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187118650Very Good. 1871. Print. This original antique color chromolithograph from Reynard the Fox printed in 1871 has foxing and soiling in the margins and stitch holes along right edge but chromolitho is in clean beautiful condition. 10.75" x 9.25" . unknown
187118647Very Good. 1871. Print. This original antique color chromolithograph from Reynard the Fox printed in 1871 has foxing and soiling in the margins and stitch holes on left edge but chromolitho is in clean beautiful condition. 10.75" x 9.25" . unknown
187118649Good. 1871. Print. This original antique color chromolithograph from Reynard the Fox printed in 1871 has foxing and soiling in the margins a 1/4" tear in the right margin and stitch holes along left edge but chromolitho is in clean beautiful condition. 10.75" x 9.25" . unknown
187118648Very Good. 1871. Print. This original antique color chromolithograph from Reynard the Fox printed in 1871 has foxing and soiling in the margins and stitch holes on right edge but chromolitho is in clean beautiful condition. 10.75" x 9.25" . unknown
187118651Very Good. 1871. Print. This original antique color chromolithograph from Reynard the Fox printed in 1871 has foxing and soiling in the margins one fold line as issued stitch holes running along the fold line and a tiny tear at very outer edge on top and bottom but chromolitho is in clean beautiful condition. 18.25" 10.75" . unknown
19662081002109000683Kukinami-sha 1966. Soft Cover. Fine. Number of pages: 19 pasted prints Size: 18 Kukinami-sha paperback
1809Flo541<p>Very good copy of the first edition of this classic of equestrian humour</p><p>With 26 of 29 handcoloured copperplate engravings by Thomas Rowlandson after illustrations by George Moutard Woodward and Henry Bunbury unsigned</p><p>The illustrations show Regency gents falling off horses ladies falling off horses gamblers pursued by officers of the debtors' prisons raggedy dogs yokel fashions and furniture famous beauties etc.</p><p>The 26 plates include: portrait of <em>Caleb Quizem Esq. title page vignette with courtier falling from Pegasus The Maid of Mim; Costume of Hogs Norton: Morning dress</em>; <em>Game Wigs</em> 2 plates;<em> Hounds</em> 2 plates; <em>Mathematical Horsemanship</em> 6 plates; <em>The True Method of Sitting on a Horse Mathematically Delineated; How to Vault from the Saddle; Fashionable Furniture at Hogs Norton</em> 2 plates; and <em>The Bailiffs Hunt</em> 8 plates.</p><p>Lacks the folding plate <em>The Bucephalus Riding Academy for Grown Gentlemen</em> and two other plates <em>Costume of Hogs Norton: A Back Front View of Miss Dickinson's new Dress</em> and <em>How a Man may Shoot his own Wig.</em></p><p>George Murgatroyd Woodward 1765–1809 more commonly known as George "Moutard" or "Mustard" Woodward was an English caricaturist and humourist. He was a friend collaborator and drinking companion of Thomas Rowlandson who engraved many of his prints.</p><p>Thomas Rowlandson 1757-1827 was an English artist and caricaturist of the Georgian and Regency eras noted for his ribald satire and social observation. A prolific artist and printmaker his most famous works include <em>The Miseries of Human Life </em>1808 <em>The Tours of Dr. Syntax</em> 1812-21 <em>Microcosm of London</em> 1810 <em>The English Dance of Death</em> 1815 <em>Military Adventures of Johnny Newcome</em> 1815 <em>History of Johnny Quae Genus</em> 1822 <em>The English Spy</em> 1826 etc.</p><p>The pseudonym Caleb Quizem is often attributed to the artist George Moutard Woodward. The portrait however links the author to Geoffrey Gambado i.e. Francis Grose. In the picture a corpulent man sits in an armchair looking at the viewer through a monocle. Two books Gambado's <em>Annals of Horsemanship </em>a popular book attributed to Grose reissued with Rowlandson's engravings in 1809 and Laurence Sterne's <em>Tristam Shandy</em> are on the table next to him and a portrait of Gambado with gouty foot and crutch hangs on the wall.</p><p>Quite scarce copies held by the British Library and Oxford University.</p><p>Bound in full red morocco leather spine with five raised bands gilt title and decoration to compartments front board with 2cm scratch to leather TEG marbled endpapers book block solid. Interior clean and bright all copperplates under tissue guards with vivid handcolour.</p><p>Engraved armorial bookplate of Herman Le Roy Edgar a New York real-estate broker amateur photographer and book collector 1865-1938.</p><p>Very good copy of this rare classic of horsey fun.</p> Thomas Tegg hardcover
199512350Lewisburg PA: The Press of Appletree Alley 1995. Limited Edition. Hardcover. Near fine. Large octavo 48pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by John Wheatcroft. A near fine copy in the publisher's printed boards with very dark navy cloth spine. Spine just a tinge sunned top edge gently foxed but the contents fresh and lovely. Per the colophon: "This book was set in Spectrum type and printed on English Somerset mould-made paper with a No. a Vandercook press. The edition was designed type-set and printed by Juanita Bishop Barnard Taylor and Kathy Pino a Bucknell University graduate student. The engravings were printed directly from the blocks. Don Rash and Nicolyn Rosen hand bound each book with printed paper over boards." This is number 34 of 125 limited copies SIGNED by Peacock on the limitation page. Publisher's prospectus laid-in. The Press of Appletree Alley hardcover
1333164386.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51575Hamburg B. S. Berendsohn 1850. . Schönes Sammelbild von Hamburg nach dem Brand von 1842. Mittig die große Ansicht der Binnenalster von der Lombardsbrücke aus betrachtet umgeben von 20 kl. Ansichten vom alten und neuen Jungfernstieg Hafen und Hafentor Stadttheater Thalia-Theater Post Börse Raineville's Garten Alsterarkaden Bazar Blankenese Tivoli Landungsbrücken Spielbudenplatz u. a. Mit dreisprachigem Titel im unt. Plattenrand. Hamburg, B. S. Berendsohn, 1850. unknown
19231401458Soho: The Nonesuch Press 1923. Limited reprint edition #260 of 725. Hardcover. Tall narrow thin octavo 52 pages. In Very Good condition. In gold hardcovers with white spine and gilt text. Moderate shelf wear to boards. Rubbing wear and light bumping along edges. Text block is lightly age toned throughout with untrimmed edges. Shelved in Case #0. 1401458. Shelved Dupont Bookstore. The Nonesuch Press hardcover
