7 531 résultats
63-9307Cincinnati OH: Mosaic Press 1978. 25x17 mm. 16 pp. illustrated wrappers bound by a single staple. Illustrated. Near Fine. Cincinnati, OH: Mosaic Press, 1978. unknown
22X29 cm. 223 pages. Hardcover in a dust jacket. Sticker on inner cover. Pen writing on title page. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
199719413Hôtel de Ville de Paris 1997 In-8, broché couv. illustrée à rabats, photographies en couleurs pleine page, de Guy Ferrandis, 245 pp. Très bon état.
A cura di Mazza D. e Pranzini V. Ravenna, 1995; br., pp. 160, ill. b/n e col., cm 22x30. (Indagini e Prospettive. 22). italiano 88-8063-06 Indagini e Prospettive. 0022
brossura Il contenuto di questa monografia è rivolto principalmente agli appassionati e curiosi d'arte, ma anche ai ricercatori culturali più attenti, i quali studiano le nuove tendenze, l'innovazione artigianale e gli stili esclusivi degli artisti, alcuni dei quali, quasi "dietro le quinte", operano un cambiamento graduale nel modo di produrre arte. Realizzare oggi un'opera originale è molto difficile, in quanto nel corso dei secoli tanti sono stati i metodi ideati. Nel mondo del mosaico la difficoltà è ancora maggiore a causa del processo compositivo, ma il maestro nocigliese Vincenzo Ruggieri, amalgamando varie esperienze personali e non, ha saputo sorprendentemente creare una nuova tecnica musiva, un "mosaico moderno".
199320683Broquet, Ottawa 1993 Préface de Daniel Giralt-Miracle, directeur du Museum d’Art Contemporain de Barcelone. In-folio, pleine toile noire, sous jaquette illustrée, photographies en noir et en couleurs, 303 pp. En anglais et en français. Très bon état d’occasion.
Milano, T.C.I., 1951, in-8, br. edit., pp. 120. Copertina a col. e numerose ill. in b.n.
A cura di G. Montevecchi. Ravenna, 2003; br., pp. 194, ill. b/n e col., cm 22x24. (Viaggio nei siti archeologici della provincia di Ravenna. 35. Collana diretta da Giovanna Montevecchi).
<p>24 cm, rilegatura coeva in mezza pelle, titolo e fregi in oro al dorso, p. 460. Con 130 ill. in nero n.t. Traccia di etichetta al dorso, interno ottimo. Testo in francese.</p>
Firenze, 1996; br., pp. 72, ill. b/n e col., cm 17x24. italiano br.
Atti del VII Congresso AIMC, Ravenna, 2000. A cura di Fiori Cesare, Roncuzzi Fiorentini Isotta e Macchiarola Michele. Testo Italiano e Inglese. Ravenna, 2004; br., pp. 304, ill., cm 17x24. (Le Pietre Parlanti).
136166aafEd. FMR (Franco Maria Ricci) 2004, in-4to, 118 p, reliure toile illustration couleurs contrecollee, sous coffret toile.
Mm 200x270 Brossura editoriale di pp. 168 con diverse tavole fuori testo anche più volte ripiegate. Alcune segnature a penna rossa e matita ai margini, piccoli strappi al dorso. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
3312in 12 demi-chagrin bleu à quatre nerfs,titre,roulette, filets,fers en long dorés avec mosaïque de cuir(fleurs) filet doré en encadrement,457 pages,librairie Plon sans date,couverture conservée, belle reliure(de Flammarion?)
Ravenna, 1995; br., pp. 136, ill. b/n e col., cm 16x23. (Arte).
In-8 (cm. 21), tela editoriale, titoli impressi in oro su tasselli al dorso, pp. XIII, (1), 760, (2), con un ritratto dell’Autore in bianco e nero in antiporta. A cura di Anton Francesco Filippini. Carte leggermente brunite, soprattutto ai tagli; peraltro, volume in buono stato (good copy).
Milano, 1990; br., pp. 260, ill. b/n e col., tavv., cm 24,5x30. (I Grandi Paesi). italiano 88-365-040 I Grandi Paesi br.
1962120600New York Graphic Society, coll. « Unesco de l’art mondial », n° 18 1962 In-folio reliure éd. sous jaquette 48 cm sur 34,2. Jaquette déchirée, reliure légèrement passée, intérieur frais. Jaquette en mauvais état. Bon état d’occasion.
Sesto Fiorentino, 1992; br., pp. 80, ill. e tavv. b/n e col., cm 19x26. italiano br.
