GILL EricABAA
125 résultats
1934604838<p>1934. "Eric Gill" in black fountain pen ink Jerusalem June 13 1934. 8" x 10". 1 page recto only. Very good. To Mr. Sutcliffe: In full: "Many thanks for your letter of June 4. I shall be back home in July & will come and see you about the matter as soon as possible. . ." Probably the London book binder George Sutcliffe.</p> unknown books
193117082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society.<br/><br/>Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments.<br/><br/>___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon.<br/><br/>___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight.<br/><br/>___CITATION: Gill 22. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1970011151Barre MA: Barre Publishers 1970. 1st Edition Lim. Hardcover. VG. This one of 100 copies that has a suite of single-sheet engravings each signed by the artist in envelope on pastedown at rear of book not one of the 1000 as usually seen. Quarter leather over marbelized boards which is slightly sun-faded else near fine. Signed by the artist on colophon. Barre Publishers hardcover books
1993130195London England: British Museum 1993. Softcover. VG slight bends at top of spine and lower corner. White wraps BW pictorial. 61 pp. Profuse BW illustrations. Catalogue of a touring loan exhibition at Glynn Vivian Art Gallery and Museum Swansea 13 March-24 April 1993; Ashmolean Museum Oxford 25 May-18 July 1993; National Gallery of Scotland Edinburgh 7 October-19 December 1993; and Whitworth Art Gallery Manchester 14 January-5 March 1994. Includes works by Jules Dupre Henri Harpignies Jules Michelin Adolphe Appian Charles Jacque Paul Huet Daubigny Rousseau Millet Corot many others. British Museum paperback books
1964240569Iowa City: Printed for the author at The Stone Wall Press 1964. Hardcover. 20p. 8x5 inches landscape layout preface woodcuts tissue guards rubricated title page #169/250 limited first edition thus in sewn blue boards and gilt. Printed for the author at The Stone Wall Press hardcover books
19961249563Washington DC: Sasakawa Peace Foundation USA 1996. First Edition. Octavo; VG/no-DJ slim foldout in slip cvr; spine purple w/white txt some wear/aging; foldout: no binding; pgs. have some wear/aging otherwise in very good cond. 9pp 8 prints. Art Collections Shelved in Netdesk office Ephemera box C. 1249563. Shelved Rockville Bookstore. Sasakawa Peace Foundation USA unknown books
191819071903Ditchling Sussex: Printed at the Ditchling Press by Douglas Pepler 1918. First and Limited Edition. Wraps. Good . Gill Eric and Beedham R. John. One of 240 copies duodecimo size 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill 1882-1940; a highly regarded printmaker sculptor and typographer as well as a complicated man Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press as well as with Pepler under the imprint of the St. Dominic's Press.<br/><br/>An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green 1872-1945 who like Gill and Pepler was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I" no further volumes were issued.<br/><br/>___DESCRIPTION: Brown paper wraps black lettering on the front wrap fore- and bottom edges uncut title page with black-and-white wood engraving a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill ten wood engravings by R. John Beedham; Caslon O. F. type Batchelor handmade paper duodecimo size 7.75" by 5" pagination: i-iv v-xvi 1 2-110 one of 450 copies this number 161.<br/><br/>___CITATION: Better than good with clean wraps a strong square text block the interior is clean and bright and entirely free of prior owner markings; overall minor edgewear to the wraps some loss to the paper at the spine exposing parts of the gatherings however text block still solid small loss to the bottom fore-edge corner of the title page.<br/><br/>___CITATIONS: Gill no. 269; Taylor and Sewell no. A31.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Printed at the Ditchling Press by Douglas Pepler unknown books
1733140941304London: Aeneis Tabulis Incidit Iohannes Pine 1733. First Edition. Near Fine. 1733 1737. Two volumes. First edition first issue with "post est" error in the Caesar medallion on page 108 of Volume II. In a lavish full brown morocco binding with five raised bands and ornate gilt stamping to spine borders on covers wide turn-ins and beautifully patterned endsheets; all edges gilt. Near Fine with a light amount of rubbing to joints spines lightly faded a scuff to the front cover of Volume II and small former owner bookplates of noted collector Abel E. Berland to the front pastedowns. Pine's Latin text was based on Talbot's 1699 edition and is remarkable for being entirely illustrated with engraved copper plates throughout the text. Aeneis Tabulis Incidit, Iohannes Pine unknown books
14442Horse Saddle Prints Published in 1763 Original engraving from: Diderot:Recueil de Planches sur les Sciences les Arts liberaux et les Arts mechaniques Paris France Published: 1763 Sheetsize: 39 x 26 cm. unknown books
14441Lot of 2 Original engraving of Horse Saddle Printsfrom: Diderot: Recueil de Planches sur les Sciences les Arts liberaux et les Arts mechaniquesPublished: 1763 Sheetsize: 39 x 26 cm. Very good condition. unknown books
