8 853 résultats
1968132826Los Angeles: Twentieth Century-Fox 1968. Collection of 8 vintage full-color British front-of-house cards from the 1968 US release of the 1968 UK film. <br/><br/>Based on Desmond Cory's 1965 novel and one of the more unusual heist films of the 1960s starring Michael Caine as a recently recovered alcoholic mixed up in a diamond heist with a woman and her recently out-of-the-closet husband. <br/><br/>Shot on location in Spain. <br/><br/>8 x 10 inches. About Fine. Twentieth Century-Fox unknown books
1978147796Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1978. Collection of 13 vintage black and white reference photographs 6 vintage color studio still photographs 5 vintage studio still photographs 2 vintage black and white borderless reference photographs and 1 color reference photograph from the 1978 film. Several of the photographs are candid shots taken on the set of the film.<br/><br/>The sequel to "National Velvet" 1944 based on the 1935 novel. A former horse riding champion helps her troubled niece achieve Olympic horse riding glory.<br/><br/>Set and shot on location in England.<br/><br/>24 photographs 10 x 8 inches 1 photograph 7.25 x 9.5 inches one photograph 6 x 9.5 inches 1 photograph 7.5 x 5 inches. Near Fine some with faint edgewear. Metro-Goldwyn-Mayer [MGM] unknown books
1981WRCLIT70750Berlin: Neue Constantin Film 1981. Twenty-four 9½ x 11¾" color borderless matte publicity photographs or mini lobby cards accompanied by one 7 x 9" black & white matte portrait. Enclosed in moderately used and tape mended printed envelope. Some photos have pinpricks at corners else about fine. A striking set of fotosatz promoting the what many consider the best ie. most realistic cinematic treatment of submarine warfare during WWII based on Lothar G. Buchheim's novel and adapted and directed by Wolfgang Peterson. The cast included Jürgen Prochnow Herbert Grönemeyer Klaus Wennemann and many others enough to fill an entire submarine and the film was nominated for six Academy Awards. This set bears the stamps and sequence numbers of the original German distributor's Dutch affiliate on the verso of each still and on the envelope. Neue Constantin Film unknown books
1977151375Burbank CA: David Gerber Prod. Inc 1977. Final Draft script for the pilot episode of the 1977-1978 television series which originally aired on NBC on May 7 1977. Annotations of names of a cast member and crew members in holograph marker on verso of back wrapper.<br/><br/>A short llived science fiction sitcom created by acclaimed film and television screenwriter and actor Buck Henry today with a cult following. A satire of popular science fiction films and television shows that came before it most obviously "Star Trek" having even used "Star Trek" sound effects both having aired on NBC. Richard Benjamin starred as Adam Quark an extraordinarily unlucky Commander of an interstellar garbage scow with the beautiful and wanton mirror clones "The Bettys" played by Cyb and Patricia Barnstable as the ship's navigators.<br/><br/>Quark and his crew working for the United Galaxy Sanitation Patrol may need to be sacrificed in order to save the galaxy from destruction by a giant enzyme cloud.<br/><br/>Nominated for a Primetime Emmy Award.<br/><br/>White Columbia Pictures Television titled wrappers noted as FINAL DRAFT on the front wrapper production No. 183114 dated February 3 1977. Title page present dated February 3 1977 noted as FINAL DRAFT with credits for screenwriter Buck Henry. 46 leaves with last page of text numbered 42. Mimeograph duplication rectos only. Pages Very Good plus with toning on the outer right edge of pages wrapper Very Good plus with some creasing bound with two gold brads. David Gerber Prod., Inc unknown books
1964147638New York: Janus Films 1964. Collection of five vintage studio still photographs from the 1964 film. <br/><br/>"The Troublemaker" was inspired by The Premise an improv group begun by Theodore J. Flicker in 1960 and starred all but one of the original members of the group George Segal.<br/><br/>New Jersey chicken farmer Jack Armstrong Tom Aldredge moves to Greenwich Village to open a coffee house with the help of his friend lawyer T.R. Kingston Buck Henry.<br/><br/>Set in and shot on location in New York City. <br/><br/>8 x 10 inches. Near FIne. <br/><br/>Complete collation details available on request. Janus Films unknown books
