Padon, ThomasMareMagnum
2 054 résultats
A clean, unmarked book with a tight binding. Full dark blue cloth boards. 9 1/4"w x 11 1/4"h. 268 pages.
Portfolio containing twenty loose black and white prints (on 9 1/2"w x 12 5/8"h paper).One sheet of text in Spanish. White folder shows several tears. No date shown; circa 1960's.
Portfolio containing twenty loose black and white prints (on 9 1/2"w x 12 5/8"h paper) and four color prints (on 8 1/2"w x 12 1/2"h paper). One sheet of text in Spanish. White folder shows several tears. No date shown; circa 1960's.
pp. xii, [13]-214 + Frontis, and one unusual engraved plate. Small 12mo. 14 cm. Slight marginal damp stain. Well foxed and browned. Disbound. Very mildly XLib. Rare American edition of Ovid. **PRICE JUST REDUCED! SMALL BOX 7.
Folio (c. 485 x 335 mm) XVI ff. and printed dedication (to Carlo Emanuele III) with engr. initial. Fine series of decorations with elaborate cartouches and emblems, some including architectural or marine designs. The Bologna painter Gaetano Bernardino Ottani (1736-1827), long active in Turin, created the stage decorations of his native city's Teatro Formagliari in 1742. - Plates mostly engraved by Dionisio Valesi, others by Pietro Peiroleri and Angelo Ghizzardi. Margins occasionally wrinkled and fingerstained (especially t. p. and dedication). Wants the two portraits engraved by Ghizzardi. Rare; the San Francisco State Univ. Library copy wants the dedication; the OCLC record linked by Princeton and Harvard states one portrait and two plates as missing. Ornamentstichkat. Berlin 592. Guilmard, Les maitres ornemanistes (Paris 1880), S. 334. OCLC 34976429 u. 27192168. Cf. N. Aprà, Dizionario enciclopedico dell'antiquariato (Milano 1969), s. v. Thieme/Becker XXVI, 86.
270X220 mm. 213 pages. Hardcover with dust-jacket. In good condition.
First Edition, 69,[1]pp., cont. calf-backed marbled boards, a little rubbed. The earliest book in English devoted to the subject of engravers' marks. Containing 160 marks or monograms, the initial letters used by engravers for their marks and an alphabetical index of the Christian names and Surnames of the engravers, etc.
In-folio, cartella originale rigida, che contiene in fogli sciolti il frontespizio della serie, le 10 litografie, tutte numerate, firmate dall’autore e con l’indicazione del soggetto, e un ultimo foglio con indicazioni sulla stampa e la tiratura; tiratura limitata, dopo la stampa le matrici furono distrutte. Litografo Igino Alessandrini. Ottimo esemplare.
In-folio, cartella originale rigida, che contiene in fogli sciolti il frontespizio della serie, le 12 litografie a colori, tutte numerate, con timbro a secco “La margherita” firmate dall’autore e con l’indicazione del soggetto; tiratura limitata. Ottimo esemplare.
Acquaforte acquatinta a colori (inedita) Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Graphia. Esemplare BAT (Bon à tirer). cm 46,5x67,5 (Foglio 60x80). pp.. . Ottimo (Fine). . . .
Acquaforte acquatinta originale Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Graphia. Esemplare BAT (Bon à tirer). cm 46,5x67,5 (Foglio 60x80). pp.. . . . . .
Acquaforte acquatinta originale Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta Graphia. Esemplare BAT (Bon à tirer). Cm 46,5x67,5 (Foglio 60x80). pp.. . . . . .
Sei incisioni originali all'acquaforte acquatinta a colori realizzate con una, due e tre lastre per foglio. Six original etching-aquatints in colours by Gaston Orellana Tiratura eseguita coi torchi di Giorgio Upiglio a Milano su carta delle Cartiere Filicarta. Esemplare 61/99. cm 28x30; 25,5x2,5 (Foglio 55x42,5). pp. cartella in mezza tela cm 56x44. . Perfetto (Mint). . Tiratura 99 + X. . ''A lo largo, de tu pais alargado; las largas lineas tuyas, Gaston, Chile es tan alargado y triste; una pincelada azul, y el mar; Ya sabes, reposar es muy dificil. . . '' (Asturias, Buenos Aires 1958)
Seidendruck auf Papier aufgezogen. 167:247 mm. Verso der Sammlungsstempel "F.G.M." sowie eine handschriftliche Paraphe.
