1 491 résultats
1940WRCAM49639New York 1940. Forty-two original works from approximately 9 x 7 1/4 inches to 14 1/2 x 11 1/2 inches. Most on paper and mounted to cardboard backing some executed on art board some matted. Minor dust-soiling to some several examples have pencil drawings of room layouts or floor plans on the verso Hofstatter stamps on verso of two a few examples detached from mount. Overall clean and in excellent condition retaining vibrant coloring. A stellar group of thirty-nine original watercolors and three original pencil drawings depicting early 20th-century furniture designs largely in the French Provincial style. The artwork was executed by New York furniture designer and interior decorator Theodore Hofstatter or artists working for his firm. The group includes wonderful depictions of mirrors beds window drapes chairs desks bureaus tables and stands. Additionally there are eleven works showing the interior design of various room settings. <br> <br> Theodore Hofstatter succeeded his father in their New York City business of furniture design and construction naming the firm Hofstatter's Sons when his brother Adolph joined him in the concern in the early 1870s. The Hofstatter family concentrated their efforts on building quality furniture at wholesale prices. In 1885 Theodore Hofstatter founded a branch of the business to focus on interior decorating opening a separate location on Broadway near Twelfth Street. Eventually the business would move to at least two different addresses on Fifth Avenue evidenced by Hofstatter labels affixed to the verso of several of the watercolors here a few of these labels are also marked "Special Design" by Hofstatter. According to THE NATIONAL CYCLOPEDIA OF AMERICAN BIOGRAPHY 1894 Theodore's design business "kept abreast ever since its opening with the current of fashionable taste in illustrating in the styles reproduced all those characteristics with which the names inseparably connected with the history of the three Louis are essentially a part. Berain Lebrun Watteau Andre Charles Boule have now a historical significance; Cailleri Gouthiere Reisener Fragonard Greuze Boucher Martin and the rest awaken a whole train of associations. It is through their influence and such as theirs that Theodore Hofstatter's designs possess the material to produce only those effects that can be truthfully termed good style." Hofstatter restricted his decorating contracts largely to commercial interests furnishing the City Club the Downtown Club the Arkwright Club and nine floors of the Hotel Savoy. He also cultivated a small group of private clients one of whom was Cornelius Dresselhuys Dutch consul to Great Britain. Two of Dresselhuys's rooms the Entrance Hall and Vestibule at 9 Kensington Palace Gardens in London are featured here in lovely full watercolors. <br> <br> A fascinating group of artwork featuring furniture and interiors from a prominent New York City furniture maker and interior designer. Such original illustrations of furniture and interior decoration are in our experience quite scarce. unknown books
19106112Serrurerie et cuivrerie artistiques. Spécialité pour Bâtiment. Aperçu des principaux modèles. 2 Teile in 1 Band. Mit 266 doppelblattgr. lithogr. Tafeln auf leicht rötlichem Papier, gedruckt von Edm. Genet, Paris. Paris, [ca. 1900-1910]. Folio (44,0 x 33,0 cm). Titel, 2 Bl. Inhalt u. Zwischentitel. Blindgepräger Orig.-Halblederband mit Rückenvergoldung.
