Estampes

John Keats; Edited By John Bernard; Introduction By Andrew Motion, Engravings By Simnon BrettBiblio.com

John Keats: The Complete Poems

2001058641The Folio Society 2001. First Edition Thus . Hardcover. Fine/Slipcase. Xix 472 Pp. Hardcover In Slipcase. First Printing Thus 2001. Text Following The Third Penguin Edition 1988 With Removal Of Otho The Great King Stephen And Poems Of Doubtful Attribution. Quarter Leather Gilt Illustrated Boards Green Endpapers. Fine In Fine Slipcase. The Folio Society hardcover

Arroyo Seco Books · États-Unis169,79 $US≈ 143,66 €

DONNE, JOHN & SMITH, A J (Ed) & MOTION, ANDREW (Into) & LYDBURY, JANE (Engravings)Biblio.com

John Donne: The Complete English Poems

347998The Folio Society 2006. IN SLIPCASE imperial octavo illus cloth boards gilt lettering to red leather spine top page edges stained red xxxviii 438pp illus Near FINE in slipcase Near FINE sl chafing/soiling The Folio Society 2006 hardcover

Hard To Find Books · Nouvelle-Zélande100,00 $NZ≈ 59,04 €

Esslemont, David Engravings by Thomas Bewick; John Bewick; Luke ClennellBiblio.com

JOHN BEWICK: A Selection of Wood Engravings being impressions from original wood-blocks; LUKE CLENNELL: Bewick Apprentice being impressions from original wood-blocks; THOMAS BEWICK BIRDS: Impressions from original wood-blocks. 3 volumes boxed.

198020836Newcastle: David Esslemont 1980; 1981; 1997. Limited editions. Paperback. Fine. 3 volumes. First vol.: xiv 1 24 pp. includes 22 numbered sheets with engravings printed on rectos only; second vol: xiv 1 32 pp. includes 28 numbered sheets with engravings printed on rectos only; third volume: 8 pp. pamphlet in blue printed wrappers accompanying 17 numbered loose sheets with engravings printed on rectos. All volumes unbound each in separate folder of natural linen and marbled boards housed together in matching slipcase with letterpress label. Impressions from the original blocks of Thomas and John Bewick and Bewick apprentice Luke Clennell. Printed by hand on a Columbian press on BFK Rives Velin Cuve paper by David Esslemont. Limited editions: "John Bewick" No. 104/140; "Luke Clennell" No. 99/100; "Thomas Bewick Birds" one of 100 unnumbered copies. David Esslemont paperback

Chanticleer Books · États-Unis800,00 $US≈ 676,88 €

Joan of Arc Prints ArchiveBiblio.com

Joan of Arc Original Prints Archive Illustrating Her Military Leadership Cross-Dressing Trial and Imprisonment 18th-19th Century Engravings

