AYRULT Jena-Marc (avant-props)Antiquariat.de
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2000140019Nantes 2000. 255, (2) pages. With a lot of illustrations, mostly in colour. Illustrated original softcover (Used). 26x18 cm
194724421Chicago: Paul Theobald and Co. 1947. hardcover natural linen covered boards with brown lettering. dj has creasing to extremities without any real losses.owner signature to each pastedown.front flap price-clipped. no other flaws or wear book itself is in great condition clean no text or exterior markings or writing no bumps sturdy binding and hinges.; 371pp. 439 illustrations including 11 color plates. a classic work by the hungarian-born artist photographer and designer who had a lengthy association with the bauhaus in several of its manifestations. Fifth Printing. Hardcover. Very Good Plus/Very Good Minus. 4to - over 9¾" - 12" tall. Paul Theobald and Co. Hardcover
19479151DBChicago., Paul Theobald., 1947. 28,5 x 22 cm. 371 S. OLeinen., 9151D 4. Auflage. Einband etwas lichtrandig und mit kleinen Randbereibungen, Schutzumschlag fehlt, insgesamt etwas angestaubt und minimal schiefgelesen. Ordentliches Exemplar.
196969264ABChicago., Paul Theobald., 1969. 28,5 x 22 cm. 371 S. OLeinen mit illustriertem OUmschlag., 14636D Eighth large printing. Umschlag am Rücken mit leichter Knitterspur an den Kapitalen, etwas berieben. Sonst sehr gutes und frisches Exemplar.
196914636DBChicago., Paul Theobald., 1969. 28,5 x 22 cm. 371 S. OLeinen mit illustriertem OUmschlag., 14636D Eighth large printing. Umschlagkanten mit Bereibungen und Randläsuren sowie hinterlegter Fehlstelle am oberen Rücken, stellenweise leicht knittrig, insgesamt etwas angestaubt. Sonst noch gutes Exemplar.
19991199568Berlin : Präsident der FHTW - Berlin : Bildo-Akademie für Kunst und Medien, 1999. 131 S. , Broschiert
19971199569Berlin : Bildo-Akad. für Kunst und Medien - Berlin : FHWT, Wissens- und Technologietransfer, 1997. 109 S. , Broschiert
1988001335Editions Geneve 1988. "Karl Gerstner Forme Couleur Continuum du Rouge au Rouge Conversion". Karl Gerstner is a renowned Swiss graphic designer painter and color manager. 24 unopened leaves printed on the recto with a pattern of red and a second color. As one moves through the 21 "passages" the color combinations change but always including red. The verso is printed with the passage numbers and a black and white pattern. Limited to 150 examples the first 50 were reserved for friends of the artist: this is number 17 of 50 signed by Gerstner for 'George!'. Black wrappers are covered with a white card jacket printed with titles The jacket is further covered with a French-fold onion skin cover. Book is fine; jacket has ill repaired damage at the head. Some toning of the onion skin. Signed by Artist. Limited/Numbered Edition. Black Card Wrapper softcover. Fine/Very Good. 4to. Artist's Book. Editions Geneve paperback
19982091502135421220Chizu-cho Yazu-gun Tottori Prefecture 1998. Soft Cover. Fine. Number of books: 1 Chizu-cho, Yazu-gun, Tottori Prefecture paperback
19823449New York City: Women's Caucus for Art New York Chapter 1982. Very Good. Two-sided poster/announcement 22" x 16" unfolded 8" x 11" folded presenting all the artists and information on the "themed" shows that constituted "View By Women Artists" organized by Sabra Moore. Several hundred artists participated and are listed here under the headings for each show. Tiny hole in the center where the two long creases meet otherwise in excellent condition. While the catalogue for this show is readily available this record of the events is rare. Women's Caucus for Art, New York Chapter unknown
1928BUC1220Halle (S.), W. Knapp, 1928. IV Seiten Textbeilage, 40 farb. Papiere auf Taf., H 30 x 22,5 cm, Flügelmappe. - Mappe lichtrandig, Textbeilage stockfleckig, Tafelpappen leicht gebräunt. Von den 40 farb. goldgepr. Beispielpapieren (vollständig) ist das auf Blatt 11 leider angeknickt; die anderen 39 sind frisch u. einwandfrei. broschiert/ Taschenbuch/ paperback
1998057087Göttingen, Städtisches Museum Göttingen, 1998. quer gr 8°, Klammerheftung, ohne Paginierung (16 Bl.) - gutes Exemplar
198655733BBLondon., Thames & Hudson Ltd., 1986. 28 x 20 cm. 152 S. OKarton., 55733BB Erste Englische Auflage. Sehr gutes Exemplar.
