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88418Paris: Librairie Hachette n.d. Reprint originally published in 1869. Octavo 27cm; red cloth-covered boards with titling and decorations stamped in gilt and black on spine and front cover and decoration blind stamped to rear cover; gilt topstain; iv12-180pp; black-and-white illustrations to frontispiece and throughout. Text in French. Lightly spine-faded with light oxidation to spine titling small chips to gilt of front cover titling slight spine lean shelf-wear faint tanning to page margins and hinge starting at half-title page and pp.172-173; Good. <br /> <br /> Sequel to De la Terre à la Lune 1865 both written during Verne's prime and heavily altered with later translations and cuts. CLUTE & NICHOLLS p. 1277. 88418. Librairie Hachette unknown
192988417Paris: Librairie Hachette 1929. Reprint originally published in 1872. Octavo 27cm; red cloth-covered boards with titling and decorations stamped in gilt and black on spine and front cover and decoration blind stamped to rear cover; gilt topstain; iv12-2042pp; black-and-white vignettes to frontispiece and throughout. Text in French. La Grande Librairie sticker to lower rear pastedown. Lightly spine-faded with light oxidation to spine titling slight spine lean shelf-wear and faint tanning to page margins; Very Good. <br /> <br /> "From the 1870s on JV's work tended to repeat itself in gradually darkening hues though he never lost the sense of the fundamental usableness of science and technology a sense vital to 20-century sf science fiction where - as with JV - usableness tends to serve as its own justification" see Clute & Nicholls The Encycopedia of Science Fiction p.1277. CLUTE & NICHOLLS p. 1277. 88417. Librairie Hachette unknown
1926176360Paris: Societe d'edition "le livre" Emile Chamontin directeur 1926. No. 10 of 20 of this edition. Paperback. VG but with soiling to covers where glassine was lacking minor age toning to extremities of some pages not bad overall a tight copy that could have been stored better. The front cover is slightly cattywampus from the two extra sets of engravings being inserted in the front of the book as might be expected. Printed wraps with glassine remnants on inside flaps. 24 pp. 15 engravings etchings withing the text and two extra sets of these illustrations each set representing a different state are included only 20 such sets were issued of the overall edition of 430 copies. Text is in French. The book itself has been printed on Imperial Japon and the extra engraving printed on Imperial Japon and on Holland Van Gelder it appears from the colophon and limitation at the rear of the book. Quite rare as a result of this limited configuration. Each set of plates is wrapped in glassine and the extremities of these plates show age-toning or light soiling. Societe d'edition "le livre", Emile Chamontin, directeur paperback
197736980Paris: A Parole Donnee 1977. Fine/Fine. Paris: "A Parole Donnée" 1977. First Edition Limited to 10 copies including original engraving printed on both Arches and Japon papers of which this is no. 1. Small square quarto 16.5cm; loose as issued in original pale grey printed dust jacket housed in original emerald green cloth chemise and slipcase; 16pp.; two color engravings signed with limitation by the artist. A Fine example. Additionally signed by the poet Bohbot on colophon in rear. <br /> <br /> Issued as the third volume in the poet's "A Parole Donnée" series. The plates were signed by Bryen shortly before his death in May of 1977. The book was released posthumously in September. No copies in OCLC as of October 2025. A Parole Donnee unknown
1766004430Paris: Desnos 1766. Map. Fine. Matted hand-colored copper engraving. Image size: 12 x 11 inches. Mat size: 17.5 x 18.5 inches. From de La Tour's Atlas Géneral Civil et Ecclésiastique. This map can be found in several formats: with or without the separately printed decorative border and with or without the text. This copy has the border; it does not include the text sometimes found adjacent to the map. In Fine Condition: clean and bright. Desnos unknown
442Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown
1733biblio309Amsterdam: Chatelain 1733. <p>Gravure sur cuivreLa feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre</p> Chatelain unknown
1995PMV608604AParis: Réunion des musées nationaux 1995. Trade paperback. Very good/Not issued. 214 x 302 x 14 cm. Paperback • Illustrations en noir et en couleurs couverture illustrée • <b><i>French text original</i></b> • Printed 1995 • No inscriptions. Réunion des musées nationaux paperback
1733biblio304Amsterdam: Chatelain 1733. <p>Gravure sur cuivreLa feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre</p> Chatelain unknown
19947318 page illustrated catalog of 25 works of art for sale. Includes a price list from Dec. 1994. The booklet is lightly creased and the staples are rusty. H216box Gehenna Prints paperback
