National Academy of DesignBiblio.com
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18-6063New York: National Academy of Design 2003. 8vo. 186 pp. Oblong. Very Good. Soft Cover. Maroon paper wraps. Minor crease on front cover else fine. Pages fine. Color plates throughout. Errata laid in. Price List laid in. Extremely Scarce. New York: National Academy of Design, 2003. paperback
Hartmann, GodfredNot in perfect condition. unknown
1888221661888. Original patent documentation for Edmond Verstraete's innovative 1888 railway car design an uncommon surviving artifact from the era of rapid industrial expansion and technological advancement in American rail transport. Verstraete Edmond. Railway Car. Washington D.C.: U.S. Patent Office July 24 1888. Patent No. 386512. First edition. 2 printed lithograph sheets measuring 9" x 7". Signed by inventor and witnesses. Includes two detailed mechanical drawings by Verstraete with formal submission details signed by the inventor and his attorney.<br /> <br /> This patent filed during a period when the U.S. railroad network was transforming American commerce and mobility documents Verstraete's reconfiguration of the passenger car interior and structural layout. The diagrams show side and overhead views of a self-contained passenger railcar marked by articulated platform entries segmented internal seating and a defined vestibule region. Of note are the annotated elements marked "x" in red ink labeled as "Lower entries" and "Passengers" likely indicating areas of operational focus or examiner queries. The first sheet offers a longitudinal cross-section while the second presents a plan and elevation revealing design emphasis on safety comfort and structural balance.<br /> <br /> The late 19th century witnessed a proliferation of railway car patents as inventors sought to enhance efficiency passenger experience and operational safety in the context of growing urban transit systems and long-haul travel routes. Verstraete's work fits within this inventive surge paralleling the emergence of Pullman cars electric trolleys and elevated rail networks. As cities like New York Chicago and San Francisco expanded rail-based infrastructure designs such as this laid the groundwork for more integrated mass transit and intercity rail travel. Light toning minor smudge at lower margin of first sheet archival notations in red and pencil at margin; "EXAMINER" hand-stamped at top. Overall very good condition. A scarce and compelling primary document reflecting the ingenuity and regulatory mechanics of the Gilded Age railroad boom ideal for researchers in industrial history transportation technology and the evolution of public transit. unknown
188535921885. Good wraps highly tanned/darkened; smudged & rubbed w/ soiling. chipping to wraps & closing pg. soiling to extremities of pages. Wraps. appx. 110 pp. 48 numbered and others with illustratens 9 pp ads at rear numerous line engravings. Catalogue lists 740 works some of which are reproduced by line engravings. Includes names and adresses along with numbered catalogue entries for each artist at rear. Rare. paperback
19113179Budapest: Nepszava 1911. Original paper. Very good condition small library sticker on the cover small tears. Cover and illustrations by Mihaly Biro. Cover and illustrations by Mihaly Biro. Original paper. 6 p. One of the best-known and most uncompromising Hungarian graphic designers at the beginning of the 20th century creator of the famous image of Social Democrats the Red Man with Hammer Mihály Biró 1886–1948 devoted himself early to the leftist social and political ideas. After the fall of the short-lived Hungarian Soviet Republic in 1919 Biró had to flee to Vienna from the terror of revenge and the right-wing dictatorship led by Miklós Horthy. Nepszava unknown
19123178Budapest: Nepszava 1912. Original paper. Very goo condition small library sticker on the cover small tears. Cover and illustrations by Mihaly Biro. Cover and illustrations by Mihaly Biro. Original paper. 7 p. One of the best-known and most uncompromising Hungarian graphic designers at the beginning of the 20th century creator of the famous image of Social Democrats the Red Man with Hammer Mihály Biró 1886–1948 devoted himself early to the leftist social and political ideas. After the fall of the short-lived Hungarian Soviet Republic in 1919 Biró had to flee to Vienna from the terror of revenge and the right-wing dictatorship led by Miklós Horthy. Nepszava unknown
193855160МоÑква Moscow: Музеиа-Ð’Ñ‹Ñтавки Охраны МатеринÑтва и МладенчеÑтва Museums and Exhibitions of Motherhood and Childhood Protection 1938. First edition. Hardcover. g to vg-. Folio. Unpaginated 113 double-sided leaves. Original blue cloth with gilt lettering and yellow circular embossed bas-relief on the front cover designed by Anna Yuzhakova. Spine with blind-stamped illustration and lettering. Binding protected in modern mylar. Housed in its original blue cloth slipcase with a circular windowed cutout for the bas-relief. Photo-illustrated endpapers. The title page is a double-page spread with modernist typography and title text appearing in 10 additional languages including Ukrainian Belorussian Bulgarian Armenian Georgian Turkmen Azerbaijani Uzbek and others.<br /> <br /> Following the title page are four pages of introductory text and then a fold-out with woodcut illustrations in black by Nikolai Piskarev 1892-1959 showing images of the Russian revolution revealing photographic portraits of Lenin and Stalin when opened. The work is profusely illustrated throughout with countless photographic images beautifully printed in b/w and sepia-toned gravure. The book's overall design and layout was the work of Yakov Babushkin b.1907 which displays a wide variety of artistic and conceptual flourishes. Throughout the book are many smaller half-width multipage inserts artistic insets and fold-outs as well as extensive photomontages and large double-page spreads. Final leaf contains extensive contributor's credits.