1700229131700. Cross-DressingWomen Military Joan of Arc engraving archive depicting the French military leader and martyr Jeanne d'Arc in iconic images of battle persecution and faith ca. 1770-1850s. The prints focus on Joan's leadership during the Hundred Years' War and on the gender-bending aspects of her identity and dress that contributed to her 1431 trial for heresy. Particular attention is given to her appearance in armor while directing troops or appearing before political authorities. These visual depictions emphasize Joan's adoption of male military clothing an attribute which has lead modern scholars of LGBTQ history to celebrate the saint as a queer and proto-transgender figure. Archive of eight engravings and proof impressions executed primarily in copperplate and steel engraving processes during the eighteenth and nineteenth centuries. The images depict several key episodes associated with Joan of Arc's historical narrative including portraits showing her wearing armor and holding a sword scenes of military command in which she appears mounted or directing troops and representations of her recognition by Charles VII and entry into the city of Orléans. A prison scene portrays Joan during captivity prior to her execution in 1431 emphasizing the moment when her continued cross-dressing became a major point of contention during her heresy trial. Several engravings were produced for historical publications and illustrated histories circulating in the eighteenth and nineteenth centuries including editions associated with François Guizot's History of France reflecting the renewed interest in Joan of Arc as a figure of national history. Archives includes: 1 Engraved for J. Sydney's History of England. The Maid of Orleans Receiving the Sword of St. Catherine. England c.1770-1820. A fine copper engraving framed within an elaborate Rococo border showing Joan receiving the sacred sword of St. Catherine an episode derived from medieval hagiography rather than strict historical documentation. Joan is mounted on horseback surrounded by armed men and clergy with a fortified tower rising behind her. The ornamental border and English publication context reveal the 18th-century Protestant fascination with Joan as a paradoxical figure: a warrior-prophetess both admired and viewed with suspicion. 2 Anonymous Artist. Va va fille de Dieu; délivre la France! Vision Scene. France c.1820-1850. A preparatory hand panciled engraving proof depicting Joan of Arc's divine revelation framed within penciled border guidelines. An angel descends from the clouds carrying a banner while pointing downward toward Joan who kneels in astonishment as cherubs hover above. The inscription "VA VA / FILLE DE DIEU / DELIVRE LA FRANCE!" anchors the scene as an allegory of Joan's heavenly mandate. 3 Henry Richter after. Joan of Arc Recognizes the King. London: The London Printing and Publishing Co. mid-19th century. A steel engraving portraying Joan's revelation of Charles VII at Chinon the pivotal moment when she identifies him despite his attempt at disguise. The richly detailed crowd scene and Gothic architectural setting emphasize both spectacle and legitimacy visualizing Joan as divinely guided rather than politically manipulated. 4 G. Greatbach engraver; after a painting by J. Opie R.A. Joan of Arc Declaring Her Mission. London: The London Printing and Publishing Co. Ltd. mid-19th century. Joan is shown making a dramatic gesture as she proclaims her mission before astounded soldiers and clergy. The engraving captures the tension between gender expectations and prophetic authority: Joan's outstretched arm determined expression and illuminated figure contrast with the skeptical figures behind her. 5 E. Scriven engraver. Joan D'Arc. London: H. Moore Sons & Co. mid-19th century.An engraving presenting a romanticized half-length portrait of Joan of Arc in armor holding a sword upright while gazing serenely into the distance. Behind her appear faint bystanders rendering her both an individual and an emblem of national deliverance. 6 Entry of Joan of Arc into Orléans. From Guizot's History of France. Paris/London c.1840s. A sweeping steel engraving of Joan riding triumphantly into Orléans accompanied by monks soldiers and citizens. The composition foregrounds her as a mounted military leader sword raised while crowds kneel and look upward in awe. Johannot's design visualizes Joan as a unifying national leader. 7 G. Stodart engraver; after H. E. Selous. Joan of Arc and Charles. London: Virtue & Co. mid-19th century.A dramatic steel engraving showing Joan standing beside Charles VII directing his attention toward the field of battle. The caption references their military collaboration. The interplay of armor banners and a stormy sky underscores Joan'smilitary might. 8 T. Brown engraver; after E. Corbould. Joan of Arc in Prison. London: The London Printing and Publishing Co. mid-19th century. A somber interior scene depicting Joan in captivity clasping her hands as guards and clergy surround her. Corbould emphasizes her steadfastness and the emotional gravity of her final days. Produced for an illustrated royal history King Henry the Sixth the image cast Joan as a martyr of conscience. In recent decades scholars in LGBTQ history and gender studies have increasingly examined Joan of Arc as a proto-queer icon who challenged traditional ideas of gender identity and expression. Medieval trial records document that Joan consistently wore male military clothing during her campaigns and continued to wear such clothing during imprisonment a choice that became a central accusation in the charges brought against her in 1431. Some historians and queer theorists have interpreted Joan's refusal to abandon male dress even under threat of execution as evidence of a personal gender identity that did not conform to contemporary expectations for women. Joan of Arc has been cited as an example in Medieval history of an individual navigating queer identity long before the modern understanding of terms like trans non-binary or genderfluid. Light toning and mild foxing to some edgewear and staining present to some margins. Prints are clear and paper crisp. Overall very good condition. A compelling and diverse archive of eight Joan of Arc engravings and artistic proofs representing two centuries of European historical illustration and devotional imagery. The collection captures Joan's transformation from medieval visionary to modern nationalist and feminist icon. unknown

Max Rambod Inc. · États-Unis3 500,00 $US≈ 2 961,35 €

De Lescure, M (Mathurin Francois Adolphe); Msgr Darboy; Msgr Dupnloup; Engravings By Leopold FlamengBiblio.com

