Estampes

Gros temps. Costume pour le yachting (pl.42, La Gazette du Bon ton, 1920 n°6)

- Lucien Vogel éditeur, Paris Juillet 1920, 18x24cm, une feuille. - Estampe originale en couleur, tirée sur papier vergé, signée en bas à gauche de la planche. Gravure originale réalisée pour l'illustration de La Gazette du bon ton, l'une des plus belles et des plus influentes revues de mode du XXème siècle, célébrant le talent des créateurs et des artistes français en plein essor de l'art déco. Célèbre revue de mode fondée en 1912 par Lucien Vogel, La Gazette du bon ton a paru jusqu'en 1925 avec une interruption durant la Guerre de 1915 à 1920, pour cause de mobilisation de son rédacteur en chef. Elle se constitue de 69 livraisons tirées à seulement 2000 exemplaires et est illustrée notamment de 573 planches en couleurs et de 148 croquis représentant des modèles de grands couturiers. Dès leur parution, ces luxueuses publications « s'adressent aux bibliophiles et aux mondains esthètes » (Françoise Tétart-Vittu « La Gazette du bon ton » in Dictionnaire de la mode, 2016). Imprimées sur beau papier vergé, elles utilisent une police typographique spécialement créée pour la revue par Georges Peignot, le caractère Cochin, repris en 1946 par Christian Dior. Les estampes sont réalisées grâce à la technique du pochoir métallique, rehaussées en couleurs et pour certaines soulignées à l'or ou au palladium. L'aventure commence en 1912 lorsque Lucien Vogel, homme du monde et de la mode - il a déjà participé à la revue Femina - décide de fonder avec sa femme Cosette de Brunhoff (sur de Jean, le père de Babar) la Gazette du bon ton dont le sous-titre est alors « Art, modes et frivolités ». Georges Charensol rapporte les propos du rédacteur en chef : « En 1910, observe-t-il, il n'existait aucun journal de mode véritablement artistique et représentatif de l'esprit de son époque. Je songeais donc à faire un magazine de luxe avec des artistes véritablement modernes [...] J'étais certain du succès car pour la mode aucun pays ne peut rivaliser avec la France. » (« Un grand éditeur d'art. Lucien Vogel » in Les Nouvelles littéraires, n°133, mai 1925). Le succès de la revue est immédiat, non seulement en France, mais aussi aux Etats-Unis et en Amérique du Sud. À l'origine, Vogel réunit donc un groupe de sept artistes : André-Édouard Marty et Pierre Brissaud, suivis de Georges Lepape et Dammicourt ; et enfin ses amis de l'École des beaux-arts que sont George Barbier, Bernard Boutet de Monvel, ou Charles Martin. D'autres talents viennent rapidement rejoindre l'équipée : Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Charles Martin, Maggie Salcedo. Ces artistes, inconnus pour la plupart lorsque Lucien Vogel fait appel à eux, deviendront par la suite des figures artistiques emblématiques et recherchées. Ce sont ces mêmes illustrateurs qui réalisent les dessins des publicités de la Gazette. Les planches mettent en lumière et subliment les robes de sept créateurs de l'époque : Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet et Doucet. Les couturiers fournissent pour chaque numéro des modèles exclusifs. Néanmoins, certaines des illustrations ne figurent aucun modèle réel, mais seulement l'idée que l'illustrateur se fait de la mode du jour. La Gazette du bon ton est une étape décisive dans l'histoire de la mode. Alliant l'exigence esthétique et l'unité plastique, elle réunit pour la première fois les grands talents du monde des arts, des lettres et de la mode et impose, par cette alchimie, une toute nouvelle image de la femme, élancée, indépendante et audacieuse, également portée par la nouvelle génération de couturiers Coco Chanel, Jean Patou, Marcel Rochas... Reprise en 1920 par Condé Montrose Nast, la Gazette du bon ton inspirera largement la nouvelle composition et les choix esthétiques du « petit journal mourant » que Nast avait racheté quelques années auparavant : le magazine Vogue. [ENGLISH DESC

Librairie Feu Follet · Paris, FR138,00 €

Oxandaberro, RouraMareMagnum

Guayaquil Folklore y Paisage: 20 Prints in Portfolio

Portfolio containing twenty loose black and white prints (on 9 1/2"w x 12 5/8"h paper).One sheet of text in Spanish. White folder shows several tears. No date shown; circa 1960's.