<br /> <br /> The publication features the work of a long list of contributors including noted photographers such as Olga Ignatovich 1905-1984 and Elizaveta Ignatovich 1903-1983 - both sister of pioneering Soviet photographer and photojournalist Boris Ignatovich cinematographer and filmmaker Alexander Frolov 1904-1962 and Solomon Tules among many others.<br /> <br /> This lavishly produced piece of Soviet photo-propaganda praising the state's maternity and child-care institutions and services. Published on the 20th anniversary of the establishment of the department for the Protection of Motherhood and Infancy Okhrana Materinstva i Mladenchestva or OMM the book showcases the state's initiatives to support mothers and and their young children in the and promote the importance of Motherhood as a vital role within Soviet society. Documented are women's centers hospitals early childhood education and summer camps among countless other state-controlled entities from across many different republics of the Soviet Union Russia Ukraine Belarus Georgia Azerbaijan Armenia Kazakhstan Kyrgyzstan Uzbekistan and Tajikistan. The work one of 5 notable Soviet photo-books issued between 1933 and 1938 focussing on women and women's issues in the USSR.<br /> <br /> Binding with light bumping and rubbing to extremities including some light abrading to the very bottom of the front cover. Interior with starting at the interior front cover. Sporadic light staining to the endpapers and interior covers. Persistent light stain along the bottom of the book block visibly affecting the bottom of most pages throughout. Images are otherwise still mostly clean and vibrant. Binding fairly tight overall. Binding and interior in good to very good- condition overall. Scarce. Bibliographic reference: Heiting and Karasik The Soviet Photobook 1920-1941 p. 380.<br /> <br /> A scarce work with only 6 known copies woldwide on OCLC. Музеиа-Ð’Ñ‹Ñтавки Охраны МатеринÑтва и МладенчеÑтва (Museums and Exhibitions of Mother hardcover
1967058562Sacramento: Walt Disney Productions 1967. First Edition . Wrappers with Large Gold Seal. Fine. An as-new copy of the inaugural program with mailing envelope and small order envelope. <br/> <br/> Walt Disney Productions unknown
1969028780Denver: The Westerners 1969. 1st Edition . Hardcover. Near Fine/Very Good DJ. 370 Pp.Illustrated Cloth Map Endpapers. #331 Of 700 Copies Of The Regular Edition. Book Is Near Fine Slight Wear At Corners No Names Or Marks. Original Plain Tissue Dj With Slight Wear A Few Tiny Losses At Edges. <br/> <br/> The Westerners hardcover
19742082402113801940Kairyudoshuppan 1974. Soft Cover. Fine. Number of books: 1 Kairyudoshuppan paperback
19782111902156000865Shoten kenchiku-sha 1978. Soft Cover. Fine. The book is in fine condition. Shoten kenchiku-sha paperback
19912090502113715443Not Available 1991. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19472110502150412187Aiiku-sha 1947. Soft Cover. Fine. Number of books: 2 Aiiku-sha paperback
2004Q-1592530923Rockport Pub 2004-10-30. Paperback. New. In shrink wrap. Looks like an interesting title! Rockport Pub paperback
1936028494New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano. 60 Pp. Beige Morocco Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing We Also Have Available Separately A Full Page Printing Of The Lithograph Signed And Annotated By Napolitano Which Image Is Abbreviated Even In This Large Paper Copy.There Is A Stated Limitation Of 112 Copies This Copy Numbered 116 One Of Armitage's Copies Of A Small Overage In The Print Run. Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage "A Special Leather Bound Copy For Napolitano Merle Armitage 1936". A Near Fine Copy Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
1936028488New York / Los Angeles: Merle Armitage / Lynton Kistler 1936. 1st Edition 1st Printing. Hardcover. Fine. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso First Published In 1923 And 1930. One Of 112 Copies Designed By Merle Armitage Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso By Pasquale Giovanni Napolitano Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3 1936 Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy No Wear Or Stains. <br/> <br/> Merle Armitage / Lynton Kistler hardcover
18462111902160200502Yamatoya keizo 1846. Soft Cover. Fine. Number of books: 2 books Yamatoya keizo paperback
1928059012London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. <br/> <br/> Gollancz unknown
2007Q-1601406207Leisure Arts Inc 2007-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Leisure Arts, Inc paperback
20172090502113702488Not Available 2017. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1968BBS-2020383National Publishers Inc. / Metro-Goldwyn-Mayer Inc 1968. First Edition. Paperback. Good. Wraps creased edgeworn scratch to front cover a few tiny spots of staining. Staplebound; staples secure free of rust. Binding sound. 24 unpaginated pages with every third leaf tissue paper; these pages have faint signs of ambient moisture including slight wave faint toning. Interior else bright text unmarked. The souvenir from the first screenings of this film classic. National Publishers, Inc. / Metro-Goldwyn-Mayer Inc paperback
18746Fine. Nice clean copy with a tight binding! Mild shelf wear. unknown
20002090202118108521Published by Sankei Shimbun News Service published by Fusosha 2000. Soft Cover. Fine. The book is in fine condition. Published by Sankei Shimbun News Service, published by Fusosha paperback
200938262AB2009. numeriertes Exemplar hier die Nr. 372 Halle Burg Giebichenstein Juli 2009 4° 80 nicht paginierte Seiten ausschließlich mit ganz- oder doppelseitigen Farb-Illustrationen illustr. original Kartonage Paperback schönes sauberes Exemplar. Arbeiten der Hochschulstudenten: Ines Brands Markus Färber Friederike von Hellermann Hannes Hirche Torsten Illner Tobias Jacob Christoph Köster Hanne Kujath Stefanie Leinhos Friedrike Louise Mentz Antje Mönnig Sebastian Ristow Christina Röckl Tim Romanowsky Alexander Sschmid und Sandy Winkler. Der Professor der Klasse: Georg Barber. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. paperback
19802080502106910488Not Available 1980. Soft Cover. Fine. The book is in fine condition. Not Available paperback
