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180429158London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows four figures. The man and woman on the right side appear to be receiving scepters from the female figure on the left. The image is bordered in a decorated rectangular frame and is labeled P1.42 Image roughly 5.5 x 4.5 inches printed on a single sheet measuring 9 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429155London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a single dancing winged figure holding a mirror basin and flowing drapery in her hands. The image is bordered in a decorated circular frame and is labeled P1.2 Image roughly 4 x 4 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429157London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows two male figures in a boat in water approaching the shore where a female figure is sitting. There is also a bird flying overhead. The image is bordered in a decorated rectangular frame and is labeled P1.18 Image roughly 5.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
176629450Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray/white. The image shows three figures one a warrior draped in animal skins carries a club stands before another figure with a thin staff who stands next to a flaming brazier. A third figure with a shorter staff walks way from the scene. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 12" X 7.75" now very handsomely presented in cream mounting approximately 24 by 18 inches with ornate gilt framework design around the leaf glazed and now under archival glass in a very attractive frame of gilded red wood and black enamel. In all a very impressive display. Very fine and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown
176629242Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint printed as a black background over terracotta with highlighting in light gray. The image shows a woman bending to pick up a child who squats before her. Objects hover above one is a shield another is a rope or cord. The image is numbered T6 in the top left corner and P6 in the top right it is numbered in Roman VIII at the bottom. Printed on a single folio sheet measuring larger than 18" x 12" the image approximately 9" X 7.25". Now very handsomely presented in cream mounting approximately 24 x 18 inches with ornate gilt framework design glazed under archival glass within a very attractive frame of gilded red wood and black enamel. In all a very impressive display. A very beautiful presentation and in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. unknown
176626519Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a confrontation between two men one brandishing a sword with cloak draped over his left arm the other attempting to ward him off a stylized tree flanks the illustration. The background is black the image coloured with shades of tan terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.5" X 9.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
176626547Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows three maidens one of which is brandishing a sword. The middle female holds a paten in her left hand. The image may be part of a bacchanal scene. The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 9.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
176626548Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a seated muscular long-haired man he holds the head of a dwarf or murdered reveler in his left hand his right hand holds a spear. In front of this man there stands a satyr holding a spear and wine bucket. The background is black the image coloured with shades of tan brown terra-cotta and gold. Printed on a single folio sheet measuring approximately 20" x 13" the image approximately 11.25" X 11.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
176626551Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. An aquatint in terracotta on a black background with highlighting in light rose showing a man leading three children they are all wearing laurels and bearing leaves for sacrifice. As they approach the altar two objects hover above one of which is likely a basin or kylix the other resembles a stylized head of a horned animal. Printed on a single folio sheet measuring approximately 20" x 14" the image approximately 5.5" X 7.5". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
176626550Naples 1766-1776. A single aquatint plate drawn and engraved after the original pieces in the Hamilton collection. The colour aquatint shows a bacchanal scene-- a youth in peplos reclines on an ornate couch he holds a large bowl in his left hand his right gestures toward a kylix above--all within a Greek-key tondo. Above him there are three dancing satyrs. This is a nicely detailed image on a black background coloured in shades of brown tan terracotta and gold. Printed on a single folio sheet measuring approximately 20" x 15" the image approximately 8.25" X 10". Now presented in cream mounting boards 22" x18" behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> While widely recognized for their beauty the reproductions from Hamilton's vases have become evidence of the irreconcilable problem of neoclassicism in the Romantic period. Significant changes in the way the vases were engraved over a span of thirty or forty years demonstrate how an immutable collection of objects is subject to radical shifts in representation in response to the social and artistic styles of the time. hardcover
16-606618th Century. 4 colour aquatints on rag paper. Sheet size 41.5 x 34.5 cm. Hamilton pinx. Gabrieli & Bonato sculp. William Hamilton RA 1751 - 1801:RA Collection: People and Organisations.Born in Chelsea West London in 1751 Hamilton spent time studying in Italy before entering the Royal Academy Schools in 1769. Although he had previously studied architectural draughtsmanship he chose to pursue painting at this time. He exhibited four paintings at the Royal Academy in 1774 and by 1789 was elected as a Royal Academician. In the early part of his career Hamilton focused on portraitur but he later began to paint subjects from poetry history and the Bible.Hamilton was also employed by print galleries to illustrate popular themes and literature. His representations of Shakespearean scenes were not well-received but his rural scenes were fashionable. Perhaps the most popular of these were his illustrations to James Thomson’s The Seasons 1730. This poem describes rural Britain and reflects on the role nature plays as an intermediary between Heaven and Earth. Hamilton’s illustrations such as The Monarch Swain were published in 1797 engraved by Francesco Bartolozzi RA and P.W. Tomkins. There is a copy of the book in the Royal Academy Library. 18th Century unknown
