Haaff, RainerBiblio.com
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200419581Stuttgart: Arnoldsche Art Publishers 2004. 1st. Hardcover. New/New. 12.0x9.0x1.0in. With over 600 illustrations in color and black and white. Text in English and German. <br>226pp 3.46lb 12.0x9.0x1.0in Arnoldsche Art Publishers hardcover
75-1602Grand Rapids MI: Baker Furniture 1982. 4to. Soft covers. Very good. 50pp.Black and white plates throughout.Three binding holes punched along inside of pages. Grand Rapids, MI: Baker Furniture, 1982 paperback
199816023Cold Spring Harbor NY: Society for the Preservation of Long Island Antiques 1998. 2nd. Hardcover. As New/As New. 11.3x8.9x1.0in. Dust jacket in clear protector. <br>Contents: I. A Meeting Ground of Cultures: 1640-1730; II. Fashion and Tradition: 1730-1782; III. Long Island is My Nation: 1782-1830; IV. The Craftsmen: 1640-1830. Contains two appendices: I. Long Island Woodworking Craftsmen 1640-1830; II. Long Island Silversmiths Clockmakers Watchmakers and Pewterers 1640-1830. 251 objects are described and illustrated. <br>304pp 3.32lb 11.3x8.9x1.0in Society for the Preservation of Long Island Antiques hardcover
2005BOOKS072611IBelmont VT: The Belmont Press 2005. HC. fine w/fine dustjacket hardcover. B&W illustrations. ISBN 0975456903 204pp. The Belmont Press unknown
199310885Montreal: The Montreal Museum of Fine Arts 1993. 1st. Hardcover. New/New. 12.5x9.8x1.7in. Published on occasion of the exhibition at the Montreal Museum of Fine Arts March 4 - May 16 1993 and the Musée de la civilisation Quebec City October 19 1993 - April 24 1994. With 490 black and white illustrations and 60 color plates. <br>527pp 6.99lb 12.5x9.8x1.7in <br>EXTRA SHIPPING CHARGES NECESSARY The Montreal Museum of Fine Arts hardcover
1938251233Paris: Levitan 1938. Hardcover. 148p. presswork on alkaline semi-coated paperstock profuse site and exhibit photography and artists' renderings b&w reproduction for the most part but some show pieces in brown tint. Hardbound item a sewn 9x11 inch oblong in textured green flexible boards with titling embossed gilt. A pocket is fixed inside front cover which holds promotionals find more promotionals bound in at rear and a 6x8 sewn booklet featuring statistics which is ruled like an accountant's ledger in red blue and gray. Leaves are held by original threads and mesh which unfortunately are shown through many cracks gaps and fray. Covers are scuffed. The early leaves are slightly damp-rippled. Complete if uglified. If purchased for a Paris address items will be delivered by truck. The more one buys great discounts will be extended and there is a set of discounts for families with children count the kids! over three and the customer is a big winner!. Levitan hardcover
0265578728.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282906665.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
199224539New York: Doubleday 1992. 1st. Hardcover. Very Good/Fine. 9.3x8.3x1.0in. Inscribed by Authors. inscribed by author on half-title page; light foxing to edges of text block. Dust jacket in clear protector. <br>Mark Hampton's landmark survey of interior design in the twentieth century. Covering twenty-two decorators who have left an indelible stamp on the spaces in which we live the text is illustrated with the author's own watercolors. <br>293pp 2.25lb 9.3x8.3x1.0in Doubleday hardcover
199630182Paris: Charles Massin 1996. 1st. Hardcover. As New/As New. 11.1x8.5x0.4in. Dust jacket in clear protector. <br>Profusely illustrated in color. Text in French. <br>93pp 1.42lb 11.1x8.5x0.4in Charles Massin hardcover
140797Paris Édouard Rouveyre Éditeur. ca 1890. Original publisher's dark-blue cloth hardback lettering on label spine & on ornamental label frontcover large 4to: title-page table of contents 100 mounted plates with ca. 1000 illustrations. Fine firm copy. Paris, Édouard Rouveyre Éditeur. ca 1890 hardcover
200021003Paris: Les Editions de l'Amateur 2000. 1st. Hardcover. New/New. 11.3x9.4x2.2in. in shrinkwrap. <br>With over 600 names listed and 950 illustrations. Text in French. <br>702pp 7.40lb 11.3x9.4x2.2in <br>EXTRA SHIPPING CHARGES NECESSARY Les Editions de l'Amateur hardcover
