334 résultats
1939SPENDERS007080Atelier 17 Paris & New York. March 1939. First edition. Octavo. Spender's poem ''Fall of a City'' and Louis Aragon's translation ''Chute d'une Cit�'' together with nine engravings loose within wrappers. The engravings were printed by Atelier 17 and Henri Hecht and include one with aquatint and roulette one with soft ground etching one drypoint and one etching. All are on Montval handmade paper with deckle-edges. Held within the original plain board chemise but lacking the slipcase which had a Hayter titling-piece pasted onto the front. Stanley Hayter founded Atelier 17 in Paris in 1927 and it continues to this day in Rue Didot albeit with the name changed to Atelier Contrepoint. This production was his contribution to the raising of funds to help children orphaned by the Spanish Civil War.101 numbered copies were printed for sale and 12 for the contributors. This copy is unnumbered and hors commerce marked ''h.c'' on the limitation page. Each copy including this one was signed by Spender and Aragon at their respective contribution and by each artist in the lower margin of the etched sheet.Fine in custom burgundy morocco box with ''FRATERNITY'' in gilt on the lid. Very scarce with all nine loose etchings as most sets have been broken up for piecemeal sale. Atelier 17, Paris & New York. March, unknown
1960140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear.<br /> <br /> <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
1960140946279New York: Tiber Press 1960. First Edition. Fine. First edition. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with trivial shelf wear. <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
1927355490725414London 1927. First Edition. Hard Cover. London: Published by the Fleuron Limited and printed at the Curwen Press 1927-1930. CONTAINS SIGNED WOOD ENGRAVINGS BY JOHN NASH IN VOLUME 3 AND ERIC RAVILIOUS IN VOLUME 4. Publisher's yellow brown pink or purple buckram with gilt lettering to the spine t.e.g. others uncut spines a little faded. Robert Gibbings writes on the Golden Cockerel Press Eric Gill on intaglio printing from woodblocks Paul Nash on woodcut patterns Douglas Percy Bliss on the tools of the wood-engraver etc. W A Thorpe on the Wood-Engravings of John Nash Wood and Metal in the Invention of Printing by Victor Scholderer German Woodcut Lettering by Dr. Julius Rodenberg et al. Generously illustrated with examples of the work of many of the great wood engravers of the time Eric Ravilious John Nash Tirzah Garwood Gwen Raverat Clare Leighton et al. Vol 1 yellow buckram from 1927 is # 25 of 75 copies of which 70 are for sale. Vol 2 brown buckram from 1928 is # 42 of 80 copies of which 75 are for sale. In addition to the blocks in the text there is a fold-out in collotype of woodcut wall-papers opposite page 1. Vol 3 pink buckram from 1929 is # 18 of 80 copies of which 75 are for sale and contains one of the few woodcuts to be produced in Tirzah Garwood's lifetime Vol 4 purple buckram from 1930 is # 27 of 75 copies of which 70 are for sale. A very good set. Containing signed wood-engravings by Eric Ravilious and John Nash. NB: THESE SPECIAL EDITION SETS ARE VERY RARE AS THE SIGNED ENGRAVINGS BY ERIC RAVILIOUS AND JOHN NASH ARE USUALLY FOUND REMOVED. NNB: Dustwrappers not present. Further photographs available upon request. hardcover
1916898711916. Seitei KachÅ çœäºèб鳥 Prints Bird and Flower<br /> <br /> Watanabe Seitei 渡辺çœäº also ShÅtei artist <br /> <br /> Tokyo: Okura Shoten Okura Yasugoro<br /> <br /> Taisho 5 1916<br /> <br /> Brown cloth clasped portfolio 28.2 x 38 cm. A complete collection of the 22 color prints the preface and table of contents page 24 sheets in all with a colophon label on the inside of the rear cover. <br /> <br /> A wonderful production in color woodblock of the work of the important artist Watanabe Seitei 渡辺çœäº 1851-1918. Okura Shoten was also the publisher of Seitei's other two books the 3 volume Seitei KachÅ Gafu çœäºèŠ±é³¥ç”»èœ of 1890-1 and the KachÅ Gafu èŠ±é³¥ç”»èœ of 1903 but this portfolio is by far the rarest of all his works. Prints from the series are seldom seen and much prized complete sets like this one are vanishingly rare. <br /> <br /> After studying under Kikuchi YÅsai èŠæ± 容斎 1788-1878 also known as Kikuchi Takeyasu and Kawahara RyÅhei and established artist Shibata Zeshin 柴田是真 1807-1891 in his youth he traveled to Europe in 1878. One of the early practitioners of the Nihonga 日本画 style of Western-influenced traditional painting he is primarily known for his work with bird and flower subjects which he revolutionized with his delicate and playful ability to capture the reality of color plumage and other details. <br /> <br /> Overall the condition of the covers is quite good and the prints are well printed. The heavy paper on which the prints are mounted are a bit toned but the prints themselves are quite good and clean with wonderful colors and impressions. A cornerstone of any Japanese bird and flower collection. Enclosed in a custom clasped cloth box. unknown
