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1977118788Fribourg : Imprimerie Saint-Paul 1977. 365x260mm. contr™le effectuÂŽ : complet des 7 estampes en feuille sous chemise et emboitage toilÂŽs. Les estampes ont ÂŽtÂŽ tirÂŽes par RenÂŽ-Agass Baumgartner sur ses presses ˆ Fribourg. Les cuivres ont ÂŽtÂŽ barrÂŽs aprÂs le tirage. La mise en page et la maquette sont de Jean-Christophe Aeby. LÕembo”tage a ÂŽtÂŽ rÂŽalisÂŽ par Roger Auderset ˆ Fribourg. Un des 62 exemplaires sur papier vÂŽlin dÕArches teintÂŽ des Papeteries Arjomari-Prioux numÂŽrotÂŽ n.¡ 21 / 60 signÂŽs par lÕauteur et lÕartiste en bas du justificatif de tirage. TrÂs bel exemplaire. 1424 Imprimerie Saint-Paul unknown
1907210841907 1 Eau-forte en couleurs au repérage, datée dans la plaque, signée au crayon sous le trait carré, titrée et indication "Etat" sous le coup de plaque, 1907, 19.2 x 17.6 cm.
1951010547Genève Cailler, collection "Peintres et Sculpteurs d'hier et d'aujourd'hui" 1951 Broché, couverture illustrée rempliée, étui
1971005640Colombes , Collection Génération n°5 (Gervais Jassaud) 1971 In-8 Broché Edition originale
1930A1869S.l., s.e., s.d. (vers 1930) ; 140/143 mm, 1 pp., une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.
1930B2658S.l., s.e., s.d. (vers 1930) ; 140/143 mm, 1 pp., une feuille encadrée. Exemplaire N° 1 sur papier vergé ancien. Bon état.
199938518Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arbós: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arbós and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. <br/><br/> printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
1948008728New York: Printed at The Spiral Press 1948. First edition. Paperback. This original Robert Frost 1948 Christmas Card features a trifecta of virtues. This is the first published appearance of this poem which had an unusual text history detailed further below. Of 2275 copies printed for 9 different names this is one of 375 printed for the poet himself. Last but certainly not least this is not only one of Frost's copies but is inscribed and signed by him. Following the first and second printed lines on the presentation page "This new poem brings Holiday Greetings from Robert Frost December 1948" Frost wrote "the Hendersons" and signed "Robert Frost". <br /> <br />Condition is near fine. The gray-green card wraps are clean bright and sharp cornered the binding staple firmly intact and uncorroded. We note only a tiny blemish above the title on the front cover and a trivial hint of wear to the spine heel. The contents are crisp and clean lightly age-toned but with no spotting or soiling. <br /> <br />With the permission of Frost and his publishers in 1929 the Spiral Press began printing an annual Robert Frost Christmas Card featuring one of his poems. The tradition continued until 1962 Frost's final Christmas. Each annual Christmas poem publication was printed with varying names on the title page to accommodate their being sent by various Frost publishers artists and important friends. This copy is one of those printed for Frost himself. <br /> <br />The 1948 Christmas poem "Closed for Good" has an unusual textual history. After it was first printed here it appeared in a number of other Frost collections including in the 1949 edition of Complete Poems and the 1954 1955 and 1963 editions of selected poems. In 1962 a revised version of Closed for Good was published as part of In the Clearing. There the poem is altered; the first stanza lines 1-6 is deleted And becomes They in line 7 and the word brush becomes spread in line 24. <br /> <br />This is clearly how Frost wanted the poem to evolve. In the Clearing was his final new collection and in 1958 Frost told Elizabeth Shepley Sergeant that he was trying out a new version of four stanzas. Nonetheless When Edward Connery Lathems edition of The Poetry of Robert Frost was published in 1969 the poem was presented in five stanzas and the two word changes restored to original. Given both Frosts manifestly deliberative use of words and the fact that the poem is a commentary on Frosts inheritance from the past and his legacy to the future the changes do not seem incidental. <br /> <br />By 1948 when this poem first appeared in his annual Christmas card and he inscribed this copy Robert Frost 1874-1963 had already entered the final decades of his life as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Half a decade had passed since he had won his still-to-this-day-unrivalled fourth Pulitzer Prize for Poetry. This is all the more remarkable given that he did not publish his first volume of poetry until he was nearly 40 years old. <br /> <br />References: Crane B19; Tuten and Zubizarreta; ANB <br/><br/> Printed at The Spiral Press paperback
