125 résultats
1946002383Paris: Edition de la Galerie Charpentier 1946. Limited First Edition. Folio with slipcase. Near Fine. Exemplaire imprime pour Madame Fernand Leval and thus presumably among the small number of copies reserved for collaborateurs of the work. Folio 33 by 26 cm. 98 1 pp. Evocative charcoal drawings by Ayme. Clean with minor wear and some sunning to the perimeter of the slipcase. <br/><br/> Edition de la Galerie Charpentier unknown books
1926176360Paris: Societe d'edition "le livre" Emile Chamontin directeur 1926. No. 10 of 20 of this edition. Paperback. VG but with soiling to covers where glassine was lacking minor age toning to extremities of some pages not bad overall a tight copy that could have been stored better. The front cover is slightly cattywampus from the two extra sets of engravings being inserted in the front of the book as might be expected. Printed wraps with glassine remnants on inside flaps. 24 pp. 15 engravings etchings withing the text and two extra sets of these illustrations each set representing a different state are included only 20 such sets were issued of the overall edition of 430 copies. Text is in French. The book itself has been printed on Imperial Japon and the extra engraving printed on Imperial Japon and on Holland Van Gelder it appears from the colophon and limitation at the rear of the book. Quite rare as a result of this limited configuration. Each set of plates is wrapped in glassine and the extremities of these plates show age-toning or light soiling. Societe d'edition "le livre", Emile Chamontin, directeur paperback books
1960140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear.<br /> <br /> <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown books
1877005438March 1877 Meiji 10. Good. Depicting the Satsuma Rebellion. Each volume 17.5 by 11.5. Together 32 pp. 31 of which have woodblock prints. The Satsuma Rebellion was the last major uprising of Samurai against the newly formed Meiji government. The rebellion was the subject of the Tom Cruise movie "The Last Samurai". Covers with brightly colored woodblock prints. <br /><br /> books
188318111601Paris: P. Ducrocq 1883. Hardcover. Very good. Edmond Morin; Gerlier; Fortune Meaulle. Octavo size 222 pp. in French. "Les Accidents de l'Enfance" is a series of stories depicting children in horrible accidents framed as a warning and advice to children to listen to their parents and to not get into trouble. The stories are accompanied by a variety of illustrations of the accidents described in the text by French illustrator and engraver Edmond Morin 1824-1882 who illustrated many books and periodicals such as "Children's Week" French illustrator Gerlier and Fortune Meaulle 1844-1901 a French engraver best known for providing engravings for Victor Hugo's "The Toilers of the Sea" based on drawings by Francoise Chifflart 1825-1901. <br/><br/>This volume has a lovely cloth binding with bright gilt floral patterns on the front board; it is one of only a very few online as of this writing.<br/><br/>___DESCRIPTION: Full red cloth with title inside floral pattern in black and gilt inside gilt ruled borders on the front board gilt lettering and floral decorations on the spine black floral pattern with publisher's name inside black ruled border bevelled boards all edges gilt blue endpapers frontispiece a black-and-white illustration by Edmond Morin title page with publisher's device in black black-and-white engraved headpieces by Gerlier and Meaulle throughout black-and-white drawings by Morin throughout; octavo size 8.25" by 5.5" pagination: i-vi 1-216. Please note the text is in French.<br/><br/>___CONDITION: Volume is very good with a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; boards are clean overall with some slight soiling some rubbing to the edges of the board to the corners and to the head and tail of the spine sunning to the spine and some minor foxing to some of the interior pages. Although the exterior has some wear the interior pages are clean overall and the text block is strong with bright gilt on the front board.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. P. Ducrocq hardcover books
19876996New York: Pace Prints 1987. Softcover. VG edge-wear & scuffs to wrappers w/ a few instances of foxing. tight binding. White & yellow wraps w/ brown printing. appx. 92 pp. 55 bw plates. Introductory essay The Prints of David Smith written by Paul Cummings. Catalogue Raisonne assembled and written by Alexandra Schwarz. Some of the prints illustrated in this catalogue were made from original blocks in the Smith estate and are the only known impressions from these blocks. Includes a selected bibliography. The premier work on Smith as a printmaker. Exhibition held Feb. 27 to Mar. 21 1987. Pace Prints unknown books
