Livre Rare Book
540 résultats
1800766DGUm 1800. Kolorierte Umrissradierung, montiert. 10,5 x 15,3 cm.
17447592CBZürich, 1744?1799. Quer-folio. (55) Bl. Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7592CB
17447592CBZürich, 1744–1799. Quer-folio. (55) Bl. Halblederband der Zeit.
17562153BBBiel, Johann Christoph Heilmann, 1756. 8°. 4 Bl., 394 S. Broschur der Zeit (leicht bestossen). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
17772933A Paris chez Panckoucke, Stoupe, et Brunet, A Amsterdam chez M. M. Rey 1777 In Folio, reliure pastiche en plein veau marbré, dos orné, pièce de titre et de tomaison rouges et vertes, tranches rougies, intérieur frais, gravures encrées. Le volume de planches le plus rare de l’encyclopédie Diderot et d’Alembert, formant le XIIe volume de planches. Il fut publié avec les sept volumes de suppléments qui forment un ensemble de 33 volumes in-folio que l’on complète par la table de Mouchon en 1780. Exemplaire lacunaire 196 sur 215 planches : 19, 22, 26, 27, 29,30,32,35,38, 50,51,52, 57,59125,126,127,138,144Supplément du tome XII de l’encyclopédie Diderot et d’Alembert Exemplaire lacunaire, 196 sur 215 planches mais complet de la partie géographique, parties nord et ouest de l’Amérique, nord de l’Asie, cote du Nord Est et de l’Asie, carte de la Californie, cart de la Californie suite, carte des nouvelles découvertes, carte des découverts de l’amiral de Fonte, carte générale des découvertes du Général de Fonte, carte des Terres Arctiques, carte de capitaine Cluny, Baye de Baffine.
180031359ABBern, Gottlieb Stämpfli, 1800?1802. 8°. 179 (1) S.; (8) Bl., 78 S. Halblederband mit schlichter Rückevergoldung und Rückenschild. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 31359AB 2 in 1 Band.
180031359AB2 in 1 Band. Bern, Gottlieb Stämpfli, 1800–1802. 8°. 179 (1) S.; (8) Bl., 78 S. Halblederband mit schlichter Rückevergoldung und Rückenschild.
17663904DBZug, Johann Michael Blunschi, 1766. (4), 36 S. Broschur ohne Umschlag. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
17663904DBZug, Johann Michael Blunschi, 1766. (4), 36 S. Broschur ohne Umschlag.
1790ST19326Amsterdam: H. Keyzer H. Gartman en W. Vermandel 1790. 555 x 345 mm. 21 7/8 x 13 3/4". 2 p.l. 62 folding plates. <br/> Attractive late 19th or early 20th century retrospective polished brown calf by L. Guétant stamp-signed in gilt on tail of spine double gilt-ruled border floral cornerpieces raised bands spine panels with scrolling floral borders and central flower ornament gilt titling. With title vignette and 62 ENGRAVED FOLDING PLATES ALL WITH BEAUTIFUL HAND COLORING AND HIGHLIGHTED WITH GOLD depicting Bible scenes from the Old and New Testament 61 of which are by Jan Luyken. A Large Paper Copy. For earlier editions: Graesse IV p. 308; Brunet III 1245-46; Klaversma & Hannema 159-164. Light rubbing to joints and edges boards just a little marked trivial foxing and faint spots here and there but A REMARKABLY FINE COPY the binding lustrous and showing little wear the paper extremely bright and fresh the margins immense and the paint and gold unusually vibrant.<br/> <br/> The marvelous illustrations of Dutch engraver and poet Jan Luyken comprise this collection of "remarkable stories" from the Bible each depicted with panoramic grandeur and enhanced with a wide range of finely applied colors and gold. Luyken 1649-1712 had written and illustrated erotic poetry as a young man but later became a devout Pietist after reading the works of German mystic Jakob Böhme. He became a member of the Baptist Church in 1673 and thereafter devoted his talents to producing religious works. The vast scenes here are notable in their scale detail and animation. There are a number of battle scenes from the Old Testament as well as dramatic depictions of the plagues and a fascinating episode from the histories of Josephus depicting Herod's soldiers being lowered down the side of a cliff in large boxes suspended from chains in order to attack the thieves hiding in caverns on the cliffside. There is a majestic portrayal of the Queen of Sheba arriving at the court of Solomon a peaceful scene of Adam naming the beasts in the Garden of Eden and a festive celebration of the Feast of Tabernacles. New Testament scenes include a terrifying final judgment a blinding conversion of St. Paul and scenes from that Apostle's travels. The engravings have one common trait: they are heavily populated whether by men or beasts and one of Luyken's special gifts is to render every person in the crowd as an individual with his own concerns and reactions to the events at hand. The engravings while already greatly pleasing in black and white are even more stirring and memorable when seen in