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1872025507Philadelphia: J B Lippincott & Co 1871 1872. 2nd Edition 1st Printing. Green Cloth Gilt. Very Good . 6 7/8' Tall. 203 Pp. Green Cloth Gilt And Black Lettering And Design Two Blank Front Free Endpapers Two Blank Rear Free Endpapers The Elaborate Green Cloth Binding Being Very Similar To Strahan's 1871 London First Edition And The 1871 Routledge New York Printing But With No Publisher's Name At Base Of Spine And Lippincott Name And 1872 Date On Title Page The Actual Publication Date Of This Lippincott Edition Is Cited As December 1871 And As Lippincott Was Strahan's American Publisher At This Time It Seems Likely That This Edition Is The First Authorized American Edition. The Strahan Edition Has "Goblin" On Spine And Cover In Black But In The Routledge And This Lippincott Edition That Word On The Spine Is In Gilt. 30 B/W Illustrations In The Text Half-Page At Center Of Pages Signed With The Dalziels' Name In Plural And Hughes' Initials. Very Well Preserved Covers Clean All Gilt And Black Complete And Strong All Gilt Still Brilliant Rubbing And Wear To Cloth At Top And Bottom Of Spine And At Tips A Few Frays At Top And Bottom Of Spine And Pinpoint Frays At Three Of The Tips; Hinges Tight Original Off White Coated Endpapers No Cracking To Hinges No Names Or Marks No Repairs Slight Spine Lean. Display Quality. <br/> <br/> J B Lippincott & Co [1871] hardcover
190736510Philadelphia: J. B. Lippincott Company 1907. Revised edition. Cloth. Very Good. Maria L. Kirk. Original wood engravings after Arthur Hughes. Revised edition 1907. A Very Good book lacking dust jacket. 8vo. 304 pp. bound in publishers decorated red cloth. Spine is sunned with rubbing to top and base. Goblin figure on the spine very lightly rubbed. Some occasional spotting to cloth with tips rubbed. George MacDonald 10 December 1824 – 18 September 1905 was a Scottish author poet and Christian Congregational minister. He became a pioneering figure in the field of modern fantasy literature and the mentor of fellow-writer Lewis Carroll. J. B. Lippincott Company unknown
MD-LMJA-48THThis is the slipcased hardcover only stated Heritage Edition from 1942. Other than some wear to the slipcase the book is in excellent condition. There are no rips tears markings etc.---and the pages and bindings are tight see photo. Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe. So bid now for this magnificent impossible-to-find LITERARY COLLECTIBLE.Like New hardcover
1793biblio320London 1793. <p>Portrait of Samuel Hood 1724-1816 after JNorthcote engraved by Fiesinger Sheet = 315 x 450mm image = 21x30cm little stains on margin otherwise fine</p> unknown
194913511Los Angeles: Limited Edition Club 1949. First Edition in this Format; Limited Edition. Hardcover. Book condition is Very Good bound in 1/4 leather and paper covered boards housed in a Very Good slipcase. Minor edge wear and a few weak smudges to slipcase. Sunning to slipcase. A few smudges to covers. A few small weak scuffs to spine of each volume. Text is clean and unmarked. Illustrated throughout. Limited to 1500 copies this set numbered 822. ; Signed by the engraver Carl Schultheiss on the Limitation page. ; Large 8vo 9" - 10" tall; 690 pages. Limited Edition Club hardcover
193020691New York: Coward-McCann Inc 1930. First Edition. Hardcover. Cloth spine. Paper pastedown on boards. Very Good. John Held Jr. A Prohibition Era paean to the bibulous lifestyle with many apercus and interspersed among these short pieces over 60 cocktail recipes and of course the inimitable woodcuts of John Held who made something of a specialty as an illustrator of cocktail literature. With a short inscription by compiler editor writer Hunt who was Librarian at Yale and who also had been a publishing executive. 8vo. 22.5 by 17 cm. xiv 2 95 1 pp. The short inscription was to a woman living on Christopher Street back when it was the backdrop for "My Sister Eileen". Cover stained. Hinge somewhat loose. Leaves fairly heavily age toned but generally clean otherwise. Coward-McCann, Inc hardcover
190410410Good. 1904. Non-Book. Cover only. Cover is toned with modest soiling and address label but in very framable condition. 10.5" x 14".; Prints . unknown
193610414Good. 1936. Non-Book. Cover only. Cover is worn at extremities and soiled. 10.5" x 14".; Prints . unknown
184488648London England: Virtue and Co. City Road and Ivy Lane 1844. Hardcover. Very Good Plus. W. H. Bartlett. TWO VOLUMES IN A SINGLE BINDING<br /> Quarto. Forest green half-morocco corners and spineruled in gilt. Full-page Frontis Map by W. Hughes & Aldine Chambers. Aquamarine/White diagonally-striped silver-veined marbled endpapers. 120 magnificent tissue-guarded full-page engravings with Historical and Descriptive Text by J. Stirling Coyne N.P. Willis and others. EXCEPTIONALLY clean and Bright after 180 years. Each volume separately paginated with its own title page. Beautiful book. Virtue and Co., City Road and Ivy Lane hardcover