Bookshop Pistil Books Online · Seattle, US69,54 €

RUSSELL (Ronald)MareMagnum

Guide to British Topographical Prints.

First Edition, 4to, 224pp., 51 illustrs., orig. cloth, d.w. Covering a wide range of subjects and methods, annotated lists of painters and engravers, detailed bibliographies and explanations of methods of printmaking.

Forest Books William Laywood · Grantham, GB12,23 €

Gerlach-Laxner, Uta (Hann Trier)MareMagnum

Hann Trier. Werkverzeichnis der Druckgraphik (catalogue raisonne of the prints)

The catalogue raisonne of the prints. About 160 items described and reproduced, almost all in color. Folio. Original wraps. FINE AND BRIGHT.

William Cole · Sitges, ES50,00 €

Grieshaber, HAP [Helmut Andreas Paul] [ARTIST] / Fuerst, Margot [Intr.]MareMagnum

HAP Grieshaber - Der Holzschneider [with separate booklet / Beiheft]

RARE album of graphic works by Helmut Andreas Paul Grieshaber or HAP Grieshaber (1909-1981) - an eminent German artist whose preferred medium was large format woodcuts. 28 Seiten Text (als Beiheft), 84 Seiten Bildteil mit 62 Abbildungen, darunter 10 zum Teil doppelseitige Farbtafeln. 36 Seiten Anhang mit 6 doppelseitigen Farbholzschnitten und weiteren 7 einfarbigen, alle vom Original-Holzstock gedruckt. [ALBUM]: 390x290mm. Unpaginated. Hardcover with illustrated dust-jacket laid in plain board slipcase. Slipcase yellowing and slightly stained. Spine edges worn and slightly tattered. [BOOKLET]: 240x170mm. 28 pages. Softcover laid in front inner cover side pocket. [SUMMARY]: This extremely rare album of works by one of the most influential 20th-century German graphic artists is in good condition.

The Book Gallery · États-Unis44,51 €

HAP Grieshaber / Fuerst, MargotMareMagnum

HAP Grieshaber der Holzschneider

Small 28 page softcover booklet with an introductory text by Margot Fuerst, catalog and bibliography on Grieshaber attached to the album, 285x380mm. Unpaginated album + 28 pages. Hardcover with dust-jacket. Jacket edges slightly worn. Spine edges partly cracked. Pages slightly yellowing. Else in good condition.

The Book Gallery · États-Unis69,54 €

(Surtees, Robert Smith).MareMagnum

HAWBUCK GRANGE OR, THE SPORTING ADVENTURES OF THOMAS SCOTT, ESQ. With Illustrations by H.K. Browne & W.T. Maud.

pp. 265, 30 [Robert Smith Surtees Sketch of His Career], 30 [John Leech His Illustrations to Surtees' Novels, etc.] + Eight handsome full page hand colored steel engravings by John Leech. Full page and text engravings by H. K. Browne and W. T. Maud. Title page decorated in color with a fox jumping a fence. Top edge gilt. 215mm. Virtually disbound. Leather and cloth boards detached. Bookplate of J. Frederic Byers, a prominent Pittsburgh businessman and sportsman, who had a large estate at Sewickley. Lacks spine. Text is very nice, but should be rebound. ENGLAND BX 5

Bookshop Family Album · Kinzers, US48,22 €

Bartlett, Bo,MareMagnum

Heartland: Paintings By Bo Bartlett

Exhibition catalog for a show held at the publisher's gallery. Pamphlet ( 6" x 11") is in excellent condition, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 8 pages with 4 full color prints from the artist.

