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Litografia originale a 3 colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 11/60. cm 48,5x31 (Foglio 71x50). pp.. . Ottimo (Fine). . Tiratura 60. .
Acquaforte originale Firma e numerazione a matita. Carta delle Cartiere Filicarta. Esemplare 33/50. Cm 19,8x24,7 (Foglio 35x50). . . Ottimo (Fine). . Tiratura 50. .
Acquaforte acquatinta su fondino giallo appartenente al volume ''In altro nero'', Milano, Grafica Uno, 1983 Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampata su carta Hahnemuhle. Esemplare 2/33. cm 22,5x39 (Foglio 39x53). . . Ottimo (Fine). . Tiratura 33 + XX. .
Overall size 232 x 182 mm. Watercolour and gouache on rice-paper. Framed and glazed. The drawings by an unidentified Chinese artist depict four variously seated female musicians playing the long lute (san-hsein), dulcimer (yang ch'in), transverse flute (ti-tzi) and, apparently, a form of straight trumpet. - Light discolouration to paper; a few small marks; very slight damp-staining to lower margin and tiny tear to leading edge of one drawing. An attractive set.
Ca. 676 x 480 mm to 755 x 523 mm. Coloured etchings on paper. Partly heightened in gold and silver. Two of the prints mounted on canvas. Rare supraporte prints from the famous publishing house Remondini, depicting four episodes from the biblical Parable of the Prodigal Son. In the sequence of the biblical narrative, the etchings with legends in Spanish and Latin show the Prodigal Son collecting his share of the inheritance from his father, the Prodigal Son leaving the parental home, the Prodigal Son being reduced to serve as a swineherd after he squandered his fortune, and the reconciliation with his father following his desperate return home. The beautiful coloured etchings are wholly Rococo in style, from the large ornamental frames to the opulent clothing of the protagonists and decor within the scenes. Embracing the timeless character of a parable, the 18th century viewers were supposed to identify with the protagonists and have their taste in Rococo ornaments met. - The house of Remondini was founded in Bassano del Grappa by the merchant Giovanni Antonio Remondini (1634-1711) and was successfully expanded by his son Giuseppe Remondini (1672-1742). Apart from prints and books, Remondini produced decorated papers for various uses and wallpapers. In the 18th and early 19th centuries, Remondini was among the largest print publishers of Italy. The supraportes with the Prodigal Son are a beautiful example of the large portfolio of the company and its international market. - With occasional stains and some foxing. The return scene shows old restorations due to water damage, leaving some areas brittle, especially in the lower margin, and causing minimal losses to the print. The departure scene shows two small defects.
SIGNED BY ARTIST. 290x260mm. 188 pages. Gilt hardcover with dust-jacket. Cover bumped. First two pages slightly stained - NO damage to text. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Volume four (of four) [Le monument du Costume; Suite de Larmessin pour les Contes de la Fontaine; The Illustrations of Moreau le Jeune for the Works of Jean Jacques Rousseau; Illustrations for the tales of La Fontaine. pp. 497- 641, [1]. Beautifully printed on soft unbleached Arnold paper. With many etched, engraved and photogravure plates - some finished in aqua-tint color. Folio. Handsome elaborate full crushed red morocco gilt binding, by Riviere and Son. Top edge gilt. Original slip case. Number 20 of an edition limited to only 120 copies. The plates are wonderful, and the beautifully printed explanatory text is illuminating. The full four volume set retails for about $7000.00 today. This collection, originally formed by Albert Christophle, was preserved by the wealthy American art collector and sportsman Joseph Early Widener (1871-1943). Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Joe was the uncle of the famed brilliant young book collector Harry Elkins Widener, who died (with his father) on the Titanic. He was a founding benefactor of the National Gallery of Art in Washington, D.C., and a major figure in thoroughbred horse racing. **PRICE JUST REDUCED!
Volume two (of four) [Drouais-Krantzinger]. pp. x, 172-331 [1]. Beautifully printed on soft unbleached Arnold paper. With many etched, engraved and photogravure plates - some finished in aqua-tint color. Folio. Handsome elaborate full crushed red morocco gilt binding, by Riviere and Son. Top edge gilt. Original slip case. Number 20 of an edition limited to only 120 copies. The plates are wonderful, and the beautifully printed explanatory text is illuminating. The full four volume set retails for about $6000.00 today. This collection, originally formed by Albert Christophle (1830-1904), was preserved by the wealthy American art collector and sportsman Joseph Early Widener (1871-1943). Born in Philadelphia, he was the second son of Hannah Josephine Dunton (1836-1896) and the extremely wealthy transportation and real estate magnate Peter A. B. Widener (1834-1915). Joe was the uncle of the famed brilliant young book collector Harry Elkins Widener, who died (with his father) on the Titanic. He was a founding benefactor of the National Gallery of Art in Washington, D.C., and a major figure in thoroughbred horse racing. **PRICE JUST REDUCED!
Lovely book with no marking of any kind to text/interior, solid binding, shows the slightest of shelf wear. Beautiful tipped-in plates throughout. 182 pages. 9 3/4"w x 11 5/8"h. Full beige cloth boards. Previous owner's label inside. Printed on heavy, creamy paper.