141858N.p.: N.p. Draft script for an unproduced film. <br/><br/>Dave Hinkle is a weatherman on a local television station who is recruited by his boss to report on breaking news involving a robbery. While reporting and being confused by his microphone he is snatched by the bandits and held hostage. <br/><br/>Green untitled wrappers. Title page present with credits for screenwriter Bud Barish. 60 leaves with last page of text numbered 53. Mimeograph duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1967132635Culver City CA: Columbia Pictures 1967. Vintage full-color still photographs from the 1967 US film. <br/><br/>Oscar-nominated comedy about the ups and downs of marriage then divorce then reuniting. It may be the only time Dick Van Dyke will ever shop in the Red Light District. <br/><br/>8 x 10 inches. Two pinholes and faint creases else Near Fine. Columbia Pictures unknown books
1952167549Universal City: Universal-International 1952. Vintage reference photograph from the 1952 Western film. Printed mimeo snipe affixed to the verso referring to the movie using its alternate release title "The Texas Man."<br /> <br /> Two brothers return to Texas after the Civil War one becoming a sheriff and the other embarking on a life of crime. <br /> <br /> 10 x 8 inches. Very Good plus with adhesive residue on the verso corners. <br /> <br /> Pitts 1936. Universal-International unknown
1955156909Burbank CA: Warner Brothers 1955. Draft script for the 1956 revisionist Western. <br /> <br /> Near the end of Randolph Scott's career producer Harry Brown Scott and director Budd Boetticher began work on a series of intelligent films that would combine Scott's minimalist acting style with Boetticher's lean approach to filmmaking. The result was a series of films today referred to as the "Ranown" cycle a rich canon that formed a strong stylistic whole. Boetticher's approach to storytelling was traditional in the sense that it involved traditional Western characters but revisionist in that his protagonist invariably worked alone and sought his own brand of morality rather than one established by tradition government and family. Apart from ardent fans of Westerns these films went unrecognized by most until Martin Scorsese made a case for them in his 1995 BFI documentary "A Personal Journey with Martin Scorsese Through American Movies." <br /> <br /> Gray titled wrappers dated September 15 1955 with credits for screenwriter Burt Kennedy. Title page present dated September 15 1955 with credits for screenwriter Burt Kennedy. 100 leaves with last page of text numbered 99. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 9/19/55 and 9/20/55. Pages and wrapper Very Good plus with tide marks on the bottom edges of the title page and front wrapper bound internally with three gold brads. Housed in a custom brown quarter-leather clamshell box. <br /> <br /> Pitts 3788. Schrader 52. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in manuscript ink to upper right and annotations to dialogue of lead character Legs in manuscript pencil. <br /> <br /> Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br /> <br /> From the estate of Martin Landau.<br /> <br /> Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br /> <br /> Set in New York City. <br /> <br /> Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral with the first page of text dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br /> <br /> Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown
1953148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. <br /> <br /> An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head.<br /> <br /> Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. <br /> <br /> 8 x 10 inches. Near Fine with light creasing near the edges. Universal Pictures unknown