1986343291986. Softcover. VG. Brown ill. stapled wraps. Unpaginated. Numerous color plates. Comprised of illustrations and artist cv. unknown books
19549027888London: Folio Society 1954. Hardcover. Fine Condition. <br/><br/> Folio Society hardcover books
19191309020Paris: De L'Art Catholique 1919. Softcover. Small quarto; pp 184; G/paperback; dark tan spine with red text; covers show age toning to exterior minor chipping to edges slight rubbing to rear; text block has deckled edges age toning to exterior edges some light foxing toward page edges otherwise interior clean; French text. 1309020. FP New Rockville Stock. De L'Art Catholique unknown books
1900D9232c. 1900. Hardcover. Very Good. Mottled cloth; oblong 170 x 140 mm; contains 50 photographs mounted direct to the recto and verso of black leaves. Most are silver prints plus a platinum a large image of breaking waves and a cyanotype; average size about 4 x 2.75 inches with some a bit smaller or larger. Backstrip torn; a few leaves detached. Taken by or related to an artist who appears to have specialized in architectural ornamentation. Includes snapshots depicting figures and buildings from different vantage points views of the studio including a close-up of drawings pinned to the wall a besmocked artist in front of an easel scenes of family a besmocked artist in front of an easel. And kittens! Plus a cyanotype of a classroom. <br/><br/> hardcover books
195551762New York: The Devin-Adair Company 1955. First Edition. Octavo. Paper-covered cloth boards in dust jacket; 220pp. Trivial spotting to top edge of textblock corners and bottom edge of boards mildly bumped else a tight clean unmarked copy. Dust jacket showing minor spotting and shelf wear including a few nicks and chips to top and bottom edges. Very Good. The Devin-Adair Company unknown books
1931135672London: Golden Cockerel Press 1931. Limited edition 360/500 copies this one bound by Sangorski and Sutcilffe. Hardbound. VG very faint evidence of small label at base of leather spine faint. Half-leather with patterned cloth-covered boards. 66 pp.6 large and small engravings. Signed by the author on the Limitation page. Very nice copy. Golden Cockerel Press hardcover books
1468Michigan. The Detroit Institute of Arts. 1990. Lrg. 4to. The Alan and Marianne Schwartz Collection. Trade paperback. In good condition. unknown books
1859833001859. COLE Joseph Foxcroft. PRINTS - BOSTON SOUTH BOSTON 1859 HANDCOLORED LITHOGRAPH BY JOSEPH FOXCROFT COLE. Boston: J. F. A. Cole ca. 1859. Image matted to 22 x 29 1/2 inches. Three spots of browning to the sky area faint arc of foxing a few more to the scenes below the main image. Main image features a main intersection of roads one signposted "G Street Ward 12". Great perspective. Very good overall. Below the title is printed: "To the citizens of South Boston this picture is most respectfully dedicated by the Artist. unknown books
2156New York N.Y. William Edwin Rudge 1940-1948. 4to. Vol.I-Vol. V. Number 1-4 of each year plus Vol. V Number 4. 1940-1948. Printed wrappers for each volume. 1st Edition. All in fine condition each year encased in a blue paper covered sleeve. Vol. I: 1940 Vol 1-4 A mutitude of articles on prints and books as well as numerous illustrations. Vol. II: 1942 #1-4 "Aristocracy in Prints" American engraver Vol. III: #1-4 1943 t. Vol. IV: 1946 #1-4Vol. V:1948 #4 only. On request I will provide a detailed list of articles included. unknown books
189340313Paris: Damascène Morgand 1893. First edition no. 571 of 550 copies on Papier Vergé of a Total Edition of 600. 675 pp. 1 vols. Thick 8vo. Bound in three quarter green morocco and marbled boards t.e.g. Fine. First edition no. 571 of 550 copies on Papier Vergé of a Total Edition of 600. 675 pp. 1 vols. Thick 8vo. Damascène Morgand unknown books
191220639Paris: Librairie Damascène Morgand Eduoard Rahir Succr 1912. First Edition #262 of350 copies signed. 1 vols. Thick 4to. Boiund in 3/4 green morocco marbled boards te.g. Some waterstaining bottom edge of last 100 pages minor else Very Nice. First Edition #262 of350 copies signed. 1 vols. Thick 4to. Librairie Damascène Morgand, Eduoard Rahir, Succr unknown books
