh had expanded the business into Osaka and deciced to merge with Itochu Shoten Ltd. becoming Marubeni Shoten with their own drapers shops and many contracts with department stores. Later by the mid-1950s Marubeni merged with the company that operated the Takashimaya Dept. Store Chain all the while preserving their design studio and artists. See: Yuko Fukatsu-Fukuoka The Evolution of Yuzen-dyeing Techniques and Designs After the Meiji Restoration 2004; Arisa Shinko Tomikawa Hand Painted Kyo Yuzen Atelier “Arisa†A Brief Introduction 2020; Annie Van Asche Japanese Kimono Fashion of the Early Twentieth Century Textile Society of America Symposium Proceedings 2000; Our History Our Roots Marubeni Corporation 2020. Marubeni Shoten Design Dept., Keimeikai Textile & Dyeing Studio, Tanioka Shoten Design Dept., hardcover
2003KOS02200389Shinbashi Theater 2003. Soft Cover. Fine. KOS02200389 Shinbashi Theater paperback
2003KOS02202410Shinbashi Theater 2003. Soft Cover. Fine. KOS02202410 Shinbashi Theater paperback
19952090202118101880Nikishuppan 1995. Soft Cover. Fine. The book is in fine condition. Nikishuppan paperback
1922mon0003662218Covici-McGee 1922-01-01. hardcover. Acceptable. 1.6000 9.0000 6.2000. cover shows heavy wear and tear particularly on the spine minor rubbing. pages tanned and clean. Covici-McGee hardcover
1922018052<p>Chicago IL: Covici-McGee Publishers 1922. First Edition. Hardcover. Good-/None. 289pp; No DJ illustrated paper-covered boards tape repair to spine with bottom half of spine missing boards bright & slightly edgeworn illustrated endpapers pages slightly age-toned text unmarked binding is sound Good condition. Scarce vintage collection of 64 journalistic pieces about Chicago during the Jazz Age by celebrated 20th century journalist novelist playwright and screenwriter Ben Hecht 1894-1964. The pieces capture the intensity of 1920s Chicago depicting a host of unique characters landmarks and watering holes with an eye toward the absurd. Bold attractive illustrations by Herman Rosse throughout.</p> Covici-McGee Publishers hardcover
19902090202118102452R Office Onomichi City Hiroshima Prefecture 1990. Soft Cover. Fine. The book is in fine condition. R Office (Onomichi City, Hiroshima Prefecture) paperback
1805biblio167<p><i>The second edition with additions. Longman Hurst Rees and Orme. London. 1805 G. Woodfall Printer Paternoster Row to verso of half title. Octavo. Half title Title xv 300 21 bl. 1 1pp. 6 folding engraved plates. Later half calf marbled boards spine in six compartments leather label gilt lettering rules and embellishment. Minor corner chips to half-title. Short closed fold tear to Plate I. Toned with some light offsetting of plates foxing/browning to index.</i></p><p><i>This edition has an additional plate to the 1790 edition plus additional material. The plates are each dated September 1 1805. </i></p><p><i>Significant to the library of the vine. A handsome volume.</i></p><p><i>William Speechly 1723 – 1819 gardener to the Duke of Portland at Welbeck Abbey Nottinghamshire. ODNB.</i></p><br /> Longman, Hurst, Rees, and Orme. hardcover
2009Q-0615308228Ramsay Publishing 2009-09-23. Paperback. New. In shrink wrap. Looks like an interesting title! Ramsay Publishing paperback
19731917Toronto: Clarke Irwin & Company Limited 1973. First Edition First Printing. Hardcover. pp. 176. Square 4to. Lovely teal cloth over boards with gilt lettering to the spine. Replete with hundreds of black-and-white 815 and colour 93 photographic reproductions illustrations facsimiles etc. Includes artwork by Clarence Gagnon Tom Thomson Emily Carr David Milne James Wilson Morrice Lawren Harris A.Y. Jackson Joachim Gauthier amongst many others. Extremities in near fine condition. Internally there is a one small spot of offsetting to the ffep otherwise the contents remain bright clean and unmarked with tight sound binding. Overall very good to near fine and housed in very good unclipped lightly rubbed dustjacket now housed in protective mylar cover. Overall very good. A beautifully-made book indeed. <br/><br/> Clarke, Irwin & Company, Limited hardcover
196056965Pasadena CA: n.p. ca. 1960. Folio. 14.5 x 20 in. Twelve original gouache paintings on thick artist’s board 10 of them either w/ typed or manuscript labels 1 entitled “Garden Party†written in manuscript at upper fore-edge 8 preserving their cloth fabric swatch samples some w/ designer’s notes trimmings etc. All are preserved in a gray linen clamshell case minor edgewear rubbing wear to corners still a well-preserved fine set of paintings. This nicely executed set of fashion designs were apparently created for a Civil War theatre production in Southern California around 1960 with characters named Florence Bagshot Mrs. Ludley Bagshot Agatha Mrs. W.D.P.S. and Mrs. Forbes. The designs primarily focused on the women characters including one of a nurse standing in costume in gray striped dress apron and cap with Confederate cavalry trooper in kepi astride his horse and hatless officer with sash standing in the background. Many of the designs reflect the colour palate of the early 1960’s with avocado green vivid blues solid brown earth tones and bright nearly neon orange gauze fabrics in the renderings and samples which would not have been common in those combinations during the Civil War era. Still most of the dress designs incorporate the hoop skirts of the period often with crinoline and/or crinoline cage hoop skirts and high collars with ties and ribbons at the neck and trim patterns typical of the period. The design for Florence Bagshot’s bedroom wear incorporates elements of Mid 20th-Century design and sensibilities rather than the more common chemise and sturdy cotton for the 1860’s. The Confederate Nurse design was painted on “Brownie Board Cold Pressed Duncan Vail Co. Los Angeles†which appears in California art supply advertising from about 1960-1963. We were unable to identify the production after an extensive search through contemporary theatre production trade magazines newspapers and other industry publications. n.p., hardcover
0722657978.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
