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190410377Good. 1904. Non-Book. Cover only. Cover is toned with a 1" tear and modest soiling but suitable for framing. 11" x 16".; Prints . unknown
190410376Good. 1904. Non-Book. Cover only. Cover is toned with chipping and light soiling in margins but very suitable for framing. 11" x 16".; Prints . unknown
190810389Very Good. 1908. Non-Book. Cover only. Cover is toned but clean bright and very suitable for framing. 10" x 14.5".; Prints . unknown
190510427Good. 1905. Non-Book. Cover only. Cover is worn with modest soiling. Rare. .; Prints . unknown
193610414Good. 1936. Non-Book. Cover only. Cover is worn at extremities and soiled. 10.5" x 14".; Prints . unknown
1944100New York: Gemor Press 1944. First edition 1 of 300. Cloth covered boards. Good. Quarto 23 x 15.6 cm; 2 blank 8 58 6 6 blank pp. Inscribed by the author on the half-title page. Comes with a prospectus which is also inscribed by the author. Pages are crisp and clean with some spotting on the end papers. Boards are faded stained and spotted. Shows wear on the edges particularly on the spine corners. Prospectus has some bent corners plus a horizontal crease.<br /> <br /> C. L. "Lanny" Baldwin was having an affair with Anais Nin when she published this book of poetry through her own press which operated from 1942-1947. Baldwin was on the receiving end of a well known scathing breakup letter which shows why she is remembered in the literary world and he is not. The engravings were done by Nin's husband. Gemor Press unknown
18601191204.29Bradbury Agnew London ca. 1860. Hardcover. Very Good. 8vo hardcover. No dj red decorative cloth. Vg condition. Later edition. with 13 hand colored engraved plates by John Leech and numerous woodcuts in text. Covers and contents clean unworn no marking or writing. Binding sturdy square and tight with no cracking at endpaper seams. 450 pp. A solid and attractive copy. Bradbury, Agnew, London hardcover
1972T1903690Collegium Graphicum Portland 1972. 1st Edition Thus. SOFTCOVER. 3 matching volumes all 8vo in patterned stiff card covers variously paginated housed in a matching card slipcase. There is some offsetting from the woodblock prints to the facing pages - presumably reproduced from the original copy used to make the facsimile __CONDITION : Spines moderately sunned else all FINE very clean and tight unmarked and unread copies all still close to new in a slightly faded but otherwise FINE slipcase. . __We always ship in PROTECTIVE CARD PARCELS Collegium Graphicum, Portland paperback
1936375753The Studio London Undated c.1936. First Edition. Hardcover. Very Good Condition. One of Holme's four classic Studio Publications on Japanese print culture presenting a finely curated suite of kacho-ga plates that helped shape early Western appreciation of ukiyo-e. A handsome volume and still one of the most approachable gateways into the field. 8 large colour plates images measuring 15 x 22 cms approx each with tissue guards and 6 pages of explanatory text. Some foxing to the paper throughout but not to the printed images though their surrounds are foxed. Printed boards covered in Japanese style paper. The spine is firm and without loss. Printed paper label to front board and spine as issued. A pleasing example on the shelf. Size: 25 x 31.5 cms. Category: Antiquarian & Rare; New Arrivals; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Studio hardcover
1987MARDERST014771James L. Weil New Rochelle New York. 1987. First separate edition. Quarto. 12 pages. Sewn wrappers. A poem of friendship from the earliest extant letter of Keats which was dated November 1815.One of fifty keepsake copies printed by Martino Mardersteig at the Officino Bodoni in a variant of the Dante type on Magnani handmade paper.Slight creasing to covers. Very good indeed. James L. Weil, New Rochelle, New York. unknown
1991RAMPANTL000801The Gruffyground Press Sidcot. 1991. First edition. Narrow octavo. pp 8. Sewn wrappers. Publisher's catalogue describing thirteen illustrated poetry books these being by Thomas Hardy Edward Thomas Thom Gunn Elizabeth Jennings Robert Graves James Reeves Peter Scupham et al.450 copies printed. On the title-page is the engraving of a polecat used for the publisher Anthony Baker's bookplate printed from the original block. Signed by Anthony Baker at the colophon most copies were not signed.Loosely inserted is a Typed Letter Signed by Anthony Baker and dated February 19th 1973: about 600 chatty words to the poet Ted Walker mostly discussing the possibility of publishing an illustrated verse bestiary.Fine. The Gruffyground Press, Sidcot. unknown
1970STEADMAN001332Steam Press London. 1970. First edition. Sheet folded twice. Broadsheet number 2. A nine line poem. Designed and printed by Ralph Steadman on Swedish paper at Steam Press.Number 24 of fifty numbered copies signed by Stephen Spender.Fine. Steam Press, London. unknown
1875037692London: The Religious Tract Society 1875. First edition undated 1875. Winter themed poetry illustrated with engravings. Emerald green cloth lettered and decorated in gilt and black 180 pages. Covers lightly scuffed with modest fraying to corners and spine ends good hinges sound text block clean pages with some light age-related speckling tiny name stamp at upper corner of title page no other markings. First Edition. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall. The Religious Tract Society Hardcover
1835006330Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. John Sartrain unknown
1868021398Glasgow / Edinburgh / London: William Collins Sons and Company 1868. Nineteenth Century Edition . Hardcover. Very Good. 11 1/8" x 9 1/4" x 2 3/4. 775 Pp. Black Morocco Spine And Tips 5 Bands Gilt Lettering All Edges Gilt. .11 18" X 9 " X 2 1/4". Shipping Weight About 8 Pounds. Frontispiece With Tissue Guards; 19 Lithograph Plates Printed In Black Peach Coloring In Various Shades A Little White Infill. Binding With Some Edge Wear But Strong Hinges Solid. Contents Clean Faint Pencil Name/Place/1890 Date On Front Endpaper No Other Names Or Marks; A Few Small Scattered Light Foxing Spots. <br/> <br/> William Collins, Sons, and Company hardcover
53137130-6Scholastic Paperbacks. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Scholastic Paperbacks paperback
64006Hamburg 1933. . Mit stumpfem weichem Bleistift ausgeführte Zeichnung die einen Blick auf die für Hamburg typische Fachwerkarchitektur des 18. Jahrhunderts gewährt; auf dem Gehsteig vor den Häusern Personen Kind mit Reif Mann mit Mantel u. Mütze. Handwerklich geschickte Studie. - Zu dem Hamburger Maler Oscar Bögel 1871-1964 siehe Vollmer; Rump Der Neue Rump u.a. - Das Passepartout fingerfleckig im Falz gebrochen; geringe Verwischung. Hamburg, 1933. unknown
54015983-75Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
54019203-75Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
14789950-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
15852718-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1357687-75Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
18885254-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
15715759-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
55105382-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