69-6685San Jose California: M Lee Stone Fine Prints 1985. Fol. Stapled prints 22 sheets. B&W Plates some taped together. Very Good.From the collection of the late Frederick G Ruffner Jr founder of Gale Research Detroit. San Jose, California: M Lee Stone Fine Prints, [1985] unknown
168553234München Johann Hermann Gelder 1685. 4to. Later hcalf rebound spine worn but intact. Shaved close throughout loosing pagination number mainly at end. Some leaves with repairs some loosing text. Scattered brownspots. Traces of use. Some leaves frayed in margins. 22 pp. lacking titlepage.The first part paginated 1-1506 the second part ca. 400 pp. pagination shaved and ending abruptly. 14 engraved plates mounted and some with loss and defective. With around 70 large textengravings by Leonhard Heckenauer Jeremias Renner H.G. Bodenehr et al. <br/><br/><em>Richly illustrated by estimated Baroque-engravers such as Heckenauer Renner Bodenehr and others. </em> unknown
B33500-FT-WHIThe Peter Pauper Press. Collectible - Very Good. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES! Mt Vernon: Peter Pauper Press. No date given possibly 1950. Limited to 1100 copies this one un-numbered. Hardcover folio 400 pgs. B/w and red frontis and engravings. Near fine in a fair slipcase. Brown leather spine over brick cloth with cream and green leaves. Worn rear panel and rear flap of cellophane dust jacket present the rest missing. Light wear to spine heel. Light off-setting to pgs opposite plates. Contents clean and binding sound. Slipcase quite worn and seams starting to split. Inquire if you need further information. The Peter Pauper Press hardcover
188356228Paris: P. Roquette Librairie 55 Passage Choiseul 55 1883. 4to. 9.25 x 12.5 in. 4 vii 1 34 pp unpaginated. Engraved frontisp. w/ tissue guard including 16 engravings. Original printed softcovers preserved in contemporary three-quarter morocco over marbled boards binding by Enry - Jose Pierson t.e.g. minor scuffing edgewear light wear to corners still VG copy w/ interior in NF condition. First edition thus of this beautiful series of engravings wonderfully executing Scarron’s picaresque novel relating the occasionally ribald adventures of a company of strolling players. Tiburce de Mare was a noted French portrait painter and engraver and son of Johannes de Mare who frequently contributed to the Gazette des Beaux Arts. P. Roquette Librairie, 55, Passage Choiseul, 55, paperback
1920biblio650Würzburg : Verlagsdruckerei Würzburg 1920-22. <p>22 volumes in8 en 19 1920-22 Nouvelle édition  illustrations facsimiles de monogrames avec tables et index portrait ; 23 cm Rel demi-toile avec légers accrocs aux dos et plats généralement bel ex ex-libris MKG</p><p>v 1-5 Niederlaender --</p><p>v 6-11 Les vieux maiÌ‚tres allemands --</p><p>v 12 Les clair-obscurs des maiÌ‚tres italiens --</p><p>v 13 Les vieux maiÌ‚tres italiens --</p><p>v 14 Å’uvres de Marc-Antoine et de ses deux principaux eÌleÌ€ves Augustin de Venise et Marc de Ravenne --</p><p>v 15 Estampes de diffeÌrents graveurs anonymes qui semblent eÌ‚tre de l'eÌcole de Marc-Antoine Raimondi --</p><p>v 16-18 Peintres ou dessinateurs italiens: MaiÌ‚tres du seizieÌ€me sieÌ€cle --</p><p>v 19-21 Peintres ou dessinateurs italiens: MaiÌ‚tres du dix-septieÌ€me sieÌ€cle</p><p>v 22 zusatze zu Adam Bartsch's Le peintre graveur von Joseph Heller; Supplémentspar Rudolph Weigel</p><br /><br /><br /> Verlagsdruckerei Würzburg unknown
1860biblio651Leipzig: Rudolph Weigel 1860-1864. <p>in8 rel demi-toile 6 vol en 3 fortes mouillures au tome 5-6 vol3 sans dommages fongiques mais le papier ondulé ex-libris MKG</p><p>t 1 Histoire de la gravure sur bois et sur meÌtal jusque vers la fin du XVIe sieÌ€cle</p><p>Histoire de la gravure au burin jusque vers la fin du XVIe sieÌ€cle Nielles</p><p>t 2 Les maiÌ‚tres allemands et neÌerlandais du XVe sieÌ€cle</p><p>t 3 Les maiÌ‚tres neÌerlandais et allemands du XVIe sieÌ€cle</p><p>t 4 Suite des maiÌ‚tres allemands et neÌerlandais du XVIe sieÌ€cle</p><p>t 5 Les maiÌ‚tres italiens du XVe et XVIe sieÌ€cle</p><p>t 6 Suite des maiÌ‚tres italiens du XVe et XVIe sieÌ€cle</p><p>Table geÌneÌrale et alphabeÌtique des maiÌ‚tres et des monogrammes</p> Rudolph Weigel unknown
1936B77719London: The Limited Editions Club 1936. Hardcover. Very good. Volume one of three only! Cloth backed boards tall octavo 7.75" x 12.5" 221pp. illustrated in b&w. Book has rubbing to spine edgewear to spine ends and corners toning to edges of boards binding tight text clean and unmarked. The Limited Editions Club hardcover
16700Good. Non-Book. Original cover is trimmed and toned but in good condition. . . unknown