1858008984New York: Robert Carter and Brothers 1858. Presentation binding of dark blue morocco grained cloth beveled edges the covers ornately blocked in gilt and blind the back intricately gilt all edges gilt yellow end papers.The binding not signed at rear paste down the small ticket of Leighton Son & Hodge bookbinders of Shoe Lane London indicating almost certainly the work of John Leighton the most prolific designer of the Victorian period. The 50 illustrations engraved by Dalziel Brothers J.W. Whymper & W.L. Thomas and printed by R. & R. Clark Edinburgh. 2 xxx 9-188 1 advert pp. Near Fine recently expertly rebacked with original spine piece onlaid corners refreshed. Presentation gift inscriptions front end page -"Jane G. Morgan from her Sister Lauretta. Dec. 25th 1857. Given under peculiar circumstances to her friend Jennie W. Baird. Sunday April 11 1858". Laid in is a period gift envelope with one sheeted folded to make a 4 page note addressed to Miss Jennie Baird - Present dated Wednesday May 14th and signed Sincerely L. L. Watson. The letter explains the "peculiar circumstances" of the gift - Aunt Let Lauretta is on her deathbed and is gifting this lovely book and a bar of soap to her friend Jennie whose gifts of flower bouquets have cheered her in her demise - "God's flowers Dear dear Jennie; oh that the graces of the spirit may bloom in her heart." The final 2 end pages bear small pin holes from where the letter was pinned in at one time. A beautifully bound book with interesting period provenance RARE in current commerce last in at auction 1916 RBH. . First American Edition. Morocco Grained Cloth . Near Fine. 8vo - over 7¾" - 9¾" tall. Robert Carter and Brothers Hardcover books
1935WRCLIT20880Np: Published by the Author 1935. Small folio. Gilt cloth. Frontis and twenty plates several on folding sheets. First edition. One of only 60 numbered copies printed for private distribution. Extremities a bit shelfworn but a good copy of an interesting and uncommon book. Published by the Author hardcover books
19001421261900. JAPANESE ORNAMENTAL WOODBLOCK PRINTS. Bijutsu Kai. Collection of Pictures Regarding Colour Designs for Japanese Textiles Costumes. Five parts in one volume. Five folding plates and 18 full-page coloured woodblock prints per section for a total of 95 original illustrations. 8vo. 232 x 160 mm bound in Japanese accordion style with Japanese fold pages and silk-thread stitched spine in new linen cloth folding box with leather spine label. Kyoto: Geisodo ca. 1900. A superb set of this important compendium of early Japanese textile designs showing a great variety of patterns and scenes. The woodblock prints are often exceptional Japanese images very much in the sabi-wabi tradition. Not in Hillier The Art of the Japanese Book 1987. hardcover books
1259London. Hamlyn. 1997. 4to. Small and square quarto hardcover tight binding bright and fresh pages. Hamlyn. Binding: Black boards with white titles. Hard Cover : First Edition. Condition: Fine/FineDescription: 4to - over 9¾" - 12" tall 97 pages very clean bright and tight. Superb full colour full page illustrations throughout. No inscription or marking. D/j still has price corner. Black boards with white titles. A lavish production tracing the development of this art form. Outstanding color throughout. 9.6 x 9.2 Inches; 96pp pages. Fine. unknown books
1247Philadelphia. Philadelphia Museum of Art. 1973. Large 4to. A collectiobn of 18th and 19th Century Japanese Woodblock Prints in the Philadelphia Museum of Art. Paperbound. unknown books
1924WRCLIT61967New York: The Grolier Club 1924. xiv89pp. plus frontis and 28 plates. Large octavo. Boards paper spine label. Extremities shelfworn with some chipping to spine extremities internally near fine. First edition board bound issue. One of three hundred copies printed at the Gilliss Press. 125 items were exhibited with extensive annotations including biographical information on the artists. The Grolier Club hardcover books
1962WRCAM36263San Francisco: Printed for the Book Club of California 1962. 8pp. followed by twenty-eight full-page colored prints each print preceded by a leaf identifying the artist and a leaf of explanatory text. Folio. Original half cloth and patterned paper boards paper label. Fine. In a plain red dust jacket slightly faded. One of 400 copies printed by the Grabhorn Press with the prints culled from the private collection of Edwin and Marjorie Grabhorn. The Grabhorns produced three such books the first focusing on figure prints and the second on landscape. This final volume in the trilogy centers around portrait prints or prints with people as their main subject. GRABHORN BIBLIOGRAPHY 638. Printed for the Book Club of California hardcover books
51University of Wisconsin - Madison. 1975. Essay by Ben L. Bassham. Exhibition catalog with list of lenders. Descriptive catalog of the complete etchings of John Taylor Arms. 8mo. 74 pp. Paperbound. unknown books
18051317131London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins; shelved case 7. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Shelved Dupont Bookstore. William Miller; The Letter Press by James Ballantyne hardcover books