Jeanne Darc D'arc Third Edition With Three Prefaces By The Author

1874028924Paris: Paul Ducrocq 1874. 3rd Edition . Hardcover. Very Good. 598 2 Pp Table At End. Third And Final Enlarged Edition No Date But Preface To This Edition Dated 1874.Lether Spine Over Green Boards Gilt And Embossed Silk Endpapers All Edges Gilt. Well Made And Well Bound Light Fraying At Tips And Spine Leather Split 1 3/4" Along Top Front Spine Edge Binding Still Strong And Secure. International Postage About $62 By Usps Priority Mail Box. Per Wikipedia Adolphe De Lescure 1833-1892 Was A French Writer And Historian Paul Ducrocq hardcover

Arroyo Seco Books · États-Unis169,79 $US≈ 143,66 €

Mary Lafon Translated By Alfred Elwes With Gustave Dore EngravingsBiblio.com

Jaufry The Knight And The Fair Brunissende A Tale Of The Times Of King Arthur. Translated From The French Version of Mary Lafon By Alfred Elwes.

1857900053043First American Edition Good Original Rare 1857 Hardcover Arthurian Medieval Romance of the South of France 8vo. pp. 158 2ads. Eight plates by Gustave Doré all though the name "Dore" does not appear for American copyright reasons.Embossed Gilt Knight on Horse on cover. Blind stamped cover design. Tissues intact over illus. Much foxing on pages. But not on pictures First green colored endpaper missing else Good. Covers and spine solid. NOT a library copy. Tight binding. This is a really great Medieval troubadour tale of Arthur's Round Table from Provence. More fun in my opinion than Chretien. See our Three Geese In Flight Book Scans Wiley and Halstead hardcover

Three Geese In Flight Celtic Books · États-Unis165,00 $US≈ 139,61 €

Mosai, prints byBiblio.com

Japanese Propaganda Woodblock Print Book Kagoshima Senkyu 2 Volumes

18770054381877. Good. Depicting the Satsuma Rebellion. Each volume 17.5 by 11.5. Together 32 pp. 31 of which have woodblock prints. The Satsuma Rebellion was the last major uprising of Samurai against the newly formed Meiji government. The rebellion was the subject of the Tom Cruise movie "The Last Samurai". Covers with brightly colored woodblock prints. unknown

White Fox Rare Books and Antiques · États-Unis350,00 $US≈ 296,14 €

Adachi Institute of Woodcut PrintsBiblio.com

Japanese Color Prints: Authenticated Reproductions Catalogue No. R2

75-7117Tokyo: The Yoseido Gallery 1971. 4to. Soft Cover. ca.120 pp. B&W and Color Plates Very good with Creasing Age Toning Tearing at SpineLoosely laid In: Price List Tokyo: The Yoseido Gallery , 1971 paperback

Alan Wofsy Fine Arts · États-Unis55,00 $US≈ 46,54 €

Lieure, JBiblio.com

Jacques Callot

19278Paris: Gazette des Beaux-Arts 1927. Very Good. No dust jacket as issued dos r�par�d�chirures pages non-coup�es pleine marges � relier 128 p Includes illustrations Fort vol in4 broch� dos r�par�d�chirures Ce volume est le tome III deuxi�me partie: '' Catalogue de l'oeuvre grav�'' Ouvrage monumental et r�f�rence majeure pour les estampes de Callot Ce livre comprend 775 fac-simile des notices 653 � 1428 deuxi�me et derni�re partie du Catalogue Gazette des Beaux-Arts unknown

Librairie In Folio · Canada475,00 $CA≈ 322,62 €

Picart, BernardBiblio.com

Ixion attache dans les enfers a une roue qui tourne sans cesse

1733biblio317Amsterdam: Chatelain 1733. Gravure sur cuivre La feuille = 310 X 460 mm la cuvette = 255 x 352 mm quelques rousseurs en marge image propre Chatelain unknown

Librairie In Folio · Canada275,00 $CA≈ 186,78 €

Rogers, Samuel; Engravings [Illustrator]Biblio.com

Italy: A Poem

18301310290003Printed for T Cadell 1830-01-01. First Edition. Hardcover. Very Good. First edition. vii 284 p. Bound in fine straight grain green Moroccan leather. Gilt spine and boards. Gilt inlay to inside boards. 6 raised bands. AEG. Marbled end pages. Fine binding and cover. Light wear. Clean unmarked pages. Book plate: "Libros y Amigos; Pogos Y Buenos" on verso. Printed for T Cadell hardcover