1959146675Culver City CA: Columbia Pictures 1959. Collection of two vintage studio still photographs from the 1959 film.<br/><br/>Ben Brigade Randoph Scott is the tight-lipped bounty hunter taking wanted murderer Billy John James Best to Santa Cruz for hanging. After an encounter with two outlaws Pernell Roberts and James Coburn and hostile Indians at a stagecoach way station they continue their journey accompanied by the newly widowed station master's wife Karen Steele and the outlaws for protection. In pursuit is Billy John's brother Frank Lee Van Cleef who we find out years earlier hung Brigade's wife in retribution for arresting him for murder. James Coburn's film debut.<br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. 2 Very Good plus with uniform fading one with pinholes one with light creasing and small closed tear at top. <br/><br/>Pitts 3430. Columbia Pictures unknown books
1953148513Universal City: Universal Pictures 1953. Vintage photograph of director Budd Boetticher and Julie Adams relaxing in a tree from the 1953 film. Mimeo snipe on verso. <br/><br/>An early Technicolor Western from seminal American director Budd Boetticher. Gringo miner Gallager Van Heflin is caught up in the Mexican revolution of 1910-1911 when corrupt administrator Ruiz George Dolenz appropriates his mine. Gallager saves the life of guerilla leader Raquel Adams then finds there's a price on his head.<br/><br/>Set in Mexico shot on location in the Simi Hills and the Ray Corrigan Ranch Simi Valley California. <br/><br/>8 x 10 inches. Near Fine with light creasing near the edges. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
1959148398N.p.: United States Productions Inc 1959. Revised Estimating script for the 1960 film belonging to actor Martin Landau here under the working title "The Life and Death of Legs Diamond." Laid in are five carbon typescript pages of script with Landau's name written in holograph ink to upper right and annotations to dialogue of lead character Legs in holograph pencil. <br/><br/>Landau was considered for the lead role of Jack "Legs" Diamond which from the laid in pages we can reasonably assume were for an audition for the part. Ray Danton was ultimately cast as Legs and Landau does not appear in the film. <br/><br/>From the estate of Martin Landau.<br/><br/>Jack "Legs" Diamond Ray Danton and his sickly brother Eddie Warren Oates move to New York City and after a brief incarceration sets their eyes on taking over kingpin mobster Arnold Rothstein's Robert Lowery criminal businesses. The film debut of Dyan Cannon. Nominated for an Academy Award.<br/><br/>Set in New York City. <br/><br/>Beige titled wrappers noted as REV. ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 96 dated August 21 1959. Distribution page present with receipt removed. Title page integral to first page dated 8/21/59. 108 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads.<br/><br/>Laid in pages 8.5 x 11 inches Near Fine with light edgewear and creasing at corners. United States Productions, Inc unknown books
1956170491Culver City CA: Columbia Pictures 1956. Two vintage studio still photographs from the 1956 film. One with a provenance label on the verso.<br /> <br /> Humphrey Bogart's final film about a faded sportswriter facing the dissolution of his career and personal life. Released just two years after "On the Waterfront" 1954 the multi-award-winning collaboration between Elia Kazan and Budd Schulberg a film widely seen as justifying their decision to name names during the HUAC Hollywood blacklist trials. Nominated for an Academy Award. <br /> <br /> Shot on location in California Chicago and New York. <br /> <br /> 8 x 10 inches. Near Fine.<br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown
1955145319Culver City CA: Columbia Pictures 1955. Revised Final Draft script for the 1956 film with rainbow revisions. <br /> <br /> Released just two years after "On the Waterfront" 1954 the multi-award-winning collaboration between Elia Kazan and Budd Schulberg and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. <br /> <br /> Shot on location in California Chicago and New York. <br /> <br /> White studio wrappers noted as REVISED FINAL DRAFT on the front wrapper production No. 1315 dated Oct. 12 1955. Title page present dated October 12 1955 noted as REVISED FINAL DRAFT with a credit for screenwriter Yordan. 160 leaves with last page of text numbered 141. Mimeograph on eye-rest green stock with yellow blue pink and eye-rest green revision pages throughout dated variously between 11/2/55 and 12/15/55. Pages and wrapper Near Fine bound with three gold brads. <br /> <br /> Grant US. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown
1955145319Culver City CA: Columbia Pictures 1955. Revised Final Draft script for the 1956 film with rainbow revisions. <br/><br/>Released just two years after "On the Waterfront" 1954 the multi-award-winning collaboration between Elia Kazan and Budd Schulberg and based on Budd Schulberg's 1947 novel about a once respected sportswriter now forced to work for a crooked promoter who is taking advantage of a promising young fighter. Nominated for an Academy Award. Humphrey Bogart's final film. <br/><br/>Shot on location in California Chicago and New York. <br/><br/>White studio wrappers noted as REVISED FINAL DRAFT on the front wrapper production No. 1315 dated Oct. 12 1955. Title page present dated October 12 1955 noted as REVISED FINAL DRAFT with a credit for screenwriter Yordan. 160 leaves with last page of text numbered 141. Mimeograph on eye-rest green stock with yellow blue pink and eye-rest green revision pages throughout dated variously between 11/2/55 and 12/15/55. Pages and wrapper Near Fine bound with three gold brads. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown books
1990142376Los Angeles: William Morris Agency 1990. First Draft script for an unproduced film. Not to be confused with the 1997 film "Face/Off" directed by John Woo.<br/><br/>A young man who does not believe he is smart enough to attend college receives a lacrosse scholarship from Amherst. Attending college is a dream of his family's but he does not know whether going to college is right for him. <br/><br/>Set in New Jersey. <br/><br/>Blue untitled wrappers. Title page present dated January 2 1990 noted as FIRST DRAFT - REVISED III with credits for screenwriters Michael Buhlman and Jonathan Baker. 133 leaves with last page of text numbered 132. Xerographic duplication first generation. Pages Near Fine wrapper Very Good with some staining and a phone number written in holograph ink on the front wrapper. Bound internally with two gold brads. William Morris Agency unknown books
1990142376Los Angeles: William Morris Agency 1990. First Draft script for an unproduced film. Not to be confused with the 1997 film "Face/Off" directed by John Woo.<br /> <br /> A young man who does not believe he is smart enough to attend college receives a lacrosse scholarship from Amherst. Attending college is a dream of his family's but he does not know whether going to college is right for him. <br /> <br /> Set in New Jersey. <br /> <br /> Blue untitled wrappers. Title page present dated January 2 1990 noted as FIRST DRAFT - REVISED III with credits for screenwriters Michael Buhlman and Jonathan Baker. 133 leaves with last page of text numbered 132. Xerographic duplication first generation. Pages Near Fine wrapper Very Good with some staining and a phone number written in manuscript ink on the front wrapper. Bound internally with two gold brads. William Morris Agency unknown
1964155082N.p.: Cinema Syndicate 1964. Five vintage studio still photographs from the 1964 film. Printed label crediting "Bunny Yeager Photography" affixed to photograph versos. <br /> <br /> A magazine hires photographer and erstwhile pinup model Bunny Yeager to shoot a pictorial on the showgirls of Las Vegas leading to a number of nude hijinks. <br /> <br /> Yeager was one of the first pinup photographers to work outdoors in natural light and subsequently became one of the most successful and prolific pinup photographers of the 1950s and 1960s. Yeager is perhaps best remembered today for her 1954 photographs of a then little-known Bettie Page shooting a number of images which ran in "Playboy" magazine and would lead to Page's later stardom. <br /> <br /> Set and shot on location in Las Vegas and at the Hoover Dam. <br /> <br /> 10 x 8 inches. Near Fine. Cinema Syndicate unknown
1961WRCLIT67386Hollywood: Rosser's Film Continuity Service 1961. 199 leaves. Folio legal format. Mimeographed typescript printed on rectos only. Stapled at top margin. Minor use at top edge else near fine. A late Combined Continuity script of the 1936 Selznick Studio production based on Walpole's adaptation of Burnett's novel starring Freddie Bartholomew Dolores Costello and C. Aubrey Smith and directed by John Cromwell. This was one of Selznick Studio's first films. In 1961 the then owners of the rights for various Selznick films many had passed through several hands to United Artists commissioned new 16mm combined continuity scripts for many of the titles rationale unknown to posterity. This is such an example and preserves a literal record of the film. Duplicate from the Selznick archive. Rosser's Film Continuity Service unknown books