1992DEMO006065IStatesboro GA: The Boxwood Press 1992. First Limited edition. Hardcover. Fine. In a mahogany and copper scroll case with vertical slot and hidden crank handle; with a protective velvet cloth <br/><br/>Only 16cc.Remarkable bilingual presentation / re-interpretation of this Biblical work placing it in the the Reagan / Bush era. Illustrated with 16 color etchings by Bernard Solomon the translator and etcher. He realized there were remarkable parallels between the Biblical story of Esther and that of Anita Hill Clarence Thomas and the U.S. Senate Judiciary Committee. This interpretation unfolds sequentially as each leaf is unrolled from the 33 in. high scroll holder. The body of the scroll holder is one of the original copper plates used for the etchings which is why it is limited to an edition of only 16. The top and bottom of the handcrafted minaret-style case is finely shaped and polished mahogany by Anthony V. Mann. Designed with a hidden crank to rewind the scroll into the case. Altogether remarkable! The Boxwood Press hardcover
19401262991940. New York: Lee A. Ault & R. C. von Ripper 1940. <br /> <br /> Huge folio 50 pp. text and illustration engraved throughout on folded leaves separated with tissue guards in stiffened wrappers with an additional suite of 22 plates lacking some together in the original cloth portfolio and card slipcase. Together with seven sheets of proof plates and a folder of five related press clippings bearing the printed label of Monica McCall Inc. Wrappers lightly toned portfolio worn and splitting slipcase considerably worn and stained and lacking spine panel plates themselves are very good throughout with only a hint of age-toning to the outer margins.<br /> <br /> § Copy V signed by Von Ripper and Muriel Rukeyser one of three Rives paper with a suite of etchings on Velin de Normandie from a total edition of 67 copies. This copy belonged to Muriel Rukeyser who has extracted some of the suite of prints they now number 22 and added seven proof sheets some showing and annotating alternate inking options as well as a small collection of related press clippings gathered for her by Monica McCall her literary representative and sometime lover.<br /> <br /> An important collaboration between Rukeyser and the Austrian-born surrealist etcher Rudolph von Ripper 1905-1960 on the eve of America's entry into the Second World War. Rukeyser's poem looks to the legacy of John Brown the militant abolitionist of the 1850s and celebrates the possibility of spiritual renewal through resistance to injustice. It first appeared in the June 1940 edition of Poetry Magazine. Here the poem is fully engraved and illustrated with original etchings by von Ripper and interleaved with the etched verses of the old Civil War marching song. By the time Von Ripper was engaged on this project he was only 35 but had already fought for the French Foreign Legion been imprisoned and tortured by the Gestapo and been wounded while fighting on the Republican side in the Spanish Civil War. His direct physical experience of the rise of fascism is evident in his visceral Goya-like etchings. The series was exhibited in the Bignou Gallery in New York in 1941. A contemporary review described it is "an unusal undertaking brilliantly executed the drawings forming not so much illustrations or decorations as actual parts of the poem. Realism symbolism powerful design and dramatic presentment mark these plates which form a distinguished piece of bookmaking. unknown
196333200Iowa City: Stone Wall Press 1963 Limited Edition in slipcase beautifully printed on Rives Heavy with interleaved illustrations on Mulberry paper one of 60 deluxe copies of a total print run of 330 bound in quarter leather and illustrated boards signed by both Roethke and engraver Roy this copy number X one tiny nick to leather at spine tail a beautiful copy of this justly-celebrated production printed by Kim Merker at the Stone Wall Press; from collection of Jenijoy La Belle who studied with Roethke at the University of Washington along with her close friend Tess Gallagher and the author of the influential book The Echoing Wood of Theodore Roethke; tall 8vo; 31 unnumbered pages and 12 engravings each on folded leaf; additional unnumbered engravings preceding title page & colophon. Signed by Author. First Edition. Hard Cover. Fine. Stone Wall Press hardcover