1911(LCPCART-0001)(Un très rare recueil à tirage limité des modèles et des décors des tapis et des tapisseries des résidences impériales et royales de France. Superbe exemplaire avec un envoi autographe de l'auteur à M. Dervillé, l'un des hommes les plus éminents de France au début du XX siècle) DUMONTHIER Henri. "RECUEIL DE DESSINS DE TAPIS ET DE TAPISSERIES D'AMEUBLEMENT DU MOBILIER DE LA COURONNE". s.d. (1911), Paris, C.H. Massin. 1 volume In-Plano (647x460 mm) (dimensions planches 635x454 mm) 1 faux-titre en rouge, 1 titre en rouge et noir, (4) pp. (notice et index des planches), 48 planches en héliotypie. Chemise de l'éditeur de carton toilé à rabats de couleur vert émeraude sur les plats et lie de vin sur le dos et les coins. Plat supérieur avec titre en grandes lettres dorées. Edition Originale, rare. Superbe exemplaire. Petit frottement à l'angle supérieur du premier plat, quelques infimes brunissures marginales sur les planches et plus prononcées au verso de deux ou trois planches, sans trace sur le recto; sinon recueil très frais, avec le lacet en tissu vert de l'étui conservé. Ce recueil est une précieuse documentation sur le décor et les modèles des tapis et des tapisseries des résidences impériales du Premier Empire et de celles royales sous la Restauration. "Les documents renfermés dans le présent album sont la reproduction encore inédite de dessins et d'aquarelles de tapis et de tapisseries d'ameublement composés sous le Premier Empire et la Restauration, pour servir de modèles aux manufactures des Gobelins, de Beauvais, et notamment à celle de la Savonnerie. Les perturbations apportées dans le fonctionnement des Manufactures Nationales au cours de la période révolutionnaire, leur détresse financière, les contestations qui s'élevaient souvent sur leur utilité même, enfin le manque d'ouvriers et d'artistes en avaient, pour ainsi dire, arrêté complétement la production. Aussi, en 1800, lorsque Bonaparte, maître du pouvoir, eut décidé de s'installer aux Tuileries et à Saint-Cloud, Lecomte, architecte des Consuls, puis Percier et Fontaine ne purent trouver que bien difficilement, dans les réserves des Manufactures, les ressources indispensables à l'amenagement même sommaire de ces deux Palais. A la Savonnerie, il ne restait plus dans le magasins que trois tapis, deux petits et un grand. Bien plus, les modèles, les dessins, indispensables pour remettre en mouvement les métiers, avaient pour la plupart disparu : les uns ayant été vendus ou volés, les autres détériorés ou mutilés comme présentant des emblèmes de la féodalité. Quant à ceux qui s'y trouvaient encore, ils ne répondaient plus au goût du moment... peu en harmonie avec les meubles et les bronzes fabriqués sur les données de David, par les Jacob, les Thomire et les Ravrio". Les planches en héliotypie sont l'oeuvre des Frères Berthaud et 35 ont été finement rehaussées par J. Saudé. Edition tirée à 500 exemplaires. Celui-ci non numéroté, avec la mention "OFFERT". Provenance : Exceptionnel exemplaire avec envoi autographe de l'auteur "à Monsieur le Président S. Dervillé Respectueux hommage de son toujours bien dévoué. 29 oct. 1911" sur la page du faux-titre. Stéphane Adolphe Dervillé (1848-1925), capitaine au 110e bataillon de la Garde Nationale, fut mobilisé pour le siège de Paris le 6 octobre 1870. Proprietaire d'importantes carrières de marbre, comme celles de Carrare, à Massa-Carrara en Italie, en France, sur les Alpes (marbre vert de Maurin) et sur les Pyrénées, il reçut la Médaille d'Or à l'Exposition Universelle de Paris en 1878 et le Diplôme d'Honneur à l'Exposition Universelle d'Amsterdam de 1883. Président du Tribunal de Commerce de la Seine de 1893 à 1897, à partir de 1899 jusqu'à sa mort, il fut Président du Conseil d'Administration de la Compagnie des Chemins de fer de Paris à Lyon et à la Méditerranée. Directeur de l'Exposition Universelle de 1900, Régent de la Banque de France (1900-1925), il fut, en outre, Président du Conseil d'Administration de la Banque Française et Italienne pour l'Amérique du Sud et vice-président de la Compagnie Universelle du Canal maritime de Suez. (LCPCART-0001) (3.000,00 €)