the full color and gold used here. Expansive tableaus are given greater definition and clarity and events such as Noah’s flood and the destruction of Sodom and Gomorrah are rendered even more successful in expressing the awesome powers of the Almighty. The illustrations are quite definitely Protestant in point of view: there are no depictions of the Virgin Mary not even a Nativity scene. Except for engravings of the Annunciation to the Shepherds and the Massacre of the Holy Innocents the illustrations focus on Jesus as an adult and on the work of his Apostles spreading the gospel. There were earlier editions containing Luyken's 62 large plates which originally appeared without text as here in 1708 and they appeared again with a text in Dutch in 1729 and in French in 1732. Copies of these editions appear with some regularity in the marketplace but are usually not colored and are often found incomplete or with other major condition issues. We can trace no record in RBH or OCLC of a copy of our 1790 edition and we can find nothing that compares with the quality of coloring and grand height attained by the monumental margins seen here. H. Keyzer, H. Gartman en W. Vermandel unknown
1745855Regensburg: H. Lentz and H.G. Neubauer et al. 1745. First edition. Very good. <p>Mezzotint engraving printed in color finished by hand 12.75 x 8.25 inches platemark approx; 15.25 x 9.5 inches overall approx. Left edge retains sewing stabs neatly disbound in some earlier century else a very vibrant example of a hand colored mezzotint engraving. The individual botanicals in this plate are: a. Phaseolus flore puniceo b. Phaseolus major c. Phaseolus orthocaulus d. Phaseolus Indicus e. Phaseolus major seu Faba purgatrioc. <br /> <br /> Drawn from Johann Wilhelm Weinmann's Phytanthoza Iconographia this dazzling print is part of a riotous celebration of plants trees shrubs herbs flowers fruits mushrooms and trailing vines. Printed in color and delicately finished by hand the series stands among the earliest triumphs of color printing and marks the first published collection to feature the work of George Dionysus Ehret one of the eighteenth century's most admired botanical artists. Other artists/engravers included in this work are Bartholomaus Seuter Johann Elias Ridinger and Johann Jakob Haid. In Great Flower Books Satcheverall Sitwell refers to this set as the "pioneering work of botanical prints engraved to be inked in color."</p> . <p>NISSEN2126. DUNTHORNE 327. SITWELL/BLUNT Great Flower Books p. 151 166.</p> . H. Lentz and H.G. Neubauer, et al. unknown
176019321760 Couverturerigide Dijon, François Desventes, 1760. Un volume in-24 étroit (11,5 x 6 cm), reliure plein maroquin lavallière de l’époque, plats ornés d’une riche plaque dorée, dos lisse orné de fleurons dorés, tranches dorées (DUBUISSON), charnières légèrement fendillées en pied. Frontispice, titre gravé, 13 feuillets non chiffrés, 198 pages, papier jauni. Huitième et dernière année parue. Le frontispice représente le portrait de Charles de Bourbon, prince de Condé, dans une composition allégorique gravée par Fessard d’après Saint-Aubin (SAFFROY 353). Conçu à la fois comme un guide pratique, un outil administratif et un précis de géographie locale, cet almanach propose une « Division générale de la Bourgogne » détaillant ses différentes contrées (Dijonnois, Autunois, Châlonnois, l'Auxerrois...), ses bailliages, ses cours d'eau (la Saône, l’Ouche, la Tille) et ses ressources. Véritable miroir de la société bourguignonne du XVIIIe siècle, il recense également les membres de la noblesse locale, le clergé, les parlements, ainsi que les foires et les aspects économiques de la région. Bon exemplaire dans une belle reliure.
1745199414London. 1745-1747. Ten copperplate engravings arranged as storyboards on two leaves 21 x 16.5 cms border; 26 x 20 cms sheets including captions and platemark sheets a little age-toned with faint offsetting but in very good condition. Each of the ten engravings shows a stage in the production of silk. The two leaves of engravings Plates 25 and 26 were published as part of Du Halde's account of China included in an important 18th century compendium of travel writing: "A New General Collection of Voyages and Travels" known as the Astley Collection for its publisher. . hardcover
17481046453[I+II] Frankfurt/Main, auf Kosten des Autors. - [III] Frankfurt/Main, ohne Verlag [I+II] 1743. - [III] 1748. [I+II] Titel, (14), 288; 366, (8) Seiten. - [III] Titel, (14), 246, (8) Seiten. - Mit einigen Kopfstücken, Vignetten und Initialen in Holzschnitt, 8° (18 x 10,5 cm). Pergamentband der Zeit mit fünf durchgezogenen Bünden, goldgeprägtem orangefarbigem Rückentitel und blau gefärbtem Schnitt.
