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Contains original lithography. 32.5x25.5 cm. 199 pages. Gilt hardcover in dust jacket in cardboard box. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
COPY #217 OF 680. A book of lithographs by French artist Helene Giraudias. The book is prefaced with a short essay by French writer Louis Chaigne on his native province of Vendee, which is depicted in these drawings. The book features about 40 b&w illustrations by Helene Giraudias. 330x255 mm. 110 pages. Softcover with waxpaper dust-jacket. Jacket torn. Cover yellowing and slightly worn. Pages slightly yellowing. Save for some very light wear, these rare lithographs are in good condition.
8vo., First Edition, with very numerous illustrations in the text; black buckram, upper board blocked in gilt, gilt back, yellow top, patterned endpapers, a near fine copy.
The first volume (of two) of the standard catalogue raisonne of the prints of Georges Rouault. 213 items described and illustrated, many in several states. ONE OF ONLY 220 COPIES OF THE DELUXE EDITION (there was no deluxe edition of volume 2) WITH AN ORIGINAL ETCHING BY ROUAULT ("Acrobate", 1919, R. 3 iii/III, printed on extremely fine wove paper), SIGNED AND AUTHENTICATED IN PENCIL BY ISABELLE ROUAULT. This is one of Rouault's very first prints. Folio. Publisher's cloth, dustjacket, and protective cover. FINE AND BRIGHT, WITH NO DEFECTS.
The first volume (of two) of the standard catalogue raisonne of the prints of Georges Rouault. 213 items described and illustrated, many in several states. Folio. Publisher's cloth, dustjacket, and protective cover. FINE AND BRIGHT, WITH NO DEFECTS.
Numerous neat annotations in pencil by previous owner throughout text. Covers generally marked and rubbed.
8vo., with numerous plates; blue cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper. Reissue of a classic work first published in 1927.
Acquaforte facente parte delle pubblicazioni edite in occasione del 50° anniversario della fondazione del PCI Firma a matita. Esemplare 50/100. cm 51x40 (Foglio 70x50). . . Ottimo (Fine). Fioriture leggere ai bordi del foglio che non interessano l'immagine (Some light yellowing). Tiratura di 100 es. numerati e firmati. .
Kupferstich. 82 x 80 mm.
8vo., First Edition, with engraved frontispiece and cover vignette, neat pencilled inscription on frontispiece; original pictorial wrappers, sewed as issued, covers very lightly dust-soiled else a near fine copy. Ariel Poem 5. Gill 278; Physick 478, 479; Sullivan 70.
Acquaforte, acquatinta e puntaseccaoriginale a colori Firma e numerazione a matita. Impressa nella stamperia della Pergola di Piergiorgio Spallacci, Pesaro. Timbro a secco dell'editore. Esemplare IX/X. Cm 120x81 (Foglio cm 150x98). . . Ottimo (Fine). . . .
Acquaforte Firma, titolo e data a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.a.. Cm 26,6x24 (Foglio 53x39). pp.. . Molto buono (Very Good). Foglio leggermente sciupato. . .
Acquaforte Firma e titolo a matita. Esemplare16/40. Cm 15x25 (Foglio 35x50). . . Ottimo (Fine). . 40. .
Acquaforte Firma, titolo e numerazione a matita. Esemplare 1/99. Cm 27,5x25 (Foglio 60x45). . . Ottimo (Fine). . Tiratura 99. .
In-4°; pp. 492, (4), segue Hymni per totum annum... pp. 70, (2) con colophon Antverpiae excudebat Christophorus Plantinus Architypographus Regius anno MDLXXIII; frontespizio stampato in rosso e nero, entro bordura xilografica e al centro un grande tondo con l’Ascensione della Vergine (il monogramma di firma A.V.L, Antonius van Leest, l’incisore.). L’intero testo (tranne le ultime 70 pagine) è stampato con parti in rosso, ogni pagina entro ricca bordura xilografica a quattro legni. Nel testo illustrazioni di Pieter van der Brocht incise su legno da Antonius van Leest (i nomi dei due artisti fiamminghi si trovano espressi per intero nell’ultima illustrazione, quella dell’Apocalisse, con data 1572; nelle altre incisioni con i monogrammi). Rara edizione, e una delle prime, riccamente illustrata dell’Officium riformato di Pio V, libro d’ore di Plantin, qui nella versione (Variante C) con illustrazioni e bordure xilografiche. Le xilografie a piena pagina sono 19. Legatura in piena pelle con titolo in oro al dorso. Alcuni fori di tarlo passanti al margine interno bianco delle prime e ultime carte.
