Usachov, O I (wrapper design)Biblio.com
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54107Kyiv: Derzhavne Vydavnytstvo Ukrainy 1928. Octavo 23.8 × 16 cm. Original decorative wrappers on yellow stock printed in black and green; 169 2 pp. Wrappers somewhat worn and soiled; front wrapper creased; light nicks to overlapping wrapper edges; internally about very good. Scarce Ukrainian anthology of foreign short stories and tales in translation with works by authors including Henri Barbusse Jules Romains Paul Morand Pierre Mille Grazia Deledda Stefan Zweig Carl Sternheim Kasimir Edschmid Philip Gibbs Sherwood Anderson and Theodore Dreiser.<br /> <br /> The translators include H. Iar M. Deinar O. Hordon O. Kyrychyns'kyi M. Ivanov O. Burhardt V. Hladko and E. Kariakin M. Lysychenkov and M. Ivchenko. No compiler is credited. Little is known about the designer of the wrapper who appears to have been on the faculty of the Kyiv Art Institute KKhI in the 1920s where he would have worked alongside such noted artists as Kazimir Malevich Vladimir Tatlin Viktor Pal'mov and Mykhailo Boichuk. Initially founded as the Ukrainian Academy of Arts the Institute became known as the Ukrainian Bauhaus in Europe in the 1920s.<br /> <br /> As of December 2023 KVK OCLC only show two non-microform holdings at Harvard and Cleveland Public Library. unknown
9673Nuth 1980. Spirale Binding. l 14 pagina´s. Pagina 12 heeft een vouw omslag gesleten op rand. unknown
1970059744New Haven and London: Yale University Press for Yale University Art Gallery 1970. Book. Fine. Hardcover. 1st Edition. 4to - over 9¾" - 12" tall. Complete in two 2 volumes uniformly bound in tan cloth lettered in silver foil on black fields. Bot volumes virtually as issued; minor rubbing to slipcase along top panel and some rubbing/scratching to bottom panel thus Near Fine. xviii344 xii300 pp. illus. Please note that due to the type of paper on which this set was printed it has a mild "petroleum" odor to it that is likely common to all copies issued though some sellers don't bother to mention it; it is NOT mold or mildew. Yale University Press for Yale University Art Gallery Hardcover
1996059337Hudson Hills Press/Henry Francis du Pont Winterthur Museum 1996. Book. As New. Hardcover. 1st Edition. 4to - over 9¾" - 12" tall. Olive drab cloth lettered in gold foil. As issued. Color pictorial dust jacket as issued now in mylar. 1st ptg. 744 pp. illus. A lovely gift-quality copy of an authoritative reference. Hudson Hills Press/Henry Francis du Pont Winterthur Museum Hardcover
75-4341Providence: Museum of Art Rhode Island School of Design 1985. 4to. Soft Cover ca. 100 pp. Very Good B&W and Color Plates. Minor Abrasion to Corner of Spine Providence: Museum of Art, Rhode Island School of Design, 1985 paperback
1989008649Boston : Houghton Mifflin Co. 1989. 1989. 1st Edition 1st Printing. Hardcover. Fine/Fine. 1st ed. 1st printing ; 340 pages ; 24 cm. ; SIGNED by author of title page; ISBN 9780395475911 0395475910 ; OCLC 19778983 ; LCCN 89034378 ; LOC No LB1776 .K48 1989 ; Dewey372.11/02/0973 ; textured white and blue on red cloth in color pictorial dustjacket ; "A Richard Todd book." ; Mrs. Zajac is feisty funny and tough. She likes to call herself an "old-lady schoolteacher." She is thirty-four. Around Kelly School she is famous for her discipline: "She is mean bro" says one of her students. But children love her. And so will the reader of this extraordinarily moving book by the author of House and The Soul of a New Machine. Mrs. Zajac spends her working life "among schoolchildren." To some it might seem a small world a world of spelling and recess and endless papers to correct. But we soon realize that Mrs. Zajac's classroom is big enough to house much of human nature. Her little room contains a distillate of some of the worst social problems of our time. Some of the children's young lives seem already stunted by physical and emotional deprivation. And some are full of precarious promise. As we come to know these children we long for their salvation - and we come to understand as if for the first time the difference that a good teacher can make in a child's life and in our society. Among Schoolchildren provides the most realistic account of American education ever written - on every page we encounter the precisely rendered truth for which Tracy Kidder is famous. But this is more than a book about education. It is about one woman's indomitability about the joy of acting out of conscience and love. At bottom its subject is nothing less than the struggle between good and evil. In Among Schoolchildren Tracy Kidder has written his most emotionally powerful most memorable work. --Source: Publisher ; Tracy Kidder was educated at the University of Iowa and Harvard University. He served in the US Army in Vietnam. Kidder has garnered numerous literary awards including the Pulitzer Prize in General Non-Fiction and the National Book Award for General Nonfiction both in 1982. He has also been honored with the Robert F. Kennedy Book Award 1990 and the Christopher Award 1990. His publications include numerous nonfiction articles and short fiction for The Atlantic and other periodicals. Non-Fiction books include The Road to Yuba City Doubleday 1974; The Soul of a New Machine Atlantic Monthly-Little Brown 1981 for which he won a Pulitzer and a National Book Award; House Houghton Mifflin 1985; Old Friends Houghton Mifflin 1993; Home Town Random House 1999; Mountains Beyond Mountains Random House 2003; My Detachment Random House 2005; Strength in What Remains Random House 2009. ; FINE/FINE <br/> <br/> Boston : Houghton Mifflin Co., 1989. hardcover