1976xc235Hachette Travaux éducatifs manuels Feuilles sous chemise 1976 In-4 (21,3 x 27,1 cm), feuilles sous chemise, 12 modèles de mosaïques à réaliser avec des graines ; quelques infimes marques d'usage sur la chemise, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
A cura di Rosa Barovier Mentasti. Testi di Rosa Barovier Mentasti, Elena Casotto, Caterina Limentani Virdis, Sergio Marinelli e Roberto Pancheri. Verona, 2006; ril. in cofanetto, pp. 310, tavv. col., ill. b/n e col., cm 24x32. italiano
French Text. Paris, Papyrus, 1930; hardback, pp. 130, b/w ill., cm 19x23,5. francaise hardback
17083219Paris: Jacques Vincent for Jacques Estienne 1708. 2 parts in one 12mo binding 137 x 85 mm. 16 284 4 252 12 pages. Woodcut head- and tail-pieces and initial. Ruled in red throughout. At the end is a 4-page catalogue of books sold by Jacques Estienne. Bifolium g6-7 in part 2 bound in reverse order. Mosaic binding of black morocco probably ca. 1725-1735 covers with an all-over design of repeated concave-cornered lozenges of onlaid light brown morocco within a blind-tooled lattice design of double fillets and tiny six-petalled blossoms spine in six compartments five similarly decorated each with one onlaid lozenge second compartment with onlaid silver-tooled brown morocco lettering-piece doublures of dark brown morocco with silver-tooled arabesque roll border edges gilt over marbling rehinged upper joint chipping; modern suede-lined morocco folding box. Provenance: Paul-Louis Weiller 1893-1993 bookplate his sale Paris 30 Nov 1998 lot 32; modern booklabel “non nove sed nova" initials CL.<br /> <br /> A mosaic “tile†or tessellated binding attributable to Antoine-Michel Padeloup on a popular Jansenist devotional text. This unusual binding reverses the usual color scheme of the small corpus of similar known bindings providing a sober yet striking cover for the book.<br /> <br /> “Around 1707 mosaic work . began to be used in binding as it did in furniture and became the leading element in the design. These designs were now provided by onlay as opposed to the sixteenth-century use of paint and wax. Such mosaic work was either in a new form of the all-over semis now incorporating a framed structure so that it often resembled a tessellated pavement and was sometimes termed à répétition or with free-hand floral or other asymmetric realistic work†Barber Rothschild Waddesdon Manor catalogue p. 201. <br /> <br /> Tile-patterned mosaic bindings were usually used on small format books. Their invention is credited to the binder Antoine-Michel Padeloup or Padeloup le jeune 1685-1758 who bound for the entourage of the Regent Philippe II d’Orléans d. 1723. The height of the fashion for this style was probably the late 1720s and 1730s Barber p. 226. This style of decoration had the advantage of requiring little materiel. While “very labour-intensive the tile pattern style requires only a few tools all being common lines and curves `gouges’ and hardly any `figure’ that is expensive engraved tools. It would as such have suited under-capitalised younger binders. But such designs “clearly required careful planning and doubtless the preparation of a scaled plan based on both the exact size of the book and on the tools to be used†loc. cit. The present binding contains only one tool on the outer covers the small fleuron Waddesdon catalogue p. 384 fig. 11 and one roll which was also apparently used only on doublures Waddesdon catalogue I p. 436 RBT 8. <br /> <br /> Other tessellated mosaic bindings in this style all attributed to Padeloup are known: five of which three using the same tools are described and illustrated in the Waddesdon catalogue; another was reproduced by Michon and in the Esmérian catalogue. Those bindings use black or dark mororcco lozenges gold-tooled on a citron or light brown morocco ground with gold-tooled lattice-work creating a luminous effect. In contrast to those bindings here Padeloup reversed the color scheme: a black ground with restrained silver and blind tooling serves as background for the tile design of unadorned brown morocco lozenges. While visually striking the effect enhanced by the silver-bordered doublures is one of restraint no doubt intentional to reflect the book’s Jansenist content. <br /> <br /> Barbier Anonymes IV: 814. Giles Barber The James A. de Rothschild Bequest at Waddesdon Manor The National Trust: Printed Books and Bookbindings 2 vols. 2013; see nos. 90 91 92 93 and 572. Cf. Louis Michon Les reliures mosaïquées du XVIIIe siècle no. 89 = Bibliothèque Raphaël Esmérian II no. 89.<br /> <br /> <br /> (Jacques Vincent for) Jacques Estienne unknown
1953RO10023358Non Renseigné. juin 1953. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. Non Renseigné. . . . Classification Dewey : 70.4413-Magasin pittoresque, universel et mosaïque
1953RO10023359Non Renseigné. Juillet 1953. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur bon état. Non Renseigné. . . . Classification Dewey : 70.4413-Magasin pittoresque, universel et mosaïque