16-606618th Century. 4 colour aquatints on rag paper. Sheet size 41.5 x 34.5 cm. Hamilton pinx. Gabrieli & Bonato sculp. William Hamilton RA 1751 - 1801:RA Collection: People and Organisations.Born in Chelsea West London in 1751 Hamilton spent time studying in Italy before entering the Royal Academy Schools in 1769. Although he had previously studied architectural draughtsmanship he chose to pursue painting at this time. He exhibited four paintings at the Royal Academy in 1774 and by 1789 was elected as a Royal Academician. In the early part of his career Hamilton focused on portraitur but he later began to paint subjects from poetry history and the Bible.Hamilton was also employed by print galleries to illustrate popular themes and literature. His representations of Shakespearean scenes were not well-received but his rural scenes were fashionable. Perhaps the most popular of these were his illustrations to James Thomson’s The Seasons 1730. This poem describes rural Britain and reflects on the role nature plays as an intermediary between Heaven and Earth. Hamilton’s illustrations such as The Monarch Swain were published in 1797 engraved by Francesco Bartolozzi RA and P.W. Tomkins. There is a copy of the book in the Royal Academy Library. 18th Century unknown
1733biblio310Amsterdam: Chatelain 1733. <p>Gravure sur cuivre La feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Dechirure en marge inferieure droit avec perte sans affecter la cuvette</p> Chatelain unknown
1733biblio303Amsterdam: Chatelain 1733. <p>Gravure sur cuivreLa feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre</p> Chatelain unknown
0364541490.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390635902.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
D1121Paris: L. Baschet. Limited Edition. Hardcover. Near Fine. Original wraps bound in gilt-ruled red morocco and marbled paper boards gilt-stamped lettering and ornament on spine 5 raised bands. N.d. but circa late-1800s. Number 4 from a limited edition of 50 copies on China paper with a suite of hors-texte illustrations. Corners bumped; a few tiny scuff marks at spine tips; some light foxing in margins not infringing upon text or illustrations. A tight pretty copy. <br/><br/> L. Baschet hardcover
1550ABC_49514Italy 1550. 17th-century gold-tooled brown calf sewn on 6 supports with the corresponding raised bands on the spine a red morocco title label on the spine with the title "Novissima urbis Romae descriptio" lettered in gold gold-tooled board edges. Large oblong folio ca. 59 x 42.3 cm. With 76 full-page engravings and 12 full-page etchings. Remarkable album with 77 beautiful examples of 16th-century Italian cartography all in very fine dark impressions. The collection includes plans of important Italian towns such as Rome Venice Genoa Naples Milan Florence Palermo Siena Bologna and Pisa as well as detailed views of individual buildings and monuments in Rome. They are engraved by several cartographers from the school of Antonio Lafreri 1512-1577 primarily Claudio Duchetti d. 1585 Matteo Florimi d. 1613 and Lafreri himself. Florimi's works are among the rarest of the Lafreri school map makers especially his Siena imprints of which several have here been included.In the middle of the 16th century Italy was the centre of map production and distribution in Europe. This industry primarily took place in Venice and Rome. The most notable of the publishers in Rome was Lafreri. His most important and most popular work is the Speculum Romanae magnificentiae a collection of plans an views of Rome's monuments; no two copies of the Speculum are the same. The present collection contains more than thirty plates from the Speculum. When Lafreri died his nephew Claudio Duchetti inherited the company. He continued to produce the Speculum plates but often made small adjustments and signed his own name at the bottom. Most of the Speculum plates in the present album are by Duchetti. After his death the copperplates were sold to other publishers such as Giovanni Orlandi before 1590-after 1640 who reissued them. The majority of the plates in the present album were printed by Orlandi in 1602.The album further contains 32 engraved city plans mostly of Italian towns although a few foreign cities are also included; one of the rarest is the view of Moscow which is also included here. The collection ends with a incomplete series of 11 etchings of landscapes and biblical scenes.A list of contents is available upon request.With the bookplate of Louis Routy de Charodon seigneur de Grésigny and Charodon 1710-1794 on the front pastedown and remnants of another bookplate above. The boards are somewhat scratched and stained the spine shows traces of use the edges of the boards have been professionally restored and the boards have been lengthened to fit the maps. The maps are slightly browned some are slightly foxed the first few maps have been mounted onto 17th-century leaves the longer maps are somewhat soiled on the fore edge three maps are restored at the fore edge and one at the bottom edge some maps have been cut slightly short. Otherwise in good condition.l Cf. Parshall P. "Antonio Lafreri's "Speculum Romanae magnificentiae"" in: Print Quarterly vol. 23 1 2006 pp. 3-28. hardcover