2007Q-0979951720Triple Crown Publications 2007-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Triple Crown Publications paperback
193554208Berlin: Gemeinnützige Berliner Ausstellungs- Messe- und Fremdenverkahrs-G.m.b.H. 1935. First edition. Softcover. Good- to very good condition. Octavo. 160 viii 32pp. Original wraps with cover design by Herbert Bayer protected by modern mylar. Official guide for the exhibition "The Miracle of Life." An important work by Bayer who designed both the exhibition "The Miracle of Life" and the exhibition catalog. Illustrated throughout with photographs and diagrams. Text in German. Some wear along edges of wraps chips and creasing rubbed and very small stains on back cover. Wraps in overall good- interior in very good condition. Gemeinnützige Berliner Ausstellungs-, Messe- und Fremdenverkahrs-G.m.b.H. unknown
196874182N.p.: N.p. ca. 1968. Modern working collection of over 100 original stencils tracings and hand painted samples of Federal furniture decorations. All laid in enveloped or taped into a modern three ring binder. These were used for furniture projects mainly chairs so signs of use are to be expected. A treasure trove for researchers and practitioners.Up until the 1840s stencils were widely used in America for walls and furniture. The use of stenciling declined as wallpaper became more economically viable as a decorative finish but it did not die out entirely. This collection dates from the 1960s and the designer perhaps named M. Robertshaw has taped in two pages of the catalog of stenciled American Federal furniture by Hitchcock Chair Company of Connecticut so it is likely he worked there. In 1818 Lambert Hitchcock founded an innovative chair company in the northwestern hills of Connecticut where he produced beautiful hand stenciled furniture. The company was ver successful and didn't close its doors in 2006 although it has recently been revived. N.p. unknown
53918KIMONO DESIGN - MANUSCRIPT. 10 1/2" x 14 1/2" oblong design book bound in single backed sheets on the short side with string not fukuro-toji. With a brushed title label sealed throughout but otherwise anonymous. As often happens with manuscripts the name of the shop which used it as a pattern book has been excised. There are 25 black and white design sketches for elaborate kimono. More of a Kano rather than a Rimpa style. The album probably dates from the first half of the 19th Century. A lovely item which suffers from very bad worming throughout. Though the damage is worse at the extremities of the work holes are shot through the paper and effect the design images as well. Sold with all faults. unknown
19730036577Manila: Philippine College of Arts and Trades 1973. Revised Edition. Softcover Paperback. Good Condition. 26cm x 20cm. 3 28 5 leaves of text printed recto only 13 plates. Illustrated cover cloth tape spine. Chipping to spine head and tail. Minor tanning. Category: Art & Design; Countries::Asia::Philippines; Myths Legends & Folklore. Inventory No: 0036577. BZDB407 Art & Design; Countries::Asia::Philippines; Myths Legends & Folklore. Unbranded Philippine College of Arts and Trades Design Center An Analysis of the Decorative Motifs of Some Philippine Cultural Minorities Philippine College of Arts and Trades paperback
1963167273New York: Self published 1963. Vintage subscription advertisement for the seminal proto-Fluxus manifesto utilizing George Maciunas' eye-catching designs and advertising a price of $2.98. INSCRIBED and dated by editor La Monte Young in manuscript pencil: "To - / 97 XII 19 5:03:31 PM NYC / La Monte Young." <br /> <br /> La Monte Young is one of the most influential experimental composers of the modernist era and is primarily remembered today as one of the originators of minimalist drone music. Several of Young's compositions were collected in various Fluxus editions beginning in the early 1960s including "Trio for Strings" from the "FLUXUS 1" anthology. <br /> <br /> Single card measuring 2.5 x 10.25 inches glued at the ends and folded to form an open cube. Faint rubbing else about Fine. Self published unknown
1969736809PN. New. 1969. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
19752110502150308931Sankaido 1975. Soft Cover. Fine. Volume: 1 Sankaido paperback