1974000652Land's End Press 1974. Hardcover. Good/Good. Scarce edition. From dust Jacket: "Here in one volume are facsimiles of three rare and valuable works of fencing by the noted eighteenth century fencing masters Domenico and Henry Angelo." Hard back binding in publisher's original crimson cloth covers gilt title and author lettering to the spine. Landscape 6½'' x 9¼''. Contains printed pages of text with full-page monochrome etchings and engravings throughout.Very Good condition book with minor rubbing of the cloth along the spine. Good condition dust jacket with some damage. Not price clipped.Names stamped on First page. Dust wrapper supplied in archive acetate film protection. <br/> <br/> Land's End Press hardcover
1920DEMO015993IKansas City: The American Bookplate Society 1920. First Limited. Cloth. Fine/fine. Spider-web glassine dj torn. 34pp. in very good publisher's slipcase. <br/><br/>One of 250 copies. Focusses on the bookplates engraved by William Edgar Fisher the current President of the society The American Bookplate Society hardcover
1868021398Glasgow / Edinburgh / London: William Collins Sons and Company 1868. Nineteenth Century Edition . Hardcover. Very Good. 11 1/8" x 9 1/4" x 2 3/4. 775 Pp. Black Morocco Spine And Tips 5 Bands Gilt Lettering All Edges Gilt. .11 18" X 9 " X 2 1/4". Shipping Weight About 8 Pounds. Frontispiece With Tissue Guards; 19 Lithograph Plates Printed In Black Peach Coloring In Various Shades A Little White Infill. Binding With Some Edge Wear But Strong Hinges Solid. Contents Clean Faint Pencil Name/Place/1890 Date On Front Endpaper No Other Names Or Marks; A Few Small Scattered Light Foxing Spots. <br/> <br/> William Collins, Sons, and Company hardcover
1745199414London. 1745-1747. Ten copperplate engravings arranged as storyboards on two leaves 21 x 16.5 cms border; 26 x 20 cms sheets including captions and platemark sheets a little age-toned with faint offsetting but in very good condition. Each of the ten engravings shows a stage in the production of silk. The two leaves of engravings Plates 25 and 26 were published as part of Du Halde's account of China included in an important 18th century compendium of travel writing: "A New General Collection of Voyages and Travels" known as the Astley Collection for its publisher. . hardcover
009237Los Angeles: Zeitlin & Ver Brugge Booksellers 1974. Book. Fine. Hardcover. SIGNED AND INSCRIBED BY PUBLISHER. Limited and Numbered First Edition. 8vo - over 7¾" - 9¾" tall. #105 of 120 copies printed by Saul & Lillian Marks at The Plantin Press Los Angeles completed April 1974. "The entire edition subscribed for by Jacob Israel Zeitlin & Josephine ver Brugge Zeitlin." Association Copy SIGNED AND INSCRIBED BY PUBLISHER at colophon page "for Gary Jake". From the collection of Gary Steigerwald at the time of publication a young bookseller working for Jake Zeitlin. In lovely Max J. Adjarian binding his small label to upper left corner of front pastedown of quarter brown morocco over patterned paper boards.and complementary custom clamshell case of quarter brown morocco over grey buckram boards with beige felt lining stamp-signed "Frank Burton". Both are Fine. SCARCE Association Copy. Zeitlin & Ver Brugge Booksellers, Hardcover
19401262991940. New York: Lee A. Ault & R. C. von Ripper 1940. <br /> <br /> Huge folio 50 pp. text and illustration engraved throughout on folded leaves separated with tissue guards in stiffened wrappers with an additional suite of 22 plates lacking some together in the original cloth portfolio and card slipcase. Together with seven sheets of proof plates and a folder of five related press clippings bearing the printed label of Monica McCall Inc. Wrappers lightly toned portfolio worn and splitting slipcase considerably worn and stained and lacking spine panel plates themselves are very good throughout with only a hint of age-toning to the outer margins.<br /> <br /> § Copy V signed by Von Ripper and Muriel Rukeyser one of three Rives paper with a suite of etchings on Velin de Normandie from a total edition of 67 copies. This copy belonged to Muriel Rukeyser who has extracted some of the suite of prints they now number 22 and added seven proof sheets some showing and annotating alternate inking options as well as a small collection of related press clippings gathered for her by Monica McCall her literary representative and sometime lover.<br /> <br /> An important collaboration between Rukeyser and the Austrian-born surrealist etcher Rudolph von Ripper 1905-1960 on the eve of America's entry into the Second World War. Rukeyser's poem looks to the legacy of John Brown the militant abolitionist of the 1850s and celebrates the possibility of spiritual renewal through resistance to injustice. It first appeared in the June 1940 edition of Poetry Magazine. Here the poem is fully engraved and illustrated with original etchings by von Ripper and interleaved with the etched verses of the old Civil War marching song. By the time Von Ripper was engaged on this project he was only 35 but had already fought for the French Foreign Legion been imprisoned and tortured by the Gestapo and been wounded while fighting on the Republican side in the Spanish Civil War. His direct physical experience of the rise of fascism is evident in his visceral Goya-like etchings. The series was exhibited in the Bignou Gallery in New York in 1941. A contemporary review described it is "an unusal undertaking brilliantly executed the drawings forming not so much illustrations or decorations as actual parts of the poem. Realism symbolism powerful design and dramatic presentment mark these plates which form a distinguished piece of bookmaking. unknown