192046296Newton Highlands Massachusetts approx. 1920-1923. original three-ring binder. Some photographs detached from their mounts etc; some minor edgewear; binder dusty. 8-1/2 x 11 inches. Riley worked for the Heywood-Wakefield Company from approximately 1920-1923. He invented the "Riley Fibre Loom" and after selling the use of the loom for paper and reed fabric based applications to Heywood-Wakefield left in 1923 to form his own venture pursuing the technology with stranded metal applications. Included in the archive are copies of contracts agreements and licenses; numerous samples of various types of wicker weave and reinforced fabric for furniture; photographs of the inventor machinery looms and factories; and related drawings and other materials. unknown
1930D4924Alfafar Valencia c. 1930s. Near Fine. Album containing unmounted watercolor and gouache pencil and color printed studies of individual pieces of furniture and interior design ensembles probably created as maquettes for advertising purposes. Includes 17 in pencil ranging in size from 5.5-by-9 inches to 11-by-17 inches; and 32 in color most about 11-by-15 inches with 3 large pieces 18-by-24 inches folded once down the middle. Total of 48 pieces some a little rubbed or chipped along the edges; a few of the pencil sketches foxed; but the whole is overall nice and bright suitable for display. Remarkably detailed the polished wood shines! and accomplished artwork shows lavish nigh on palatial bedrooms and dining rooms -- with ornate beds bookcases chairs tables bureaus dressers and more prominently on display. 13 images in pencil or in color focus on specific pieces of furniture sometimes many per page taking them out of their context rooms and allowing a detailed look at the piece itself. The designs seem primarily focused on classical and neoclassical styles but Muebles Rodriguez is known for carrying modern colonial Provencal and avant garde pieces as well -- some of that influence is apparent here. A lovely and rich presentation. <br/><br/> unknown books
19123220206<p><em>Oblong folio 318 x 472 mm 88 chromolithograph illustrated pages; only occasional light spotting; original cloth-backed flexible boards imitating cloth front cover printed in bronze colour; spine worn a few marks.</em></p><p>The furniture house Grocholesky situated in a small town near Hildesheim in Lower Saxony offered entire suites for living- dining- and bedrooms mainly in art nouveau style however still including the odd piece of historicist design for the more conservative buyer.</p><p>The large and beautiful illustrations show suites of furniture with the measurements on each page; the furniture suitably decorated with modernist vases and mantelpiece decorations on display on dressers shelves and cupboards to give customers an idea of design potential.</p><p>gProvenanceg: Inscribed on the rear inside cover by a citizen of Bockenem at a later date and with stamp and release stamp by a local museum.</p> Bockenem: Grocholesky, Printed by H. W. & C., Berlin.
190551711. Serie [alles Erschienene]. 48 künstlerische Facsimile Aquarelle. 48 auf kräftigen hellgrünen Karton montierte farbige Faksimiles. Wien u. Leipzig, Fr. Wolfrum, [1905]. Gr.-Folio (46,7 x 37,0 cm). 1 Titelblatt auf kräftigem Karton. Lose in Orig.-Halbleinwandmappe.
1920H16553Kiel & Milwaukee WI: Kiel Furniture Co 1920. Near Fine. 5 catalogs oblong quarto wraps each about 13 x 10 inches very good plus to near fine condition 64 to 96 pp. each illustrated throughout some in subtle browntone occasional plates in color with occasional price lists and inserts. Products include dining room suites tables library tables desks stools tabourettes pedestals and "novelties." The Kiel Furniture company was founded in 1882 and employed German-American immigrants in the small town of Kiel and has been in business ever since now under the name A. A. Laun Furniture Company named for the younger brother of J. B. Laun one of the original presidents of the company who took over as vice president and general manager in 1916. The types of products featured in these catalogs reflects both the tastes of their clientele mainly middle-income Midwestern households but also reflects the Stickleyesque influence of Arts & Crafts and Mission style furniture. Searching the OCLC database we could find NO copies of any of these particular Kiel Furniture catalogs in institutions; the earliest Kiel catalog we could find institutionally is a 1925 catalog of furniture a single example of which is in the Wisconsin state historical archives. Lightest wear and soil. Kiel Furniture Co unknown
191320201913 Editions Lucien Laveur, Paris et Alex. Jouvène, Marseille, 1913. 2 volumes grand in-4 brochés, vignettes photographiques, couvertures rempliées. (viii), 318, 368 pages. 128 planches en phototypie, dont certaines à plusieurs sujets