215 pages. Auction results mounted inside back cover. Items include: Japanese Prints, Illustrated Books, Manuscripts, Paintings, Screens, Netsuke, Tobacco Pipes, Inro Sword Fittings, Swords, Ceramics, Cloisonne, Shibayama, Bronzes, Metalwork, and Lacquer. Book clean, bright and unmarked with very light wear. Nice copy. Book
This is a near fine softcover copy with virtually no wear. Completely clean inside and out. This is a sale catalog for an auction held at Christie's London on October 9, 2002. Sale code: PABLO- 6683. The sale consisted of prints and ceramics by Picasso. All lots illustrated. All ceramics lots illustrated in color. Print lots illustrated in black & white and color. Prices realized sheets included. 11" high X 9" wide, 142 pages.
Linoleum originale di Arnoldo Ciarrocchi (cm 11x15) numerata e firmata a matita. Opera allegata al periodico "L'Incisione" che contiene anche una acquaforte di Silvano Silvani (Paesaggio, cm 23x19), numerata e firmata; e una xilografia originale di ignoto del XVI secolo. Una testo di Marcello Camillucci . 4to. pp. 20. . Perfetto (Mint). . . .
Acquaforte originale di Arnoldo Ciarrocchi (cm 10,2x7,5) numerata e firmata a matita. Opera allegata al periodico "L'Incisione" n. 9 che contiene altre due acquaforti originali numerate e firmate di Roberto Moschini (Libellula notturna, cm 13,7x10,5), e Diego Donati (2 silografie originali, cm 13x9). Una poesia di Rabindranath Tagore . 4to. pp. 20. . Perfetto (Mint). . . .
Acquaforte originale Firma, data e numerazione a matita. Esemplare p.d.s. Cm 20x29,5 (Foglio 35x50). . . Ottimo (Fine). . . . Quest'opera non compare nel catalogo generale dell'Artista [Arnoldo Ciarrocchi. Catalogo generale dell'opera incisa 1932-2002. A cura di Giuseppe Appella. Roma, De Luca, 2009] per cui è da ritenersi una prova di stampa unica, senza che dalla lastra sia stata effettuata una regolare tiratura
First volume in a series. Usual library labels and stamps. Corners a little bumped. Binding is tight and contents clean and bright. Ex - Library
A gorgeous livre d'artiste, with TEN LARGE COLOR ETCHINGS (with aquatint) BY JAUME RIBAS, each SIGNED and numbered in pencil by the artist. This is copy 7/35, printed on extremely fine Arches wove paper and SIGNED by the artist and the author in the justification / colophon. Square folio. Loose as issued in printed wraps, housed in an elaborate wooden and metal box. FINE AND BRIGHT, exactly as issued. VERY RARE.
First Edition, frontis., illustrs., orig. cloth, d.w.
8vo. 16 numbered hand-coloured aquatint panels (70 x 200 mm). With 2 sheets of publisher's advertisements. In original cardboard box (163 x 223 mm) with mounted hand-coloured aquatint title-page engraved by Sidney Hall. Curious art toy created by the London bookseller Samuel Leigh, featuring aquatint panels by the noted landscape and battle artist John Heaviside Clark (1771-1863), depicting idealized English and Scottish scenery, including ruins, lakes, and mountains. - A "myriorama", a term derived from the Greek words "myrias", meaning "multitude", and "orama", meaning "scene" or "view", comprised a set of illustrated cards, each representing a slice of a landscape. No matter what order you placed them in, the cards created a cohesive scene. The near-endless possibilities made it a popular entertainment for people of all ages. After the success of the first myriorama, designed by Jean-Pierre Brès in France, the toy took off across Europe from the 1820s, sparking imitations in Austria, England, Germany, and the Netherlands. Leigh and Clark adopted the name and the design of the box that housed the cards from the original French version, in hopes of inspiring other artists to draw attractive landscapes. Their myriorama also introduced the innovation of numbering each panel, making it possible to record and later recreate scenes found especially pleasing. Myrioramas provided dynamic visual entertainment at a time when the advent of cinema was still decades away. With their incredible number of possible combinations and charming visuals, myrioramas were "one of the most diversified and exhaustless inventions for variety and pleasing amusement that has hitherto appeared", according to the London's Morning Chronicle at the time. - The present 16-card myriorama can be arranged into an astounding 20,922,789,888,000 (that's 20 trillion!) different scenes. Later myrioramas with larger sets of cards could provide an unfathomable number of permutations, reaching well beyond our standard naming conventions. - Pencil ownership of Isabella Hord to the inside of upper cover. Box somewhat rubbed at extremities; corners lightly bumped; some brownstaining. The panels very well preserved. A copy is held at the Huntington Library in California. A charming item rarely seen at auction.
First Edition, square 8vo, frontis., 1 plate, illustrs., in the text, orig. cloth, d.w. An absolute necessity to the collector, student and dealer of Baxter colour prints.