Book is in excellent condition, with the only flaw being a shelf wear smudge at bottom outside page ends, due to pages contact with the shelf, otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows mild wear, fading at spine, no tears. Really beautiful production with covers in heavy weave, heavy, high quality paper thoughout, plates full page, with descriptions opposite. 11 ? x 9 ? in.. 181 pages, with 35 b&w and 32 color reproductions tipped-in. Work by Gauguin, Maillol, Signac, Baqque, Valadon, Bonnard, Vuillard, Rouault, Derain, Dunoyer de Segonzac, Dali, Avati, Buffet and many more.
pp. 77 (text); 48 (Monochrome photographic plates by Dailey-Edwards. Softcover. Slight cover soiling. Light ExLib marks on binding. Spine slightly chipped at head, and decorated with some old ID tapes. Still, very good. ORIENT 1
SIGNED BY THE TULY BAUMAN. NUMBERED COPY 62/150. 15.5x16.5 cm. Unpaginated. Softcover. Cover slightly stained and rubbed. Else in good condition.
33X23 cm. 48 pages. Softcover. Cover slightly chafed. Spine slightly chafed. Else in good condition.
275X215 mm. 123 pages. Softcover. Cover slightly stained. Else in good condition.
Litografia a tre colori Firma e data a matita. Carta Arches. Cm 76,5x56,6. . . . . Tiratura 200. .
Royal folio (410 x 605 mm). 2 ff. of text and 25 collotype plates after drawings on matte art paper (7 with colours), each tipped onto thin cream card with a mount as issued. Storedin original half cloth portfolio with Klimt's gilt-printed signature on the upper cover. Number 326 of only 500 numbered and 10 deluxe copies. The twenty-five monochrome and coloured drawings show women in mainly erotic scenes. All were from the collection of the Austrian industrialist August Lederer and his wife Serena (a relative of the U.S. journalist Joseph Pulitzer), who together spent a fortune on compiling the most important Klimt collection of their age. Forcibly expropriated by the National Socialists in 1938, a significant part of the trove was stored at Immendorf Castle in Lower Austria, where it appears to have perished in a fire in May 1945. - From the collection of the Swedish painter and photographer Johan Theodor Jönsson with two stamps of his archive foundation. Several mounts a little waterstained or dust-soiled, but generally in excellent condition. For the history of the Lederer family and their collection see 1) Tina Marie Storkovich, Verbrannte Klimtbilder: Das Puzzle von Immendorf. In: "Die Presse", Print-Ausgabe, 19 Dec. 2015, Spectrum, p. III. 2) Michael Wladika, Egon Schiele, "Die Mutter und die Tochter" 1913. Dossier der Leopold Museum-Privatstiftung zu LM Inv. Nr. 2356.
2 vols., 8vo., First Edition thus, with fine wood-engraved illustrations throughout; Facsimile in black cloth, upper board and backstrip lettered in gilt, a fine copy in unclipped dustwrapper; Essay 4pp; the whole housed in publisher's custom-made terracotta board solander case lettered in gilt with mounted illustration (repeated from text). EDITION LIMITED TO 750 NUMBERED COPIES (THIS COPY NO. 96). Splendid facsimile reissue of the renowned Nonesuch Press edition of 1924.
THIS VOLUME ONLY. 35x26.5 cm. 143 pages (176-319). Contains colored and black-and-white plates and prints. Soft cover. Cover is yellowing and slightly stained. Spine is slightly scuffed. Edges of book are slightly scuffed. Slight damage to some plates and prints. Pages are yellowing. Small age stains of some pages. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
The standard catalogue raisonnÈ. 336 items reproduced in color and black & white and thoroughly described. Folio. Publisher's boards, dustjacket, board slipcase. FINE AND BRIGHT. Like new, with no defects.
pp. viii, 300 + 22 full page steel engravings. Numerous text wood engravings. Mildly XLib. Bookplate of Juniata College Library, gift of Aaron Rabinowitz. XLib stamps embossed in blind on title page, page 51 and page 300. Tall 8vo. Original full green cloth binding, lettered in gold. Extremities worn. Front board detached. Hardbound. Good. **PRICE JUST REDUCED! JUN5 BOX 7
Exhibition catalog for a show held at the publisher's gallery. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 14 pages with 7 full page, full color prints from the artist. 9" x 9".
Exhibition catalog for a show held at the publisher's gallery. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 14 pages with 7 full page, full color prints from the artist. 9" x 9".
Exhibition catalog for a show held at the publisher's gallery. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 14 pages with 7 full page, full color prints from the artist. 9" x 9".
Exhibition catalog for a show held at the publisher's gallery. Slight bend to lower spine at back cover as the only flaw, otherwise as new. 24 full page, full color linocuts by the artist with essay by Ms. Roberts at front with photo and multi-page description linocut process and of a work in progress, bio at back. 32 pages, medium format.
A clean, unmarked book with a tight binding. 8 1/4"w x 10 5/8"h. 122 pages. Black and white illustrations. Text in French.