SequiturBooks · États-Unis196,00 $US≈ 165,84 €

Roux, Marcel; Bibliotheque Nationale, Departement Des EstampesBiblio.com

Inventaire Du Fonds Francais - Graveurs Du Xviiie Siecle - Volume 8 / Tome Huitieme - Duflos Claude - Feree

195527200Paris France: Bibliotheque Nationale. As New. 1955. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Volume 8. -- with a bonus offer-- . Bibliotheque Nationale paperback

AB Books · États-Unis1 976,00 $US≈ 1 671,89 €

Patin, Charles Carlo PattinoBiblio.com

Introduzione Alla Storia Della Pratica Delle Medaglie

16730009013Venetia: Gio. Giacomo Herz 1673. First edition. Hardcover. Good. 12mo xxiv 168 pages 19th century quarter calf marbled boards inked name and stamp of Novaria Giuseppe. Charles Patin was a French physician devout numismatist and smuggler of books prohibited on the Index. Caught and sentenced to life as a galley slave Patin fled France eventually settling in Italy as chief of the medical faculty at the University of Padua. Gio. Giacomo Herz hardcover

Thomas J. Joyce And Company · États-Unis100,00 $US≈ 84,61 €

Biblio.com

Infanterist und Sapeur des Hamb. Hamburgischen Contingents. Altkolorierte Kreidelithographie von Heinrich Jessen auf dem Stein signiert.

64017Hamburg B. S. Berendsohn ca. 1850. . Links der Sappeur Brandoffizier Pionier angetan mit gelber langer Lederschürze u. Koppel über der Uniform u. ledernen Handschuhen über der Schulter hält er die große Zimmermanns-Axt; er trägt wie vielerorts Vorschrift war einen Vollbart; im Unterschied zum rechts neben ihm stehenden Infanteristen den lediglich ein kurzer Schnurrbart ziert. Der Infanterist hat einen Tornister auf dem Rücken an seiner Seite ein Gewehr mit aufgepflanztem Bajonett. - Zu dem Maler u. Lithographen Heinrich Jessen um die Mitte des 19. Jahrhunderts tätig der vor allem Darstellungen des Großen Brandes sowie Trachten- u. Militärbilder lieferte siehe Der Neue Rump S. 212. - Blattrand leicht gebräunt [Hamburg, B. S. Berendsohn], [ca. 1850]. unknown

Antiquariat Reinhold Pabel · Allemagne85,00 €

John L Stephens; Frederick Catherwood (Engravings); Carlos CA¡mara (cover designs)Biblio.com

Incidents of Travel in Yucatan Vols. I and II

1986246251Mexico: Editorial Dante 1986. Trade Paperback . Very Good. Two volume set; 127 engravings including three fold out illustrations by Catherwood. Mild wear. 321 volume one & 352 volume two. Editorial Dante paperback

A Cappella Books · États-Unis55,00 $US≈ 46,54 €

Kafka, FranzBiblio.com

In the Penal Colony: translated from the German by Willa and Edwin Muir; with lithographs by Michael Hafftka with box

1987001669New York: Limited Editions Club 1987. Hardcover. Fine. Hafftka Michael. 2 53 5 p. 4 leaves of lithographed plates; 30 cm. Sewn and bound in vellum paper wrappers with yapp edges and the author's name printed in black on the spine; sewing bands are visible on the wrapper sides. Clamshell box is covered in light grey cloth with a small printed label on the spine bearing the author's name. Edges of box are black; lined with black felt. This is number 198 of a limited edition of 800 copies. Set in monotype Walbaum at the Out of Sorts letter foundery in Mamaroneck N.Y. and printed on mould-made Magnani paper at the Shagbark Press in South Portland Me. The lithographs were printed on hand-made Japanese paper at Trestle Editions N.Y. City. The book design was by Benjamin Shiff. Hand-sewn and hand-bound by Carol Joyce. Signed by the artist at the colophon. In Fine/Fine Condition. Limited Editions Club hardcover

Classic Books and Ephemera · États-Unis294,00 $US≈ 248,75 €

CAMILLI, Camillo (text), Girolamo Porro (engravings) Theodore Besterman (edits)Biblio.com

Imprese Illustri Di Diversi - Camillo Camilli - Girolamo Porro Printed Sources of Western Art Volumes 21 22 and 23

