57 résultats
1660704262Parisiis, Sebastianvm Cramoisy, 1660. 8 Blätter, 1006 Seiten, 1 Blatt. Ganzpergament der Zeit mit handschriftlichem Rückentitel. Einband an den Deckelkanten mit Beschädigungen. Vorsätze gelöst. Papier teils stärker gebräunt. Unbeschnitten.
1640biblio319Antwerpt ca1640. <p>Portrait de Camillo Borghese Pape Paul V de 1605 à 1621 feuille de 222x160mm cuvette 170x115mm petites taches de rousseurs en marge trés bel état Non répertoriée</p> unknown
1700229131700. Cross-DressingWomen Military Joan of Arc engraving archive depicting the French military leader and martyr Jeanne d'Arc in iconic images of battle persecution and faith ca. 1770-1850s. The prints focus on Joan's leadership during the Hundred Years' War and on the gender-bending aspects of her identity and dress that contributed to her 1431 trial for heresy. Particular attention is given to her appearance in armor while directing troops or appearing before political authorities. These visual depictions emphasize Joan's adoption of male military clothing an attribute which has lead modern scholars of LGBTQ history to celebrate the saint as a queer and proto-transgender figure.<br /> <br /> Archive of eight engravings and proof impressions executed primarily in copperplate and steel engraving processes during the eighteenth and nineteenth centuries. The images depict several key episodes associated with Joan of Arc's historical narrative including portraits showing her wearing armor and holding a sword scenes of military command in which she appears mounted or directing troops and representations of her recognition by Charles VII and entry into the city of Orléans. A prison scene portrays Joan during captivity prior to her execution in 1431 emphasizing the moment when her continued cross-dressing became a major point of contention during her heresy trial. Several engravings were produced for historical publications and illustrated histories circulating in the eighteenth and nineteenth centuries including editions associated with François Guizot's History of France reflecting the renewed interest in Joan of Arc as a figure of national history. Archives includes:<br /> <br /> 1 Engraved for J. Sydney's History of England. The Maid of Orleans Receiving the Sword of St. Catherine. England c.1770-1820. A fine copper engraving framed within an elaborate Rococo border showing Joan receiving the sacred sword of St. Catherine an episode derived from medieval hagiography rather than strict historical documentation. Joan is mounted on horseback surrounded by armed men and clergy with a fortified tower rising behind her. The ornamental border and English publication context reveal the 18th-century Protestant fascination with Joan as a paradoxical figure: a warrior-prophetess both admired and viewed with suspicion.<br /> <br /> 2 Anonymous Artist. Va va fille de Dieu; délivre la France! Vision Scene. France c.1820-1850. A preparatory hand panciled engraving proof depicting Joan of Arc's divine revelation framed within penciled border guidelines. An angel descends from the clouds carrying a banner while pointing downward toward Joan who kneels in astonishment as cherubs hover above. The inscription "VA VA / FILLE DE DIEU / DELIVRE LA FRANCE!" anchors the scene as an allegory of Joan's heavenly mandate.<br /> <br /> 3 Henry Richter after. Joan of Arc Recognizes the King. London: The London Printing and Publishing Co. mid-19th century. A steel engraving portraying Joan's revelation of Charles VII at Chinon the pivotal moment when she identifies him despite his attempt at disguise. The richly detailed crowd scene and Gothic architectural setting emphasize both spectacle and legitimacy visualizing Joan as divinely guided rather than politically manipulated. <br /> <br /> 4 G. Greatbach engraver; after a painting by J. Opie R.A. Joan of Arc Declaring Her Mission. London: The London Printing and Publishing Co. Ltd. mid-19th century. Joan is shown making a dramatic gesture as she proclaims her mission before astounded soldiers and clergy. The engraving captures the tension between gender expectations and prophetic authority: Joan's outstretched arm determined expression and illuminated figure contrast with the skeptical figures behind her. <br /> <br /> 5 E. Scriven engraver. Joan D'Arc. London: H. Moore Sons & Co. mid-19th century.An engraving presenting a romanticized half-length portrait of Joan of Arc in armor holding a sword upright while gazing serenely into the distance. Behind her appear faint bystanders rendering her both an individual and an emblem of national deliverance. <br /> <br /> 6 Entry of Joan of Arc into Orléans. From Guizot's History of France. Paris/London c.1840s. A sweeping steel engraving of Joan riding triumphantly into Orléans accompanied by monks soldiers and citizens. The composition foregrounds her as a mounted military leader sword raised while crowds kneel and look upward in awe. Johannot's design visualizes Joan as a unifying national leader.