1800ABC_49334Antwerp 1800. 16mo ca. 13 x 9.5 cm. Johannes Carolus Craen or his son-in-law Hendrik Leys Early 19th-century gold-tooled red sheepskin with a general title in Dutch lettered in gold on the spine gold-tooled board edges marbled endpapers gilt edges. 351 devotional engravings including 8 repeats printed on wove paper engraved by several 17th-century engravers printed from the original copper plates at the end of the 18th- or beginning of the 19th century. 351 ll. Intriguing and extensive collection of 351 devotional prints comprising ca. 16 print series and several separate engraved title pages of print series and some separate devotional prints. Each print shows a small engraving depicting a religious theme for almost every occasion and especially for the important days of the liturgical year. These prints were engraved and published in Antwerp which is considered to be the centre of production and publishing of devotional prints in the 17th- and 18th centuries. The majority of these praying cards were originally published by Franciscus Huberti or Frans Huybrechts 1630-1687 who seems to have been the first engraver and publisher to produce these types of works in Antwerp. He was mostly known for publishing so-called "gerijmde gebedsprentjes" rhymed devotional prints/prayer cards. After his death his plates were sold and used by others to republish the prints for example by Michiel Bunel 1670-1739 and later by Carolus Craen 1733-1799. Craen's plates were next used by Hendrik Leys d. 1853 not to be confused with the Antwerp painter Henri Leys. In 1805 Leys had married Craen's daughter and took over the publishing and printing business of his mother-in-law immediately after. He mostly continued publishing prints using older copperplates that were already part of the business since his father-in-law ran it and was one of the last printer-publishers to use copperplates in a time when lithography became more and more popular. At the end of his life Leys owned approximately 12000 usable copperplates made or sold by a whole host of 17th- and 18th-century engravers and/or publishers of devotional prints such as the Wierix-Barbé family Huberti Galle Van der Sande Bunel and the Van Merlen family. Cornelis van Merlen 1654-1723 was a publisher and engraver active in Antwerp. The Van Merlen family were important engravers and publishers of devotional engravings in Antwerp during the 17th- and 18th centuries. In 1687 he married Sara Maria Huybrechts who was the daughter of publisher and engraver Gaspar Huberti and Sara Voet and niece of the Antwerp engraver Franciscus Huberti 1630-1687 whose engravings make up the majority of the present work. The majority of the present work is most likely made up of Craen's or Leys' prints of the plates by Huberti Jacobus de Man Anton Wierix the Van Merlen family of engravers and others.A complete list of contents is available upon request.With a manuscript owner's inscription on the verso of the first flyleaf "Mimi Josephine Cogels 1822" a manuscript inscription on the recto of the second flyleaf "le 1er Avril 1822 1831" and some faint pencil annotations on the verso of the second to last flyleaf and the recto of the final flyleaf. The binding shows some slight rubbing the front joint is slightly weakened without any loss lacking the fore edge margin of the engraving of S. Gregorius no. 351 not affecting the engraving possibly lacking the 352nd engraving only a stub of paper remains possibly lacking the engraving of S. Ioannes Neponucenus by C. van Merlen a few leaves show minor marginal tears not affecting the engravings and with a brown stain on the final two flyleaves. Otherwise in very good condition.l Thijs A.K.L. Antwerpen: internationaal uitgeverscentrum van devotieprenten 17e - 18e eeuw Leuven 1993; Miscellanea Neerlandica 7 passim; cf. for the publishers see: https://archief.museumplantinmoretus.be/doc/au::108950 Huberti; https://archief.museumplantinmoretus.be/doc/au::109845:1 Craen; https://archief.museumplantinmoretus.be/doc/au::109887 Leys. unknown
1750A163Paris, s.e., s.d. (vers 1750) ; 250/325 mm, 1 pp., une feuille. Carte provenant certainement d'un livre de voyage du XVIIIème siècle. Bon état.
1750A157Paris, s.e., s.d. (vers 1750) ; 255/195 mm, 1 pp., une feuille. Planche provenant apparement d'un livre de voyage du 18ème siècle. Bon état.
1750A158Paris, s.e., s.d. (vers 1750) ; 255/195 mm, 1 pp., une feuille. Planche venant certainement d'un livre ancien de voyage. Bon état.
1750A164Paris, s.e., s.d. (vers 1750) ; 165/175 mm, 1 pp., une feuille. Planche provenant très certainement d'un livre de voyage du XVIIIème siècle. Bon état.
1750A159Paris, s.e., s.d. (vers 1750) ; 255/195 mm, 1 pp., une feuille. Planche qui provient vraisemblablement d'un livre de voyage du XVIIIème siècle. Bon état.
1750A160Paris, s.e., s.d. (vers 1750) ; 255/195 mm, 1 pp., une feuille. Plan provenant certainement d'un livre de voyage du XVIIIème siècle. Bon état.
1750A170Paris, s.e., s.d. (vers 1750) ; 220/160 mm, 1 pp., une feuille. Planche provenant certainement d'un livre de voyage du XVIIIème siècle. Bon état.
1750A172Paris, s.e., s.d. (vers 1750) ; 165/175 mm, 1 pp., une feuille. Vue provenant certainement d'un ouvrage de voyage du XVIIIème siècle. Bon état.
1780A1819S.l., s.e., s.d. (vers 1780) ; 120/225 mm, 1 pp., une feuille. Gravure issue d'une suite de Jacques Callot représentant la passion. Bon état.
1750A1820S.l., s.e., s.d. (vers 1750) ; 120/225 mm, 1 pp., une feuille. Gravure issue d'une suite de Jacques Callot représentant la passion. Bon état.