1981mon0000104556Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
19811591270543Easton Press 1981. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Shelf and handling wear to cover and binding with general signs of previous use. Foxing to fore-edge. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Easton Press hardcover
196923975New York: Limited Editions Club 1969. Limited edition. Hardcover. Fine in fine slipcase. xxi 427 pp. wood engraved vignette illustrations throughout octavo; 1/4 dark green morocco with gilt title marbled boards slipcase <br/><br/>Edition of 1500 numbered copies signed by the illustrator this #1005 Limited Editions Club hardcover
2002444348Northfield : Black Willow Press 2002. 1st edition. Softcover. SIGNED and INSCRIBED by the author to Peter Porter with additional letter signed by Harrison loosely inserted. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight bright clean and especially sharp-cornered. Physical description; 371 p. : ill. ; 24 cm. Subjects; Contemporary poetry. Poetry anthologies. Australian poetry. Poems against war. Language cultures. Northfield : Black Willow Press paperback
1815005402London: J. Jenkins 1815. Near Fine. 1 hand-colored aquatint etching 261 x 328 mm image is 153 x 218 mm; mat is 14 x 17 inches. Published Nov. 1 1815. From The Martial Achievements of Great Britain and Her Allies from 1799 to 1815. In Near Fine Condition: very lightly soiled in margins; image is clean and bright. J. Jenkins unknown
1815005403London: J. Jenkins 1815. Very Good. 1 hand-colored aquatint etching 262 x 328 mm image is 152 x 226 mm; mat is 14 x 17 inches. Published Aug. 1 1815. From The Martial Achievements of Great Britain and Her Allies from 1799 to 1815. In Very Good Condition: lightly soiled in margin; image is clean and bright. J. Jenkins unknown
1815005401London: J. Jenkins 1815. Near Fine. 1 hand-colored aquatint etching 261 x 328 mm image is 153 x 223 mm; mat is 14 x 17 inches. Published May 1 1815. From The Martial Achievements of Great Britain and Her Allies from 1799 to 1815. In Near Fine Condition: very lightly soiled in margins; image is clean and bright. J. Jenkins unknown
1815005400London: J. Jenkins 1815. Near Fine. 1 hand-colored aquatint etching 262 x 329 mm image is 156 x 224 mm; mat is 14 x 17 inches. Published Oct. 1 1815. From The Martial Achievements of Great Britain and Her Allies from 1799 to 1815. In Near Fine Condition: very lightly soiled in margins; image is clean and bright. J. Jenkins unknown
1815005399London: J. Jenkins 1815. Very Good -. 1 hand-colored aquatint etching 262 x 328 mm image is 154 x 222 mm; mat is 14 x 17 inches. Published July 1 1815. From The Martial Achievements of Great Britain and Her Allies from 1799 to 1815. In Very Good- Condition: lightly soiled in margins; image is clean and bright. J. Jenkins unknown
1815005404London: J. Jenkins 1815. Near Fine. 1 hand-colored aquatint etching 262 x 328 mm image is 152 x 226 mm; mat is 14 x 17 inches. Published Feb. 1 1815. From The Martial Achievements of Great Britain and Her Allies from 1799 to 1815. In Near Fine Condition: very lightly soiled in margins; image is clean and bright. J. Jenkins unknown
192110266Zurich: Art. Institut Orell Fussli 1921. Ask for a photograph. 23 plates--complete. 1921 facsimile of the plates from David Hess's book about the spa at Baden originally published in 1818 by Orell Fusslii & Cie. Collection of engravings is encased in folder numbered 18. Spilled liquid on front of folder; moderate general soil. Hard Cover. Very Good/No Jacket. 4to - over 9¾" - 12" tall. Art. Institut Orell Fussli Hardcover
1760047298Tubingen Germany: Johann Ulrich Cotta 1760. In German. Two thick volumes first and second parts both title pages dated 1760. Volume I has been professionally rebound in the same style as the second. Extensively illustrated with full page and folding engravings including folding tables and maps frontis portraits of the emperor and eagle engraving on title pages. Full mottled leather with newer gilt and dark green spine labels raised spine bands all edges tinted red original marbled endpapers with additional new endpapers in first part. Part I is 1000 pages and is very good with faint dampstains to the lower corners of pages 993-1000 very minor worming to the bottom of one folding table short closed tear to one map. Part II has some edgewear and small area of worming to the outer edge of the front cover 28 1024 pages margins of two folding maps trimmed a little closely. Overall quite a nice set sturdy bindings good to very good throughout. Hard Cover. Good. 12mo - over 6¾" - 7¾" tall. Johann Ulrich Cotta Hardcover
18601911220030Cincinnati : Henry Howe 1860. First Edition. Hardcover. Acceptable. 0x0x0. 1860 printing. Bound in publisher's full stamped calf. Spine stamped with shipwrecked sailor adrift beckoning a frigate. 624 pages 7 leaves of color plates : illustrations ; 23 cm. Front color plate page torn with loss another fold out color plate also torn with loss. Preliminaries and 439-442 p. sprung. Signed by Adam Ramble 1862. Later signature of Maria Jane Ramble. Hinges cracked. Cincinnati : Henry Howe hardcover
24720David Bogue London . HB NO DJ Decorative red cloth Gold Gilt designs & title Poetry stated 6th edition no date early 1850s style cloth gilt decorated binding on bevelled boards NF/GOOD NOJACKET AS-IS Cvr light rub wear Extremities Front & Back cvrs nice Conditon Spine Cvr Beveled edges rub wear edges & ends & gold gilt slight Fade Interior nice tight with few small Stains light FOX 102 pgs Notes ADS Outer pgs edges gold gilt approx 7.5 X 5 in. light tears along spine edge corner bumps wear. Hard Cover. David Bogue London, hardcover