2000BOOKS073412IBruxelles: Editions Racine 2000. HC. very good w/very good dustjacket hardcover. B&W and color illustrations. ISBN 2873861991 446pp. Editions Racine unknown
187858315Paris: V.L. Quetin ca. 1878. Oblong 4to. 11.5 x 7.75 in. 1 leaf lithograph title 94 i.e. 110 lithographed plates 1 leaf of index on blue-tinted paper stock. Quarter-green leather over pebbled green cloth raised bands embossed borders in blind gilt lettering on spine minor scuffing & wear rubbing bumping & wear to couple corners w/o ffep. still VG- copy w/ bright plates from the library of Victor Colas 256 13d Voltaires Paris notation on front marbled pastedown. A well-illustrated printer’s specimen book issued to depict the varieties of Second Empire French furniture featuring styles such as Louis XV Louis XVI and the decorative styles of Napoleon III’s designers. Victor Joseph Quetin 1822-1877 was an entrepreneurial printer who began producing these Furniture style books for Parisian craftsmen cabinetmakers and would sell these volumes of specimen sheets to manufacturers to show their prospective clients. The furnishings shown in these leaves encompass tables chairs toilettes some with bidets built in many with attached mirrors bed frames armoires buffets desks and desks with built-in bookcases. The index which is often missing provides an excellent quick reference to the styles types of furnishings as well as the specific plate. Demand increased as Paris & France underwent tremendous renovations and progress during the Second Empire and many of the furnishings inspired by the designs of Carlin Weisweiler and Riesener were presented to the public at the 1867 Exposition Universelle. His son Victor Leon Quetin b. 1852 would later in the 1870’s take up the family business released the albums under a new imprint of “V.L. Quetin†and also began issuing colour chromolithograph specimen catalogues of elaborate draperies bed curtains window treatments and casements. Also issued was a newspaper Journal le magasin de meubles†which offered details of the specimen catalogues he would assemble subscriptions and pricing with details on colour lithography and hand-colouring as well. His designs were dependent upon using a specialized machine which would enlarge reduce or even alter lithographic designs for clients. See: Victor Quetin De la papeterie a la lithographie D’Avoise a Meung-sur-Loire en passan par les Moulins de Paillard 16e-18e siecle; Alfred Lemercier La lithographie francaise de 1796 a 1896 et les arts qui s’y rattachent: manuel pratique p. 344. V.L. Quetin, hardcover
184575952Paris: D.Guilmard 1845. First edition Oblong quarto 10 x 7 inches. Title page plus the complete complement of 123 full page lithographs of French furniture. Although not stated in OCLC. this cops copy has 5 bis plates for no. 22 and one bis plate for no. 66. Publisher's blind ruled brown cloth gilt gilt cover lettering. marbled endpapers From hinge nicely repaired but still with a chip to the loer gutter margin of the marled endpapers. The text block is quite clean. A handsome copy of a wonderful trace catalog.There were 3 or 4 editions of this catalog and the only way of telling the difference is by the plate count which has by far the most number of plates. And this copy has even more as no cataloger have ever mentioned the bis plates. Only 5 of this edition located by OCLC all with no mention of any bis plates. "Little is known about the life of the Parisian publisher of Le Garde-meuble Désiré Guilmard c. 1810-c.1885 except that he founded the publishing firm of D. Guilmard in 1839. Because his name appears as the "delineator" of the majority of the furniture plates in Le Garde-meuble many historians presumed he was a furniture designer. However he is not known to have had a furniture shop nor are there any signed examples of his furniture extant. We do know that Guilmard was closely connected to the Parisian design community and through his numerous publications see below became an influential purveyor of taste. He was also an exceptionally able businessman who promoted French furniture and design during a fifty-year period of rapidly changing taste" Smithsonian. D.Guilmard hardcover