Bookshop Pistil Books Online · Seattle, US27,82 €

Bartlett, Bo,MareMagnum

Heartland: Paintings By Bo Bartlett

Bookshop Pistil Books Online · Seattle, US27,82 €

Bartlett, Bo,MareMagnum

Heartland: Paintings By Bo Bartlett

Bookshop Pistil Books Online · Seattle, US27,82 €

Falke, Jakob von.MareMagnum

HELLAS UND ROM, eine Culturgeschichte des Classischen Alterthums.

pp. xii, 345. Wood engraved plates and Illustrations. Some foxing. Folio. Absolutely remarkable decorated full red cloth binding. Huge gold central device surrounded by a complex series of rolls, stamps, and illustrations in gold and black. Rarely is this book found in such fresh condition. Oversized. SCARCE. **PRICE JUST REDUCED! SE5

Bookshop Family Album · Kinzers, US125,17 €

Matisse, HenriMareMagnum

Henri Matisse: Etchings, Lithographs, Linocuts & Aquatints

A clean, unmarked book with a tight binding. Crease on front cover and a few page edges. 24 pages. Exhibition catalog for Pace Master Prints show taking place on October 16--December, 19, 1992. Two 6"x8" postcards advertising the event laid in.

Bookshop Pistil Books Online · Seattle, US32,45 €

AnonMareMagnum

Henry Moore: Prints and Portfolios

Exhibition catalogue 14-28 April 2010. Illustrated. 32 pages.

Andmeister Books · London, GB26,16 €

Struck, Hermann / Teltsch, Michal [Curator] / Gorelick, Ted [Tr.]MareMagnum

Hermann Struck - From Berlin to Haifa: Etchings

21X24 cm. 71 pages. Softcover with dust jacket. Cover edges stained. Cover edges and corners slightly wrinkled. Ex-Libris sticker on title page. Else in good condition.

The Book Gallery · États-Unis41,72 €

Goerg, Charles, Rosa Queralt, Rosa Vives, and Elvira Maluquer (Joan Hernandez Pijuan)MareMagnum

Hernandez Pijuan. Obra grafica 1954-1980 [with] 1982-1990 [with] 1991-2002 [with] 2002-2005 (catalogue raisonnÈ of the prints of Joan Hernandez Pijuan)

Four volumes, complete. The catalogue raisonnÈ of the prints of Joan Hernandez Pijuan. 616 items thoroughly described, each illustrated with a full-page color plate. Volume I limited to 1,075 copies. Square 8vo. Two volumes in publisher's cloth and djs (as issued), two volumes in wraps (as issued--there was no hardcover issue of these volumes). Fine and bright, with no defects.

William Cole · Sitges, ES225,00 €

Collection of French Pamphlets, with Beautiful & Fine French Engravings; Various Authors, and Illustrators.MareMagnum

HEROIDES OU LETTRES EN VERS. Vols I & II.