197119316Paris: Société d'études et de publications économiques 1971. 1st. Hardcover. Very Good/Very Good. 11.2x10.0x1.0in. dust jacket with tear to front panel. Dust jacket in clear protector. <br>The first monograph on this Parisian design house. Illustrations in color and in black and white. Text in French and English. <br>240pp 3.65lb 11.2x10.0x1.0in Société d'études et de publications économiques hardcover
199214255Paris: Michel Aveline Editor 1992. 1st. Hardcover. New/New. 13.2x9.5x1.1in. in shrinkwrap. <br>Alberto Pinto 1945-2012 was a French interior designer of considerable acclaim. This is the first monograph on Pinto highlighting the first 20 years of his work. Exquisite photographs illustrate some of the sumptuous interiors he created including his own apartment in Paris. <br>301pp 4.74lb 13.2x9.5x1.1in Michel Aveline Editor hardcover
193449765Tokyo æ±äº¬: Koyosha Henshubu 洪洋社. 編輯部 1934. First edition. Spiral_bound. vg- to vg. Quarto. 3pp. 20pp. 2. Spiral-bound illustrated red black and white wrappers. Volume 13 of the scarce series of Japanese photographic surveys on modernist furniture. At least 16 volumes were known to have been published between 1932 and 1934. This volume is the second part following vol.11 which focuses on the furniture and decorative furnishings from Japanese cafes during the early 1930s. The first three pages contain text captions in numerical order followed by 20 plates of beautifully printed b/w photogravure images of the furniture. The final two pages contain publishers advertisements.<br /> <br /> Text throughout in Japanese.<br /> <br /> Wrappers with some light staining and smudges to the wrappers. Light rubbing to extremities. Back cover with chipping to the bottom left corner as well as some small closed tears along the spiral binding and the left side. Interior with some light smudging and some sporadic minor to light water stains throughout mostly in the margins with images mostly still clean and bright. Wrappers and in very good- interior in very good condition overall. Koyosha Henshubu (洪洋社. 編輯部) unknown
193390892s. n. | Paris 1933-1934 | 30.8 x 36.8 cm | Reliure de l'éditeur
190922111Preisbuch V. Auflage 5. Auflage 12.-17. Tausend Fifth edition 12th-17th thousand 1909. Softcover. vg. 4to. 1002pp. Gold-stamped wraps with decoration string protected in modern mylar. Title-page with emblem of the "Deutsche Werkstätten für Handwerkskunst." Rare work on "Dresdner Hausgerät" a cost-effective program designed to manufacture furniture which was easy to assemble in a variety of shapes and forms. Each plate with exact measurements of the pieces depicted. Most of the furniture shown after designs by Prof. Richard Riemerschmid and Prof. Adelbert Niemeyer. Also includes price list with difference in cost depending on type of wood used. Price list loose as issued. Creasing and minor staining on wraps. Top right corners of title-page and third page expertly repaired. Some numbers handwritten in pencil by previous owner to margin of some pages. Text in German. Wraps in good interior in very good condition. Scarce. Preisbuch V. Auflage, 5. Auflage, 12.-17. Tausend (Fifth edition, 12th-17th thousand) unknown
1905002413Chicago: A. J. Johnson & Sons Furniture Company 1905. First Edition. Very good. Trade catalog n. d. ca 1905; oblong folio 18 1/4 x 13; pp. 58 recto only; textured olive wraps 1/4 cloth and large rivets as published; a small cut to cloth on spine; wraps with a few spots to margins and nicks and cuts along edges of paper; faint vertical crease; numerous sepia-tone illustrations; very good condition. A beautiful lavish trade catalog for the A. J. Johnson & Sons Furniture Company - established in 1869 and known for manufacturing luxury furniture. Each page featured an entire suite ie. beds bureau chifforette vanity foot stool etc. the materials the pieces were made of Mahogany Walnut the style of the furniture Queen Anne Hepplewhite William and Mary and the dimensions. A. J. Johnson & Sons Furniture Company hardcover