1963307320Iowa City: Stone Wall Press 1963. First Edition. Leather bound. Fine. A beautiful collection of poems printed by Kim Merker with illustrations printed on delicate mulberry paper bound in between. This book is generally regarded as one of the finest from the press which is known for the excellence of its letterpress printing and book design.<br /> <br /> The edition size was 270 copies of which this is one of 60 deluxe copies bound in quarter-leather and paper printed with an engraved design by Roy. These copies numbered with Roman numerals are signed by both Roy and Roethke who died soon after the printing was completed. Roethke won both the Pulitzer Prize and the National Book Award for poetry. First edition first printing deluxe issue. A fine copy no. XXX of 60 signed by Roethke and Roy. The publisher's paper-covered slipcase is beginning to split along the bottom edge. Stone Wall Press unknown
199716817Brighton MA: Abigail Furey Fine Prints and Drawings. As New. 1997. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey Fine Prints and Drawings paperback
199926841Brighton MA: Abigail Furey - Fine Prints and Drawings LLC. As New. 1999. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE -- with a bonus offer-- . Abigail Furey - Fine Prints and Drawings, LLC paperback
200036152Brighton MA: Abigail Furey - Fine Prints and Drawings LLC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Slight cover crease; remnants of mailing label on back cover; else flawless. 119 works catalogued & illustrated in black and white. Among the artists represented: Hassam Geroge Wright H. W. Heller Rockwell Kent Kerr Eby and many others. -- with a bonus offer-- . Abigail Furey - Fine Prints and Drawings, LLC paperback
199159759AW Fine Arts. New. 1991. Hardcover. 1556600887 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 592 pp. 1600 illustrations. 1250 artists and 12000 works described. Reprint. -- with a bonus offer--; 2.25 x 10.25 x 8.75 Inches; 592 pages . AW Fine Arts hardcover
196731713Cabinet Des Estampes Des Collections D'Etat A Dresde. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in French; 24 lovely black and white plates by artists including Rembrandt Bruegel Cranach Reni and others. -- with a bonus offer-- . Cabinet Des Estampes Des Collections D'Etat A Dresde paperback
196639215Harper Torchbooks. As New. 1966. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English -- with a bonus offer-- . Harper Torchbooks paperback
200016732Paris France: Librairie Ici Aussi - Jean-Bernard Gillot. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Librairie Ici Aussi - Jean-Bernard Gillot paperback
194556138John Marshall Press. As New. 1945. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 233 pages. -- with a bonus offer-- . John Marshall Press hardcover
195527200Paris France: Bibliotheque Nationale. As New. 1955. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 8. -- with a bonus offer-- . Bibliotheque Nationale paperback
190138254Genève Geneva: Cercle des Arts & des Lettres 1901. A stunning suite of TWENTY LARGE FOLIO WOOD ENGRAVINGS by Maurice Baud after paintings executed by Auguste Baud-Bovy between 1886 and 1898 depicting 19th-century Alpine life and landscapes in all of their picturesque austerity. 28 pages plus 20 full-page hors-texte wood-engravings. Complete with detailed letterpress descriptions. Edition limited to 171 copies of which this is number 41 one of 150 on fine wove paper printed for M.C. François and SIGNED BY BAUD. Absolutely complete with ALL PRINTED TISSUE-GUARDS PRESENT. Large folio 51.9 x 39.7 cm. Loose as issued in publisher's attractive cloth portfolio. Half-title spotted last leaf wood engraving no. 20 with some small marginal tears else FINE AND BRIGHT. A rare and important collection of Alpine prints. <br/><br/> Cercle des Arts & des Lettres hardcover
19692091502135707836Osaka Form Gallery 1969. Soft Cover. Fine. The book is in fine condition. Osaka Form Gallery paperback