Fourteen (14) Rare French Literary Pamphlets in two volumes. All 8vo. 205 mm. Leather backed marbled boards, very slightly worn. Hardbound. Text in fine condition; some offsetting from the engravings. Contents include: Vol. I - 1). LETTRE AMOUREUSE D'HELOISE A ABAILARD. Translation of: Eloisa to Abelard, by Alexander Pope. New Edition corrected by the autor. Chez la veuve Duchesne, Paris: 1766. 30 p. + large engraving by Eisen; Engraved headpiece by Colardeau. 2). LETTRE DE DON CARLOS A ELISABETH, SUIVIE DUN PASSAGE DE L'AMINTE DU TASSE, TRADUIT EN VERS, & Du Poeme De La Nuit, imite de Gesner. Panckoucke, Paris & Duchesne, Lille: 1768. pp. VIII, 29 + Gravelot engraved plate. 3). LETTRE DE JULIE, FILLE D'AUGUSTE, A OVIDE. By Claude Dorat. A Geneve, Et se trouve a Paris: Chez Bauche: 1766. 23p. With Engraved head and tail pieces by Eisen and Massard. 4). LETTRE D'OVIDE A JULIE, PRECEDEE DUNE LETTRE EN PROSE A M. DIDEROT. [By the Marquis de Pezay]. [Geneva]: 1767. 32p. + Full page engraved plate and vignettes after Eisen. 5). LETTRE DE SAPHO A PHAON, Precedee d'une Epitre a Rosine, D'une vie de Sapho, & suivie d'une Traduction en Vers des Ouvrages de ce Poete. By Blin de Sainmore. Sebastien Jorry, Paris: 1766. 32 p. + Engraved plate by Aliamet after Gravelot; Vignettes by Ghendt after Eisen, another by Choffard. 6). LETTRE DE CATON D'UTIQUE A CESAR. By Abbe Parmentier. Lambert, Paris: 1766. 34 p. + Engraved plate after Gravelot. 7). LETTRE D'ALCIBIADE A GLICERE: Bouquetiere d'Athenes, suivie d'une Lettre de Venus a Paris, et d'une Epitre a la Maitresse que J'Aurai. By Marquis de Pezay. S. Jorry, Geneva & Paris: 1764. 36 p. Large engraved plate and vignettes by Eisen. Vol. II - 1). LETTRE DU COMTE DE COMMINGES A SA MERE: Suivie d'une Lettre de Philomele a Progne. By Claude-Joseph Dorat. S. Jorry, Paris: 1764. 68 p. Two full page engravings + vignettes by Eisen & Massard. 2). L'HEUREUX JOUR, EPITRE A MON AMI. By le Parquis de Pezay. (Duchene, Paris): 1768. pp. 29, (1). + Engraved title, full page engraving, & vignettes by Eisen & Massard. Cohen p. 797. 3). LISLE MERVEILLEUSE. Poeme en Trois Chants, Traduit du Grec, Suivi d'Alphonse ou de l'Alcide Espagnol, Conte tres Moral. By C. J. Dorat. Geneva: 1768. 85 p. Engraved plate after Eisen. 4). L'HOPITAL DES FOUS [Aesculapius - or, The Hospital of Fools] by William Walsh. [A Play translated by De La Flotte]. Jorry, Paris: 1765. Large plate, head-piece and tail-piece engraved by Delafosse after Eisen. Two lines of French manuscript about Fools. 5). EXTRAIT DE QUELQUES PIECES PRESENTEES A L'ACADEMIE FRANCOISE, Pour concourir au Prix de poesie de L'Annee 1766. Regnard, Paris: 1766. 27 p. 6). EPITRE AUX MALHEUREUX, Piece qui a Eu L'Accessit du Prix de l'Academie Francois 1766. par M*** [G.-H. Gaillard]. Paris, Regnard: 1766. 10p. 7). EPITRE A UN AMI SUR LA RECHERCHE DU BONHEUR. Cette Piece a concouru au Price de l'Academie Francois 1766. par M.D.*** Avocat au Parlement, Cuissart & Regnard, Paris: 1766. 19p. Small circular stain on first 10 pages. ** This collection is sometimes found with the texts in a different order and with different pagings and signatures and/or with one or more pieces omitted. There are often different printers and publishers where identified. The artists and engravers were among the best of this great era in illustration: Charles-Dominique-Joseph Eisen (1720-1778); Charles-Pierre Colardeau (1732-1776); Hubert Francois Gravelot (1699-1773); Jacques Aliamet 1726-1788); Jean Francois Rousseau; Emmanuel Jean Nepomucene de Ghendt (1738-1815); Joseph de Longueil (1730-1792); Jean Massard (1740-1822); Pierre-Philippe Choffard (1730-1809). A classic of 18th century French book illustration. CHEST 2/1

Bookshop Family Album · Kinzers, US370,89 €

[India - Mission]. Müller, Johann Sebastian (John Miller).MareMagnum

Herr Aaron National Land-Prediger unter den Heidnischen Malabaren in Ost-Indien. Nuremberg, bei J. Trautner, ca. 1740.

Engraving in original hand-colour. 16 x 13 cm (sheet dimensions: 30 x 21 cm). Matted. A rare engraving showing the Indian priest Aaron, the first converted native preacher of Malabar, dressed in white cloth and presenting to the viewer two pages from the Acts of the Apostles in Tamil. The Tamil Bible translation was famously published in 1713 by the Saxon missionary Bartholomaeus Ziegenbalg, who had been posted to the Danish colony of East India (Malabar) in the early 18th century. A nearly half-page letterpress text below the engraving elaborates on the conversion and life of Aaron, who was born ca. 1699, baptised in 1718, and ordained in 1733. - The engraver and botanist J. S. Müller (1715 - ca. 1792), known as John Miller in Britain, was born in Nuremberg, where he trained under Johann Christoph Weigel. He came to England in 1744 with his brother Tobias - an engraver of architecture - and remained there the rest of his life, producing several important botanical works and apparently also forging several oil paintings for London's appreciative art market. - Traces of folds; insignificant duststains to margins.