195562463New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner†and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod†fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look†highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s†film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business†with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.†This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover
1971KOS02200232Seibu department store 1971. Soft Cover. Fine. KOS02200232 Seibu department store paperback
3220070<p><em>Two oil painted scenes of children each set against a white ground one scene depicting a girl and the other a boy with a large portable peep-show each medallion measuring 210 × 180 mm on unstretched fine-grain canvas light surface wear; otherwise fresh.</em></p><p>A rare image in an unusual medium. We have been unable to ascertain whether the tapestries were ever realised from these designs.</p>
1933101437AB1933. Baile Ãtha Cliath Oifig DÃolta Foilseacháin Rialtais 1933. Octavo. 591 pages. Original Hardcover with the very scarce original dustjacket in protective collector's mylar. Dustjacket Design by Austin Molloy. The Volume itself in excellent condition. The dustjacket with some minor fraying and two closed tears but in very good condition with only minor signs of external wear. Extremely Rare with the dustjacket ! hardcover
1995276678PN. New. 1995. Soft Cover. Date is original print. This is a reprint edition . PN paperback
197856289Los Angeles CA & Detroit MI: Chrysler Corp. ca. 1978-1980. 4to. 103 colour and black & white photographs sized 8 x 10 in. w/ nearly all featuring inventory numbers on versos many w/ concept artist’s identifying marks at lower fore-edge of images all w/ 3-hole punch at upper fore-edge. Black vinyl 3-ring binder manuscript label on spine w/ 1 sheet of manuscript tucked-into front cover entitled “Image Studies†rounded corners slight shelfwear light toning to leaf of manuscript NF exemplar. A fascinating Chrysler Corp. Design Group photo archive documenting the development of the full scale mock-ups and designs for the 1978 & 1979 Chrysler 300 Chrysler Cordoba as well as the rebadged Dodge Charger early concepts for the Dodge Minivan 5 years before introduction and the under appreciated Dodge Omni rally car. Many of the Chrysler concept car designs included here are signed by such artists as Svensen Kreiling and the famed Stewart Reed. The album opens with concept car designs for the 1979 Chrysler Cordoba 300 offering views of a concept car mock-up not only featuring a split between two different designs but also different wheels as well as views of the designs littering the walls and ceilings of the Chrysler Corp. Design Group studios. It also shows the nascent red & blue pinstriping on silver when the eventual production model featured that on a white background. Also shown are the development photos for the rebadged Dodge Challengers and Dodge Chargers basically reusing the Mitsubishi Galant Lambda as a base. Many of these Chrysler/Dodge/Plymouth Mopar concept cars are shown with a variety of artists’ renderings for Targa tops sleek modern lines and colours which unfortunately for Chrysler never made it into general production because if they had Chrysler may not have needed the 1979 bailout by the US Government. Of particular interest are the artists renderings of a 1978 Dodge Omni as a rally car and two very early concept designs for the Dodge/Chrysler minivan project led by Stewart Reed. The unsung Dodge Omni and Plymouth Horizon developed by Chrysler’s European Division were Chrysler’s first front-wheel compact car beating the K-Car to market by over three years and with its’ handling and popularity even received the attention of Carroll Shelby who worked to convert them into true performance race cars. The Minivan would remake the American auto market from the time of its eventual production introduction in 1984 revive the fortunes of Chrysler and spawn many competitors such as the Chevrolet Astro Ford Aerostar Toyota Previa and many others. Reed worked in Chrysler’s design group from 1971 to 1980 as part of the initial Minivan design team then Toyota’s Calty Design Research Inc. in Newport Beach CA and after 1994 operated his own design studio in Plymouth MI creating such concept vehicles as the 1998 Gear Box SUV and the 2001 Cunningham C7 Car. See: David Zatz The Chrysler Cordoba And 300: “Personal Luxury†Allpar Feb. 9 2017; Pete Dunton 1978-1990 Dodge Omni -- the Little Car that Rescued Chrysler Old Car Memories Nov. 24 2018; William Stopford The Most Obscure Special Editions and Forgotten Limited-Run Models: Mopar Edition Part III -- A Trip to Aspen Curbside Classic Nov. 13 2015. Chrysler Corp., unknown
1992x-0749403713Kogan Page Ltd 1992. Hardcover. New. 1st edition. 179 pages. 9.50x6.50x0.75 inches. Kogan Page Ltd hardcover
A9781138966642Paperback / softback. New. paperback
6335154Taylor & Francis Group pp. 184 . Papeback. New. Taylor & Francis Group unknown
1999__0080430325Pergamon Pr 1999. Paperback. New. 540 pages. 12.00x8.50x1.25 inches. Pergamon Pr paperback
1995x-0080423701Pergamon Pr 1995. Paperback. New. 748 pages. 11.73x8.35x1.73 inches. Pergamon Pr paperback