1978EEZZ8100Houston, Sarah Campbell Blaffer Foundation - New York, Cooper Hewitt 1978. 4°. 96 S., zahlr. farbige u. s/w Abb., ill. OKart., sehr gut erhalten
1978105047New York, Kenner Printing 1978. 1978. 4°, 95 S. mit s/w Abbildungen, Orig.-Karton.
1989ARTE1298London, Studio Editions 1989. 4°. 191(1) S., 181 - teils farbige - Abb., OPappband mit OU., wie neu. In engl. Sprache
19861059258The Museum of Modern Art; NY, 1986. 264 S.; illustriert; 4°; kart.
1982585348Berlin: Galerie Ars-Viva-Edition. 1982. VIII.; 55. 21cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Broschiert
199994233HBHamburg:, Hans Bredow Institut, 1999. 375 Seiten, OPpbd., 23,5 x 16,5 cm.
197631681Toronto: Art Metropole 1976. Close to near fine with some scuffing to illustrated wrappers and early price sticker to front panel. First Edition. Quarto. One of the earliest surveys of artists working with video—and the first in Art Metropole's "By Artists" series—edited by curator Peggy Gale with book design by AA Bronson; a companion issue of essays would be published a decade later. Featuring the likes of Ant Farm General Idea Dan Graham and Lisa Steele with essays compiled from Bronson Gale Graham and Les Levine. Toronto: Art Metropole unknown
199321630Mitchell Beazley, (1993). OKart. OU. 240 S. 4°. Zahlr. farb. Abb. Gut erhalt.
197615998DBNew York., Dover Publications., 1976. 28 x 20,5 cm. 100 S. Illustrierter OKarton., 15998D Erste Auflage. Einbandkanten mit kleinen Bereibungen, Blattränder stellenweise etwas nachgedunkelt.Gutes Exemplar.
1970009801Norton New York 1970 1970. 1st Edition 1st Printing. Hardcover. Very Good/Very Good. 1st. ed 1st printing ; 336 pages : illustrations facsimiles portraits ; 22 cm ISBN 9780393086058 9780393336245 0393086054 0393336247 OCLC 96130 LCCN 70103962 LC HV6535.G4 A68 Dewey 364.15230941 red cloth in pictorial dustjacket ; Contents: Early Murders for the Million -- "A Highly Popular Murder Had Been Committed"-- Literature with a Sanguinary Cast-- The Blood-Stained Stage and Other Entertainments-- Murder and the Literary Life-- The Tragedy at Stanfield Hall / James Blomfield Rush-- "Trust Not the Physician" / William Palmer Thomas Smethurst and Edward Pritchard-- Henry James's Perfect Case / Madeleine Smith-- A Deed of Dreaful Note / Jessie M'Lachlan-- The Murder that Thackeray Foretold-- Franz Muller-- A Spin Across London Bridge / Henry Wainwright-- The Trouble with Servants / Kate Webster-- Charley's Music Hall Turn / Charles Peace-- A Bedroom in Pimlico / Adelaide Bartlett-- Arsenic and the Lady from Alabama / Florence Maybrick-- Poison by Pill and Pen / Thomas Neill Cream-- The Deaths at George's American Bar / George Chapman-- The Man Who Trained Nude Bicyclists / Samuel Dougal ; Murder and the Victorian Mind ; Discusses such infamous British murderers as James Blomfield Rush William Palmer Thomas Smethurst Edward Pritchard Madeleine Smith Jessie M'Lachlan Franz Muller Henry Wainwright Kate Webster Charles Peace Adelaide Bartlett Florence Maybrick Thomas Neill Cream George Chapman and Samuel Dougal ; In the first chapters Mr. Altick examines the Victorian delight in murder as a social phenomenon. The remainder of the book is constructed around classic murder cases that afford a vivid perspective on the way people lived--and died--in the Age of Victoria. From the beginning of the age homicide was a national entertainment. Penny broadsheets hawked in the streets highlighted the most gruesome features of crimes; newspapers recounted the most minute details from the discovery of the body to the execution of the criminal. Real-life murders were quickly adapted for the gaslight melodrama and the bestselling novels of the "Newgate" and "sensation" schools. Murder scenes and celebrities were the most popular exhibits at Madame Tussaud's waxworks and in the touring peepshows and marionette entertainments. Murder in fact was a crimson thread running through the whole fabric of Victorian life. By tracing this thread in "not too solemn a spirit" Mr. Altick has written a book that will delight and inform all who are interested in social history as well as that great number who relish true murder stories. ; VG/VG <br/> <br/> Norton, New York, [1970] hardcover