Inlibris · Wien, AT500,00 €

DE PAUW-DE VEEN LydiaMareMagnum

Hieronymus Cock prentenuitgever en graveur 1507-1570

100pp.+ 47 zw/w illustraties buiten tekst, 23cm., gebroch., catalogus van gelijknamige tentoonstelling t.g.v. de vierhonderdste verjaardag van het overlijden van H. Cock (Brussel, 21 nov.- 24 dec. 1970), goede staat, S87853

Antiquariaat Pieter Judo (De Lezenaar) · Hasselt, BE50,00 €

(POIRET Paul) MARTIN CharlesMareMagnum

Hindoustan. Robe-manteau de Paul Poiret (pl.59, La Gazette du Bon ton, 1920 n°8)

- Lucien Vogel éditeur, Paris 1920, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en haut à gauche de la planche. Gravure originale réalisée pour l'illustra

Librairie Feu Follet · Paris, FR92,00 €

HiroshigeMareMagnum

Hiroshige: A Shoal of Fishes

An accordion book with red cloth cover. Ex-library book with the usual stamps and markings. Worn slipcase with stickers and small stains. Woodblock prints of fish and sea life by Hiroshige in wonderful colors and patterns.

Bookshop Pistil Books Online · Seattle, US32,45 €

HYMANS HenriMareMagnum

Histoire de la gravure dans l'école de Rubens

viii + 550 [i] pp.+ 5 fac-simile héliographiques, 24cm., br.orig. (dos renforcé, petit coin de papier détaché du plat supérieur) protégée par une couv. de papier cristal, peu de rousseurs, texte et intérieur en bon état, S87540

Antiquariaat Pieter Judo (De Lezenaar) · Hasselt, BE110,00 €

Bellini, Paolo and Catherine Petit (Ingo Avolta, illustrator)MareMagnum

Histoire de la Gravure Moderne, avec un repertoire bio-bibliographique de 1874 graveurs (history and bibliography of prints and printmakers)

First and only edition of this useful reference, with biographical and bibliographical notes on 1,874 printmakers. This is one of 333 deluxe copies, printed on fine laid paper and with an original signed and numbered woodcut by Ingo Avolta, printed on Moulin Richard de Bas paper, on the cover. Also signed by the publisher. 8vo, publisher's boards. Top edge gilt. Fine.

William Cole · Sitges, ES175,00 €

Jordan, John W.; Green, Edgar Moore; Ettinger, George T. (Editors).MareMagnum

HISTORIC HOMES AND INSTITUTIONS AND GENEALOGICAL AND PERSONAL MEMOIRS OF THE LEHIGH VALLEY PENNSYLVANIA. Two Volumes.

Two volumes. pp. vii, 516; v, 528. Both volumes are illustrated with numerous full page portrait engravings. Double column. All edges gold. Marble end papers. Quarto. Original three quarters leather bindings. Spines gold lettered with raised bands, slight loss. Joints fragile. Hardbound. Nice set. Very interesting local history. FIRST EDITION. PA 39

Bookshop Family Album · Kinzers, US104,78 €

Ainsworth, William Harrison.MareMagnum

HISTORICAL ROMANCES. TWENTY VOLUMES.

Twenty Volumes. Illustrated with Etchings, proofs-before-letters on Japan Vellum, and impressions of the Historical Portraits on India Paper. Offsetting from tissue guards marring a few illustrations. Title pages printed in red and black. Uncut. Top edges gold. 8vo. Original full blue cloth bindings, some wear. Original spine paper labels. Spines faded. Victorian Edition. Limited Edition. Number 996 of only 1000 copies. Nice set. Impressive. SET/W49

Bookshop Family Album · Kinzers, US185,44 €

Filtres actifs

Siècle

Langage

Ajouté

Sujets

Catalogues

Filtres actifs

Siècle

Langage

Ajouté

Sujets

Catalogues

Filtres actifs

Siècle

Langage

Ajouté

Sujets

Catalogues