1965WRCLIT74799Los Angeles: 20th Century-Fox Television 1965. 135 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in studio wrappers. Faint pencil name on upper wrapper otherwise very good or better. Denoted the "shooting script" for this episode of the two-season western series with revisions on blue and salmon stock. While not identified as such this script may be for episode 11 of the first series which aired on 19 November 1965 and is the only episode credited by IMDB to Burnett under the episode title "Manhunt." IMDB's entry also lists Burnett as writing an "adaptation" of a screenplay by Nunally Johnson for that episode -- neither the episode title nor the relationship to work by Johnson appear on this script. 20th Century-Fox Television unknown books
1979156737Studio City CA: EMI Television Programs 1979. Revised Shooting script for the 1979 television film here under the working title "Can You Hear the Laughter The Freddie Prinze Story." Copy belonging to sound mixer Keith A. Wester with his name in manuscript ink on the top right of the front wrapper and his annotations in manuscript ink and pencil on 20 pages. <br /> <br /> Bound in preceding the script are a six page Staff and Crew contact list a 30 page Shooting Schedule 17 pages of Call Sheets with annotations in manuscript ink and a map to the Comedy Store West. <br /> <br /> Originally aired on CBS on September 11 1979. Based on the article "Good Night Sweet Prinze" by Peter Greenberg published in the June 1977 issue of Playboy magazine. A portrayal of the sudden rise and success of the troubled Puerto Rican stand-up comedian and actor Freddie Prinze who died of a self-inflicted gunshot wound on January 29 1977.<br /> <br /> White titled wrappers rubber-stamped copy No. 60. Title page present dated March 19 1979 noted as REV. SHOOTING SCRIPT with credits for screenwriter Dalene Young. 125 leaves with last page of text numbered 119. Xerographic duplication rectos only with green and goldenrod revision pages throughout dated variously between 4/23/79 and 5/4/79. Pages Near Fine wrapper Very Good plus bound with three gold brads. EMI Television Programs unknown
1964147146Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Draft script for the 1965 film with the name of cinematographer "Paul Vogel" followed by what appears to be "81" in holograph pencil on the first revision page page 55. Laid in is a 17 page shooting schedule dated 4-22-64 with two brief annotations in holograph pencil "arroflex zoom" and "camera car."<br/><br/>Based on the 1960 novel by Max Evans about two aging cowhands who make a big bet that no rodeo cowboy can rider their supposedly unbreakable horse. <br/><br/>Set in and shot on location in Arizona. <br/><br/>Goldenrod titled wrappers rubber-stamped copy No. 81 dated March 25 1964 with credits for producer Richard E. Lyons and screenwriter Burt Kennedy. Title page integral with first page. 112 leaves with last page of text numbered 112. Mimeographed rectos only with blue revision pages throughout and one gray revision page dated 4-7-64. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1969140252Burbank CA: American Broadcasting Company ABC 1969. First Draft script for the 1974 television movie. <br/><br/>The wife of a bootlegger in the backwoods dies while giving birth to her seventh child and her husband falls off the roof in a drunken stupor thus leaving the seven children orphaned. Following the guidance of the oldest sibling children seek replacement parents by goading strangers with the youngest and most attractive siblings into taking them in. The new "parents" must then pass a test to see if they are qualified.<br/><br/>Set in the American South shot on location in Lebanon Tennessee. <br/><br/>Red titled wrappers with credits for screenwriter Clyde Ware. Title page present dated May 1969 noted as First draft with credits for Clyde Ware. 96 leaves with last page of text numbered 95. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two gold brads. <br/><br/> Newman p. 485. American Broadcasting Company [ABC] unknown books