18298060London: Jones 1829. Hardcover. Fine. Rebound in maroon cloth with black paper spine labels stamped in gilt. Fine condition. Minor foxing otherwise fine condition. 70 pages of text and 38 pages of steel engravings two illustrations per page in the first title. 52 pages of descriptive text and 40 pages of steel engravings two illustrations per page in the second title. Altogether 156 steel engravings on 78 pages. <br/><br/> Jones hardcover books
1929136253London: The Blackmore Press / Harper and Brothers 1929. First Edition. First Edition preceded by a French edition titled "Le voyageur sur la terre" 1927. One of 350 copies this being No. 56 printed on watermarked Rives vellum. Quarter-bound blue cloth cream calf gilt rule top page edges and spine titles. <br/><br/>From the collection of noted bibliophile Ruth Helen Kaufmann with her bookplate on the front pastedown. <br/><br/>Near Fine in a Very Good plus example of the scarce dust jacket housed in a Very Good example of the original slipcase. Jacket spine toned with a small puncture and brief chipping at the extremities. Slipcase extremities faded long split to one bottom edge. The Blackmore Press / Harper and Brothers unknown books
1929CNJL722Newtown Wales: The Gregynog Press 1929. Limited Edition. Hardcover. Fine. Bray Horace Walter. Two volumes complete no. 34 of 285 octavo size 488 total pp. The essays in this collection were first published in "The London Magazine" and brought Charles Lamb 1775-1834 fame and popularity; his essays have an easy-going and conversational style that appealed to his early readers and they roam through a variety of subjects all down-to-earth and taken from Lamb's actual experiences. This lovely two-volume set printed by The Gregynog Press in Wales comprises Lamb's essays collected under the name "Elia" a kind of pseudonym that refers to Lamb himself.<br/><br/>The essays are illustrated with wood-engraved headpieces by Horace Walter Bray whose attention to minute details and charming figures complements the gentle humour of Lamb's writing; overall a fine edition of one of England's foremost essayists.<br/><br/>___DESCRIPTION: Full grey cloth gilt lettering on the spines bevelled boards fore- and bottom edges rough cut both volumes with black-and-white wood-engraved frontispiece by Horace Walter Bray both volumes with black-and-white wood-engraved headpieces by Bray throughout; octavo size 9.25" by 6.25" pagination: Volume I: i-iv v-vii viii 1-265 266 1 colophon; Volume II: i-iv v-vii viii 1-219 220 1 colophon one of 285 copies this number 34. Bookseller's ticket "Philip C. Duschnes / Rare Books / New York" on the rear paste-down endpaper of Volume II. In a slipcase covered with brown paper with a cream paper spine label with black lettering and ruled borders and the edition number 34 written in pen on the bottom board.<br/><br/>___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; front paste-down endpaper of Volume I is slightly wrinkled else fine. The slipcase is almost very good still strong and sturdy clean overall with some ares of soiling some overall edgewear including a split at the seam where the top of the box meets the spine and a small tear to the spine near the bottom of the box. <br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Gregynog Press hardcover books
19691317567Cambridge: The Limited Editions Club 1969. 1083/1500. Hardcover. Large Octavo; pp 299; VG/no-DJ; bluish green spine with gilt text; signed limited copies this is no. 1083 of 1500; black slipcase has lightly rubbed exterior; intact panels; 1/4 bound leatherette spine; cloth covered boards show little wear; strong boards; text block has slight wear to exterior edges; interior clean; illustrated; signed by the illustrator;. 1317567. FP New Rockville Stock. The Limited Editions Club hardcover books
196012503Rutland VT: Charles E. Tuttle Company 1960. Used; Like New/Used; Like New. Folio original half-linen and boards pictorial dust jacket. Third Printing.<br><br><br />Association copy with a warm 1963 inscription from Peter Paul and Mary's Peter Yarrow to actor Theodore Bikel. The inscription reads: "May '63 For Theo In remembrance of 'Theo Bikel - he comes to Cornell - come & see Theo Bikel - ' and on your birthday Warmest regards signed Peter Yarrow". Peter was a 1959 graduate of Cornell University. Bikel's bookplate on the front pastedown. Jacket price clipped some light edge wear; volume fine. Charles E. Tuttle Company hardcover books
200827585Mount Kisko NY: Haybarn Editions 2008. First edition. Loose Sheets. Fine. Artist / Poet collaoration. Gorgeous fine press edition with texts by Jabes translations by Rosmarie Waldrop and five original prints by Ed Colker. The texts typeset in Palatino were printed letterpress by Bradley Hutchinson and the lithographs were printed by Maurice Sanchez at Derriere :'Ecole Syudio. The images were additionally colored as pochoir by the artist. Loose sheets in printed white folder with cutout showing an actual stone fragment from the Negev Desert. All together laid into a printed cloth clamshell box. Produced in a slender edition of 50 copies SIGNED BY WALDROP AND COLKER. This is copy A/P I artist proof. All elements in fine condition. Prospectus laid in. Haybarn Editions unknown books