1959008606New York: Henry Holt and Company 1959. First edition first printing. Hardcover. This strikingly clean jacketed copy of the first edition first printing of Robert Frosts 1959 collection of Favorite Poems for Young Readers is signed by him "Robert Frost" on the title page just above his printed name. <br /> <br />This collection takes its title from the words repeated at the end of each stanza of this book's first poem "The Pasture" first published as the prefatory to North of Boston in 1914. Of this collection the publisher said Frost "has gathered a group of his poems to be read to and by young people. To Robert Frost a great-grandfather with a remarkable number of small friends this was a labor of love. Frost dedicated the volume to his mother Belle Moodie Frost who knew as a teacher that no poetry was good for children that wasnt equally good for their elders. Evoking Frosts famous poem Mending Wall Frosts friend Edward Hyde Cox 1914-1988 who contributes a Foreword to this volume said of Frost that he had never added a single stone to the wall that so often separates age from youth. Prevalent among the 51 poems herein is Frost's gently subversive inclination to write verse that is superficially accessible "lovely dark and deep" upon sounding. <br /> <br />This is a handsome book bound in orange-yellow linen cloth with a vignette of a bird on a fence post stamped in black on the lower right front cover corner and spine print stamped in black with a red acorn and leaf device between at the spine's center. The contents feature wood engravings by Thomas W. Nason and are bound with endpapers of heavy light gray wove paper and red and yellow head and tail bands. The dust jacket printed on beige laid paper features a wood engraving of birches spanning the lower front face spine and extending onto the rear face. The rear face prominently features Yousuf Karsh's famous portrait photograph of Frost. <br /> <br />Condition is truly fine in a truly fine dust jacket. The illustrated cloth binding is immaculately clean and bright with sharp corners and only the most trivial hints of shelf wear to extremities. The contents are likewise pristine with no spotting soiling toning or previous ownership marks. "FIRST EDITION" is so stated on the title page verso. The contents retain a pleasingly stiff feel The dust jacket is crisp bright clean and entirely complete with no loss or tears and retaining the original "$3.00" upper front flap price. We note only a hint of wrinkling to the spine heel and a touch of soiling to the lower rear face. The jacket is protected beneath a clear removable archival cover. <br /> <br />Publisher's statements are often hyperbolic. In this case the dust jacket's front flap description of Robert Frost as "America's beloved poet ageless and for the ages" was and remains more accurate than advertising. Before this volume was published on 26 March 1959 Robert Frost 1874-1963 reached the age of eighty-five. His stature had risen to an apex arguably unequalled by any American poet since. Frost had long-since won all of his still-unrivaled four Pulitzer Prizes for poetry 1924 1931 1937 and 1943. He spent his final years as the most highly esteemed American poet of the twentieth century with an accumulating hoard of academic and civic honors. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration Kennedy January 1961. <br /> <br />Reference: Crane A39; Tuten and Zubizarreta; ANB <br/><br/> Henry Holt and Company hardcover
19774780DBFaksimile-Ausgabe. 2 Bände. Luzern, Faksimile-Verlag, 1977-1981. Folio. (682) S. davon 443 Seiten mit farb. Miniaturen; 724 S. (Kommentarband). Begleitheft in Fotokopie. Schweinslederband mit Blindprägung, 2 Schliessen u. 10 Beschläge, in Holzkiste.
19347575CBBasel, Mähly & Schabelitz, 1934-1835. 4°. (1) Bl., Mit lithogr. Titelblatt, 4 S. lithogr. Notenbeilagen, 1 gef. Plan (Basler Fasnacht) und 61 Aquatinta-Tafeln. Orig.-Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7575CB|7575CB_2 [2 Warenabbildungen]
1920112751920 S.l.n.d.n.é. (vers 1920), 1 portfolio de 10 estampes sur Japon nacré insérées dans une chemise décorée d'oiseaux dans une végétation imprimé à l'argent, le tout sous couverture de papier à motifs géométriques portant une étiquette en long avec caractères japonais au plat inférieur. Dimensions des estampes : 330 x 250 - dimensions de la couverture : 394 x 277. Tout petit manque de papier à la couverture, chemise roussie, estampes en parfait état.
1908210821908 1 Eau-forte en couleurs au repérage tirée à 60 exemplaires (N°18), monogrammée dans la plaque, signée sous le trait carré, titrée et numérotée sous le coup de plaque, avant 1908, 31.4 x 20.8 cm.
19752928Paris Editions Marquet 1975 aucune reliure Sérigraphie originale signée et numérotée, éditée par Jacques Marquet, circa 1975. Feuille : 66 x 50,5 cm. Image : 53 x 38 cm.