<br /> <br /> 7 G. Stodart engraver; after H. E. Selous. Joan of Arc and Charles. London: Virtue & Co. mid-19th century.A dramatic steel engraving showing Joan standing beside Charles VII directing his attention toward the field of battle. The caption references their military collaboration. The interplay of armor banners and a stormy sky underscores Joan'smilitary might. <br /> <br /> 8 T. Brown engraver; after E. Corbould. Joan of Arc in Prison. London: The London Printing and Publishing Co. mid-19th century. A somber interior scene depicting Joan in captivity clasping her hands as guards and clergy surround her. Corbould emphasizes her steadfastness and the emotional gravity of her final days. Produced for an illustrated royal history King Henry the Sixth the image cast Joan as a martyr of conscience.<br /> <br /> In recent decades scholars in LGBTQ history and gender studies have increasingly examined Joan of Arc as a proto-queer icon who challenged traditional ideas of gender identity and expression. Medieval trial records document that Joan consistently wore male military clothing during her campaigns and continued to wear such clothing during imprisonment a choice that became a central accusation in the charges brought against her in 1431. Some historians and queer theorists have interpreted Joan's refusal to abandon male dress even under threat of execution as evidence of a personal gender identity that did not conform to contemporary expectations for women. Joan of Arc has been cited as an example in Medieval history of an individual navigating queer identity long before the modern understanding of terms like trans non-binary or genderfluid. <br /> <br /> Light toning and mild foxing to some edgewear and staining present to some margins. Prints are clear and paper crisp. Overall very good condition. A compelling and diverse archive of eight Joan of Arc engravings and artistic proofs representing two centuries of European historical illustration and devotional imagery. The collection captures Joan's transformation from medieval visionary to modern nationalist and feminist icon. unknown
1635993DG(1635). Kuperstich von Matthäus Merian. Blattgrösse: 28,5 x 37 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 993DG Bildgrösse: 40 x 49 cm.
170018867Utrecht: Anthony Schouten; Hermannus Ribbius 1700. Second edition. Hardcover. g to vg. Folio 15 6/8 x 10 2/8". 42 844 36pp Index 4 845-1716 36pp Index. Text in Dutch. Contemporary blind-stamped vellum with gold lettering and tooling to spines. Raised bands. Additional engraved allegorical titles by Gilliam van der Gouwen after Wilhelmus Goeree and Philip Tideman. Title pages in red and black lettering. Decorative initials. Originally published in 1690 this work is an extensive encyclopedical study of Jewish Biblical life and times and of the Ancient Near East incl. Egypt. This complete two-volume set is embellished throughout with no less than 87 engraved plates including 29 folding and 36 in-text engravings. The magnificent engravings depict numerous Biblical scenes as well as the ancient coins of the period; the Enoch Hebrew Assyrian Phoenician Egyptian Copte Armenian and Chinese alphabets; astronomical observations; views of Jerusalem; scrolls and writing instruments; the first 13 Assyrian kings; footwear in Antiquity; mosaic floor tiles; Solomon's Temple etc. Moderate and sporadic rubbing along edges. Gold partly and slightly faded on spines. Light and minor water-staining along margin of very first leaves in first volume. Title page remargined not affecting text. Front free endpaper fly-leaf additional engraved title and title of second volume slightly and partly chipped along edges not affecting text or illustration. Very minor and sporadic foxing/age-toning throughout. A nearly fine amply-magined copy with clean plates throughout. Anthony Schouten; Hermannus Ribbius hardcover
170018870Utrecht: Anthony Schouten; Hermannus Ribbius 1700. Second edition. Hardcover. Very good-. Two volumes folio 12 6/8 x 8 1/4". Text in Dutch. 42 844 36pp Index 4 845-1716 36pp Index. 19th-century half calf over burgundy cloth with gold lettering and tooling to spines. Raised bands. Marbled endpapers. Additional engraved allegorical titles by Gilliam van der Gouwen after Wilhelmus Goeree and Philip Tideman. Main title pages in red and black lettering. Decorative initials. Originally published in 1690 this work is an extensive encyclopedical study of Jewish Biblical life and times and of the Ancient Near East incl. Egypt. This complete two-volume set is embellished throughout with no less than 87 copperplate engraved plates including 29 folding and 36 in-text engravings. The magnificent engravings depict numerous Biblical scenes as well as the ancient coins of the period; the Enoch Hebrew Assyrian Phoenician Egyptian Copte Armenian and Chinese alphabets; astronomical observations; views of Jerusalem; scrolls and writing instruments; the first 13 Assyrian kings; footwear in Antiquity; mosaic floor tiles; Solomon's Temple etc. Moderate and sporadic rubbing along edges. Binding of second volume partly water-stained. Head and tail of spines rubbed with minor closed tears. A 3" closed tear at lower margin of page 59/60 of first volume. Light water-staining along upper gutter of second volume slightly affecting text in the very last leaves of the Index. Pages somewhat rippled in second volume else a very good set. Anthony Schouten; Hermannus Ribbius hardcover
1617703323Ingolstadt, Eder, 1617. 18 Blätter, 593 (recte 584) Seiten, 28 Blätter. 1 Textkupfer und 6 nic htpag. Kupfertafeln. Schlichter Pergamenteinband der Zeit mit handschr. Rückentitel. Einband angestaubt. Buchblock mit kleinem Wurmgang im weißen Rand. Kein Textverlust.