1972T1903690Collegium Graphicum Portland 1972. 1st Edition Thus. SOFTCOVER. 3 matching volumes all 8vo in patterned stiff card covers variously paginated housed in a matching card slipcase. There is some offsetting from the woodblock prints to the facing pages - presumably reproduced from the original copy used to make the facsimile __CONDITION : Spines moderately sunned else all FINE very clean and tight unmarked and unread copies all still close to new in a slightly faded but otherwise FINE slipcase. . __We always ship in PROTECTIVE CARD PARCELS Collegium Graphicum, Portland paperback

David Bunnett Books · Royaume-Uni64,00 £GB≈ 73,08 €

Butts, Mary [Author]; Cocteau, Jean [Engravings]Biblio.com

IMAGINARY LETTERS

19281403491Paris: Edward W. Titus 1928. First Edition. Hardcover. Octavo 6 49 7 pages plus 5 illustrated plates. In Very Good minus condition. In brown cloth binding with red lettering on paper labels to front board and spine. Boards are moderately soiled most heavily on spine with faint stains on boards near the joints. Rubbing along board edges fore corners lightly bumped. Label on spine is heavily sunned and scuffed. Text block shows light wear and foxing to deckled edges. Also foxed sparsely throughout most prominently on endpapers. Stain in gutter of first free endpaper. Small pencil annotation on page 7 indicates a typo in the text. SH consignment. Shelved in Room A. Bill Bird was an American publisher best known for running the Three Mountains Press a small press that published many prominent modernists in the 1920s including Ezra Pound Ernest Hemingway James Joyce William Carlos Williams and Robert McAlmon with Ezra Pound serving as editor. Over a period of two and a half years he published 9 works. Concurrently he founded Consolidated Press Service and worked there as a journalist from 1920-1933 when he joined the New York Sun as chief foreign correspondent. Forced to flee France after the Nazi invasion he wrote articles warning of war. After WWII he moved to Tangier and was the editor of the Tangier Gazette. This title was among Bird's private collection having been carted by him from Paris where he stayed until 1940 to Spain Tangiers and finally back to Paris and by descent to the US. 1403491. Special Collections. Edward W. Titus hardcover

Second Story Books, ABAA · États-Unis500,00 $US≈ 423,05 €

Scott, Walter ( Sir ). Thomas Moule J M W Turner John MartinBiblio.com

Illustrations;

18344533London: Charles Tilt 1834 . First edition. Hardcover. Fine. 8vo 149 unnumbered pages 19th century 3/4 green leather marbled boards extra-gilt spine; ex libris B. G. Astley The Preface by John Martin largely covers the difficulties with the 3 illustrations by J. M. W. Turner which appear within and competed with Turner's works for the PROVINCIAL ANTIQUITIES OF SCOTLAND upon which he collaborated with Sir Walter. Tilt apparently issued this in 12 parts in 1833-1834 with each part containing 5 plates. This bound collection has 40 plates listed on its Contents pages: this copy appears never to have had the plate for "Margaret". With some text by Thomas Moule. Other plates by Cattermole Nixon Dewint Copley Fielding Pugin and others. Charles Tilt hardcover

Thomas J. Joyce And Company · États-Unis200,00 $US≈ 169,22 €

Accompanied With Numerous Maps and EngravingsBiblio.com

Illustrated School History of the World From the Earliest Ages to the Present Time

1330169999.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback

Bonita · États-Unis60,73 $US≈ 51,38 €

And Prints, Wild Goose BooksBiblio.com

I Always Get To Where I Am Going By Walking Away From Where I Have Been: 5x8 Journal Notebook Classic Pooh Journals

1791731244.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback

Bonita · États-Unis101,92 $US≈ 86,23 €

De Kruif, Paul Zadig With Wood EngravingsBiblio.com

HUNGER FIGHTERS

192832298New York: Harcourt Brace and Company 1928. First Edition; First Printing. Hardcover. Very Good in blue boards light where to spine edges and corners owner book plate. Harcourt, Brace and Company hardcover

Rare Book Cellar · États-Unis72,95 $US≈ 61,72 €

ARNOUT, JBiblio.com

HORTICULTURAL GARDENS AND THE MUSEUM OF NATURAL HISTORY. PL. 22

444Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾. unknown

L'Estampe Originale · États-Unis275,00 $US≈ 232,68 €

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