Contains b&w plates. 270x215 mm. 128 pages. Softcover. Cover corners and edges slightly rubbed and wrinkled. Spine edges slightly worn. Else in good condition.
SIGNED BY ARTIST. 210X270 mm. 128 pages. Softcover. Cover is slightly worn at edges. Else in good condition. Signed by the artist.
This is a very good softcover copy with just light cover wear. Very clean inside and out. This catalog was prepared to accompany the exhibition at the Fogg Art Museum from May 5 to May 30, 1974. Catalog edited by Konrad Oberhuber. Not illustrated. Checklist of the exhibition with 56 works fully catalogued and annotated. 11" high X 8" wide, 99 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Incisione originale numerata e firmata dall'Artista Stampata a mano con stecca e baren su carta Bunko shi nella stamperia di Romolo e Rosalba Bulla a Roma. Opera allegata al volume di Fabio Sargentini ''Il mio doppio fuma l'oppio''. Edizioni l'Obliquo, 2008. cm 66,0 x 44,5. . . Perfetto (Mint). . Edizione di 50 + XXV esemplari. .
Folio. 113 Zeichnungen (zumeist in Bleistift, aber auch in Tusche und Buntstift) auf 25 Bll. montiert. Separates Titelblatt in rotem und schwarzem Filzstift. Lose in Papp-Umschlag unter Seidenhemdchen. Umfangreiches Album mit zahlreichen unbezeichneten Kopfstudien, meist in Bleistift. - Fred Nowak war über 30 Jahre als Buchdrucker tätig, zuletzt in der Österreichischen Nationalbank. Als Künstler überwiegend Autodidakt, schuf er im Laufe seines Lebens fast 1600 druckgraphische Blätter. Im Oktober 1973 wurde im Museum für Angewandte Kunst seine größte Ausstellung veranstaltet. - Mappe am Rücken lädiert; die Blätter in sehr gutem Zustand. Fuchs 3, K 127.
First edition, [4], iii, [1], 272pp., large paper copy, outer portion of first leaf of 'Index to the Engravings' torn-away, frontis., 100 engravings throughout, nineteenth-century cloth, hinges torn.
pp. xxviii, 226 + Plus Frontis and 32 engraved portraits with original text tissue guards. Title page printed in red and black. Uncut. Top edge gold. Inked ownership of Francis H. Lee. A few signatures loose. Limited edition. Number 101 of only five hundred copies. 4to. Original leather spine over cloth boards. Spine worn with some loss. Hardbound. Scarce and significant. **PRICE JUST REDUCED! SHAKESPEARE BOX 2
8 incisioni su rame finemente colorate a mano a tempera, raffiguranti alcune stazioni della Via Crucis. Elenco delle stazioni disponibili: Stazione III; VII; VIII; IX; XI; XII; XIII; XIV. 8 copper engravings finely colored by hand with tempera, depicting some stations of the Via Crucis. List of available stations: Station III; VII; VIII; IX; XI; XII; XIII; XIV. Misure: mm. 210x305 alla battuta; mm. 335x225 il foglio intero. Titolo al centro del foglio, senza nome dell'incisore e del disegnatore. Size: mm. 210x305 the engraved part; mm. 335x225 the whole sheet. Title in the center of the sheet, without the name of the engraver and the designer. Codice inv.1031165
[2],35,[1]pp., recent paper wrappers, uncut. From the materials left by the author and his own ample collections Noble compiled a useful three-volume Continuation (1806) of James Granger's Biographical History of England.
Wear to top/tail of spine. Crease to corner of back cover. Not paginated. 431 items listed, each illustrated.
82 pages in oblong format, all color prints with text by the Director: Michael Monroe, Curator Stafano Catalani, two commentaries by Viet Thanh Nguyen & Moira Roth & an interview with the artist. Biography,checklist of the exhibition. Dust jacket shows slight scuffing.