1845007972London: Printed for Thomas Tegg 1845. Book. Very Good. Hardcover. New Edition. Tall 8vo. Very Good in contemporary half pebbled brown morocco over marbled boards spine with five raised bands and lettered in gilt marbled end papers the bookplate of noted Celtic language and folklore scholar Edgar M. Slotkin front paste down along with a small bookseller's label. Prior owner name top edge verso front end page. Boards rubbed at edges binding solid contents quite clean and unmarked. A scholar's copy. Printed for Thomas Tegg Hardcover
1996TENNIELS014377The Workshop Press Thaxted. 1996. First edition. Quarto. pp 24. Card wrappers with flaps. Illustrated with twelve Tenniel drawings printed letterpress from electrotypes created from the original wood engravings cut by the Dalziel Brothers c. 1860-1970.Number 29 of fifty copies.Spine slightly faded otherwise fine. The Workshop Press, Thaxted. unknown
1990059927Lincoln Nebraska: University of Nebraska Press 1990. Book. Illus. by Moser Barry. Very Good. Hardcover. Signed by Illustrators. 157 pages 12mo. SIGNED and inscribed by the illustrator Barry Moser on title page. Foreword by Joyce Carol Oates. Shelfwear to DJ: light scuffing along edges a few small tears along top edge of front cover and top edge of spine moderate spine fade. DJ in mylar. Tightly bound no marks. Volume is in Very Good condition. University of Nebraska Press Hardcover
0422T961637Hardcover. Very Good. VG overall two volume set. Privately Printed New York 1929. No reader's marks. Blue cloth sl. sun-faded on covers. 5 illustrations per volume. Heavy quality pages about 50% of them remain uncut. 2 vols 8vo 250 & 331pp. "Salon Edition" at foot of spine. Blue cloth no DJs. No reader's marks. Tight bright. hardcover
fr 2 vols, 8vo, 250 &Hardcover. Very Good. VG overall two volume set. Privately Printed New York 1929. No reader's marks. Blue cloth sl. sun-faded on covers. 5 illustrations per volume. Heavy quality pages about 50% of them remain uncut. 2 vols 8vo 250 & 331pp. "Salon Edition" at foot of spine. Blue cloth no DJs. No reader's marks. Tight bright. hardcover
1805SKU1033764James Wallis 1805-01-01. Leather Bound. Very Good. 0x0x0. James Wallis; city not noted 1805. Hardcover. Later Printing. Complete 2 Volume Set. A Very Good full leather binding with gilt decorative design on boards and spine gilt lettering on spine 5 raised hubs 6 compartments AEG with some blemished gilt dentelles edges gilt ruled binding sturdy and intact some age spotting/discoloration to boards ribbon marker some rubbing to board/spine edges and joints some wear to board corners small abrasions to spine edges age toning to pages bit of age spotting throughout small abrasions to board corners. A nice clean and unmarked set. 8vooctavo or approx. 6 x 9 inches. Vol.1 368pp. Vol.2 432pp. b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. James Wallis hardcover
19549407Lexington KY: Gravesend Press 1954. Vellum Binding. Near Fine binding. 18mo. 10 48 4 pp. illus. Limited edition number 9 of 200 copies. As issued in vellum-backed patterned-paper over boards. Lacking the slipcase. A handsome copy with only light toning to the perimeters of the boards; contents clean. This copy with 4-page prospectus. <br /> <br /> This work was the first book issued by the Gravesend Press that was actually printed using the Graves' press in their stable by Graves and Jacob Hammer. Kredel's charming engraved pressmark of a sleeping pressman graces the final page. Graves writes about this in his Bibliographical Confession the donkey in the window was their family pet Patience. Graves operated the press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of the Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses." Press historian Roderick Cave notes that this was "probably the most successful Gravesend book" p. 263. Cave The Private Press 2nd edition; Graves The Gravesend Press: A Bibliographical Confession p. 11-13. Gravesend Press unknown
1527944549.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1982306969NY: RANDOM HOUSE. Fine. 1982. First Edition. 0394525019 . First American Edition. SIGNED Limited Edition. Copy #455 of 500 numbered copies. Signed by V.S. Pritchett. Fine in green cloth in an orange cloth slipcase with the original price sticker at the bottom righthand corner. . RANDOM HOUSE. hardcover
198228363Salisbury Wiltshire: Michael Russell 1982. Near Fine/Very Good. Salisbury Wiltshire: Michael Russell 1982. First Edition Limited to 150 signed copies of which this is no. 28. Slim 12mo; publisher's green cloth pictorial paste-on to upper cover in original glassine dust jacket; 48pp.; woodcut frontispiece illus. throughout. A hint of shelf wear glassine a bit wrinkled else a Fine example. Signed by Pritchett and Theroux on limitation page. Michael Russell unknown