1905002413Chicago: A. J. Johnson & Sons Furniture Company 1905. First Edition. Very good. Trade catalog n. d. ca 1905; oblong folio 18 1/4 x 13; pp. 58 recto only; textured olive wraps 1/4 cloth and large rivets as published; a small cut to cloth on spine; wraps with a few spots to margins and nicks and cuts along edges of paper; faint vertical crease; numerous sepia-tone illustrations; very good condition. A beautiful lavish trade catalog for the A. J. Johnson & Sons Furniture Company - established in 1869 and known for manufacturing luxury furniture. Each page featured an entire suite ie. beds bureau chifforette vanity foot stool etc. the materials the pieces were made of Mahogany Walnut the style of the furniture Queen Anne Hepplewhite William and Mary and the dimensions. A. J. Johnson & Sons Furniture Company hardcover books
194556162Seattle WA: Roger Dudley Commercial Photographers 1 Stuart Building ca. 1945. 4to. 27 linen-backed silver gelatin photos cream- & gray-coloured linen backings all w/ linen hinges at gutter margin all stamped in lower fore-edge of blank or on verso w/ professional photographer’s stamp. Contemporary black limp simulated leather post-binder rounded corners nickel-plated screw posts at inner gutter margin minor edgewear slight soiling some rubbing still VG exemplar w/ images all having bright strong contrast. This salesman sample photo catalogue of Mid-Century Modern cabinetry was apparently produced for a Seattle based manufacturer offering a wide range of products. The photos encompass Scandinavian Modern-inspired kitchen cabinets with very clean lines stylish hardware and laminate countertops; an entire array of counters display cabinets and sales counters for a Seattle Pharmacy including night shot showing the sales floor through the glass brick lined door showing the prescription counter products on the shelves pharmacist and assistant as well as the soda fountain counter fitted with a Coca Cola Multiplex dispenser. Also included are photos of several styles of glass-fronted display cabinets the window casements for a florist shop and a beautifully created bedroom set featuring his & hers twin beds each with built-in radio vanity and stylish dressers. Of special interest are the series of images of a post-World War II sporting goods store fitted with knotty-pine cabinetry all filled with displays of fishing gear a Martin 60 Outboard Motor ca. 1946-47 fishing tackle hunting rifles and shotguns cartridge boxes tennis rackets taxidermy trophies for deer and elk racks and much more. Dudley Sr. 1895-1954 began his career as a photographer with Walter Miller 1877-1938 who had apprenticed and partnered with Asahel Curtis in Seattle and later set up his own Dorpat Studio in the Seattle Post-Intelligencer Building. Dudley bought out the business in the mid-1930s and would continue working the business until his death in 1954 followed by his son Roger Dudley Jr. who had joined the firm in 1945. See: A Guide to the Walter P. Miller Photographs Circa 1920-1932 Golden Gate National Recreation Area National Park Service GOGA-00789; Sherrard Seattle Now & Then: Street Photography Nov. 27 2010. Roger Dudley, Commercial Photographers, 1 Stuart Building, hardcover
197427043ABFribourg, Office du Livre 1974. 2 Bände. Gr.4°. 447, (1); (449)-903 S. OLwde mit OU, Kopfgoldschnitt. Fußschnitte mit kleiner Staubspur.
1959707491959 3 volumes. In-4. Reliures demi-toile bleu moyen, couvertures conservées, environ 250 pp. par volume, illustrations en noir & blanc et en couleurs, publicités. Pages légèrement collées en elles. Exemplaires en bon état.
1920216870Paris: Ernest Gründ Éditeur 1920. Illustrated. 6 vols. 8vo. Brown buckram. Fine. Illustrated. 6 vols. 8vo. Ernest Gründ, Éditeur unknown
1920216870Paris: Ernest Gründ Éditeur 1920. Illustrated. 6 vols. 8vo. Brown buckram. Fine. Illustrated. 6 vols. 8vo. Ernest Gründ, Éditeur unknown books
196715488Milano: Gorlich Editore 1967. 1st. Hardcover. Fine/Fine. 13.7x10.0x2.0in. Dust jacket in clear protector. <br>The standard work on Italian lacquered furniture. Illustrated with 496 color plates and two color frontispieces. Text in Italian. <br>25pp 9.58lb 13.7x10.0x2.0in <br>EXTRA SHIPPING CHARGES NECESSARY Gorlich Editore hardcover
198825652Nashville TN: Tennessee Historical Society 1988. 1st. Hardcover. Fine/Very Good. 11.3x8.9x1.0in. dust jacket rubbed at extremities. Dust jacket in clear protector. <br>With 422 black and white illustrations and 34 color plates. <br>344pp 3.52lb 11.3x8.9x1.0in Tennessee Historical Society hardcover
2000BOOKS073412IBruxelles: Editions Racine 2000. HC. very good w/very good dustjacket hardcover. B&W and color illustrations. ISBN 2873861991 446pp. Editions Racine unknown
2000016405München Gina Kehayoff 2000 En feuilles sous portfolio