1946145130London: Golden Cockerel Press 1946. Folio. 41 X 19 cm. Original green cloth. Gilt title on spine. Gilt ship silhouette on front board. Top edge gilt. Fore edge and bottom edge untrimmed. Bookplate on front pastedown. Arnold's mould-made paper. Frontispiece. Full page map and 8 engravings Chronological table. Copy 750/750. Musty smelling. A fine clean copy The first 100 copies were bound in full green Morocco. This copy has the designation of the last copy in the series. The book is dedicated to John King David and below it is the following: inscription "To Captain Douglas Bull with my good wish from John K. Davis who the above not withstanding is just a very "Ordinary Seaman" Melborne Nov 3rd 1947". A very modest and humble inscription from one of the great Antarctic Navigators and Explorers.</p><p></p><p>Great being the last copy and with the wonderful inscription. Great association copy. 1946 Golden Cockerel Press hardcover
1907BIBLIO-31165Trustees of the British Museum London first edition 1907 - 1913. 7 portfolios half cloth and printed boards 20 x 15 in. Introductions and contents indexes of 8 pp per part in all 175 plates 25 per part. A complete set now hard to find of this series of high-quality facsimile reproductions. Each of the 7 portfolios has an introductory text by Sidney Colvin and 25 plates. The portfolios comprise: I. Specimens of etching by German masters 1475-1575; II. Specimens of etching by Italian masters 1525-1550; III. Specimens of etching by French masters 1620-1670; IV. Specimens of etching by Flemish masters 1520-1650; V. Specimens of etching by Dutch masters 1615-1650; VI. Specimens of etching by Rembrandt Livens and Bol 1630-1680; VII. Specimens of etching by the later Dutch masters 1640-1700. A mildly ex-library set with library bookplates on the inside front boards minor library marks to portfolios unobtrusive blindstamps to some margins a few leaves only with minor creasing and very occasional chipping at the edges. Portfolio boards duststained and darkened contents generally Very Good and clean. Trustees of the British Museum, London, first edition, 1907 - 1913 hardcover
1929ARC93326The Cresset Press London 1929. Book. Very Good. Hardcover. 1st Edition. First edition printed at the Curwen Press and limited to 450 numbered copies on mould-made paper plus a further thirty deluxe copies this one of the 450 examples but un-numbered. Large 4to. 406pp. Bound in full brown buckram with two red leather spine labels lettered and bordered in gold this binding unusual as the 'correct' binding should be white vellum; the fact that this example is un-numbered may suggest that it was intended as a trial or proof copy or perhaps a file copy. Fore- and bottom edges untrimmed. A touch of very light spotting to the edges and endpapers and to very occasional leaf margins. Backstrip ends very gently rubbed. A very good copy of an uncommon and quite delightful production: a tour-de-force collaboration featuring some of the finest wood engravers of the post-Great War period each one tackling one of the fourteen books classified as apocryphal by the King James Bible. The Cresset Press, London Hardcover
195055275London: The Collectors Book Club 1950. Limited edition. Hardcover. Good- to fine condition. 1/100. Folio. Unpaginated with six tissue-guarded copper engravings. Original green Morroco with five inch black cloth strip laid to covers gilt decorated grape motif across front cover and raised bands with gilt ruling on spine. Gilt top edge. Purple ribbon marker. Title page printed in red-brown. Signed by the artist on dedication page.<br /> <br /> Printed with the permission of the University Presses of Oxford and Cambridge. Contains six beautiful copperplate engravings by the decorated Dutch sculptor Ru van Rossem well known for his sculptures pen drawings lithographs wood and copper engravings as well as set and costume designs. Printed on English handmade paper by John Roberts Press engravings on Japanese vellum. <br /> <br /> A pupil of Jam van Tongeren and Arend Hendriks Ru van Rossem 1924-2007 taught at the Great Yarmouth College of Art while he lived in England. For almost twenty years he was a lecturer at the Tilburg Academy and among other awards was appointed Knight of the Order of the Netherlands Lion in 2003.<br /> <br /> Spine and left Moroccan panel on front cover faded with very light wear at along edges slightly more pronounced at head and tail of spine. Some offsetting of leather edges to endpapers. Binding in good- interior in very good to fine condition. The Collectors Book Club hardcover
19622081402110000462Specially ordered 107 maps in 3 volumes 1962. Soft Cover. Fine. Number of books: 3 Specially ordered 107 maps in 3 volumes paperback