1967014420Paris OLV [ Odette Lazare-Vernet], collection "Paroles Peintes" 1967 In-4 Reliure de l'éditeur
1973001183Grenoble Editions du Grésivaudan 1973
198961892BBDüsseldorf, Edition GS - Graphik-Salon Gerhart Söhn, 1989-1994. 4°. 28,5 cm. 260, 260, 259, 260, 283, 284 und 42 Seiten. Original-Leinenbände mit Original-Schutzumschlägen (Register-Band ohne Schutzumschlag).
1974178891974 Marseille Le Roudelet Felibren dóu Pichoun-Bousquet et le Comité Valère Bernard 1974, en édition monumentale tirée à 160 exemplaires, “La Légende de Jean de l'Ours”, illustrée de 13 eaux-fortes, tirées par Valère Bernard lui-même, de bandeaux et de lettrines.
1913214931913-1914. Print. Very Good. This antique advertising print has just a hint of toning along the outer edges of the margins but is clean bright and in very good condition. 10" x 7.75". Gage brothers ad on the reverse side. . unknown
1984011997Nice Editions d'Art de Francony 1984 In-4 Cartonnage toilé et jaquette illustrés
19691233121969-1974 Editions A l'enseigne du champ des sphère - 1969-1974 - Douze volumes in-quarto, plein cuir maroquiné marron, décor à froid et dorures sur les plats, dos à cinq nerfs, pièce de titre, caissons et fleurons et décor en doré, tranche de tête dorée, emboitage cartonné avec ourlet de cuir aux ouvertures - 203 pages + 200 pages + 196 pages + 197 pages + 211 pages + 223 pages (première série en six volumes, avec certificat d'authenticité à l'intérieur du sixième tome, pour cette première série tirage à 3500 exemplaires sur vélin de Lana à la forme filigrané Sefer avec Léopard au parchemin, EX. N°2361) + 195 pages + 195 pages + 188 pages + 182 pages + 174 pages + 180 pages (deuxième série en six volumes, avec certificat d'authenticité à l'intérieur du douzième tome, pour cette deuxième série tirage à 3500 exemplaires sur vélin de Lana à la forme filigrané Sefer avec Léopard au parchemin, EX. N°2361)- Très belles illustrations en couleurs in-texte (miniatures), hors-texte et pleine page de Jean Gradassi
1920biblio650Würzburg : Verlagsdruckerei Würzburg 1920-22. <p>22 volumes in8 en 19 1920-22 Nouvelle édition  illustrations facsimiles de monogrames avec tables et index portrait ; 23 cm Rel demi-toile avec légers accrocs aux dos et plats généralement bel ex ex-libris MKG</p><p>v 1-5 Niederlaender --</p><p>v 6-11 Les vieux maiÌ‚tres allemands --</p><p>v 12 Les clair-obscurs des maiÌ‚tres italiens --</p><p>v 13 Les vieux maiÌ‚tres italiens --</p><p>v 14 Å’uvres de Marc-Antoine et de ses deux principaux eÌleÌ€ves Augustin de Venise et Marc de Ravenne --</p><p>v 15 Estampes de diffeÌrents graveurs anonymes qui semblent eÌ‚tre de l'eÌcole de Marc-Antoine Raimondi --</p><p>v 16-18 Peintres ou dessinateurs italiens: MaiÌ‚tres du seizieÌ€me sieÌ€cle --</p><p>v 19-21 Peintres ou dessinateurs italiens: MaiÌ‚tres du dix-septieÌ€me sieÌ€cle</p><p>v 22 zusatze zu Adam Bartsch's Le peintre graveur von Joseph Heller; Supplémentspar Rudolph Weigel</p><br /><br /><br /> Verlagsdruckerei Würzburg unknown
1932LD5812Lyon: Association Lyonnaise des Cinquante "La Belle Cordiere" 1932. Limited Edition. Hardcover. Fine. Printed wraps in glassine dust jacket; 4to; pp. 86 unbound loose gatherings as issued and uncut with illustrations throughout. Number 37 from a limited edition of 50 for members this one printed for M. Rozendaal total limitation of 90. Fine in chemise and lightly scuffed slipcase. <br/><br/> Association Lyonnaise des Cinquante "La Belle Cordiere" hardcover books
1924136209München. Bremer Presse 1924. 384 n. n. Seiten. Breitrandiger Druck auf Zanders Büttenpapier mit Wasserzeichen. Original-Karton-Einband mit Rückenschild im Originalschuber. (Einband vor allem am Rücken gebräunt. Schuber mit Gebrauchsspuren. Ansonsten gutes u. sauberes Exemplar). 36x23 cm
19792092902141000212Bijutsu shubbansha 1979. Soft Cover. Fine. Size: B4 Bijutsu shubbansha paperback