198218894New York: Random House 1982. First American Edition. One of 500 copies numbered and signed by Pritchett. Octavo; hunter green cloth with titles stamped in gilt on spine; original paper-covered slipcase; 48pp; illus. Fine in a Very Good to Near Fine slipcase lightly sunned at the opening with old sticker residue to right side. Contains a series of engravings by Reynolds Stone entitled "The Seasons' Course" along with Pritchett's autobiographical story "As Old as the Century. Random House unknown books
372Lithographic transfer. c. 1900. Image: 10½ x 7¼. Margins: 14¾ x 11½. unknown books
1691D4443Amsterdam: Carel Allard 1691. Hardcover. Very Good. Oblong broadsheets 295 x 380. Lacking title-page and without the 22 pp. accompanying text. 20 large unnumbered engraved plates one with 4 separate scenes etched plates by HUGO ALLARD 4 signed I. VANDEN AVELE 2 signed and JAN LUYKENone signedone with 2-inch tear repaired some minor marginal wear. Original marbled wrappers old paper cover label; cloth folding case. VERY RARE print series illustrating the history of the ascension to the throne of WILLIAM III 1650-1702 and MARY II 1662-1694. The series begins with the Seven Bishops being brought to the Tower of London with a view up the Thames followed by the birth of the Prince of Wales on 10 June 1688 through the entrance of William and Mary into The Hague on 5 February 1691. The series contains several scenes devoted to the festivities surrounding their coronation in London on 11 April 1689. This set of the engravings correspond to Landwehr and appear to have been issued in its original binding without the text; the title-page may have been removed or was not included. Muller considered the 20 plates as a series although he had not seen a bound set with title and the text. Landwehr Splendid Ceremonies 143; Muller 2692. <br/><br/> Carel Allard hardcover books
1958263089New York: Thomas Yoseloff Inc 1958. Signed. Hard Cover. Very Good binding/Very Good dust jacket. #23 of 100 copies Signed by Robert Graves and illustrator James Metcalf. The dustjacket presents nicely with small chip at the top of the spine and two small chips at the top of the rear panel. There is modest loss to the bottom of the spine and a piece at the bottom has been reattached from the verso using heat-set tissue. Very Good binding / Very Good dust jacket. Thomas Yoseloff, Inc unknown books
1961264735London: Folio Society 1961. Hardcover. 228p. cloth-covered boards with gilt title and decorations 5.5x8.75 inches map endpapers illus. very good condition in like slip case. On the Spanish territory which is now Colombia Ecuador Panama and Venezuela. Folio Society hardcover books
1810D7118London: T. Cadell and W. Davies 1810. Hardcover. Very Good. Contemporary gilt-ruled calf gilt-stamped lettering in red morocco spine label; 12mo 98 x 158 mm; pp. 8 167 with numerous engravings by Clennell after drawings by Stothard. Backstrip perished and label chipped; boards a bit scuffed and bumped. Internally quite nice -- contemporary inscription on verso of FFEP a little tanning here and there but overall bright and clean. <br/><br/> T. Cadell and W. Davies hardcover books
1961WRCLIT70972Milan: Galerie Schwarz 1961. Original monochrome etching plate size 11 x 14.5 cm on 26.5 x 19.5 cm sheet. Mounted in stiff board and acetate mat with a slight skinning at upper spine-edge with printed caption on verso. Fine. One of sixty numbered copies in addition to twenty-five copies numbered in Roman signed and dated in the margin by the artist. Printed in Paris in the Atelier of Georges Leblanc on hand made paper from Papeteries de Rives. Scanavino 1922 - 1986 who after a figurative start to his work rapidly progressed with a personal aesthetic partaking of elements of cubism. He took part in several exhibitions including the Venice Biennale 1950 1954 1958 and 1966. He also was the subject of several solo exhibitions starting in Genoa in 1948 through to his final exhibition in Rome's Quadriennale in 1986. This print was published as an element of Galerie Schwarz's series L'AVANGUARDIA INTERNAZIONALE. Galerie Schwarz unknown books
1974252078Norwalk: Heritage Press 1974. Hardcover. xxvii 313p. introductionillustrations very good Heritage Press edition in powder blue cloth boards and plain cream slipcase Sandglass newsletter laid-in ownership bookplate of Jane Trahey affixed on pastedown endpaper. Trahey was the first woman to own and run an advertising agency and was a writer as well. Her semi-autobiographical book was the basis of Hayley Mills "The Trouble With Angels Heritage Press hardcover books