16833999DBZürich, David Gessner, 1683. 12°. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1697770DGZürich., 1697. 4 Kupferstiche, 2 davon mit Mittelfalz. Bildformate: 33,4 x 27,7 und 36,2 x 47,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1607615104Frankfurt, J. T. Schönwetter für W. Richter, 1607. Folio. 6 (statt 10) Bl., 1188 S., 37 Bl. Index. Pergament d. Zeit (fleckig, 1 Ecke mit Fehlstelle).
16881912240864xbvkCologne (Köln-Germany), Weidmann, 1688. 1 blank sheet; I. Titlepage in red and black, with larger geographical copper engraving (world-hemisphere with all continents and zodiac-globe ornamentally surrounded, signed 'J. C. Böcklin'); (16) p. dedication and address to the readers; 856 pages, (24) p. of various Indices, 82 p. 'Notae . . .'; 1 blank sheet; II. Titlepage in red and black, with repeated geographical copper engraving, (2) p. of content, 548 pages (libri decem [+ Liber XI, see below]*); 'Eusebii contra Marcellum': 24 p. 'Variantes Scripturae ad Eusebii . . .' and 'Annotationes . . .', (10) p. 'Index', 195 pages '. . . Adversus Marcellum Ancyrae Episcopum . . . [libri tres]'; 1 blank sheet. - Full vellum-over-cardboard binding of the period over 3 stitched-through double-bands with large holograph title at spine 'EUSEBII / Praeparat. / & Demonstr. / evang.' in a brown(ed) ink of the period, all paper-edges black; large-Folio (ca. 35 x 26 x 13! cm; ca. 3,7 kg.).
1651038533Paris: Augustin Courbe 1651. 1st Edition . No Binding. Very Good. Eight Engravings From The Text Trimmed To Margins And Mounted On Two Large Sheets. Small Loss At Lower Left Corner Of "Philemon Baucis" Plate. <br/> <br/> Augustin Courbe unknown
1638193614to. Cont. marbled boards somewhat worn. Engraved title with text on verso. 2 engraved allegorical titles with portrait of Drexel with the years 1638 and 1645. Having 50 of 54 allegorical and symbolical engravings numbered 1-54 nos. 172932 a. 41 lacks. Interfoliert. Some traces of use. A few tears repaired. At the title: FL = Johan F. Lindencrone. hardcover
1664703043Stuttgart, Johannes Wyrich Rösslin, 1664. 19,5 x 12,5 x 10,5 cm. 8 Blatt, 862, 336, 272 Seiten, 21 nnr. Blätter. Schlichter Pergamentband der Zeit auf 4 Bünden.
1687703846Stutgart/ Stuttgart, Treu/ In Verlegung Paul Treuen, Buchdruckers allda, 1687. 10 nnr. Bl., 497(recte 491)S. und 3(1 gef.) Taf. 21 nnr. Bl. Register. Pergament der Zeit mit handschriftlichem Rückentitel. Oberkante Buchrücken ca. 5 mm Fehlstelle, Vordergelenk gerissen, Vorsätze erneuert, letztes Blatt im Register mit geringem Textverlust beschädigt.
1612328780Mainz, Schönwetter, 1626 & Frankfurt, Humm, 1612. I. 8 Bl., 88 S., 4 Bl. - II. 12 Bl., 302 S., 1 w. Bl.; 209 S., 9 Bl., 2 w. Bl. Pergament d. Zeit (verstaubt u. etwas fleckig, Innendeckel mit kurzen Wurmgängen). [3 Warenabbildungen]
1680703848Tübingen, Johann-Heinrich Reiß, 1680. Klein-8°. 16,3 x 9,2 cm. 221 Seiten. Mit Titelvignette in Holzschnitt. Schlichter Halbpergamenteinband. Vorsätze erneuert. Sauberes Exemplar.