193737606London: Golden Cockerell Press 1937. Hardcover. Very Good. Hardcover. Number 82 of 150 signed copies. There was also an unlimited edition. This is an interesting and pretty book from the Golden Cockerell Press published early in this noted press's history. It is stunningly illustrated with six black and white engravings by Clifford Webb 1895 - 1972 the English artist and engraver. Quarter bound in brown Niger leather with gilt titling to spine and cream cloth covers. Some foxing to front cover and light sunning to top of spine. Printed in Caslon's Old Face type on Arnold's handmade paper. A nice copy in very good condition. Measures 6 x 9 inches. 109 pages plus colophon. PRI/111324. Golden Cockerell Press hardcover
1937086247London: The Golden Cockerel Press 1937. 1st Edition 1st Printing. Hardcover. Near Very Good. 8vo - over 7¾ - 9¾" tall. Clifford Webb. First unlimited edition edition first printing Octavo hardback cream cloth gilt titles. top edge gilt 120 pp. Illustrated with 6 wood engravings by Clifford Webb Near Very Good condition No inscriptions. <br/> <br/> The Golden Cockerel Press hardcover
180429150London 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a barefoot female figure dressed in a flowing robe and cap holding a branch in her left hand and with her right arm outstretched. The background is composed of several delicately and elaborately decorated hexagons and circles within a square border. Image roughly 4 x 4 inches Printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> hardcover
180429156London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a male standing figure who is carrying a scepter and wearing a hat facing a female figure who is dressed in a flowing robe who is gesturing toward him. The image is bordered in a decorated upright rectangular frame and is labeled P1.9 Image roughly 3 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429160London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving on a horizontal page shows a single standing bearded male figure holding a staff in one hand and a branch in the other in front of a square block on the floor. The image is bordered in a decorated square frame and is labeled P1.4 Image roughly 3.75 x 3.5 inches printed on a single sheet measuring 9 by 9 now presented in a slate gray mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429159London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows eight dancing figures including both men and women many of whom are playing a variety of musical instruments The figures on the far right and left carry torches. One winged figure places a garland on the head of a central flute player. The image is bordered in a decorated rectangular frame and is labeled P1.34 Image roughly 5.5 x 3.25 inches printed on a single sheet measuring 11.5 by 9 now presented in a slate gray mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429154London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a single seated winged figure holding an open box and horizontal open umbrella. The image is bordered in a decorated circular frame and is labeled P1.1 Image roughly 4.25 x 4.25 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429149London 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a winged figure holding a shield in his right hand and a bucket in his left with cloak draped in front. The background is composed of several delicately and elaborately decorated circles within a square border. Image roughly 3.5 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> hardcover
180429153London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a female figure with a shield and scepter on the left and a male figure bending toward her with a helmet in his hand. The image is bordered in a decorated rectangular frame. Image roughly 3.75 x 3.5 inches printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller hardcover
180429142London 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a winged figure resting an elbow on a column with cloak draped over his right arm. The background is composed of several delicately and elaborately decorated circles within a square border. Image roughly 4 x 4 inches Printed on a single sheet measuring 11.5 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> hardcover
180429161London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white rectangular engraving on a horizontal page shows a female figure robed and playing a flute facing toward a male bearded figure holding torches in each of his hands and wearing leaves in his hair. The image is bordered in a decorated rectangular frame and is labeled P1.8 Image roughly 3.5 x 2.5 inches printed on a single sheet measuring 9 by 9 now presented in a slate gray mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429151London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows two male figures facing toward each other. The image is bordered in a decorated rectangular frame. Image roughly 4 x 3.25 inches printed on a single sheet measuring 9 by 9 now presented in a coral mounting boards behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller hardcover
180429158London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white horizontal engraving shows four figures. The man and woman on the right side appear to be receiving scepters from the female figure on the left. The image is bordered in a decorated rectangular frame and is labeled P1.42 Image roughly 5.5 x 4.5 inches printed on a single sheet measuring 9 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
180429155London: William Miller 1804. A single plate drawn and engraved by Mr. Kirk. The black and white engraving shows a single dancing winged figure holding a mirror basin and flowing drapery in her hands. The image is bordered in a decorated circular frame and is labeled P1.2 Image roughly 4 x 4 inches printed on a single sheet measuring 11.5 by 9 now presented in a black mounting board behind clear mylar. A very fine plate in an excellent state of preservation. A BEAUTIFUL AND IMPRESSIVE PLATE FROM A MASTERPIECE OF CLASSIC ART RENDERINGS AND PUBLICATION. Hamilton served as British envoy to the court of Naples where he began collecting Greek vases and other antiquities immediately upon arriving at his post. In 1766–67 he published a volume of engravings of his collection entitled A Collection of Etruscan Greek and Roman antiquities from the cabinet of the Honble. Wm. Hamilton. A further three volumes were produced in 1769–76. Josiah Wedgwood the potter and porcelain maker drew great inspiration from the reproductions presented in Hamilton's volumes.<br> William Miller unknown