196715488Milano: Gorlich Editore 1967. 1st. Hardcover. Fine/Fine. 13.7x10.0x2.0in. Dust jacket in clear protector. <br>The standard work on Italian lacquered furniture. Illustrated with 496 color plates and two color frontispieces. Text in Italian. <br>25pp 9.58lb 13.7x10.0x2.0in <br>EXTRA SHIPPING CHARGES NECESSARY Gorlich Editore hardcover
1930z08231Paris: La Grande Maison D'ameublement 1930. First edition. Paperback. good. Catalog for La Grande Maison D'ameublement a large furniture store on the Boulevard Magenta in Paris. Ca. 1930s. First edition. Illustrated wraps oblong 8vo. 137pp. with illustrations of offered furniture. Good. Edge wear and soil to wraps including writing in French on the front wrap. Bending to corners of wraps and some page corners. Internally very bright and unmarked. Handsome wooden furniture with hand carved embellishments including beds wardrobes tables and vanities all listed in French with contemporary prices. Digital images available upon request. La Grande Maison D'ameublement paperback
195076742Germany: N.p. 1950. Oblong quarto 12 3/4 x 9 inches. 60 pp. Comprised entirely tinted illustration of early mid-century furniture offerings. Publishe'rs wrappers with two brads gilt and black cover lettering. Small bit of lower to with gnawing. A very good and visually pleasing catalog. N.p. unknown
1956BOOKS072691IParis: Guy le Prat Editeur 1956. PB. good wraps softcover. B&W illustrations. First published 1773. Title translates to "The Art and Manner of French Cabinetmakers Tricks." Appears to be Volume One only. 570pp. Guy le Prat Editeur unknown
1984159933Kodansha International 1984. First Edition. Oversize Hardback. Fine/Near Fine. Book is in excellent condition with deep red fine weave covers gilt print at spine. Binding is solid and square covers have sharp corners exterior shows no blemishes text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only no tears. Intro to page 25 then plates with large b&w photos to page 115 then with sections often with descriptive line drawings on Woods Joinery Finishes Metal fittings Tools. 192 pages. Kodansha International hardcover
19482110502150412893Technical data publishing society 1948. Soft Cover. Fine. Volume: 1 Technical data publishing society paperback
19532092902137306136Maruzen 1953. Soft Cover. Fine. Number of pages: 42p Size: 26 x 18 cm Maruzen paperback
1991410914Tokyo: Knoll International Japan 1991. Som moderate handling wear but generally fine. 11 x 11 inches. Text in English and Japanese. Profusely illustrated. Hardcover decorated glazed boards. An excellent survey of Knoll's legacy and designs. Knoll International Japan unknown
1971410915New York: Knoll 1971. A soft crease to the front cover and a few small marks but generally clean. 11.5 x 11.5 inches. Profusely illustrated. Printed wrappers. A beautifully designed catalogue for Knoll: designed by Massimo Vignelli photographs by Herbert Matter exhibition design by Lella and Massimo Vignelli. The exhibition was held from January 12 to March 12 1972. Knoll unknown
1918H16554Kiel & Milwaukee WI: Kiel Furniture Co 1918. Near Fine. Oblong quarto 12.5 x 10 inches in full black cloth with "J. B. Laun" stamped in gilt on front cover. 63 1 pp illustrated throughout images printed in slight browntone with inserts including "New Kiel Table Designs Supplement to Catalogue 28" and some price lists circulars and flyers. Products include dining room suites tables library tables desks stools tabourettes pedestals and "novelties." The Kiel Furniture company was founded in 1882 and employed German-American immigrants in the small town of Kiel and has been in business ever since now under the name A. A. Laun Furniture Company named for the younger brother of J. B. Laun one of the original presidents of the company who took over as vice president and general manager in 1916. The types of products featured in these catalogs reflects both the tastes of their clientele mainly middle-income Midwestern households but also reflects the Stickleyesque influence of Arts & Crafts and Mission style aesthetics. No copies of this particular catalog located in any institution. This is the president of the company's own copy! Kiel Furniture Co unknown