160918688<p>Text in Latin. 2nd enhanced edition. Black straight-grain morocco leather over bevel-edge wood boards; gilt ruled frames on covers; brass clasps at fore edge; gilt title and rolls on spine; French Stormont pattern marbled end papers; two color print throughout; large font throughout; woodcut decorative drop-cap initials throughout. Clean covers and spine; front cover detached; light edge wear somewhat heavier at cover fore corners; brass clasps are intact and VG condition; rear cover spine and text block are tightly bound; lacking Title Page and 3 other prelim leaves ll. 7 8 1 and 4 interior leaves including 4 plates pp 56 250 264 314; ll. D4b Q5b R4b V5b; 53 intact full page copperplate engravings and 35 of 38 1/3 page engraved tailpiece vignettes range from Good but light to Fine though 1 plate has light ink attempt to cover angels privates p. 662; l. Tt1b; few light smudges interior otherwise very clean. Note that leaf 7 is lacking which has dedication or honors the pope; catchword at tail of l. 6b is 'PAV' indicating Pope Paul V 1605-1621 on missing leaf rather than Clement VIII 1592-1605 as in some copies. 23 x 17 cm; 696 pp.</p> Antverpiae (Antwerp): Ex Officina Plantiniana, Apud Ioannem Moreti (Plantin-Moretus Press) hardcover
16641961CBTiguri, ex Typographeo Bodmeriano, 1664. 8°. Titel, 3 Bl., 592, 160, 96 S. Mit gef. Konjugationstabelle. Pergament d. Zt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Titelblatt
1689703549Genf, Duiller, 1689. 5 Bl., 194 S., 4 Bl., 272(recte 172) S., 2 Bl.,3 Bl., 276, 240S. Folio. Blindgeprägter Pergamentband der Zeit auf 6 Bünden. Papier teils gebräunt. Im unteren Rand schwach wasserrandig. Die Seitennummerierung fehlerhaft aber in sich stimmig. Gute Gesamterhaltung.
169518078Utrecht, J. van Paddenburg bzw. Leiden, Haaring, 1738 u. 1695. 4to. 16 Bl., 469 S., 6 Bl.; 159 S. Pergament d. Zeit (fleckig u. verstaubt, vorderes Innengelenk angeplatzt). [3 Warenabbildungen]
169847512Amstelodami Amsterdam: Apud Abrahamum a Someren 1698. Altero Editio priori auctior & emendatior. Hardcover. good to vg. Large octavo 8 x 6 3/4". 72 344 1 40pp. Indices Errata of Vol. I 6 plates one folding; 4 345-752 60pp Indices Errata of Vol. II 14 plates one folding. Bound in full vellum. Red edges. Volume one with engraved half-title. Both title pages with publisher's device. Engraved Ex-Libris of Philipp Wilhelm Grimm father to the Brothers Grimm on verso of title page volume one. Decorative initials and headpiece. Originally published in 1680 Johannes Braun's "Vestitus sacerdotum Hebraeorum" was the standard work on Hebrew priestly vestiments; how they were produced and their ritual use. The text is accompanied with 20 striking full page one in-text engraving and numerous in-text tablets plus frontispiece by Bastiaan Stoopendaal-Schulz a celebrated Dutch engraver and mapmaker. Penciled note on "The Dress of the Hebrew Priests" on verso of engraved half-title in English. Text in Latin. Binding with light wear along edges rubbed with light line indentations. Red edges faded. First folding plate with two inch closed tear at fold near gutter light creasing at lower edge. Inked note in margin of page 384 of volume two. Some parts age-toned mostly indices. Front endpaper missing back endpaper with small chips. Binding and interior in overall good to very good condition plates very good. Apud Abrahamum a Someren hardcover
1614631558Leipzig, Grosse, 1614-16. 4to. Pergament d. Zeit (gebräunt u. fleckig, Innengelenke wurmstichig). [2 Warenabbildungen]
1691D4443Amsterdam: Carel Allard 1691. Hardcover. Very Good. Oblong broadsheets 295 x 380. Lacking title-page and without the 22 pp. accompanying text. 20 large unnumbered engraved plates one with 4 separate scenes etched plates by HUGO ALLARD 4 signed I. VANDEN AVELE 2 signed and JAN LUYKENone signedone with 2-inch tear repaired some minor marginal wear. Original marbled wrappers old paper cover label; cloth folding case. VERY RARE print series illustrating the history of the ascension to the throne of WILLIAM III 1650-1702 and MARY II 1662-1694. The series begins with the Seven Bishops being brought to the Tower of London with a view up the Thames followed by the birth of the Prince of Wales on 10 June 1688 through the entrance of William and Mary into The Hague on 5 February 1691. The series contains several scenes devoted to the festivities surrounding their coronation in London on 11 April 1689. This set of the engravings correspond to Landwehr and appear to have been issued in its original binding without the text; the title-page may have been removed or was not included. Muller considered the 20 plates as a series although he had not seen a bound set with title and the text. Landwehr Splendid Ceremonies 143; Muller 2692. <br/><br/> Carel Allard hardcover
