Bruner, James (Screenwriter)Biblio.com
4 698 résultats
1985009755<p>No Place: Arrow International Pictures Inc. - Lee Group Production. Offered is the screenplay for the proposed film "The Rage of the Tiger" by screenwriter James Bruner no date circa mid-1980s. A shooting script each scene is numbered the film to my knowledge was never made at least not with this title. The screenplay contains 73 three-hole punched mimeographed loose leaf pages including the title page with title name of screenwriter and "An Arrow International Pictures Inc. - Lee Group Production". The pages measure 8-1/2" by 11" and are printed on one side. The screenplay is bound in red card covers containing the same information as the title page; the covers and internal pages are held together with three brass brads. James Bruner's works among many include Braddock: Missing in Action III 1988 Delta Force 1986 Invasion U.S.A. 1985 and Missing in Action 1984. . Fine. Soft cover. 1st Edition. 1985.</p> Arrow International Pictures Inc. - Lee Group Production paperback
1960296421Robert Goldfarb 1960. Trade Paperback. 140 mimeographed sheets printed recto only. Ric Hardman 1924-2009 was a writer of screenplays Rare Breed Gunman's Walk TV scripts and novels Fifteen Flags and others. First edition first printing. Very good copy in yellow folder bound with metal clasps. At bottom of title page: Robert Goldfarb / 3839 Carnavon Way / Los Angeles 90027 / 663 9543 / mag 876 2100.'.<br> Robert Goldfarb paperback
1957268766The Selnick Company Inc 1957. Trade Paperback. Mimeographed typed sheets printed on recto only: 2 8 1 5 2 3 6 2 2 2 9. 2 2. Includes information on The Cast The Story The Producer The Director The Production Vittorio De Sica's comments on the film About the Film About the Book The Makers Biography of David O. Selnick Biography of Jennifer Jones Biography of Rock Hudson Biography of Vittorio De Sica Biographies of others. 'Official Advertising Billing Revised October 23 1957.' Revised edition October 23 1957. A fine copy brad bound.<br> The Selnick Company, Inc paperback
193036669Circa 1930. 1930. Very good. - A sheet of cream colored note paper 8-3/8 inches high by 5-1/8 inches wide is signed near the top edge "Frederic Arnold Kummer". The bottom edge of the paper is darkened with slight darkening to the other edges and the bottom right corner is lightly creased. There is a very light vertical crease to the left side. Very good. <p>Author playwright and screenwriter Frederic Arnold Kummer 1873-1943 began his career as a civil engineer before turning to writing full-time in 1907. For much of his writing life he devoted himself to detective fiction beginning with "The Green God" in 1911. He also wrote fantasies including "The Second Coming: A Vision" with Henry P. James 1916 a World War I fantasy in which Christ appeals for peace to the Kaiser and -- probably his most popular work-- an afterlife fantasy "Ladies in Hades: A story of Hell's Smart Set" 1928. Circa [1930]. unknown
1999139964Universal City CA: Universal Pictures 1999. Vintage press kit for the 1999 film. Includes six page pamphlet on the cast filmmakers synopsis and film production. Also includes a black and white film still photograph. Housed in a photo illustrated folder. <br /> <br /> Director Malcom D. Lee's directorial debut in part financed by his cousin Spike Lee. The first major lead role for Taye Diggs who plays an author whose upcoming autobiographical novel will spill the beans on all the dirt between his friends set to release with unfortunate timing just around a wedding at which he will see many of them. "The Best Man" proved the mainstream commercial viability of African American romantic comedies. <br /> <br /> Folder Very Good plus with light rubbing and creasing. Contents about Fine. Universal Pictures unknown
2130149 Grains Road Delph Oldham Lancashire. 18 September 1986. 1p 8vo. In good condition lightly aged folded twice. He does not have a copy of his book 'Flying Eggs' but intends 'to order a few. Since computerization ordering is a longwinded business but there's reasonable hope they'd arrive before the Christmas post.' He gives instruction concerning payment and postage. He makes a suggestion if McPherson should 'at any point in the future be tempted to buy my first book of short stories PENNINE TALES' go for the paperback which is cheaper and 'much better edited'. The letter ends: 'One thing about the new computerized typesetting you can correct an error or an author's gaffe with a touch of the button instead of having to reset the whole page for one typo.' Livings' comments on modern printing developments gain interest in the light of his 1964 play satirising the future of employment 'Eh' and the film it spawned 'Work is a Four-Letter Word' 1968. 49 Grains Road, Delph, Oldham [Lancashire]. 18 September 1986. paperback
1986141902N.p.: N.p. 1986. Treatment script for an unproduced film. <br /> <br /> The true story of Benjamin Franklin traveling to France after the American Revolution where he acts as a diplomat from the newly-established United States of America and he makes sure to throw around the new weight of this budding country. <br /> <br /> Set in Paris. <br /> <br /> Clear untitled wrappers. Title page present dated 1986 with credits for screenwriter Dennis Whelan. 53 leaves with last leaf of text numbered 50. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound with two staples. N.p. unknown
1963132008New York: Louis de Rochemont Associates 1963. Third Draft script for an unproduced film about John Knox the Scottish clergyman and theologian considered to be the founder of the Presbyterian denomination in Scotland. Screenwriter Sloane credited as Sloan here was a screenwriter and wardrobe consultant whose film credits include "Martin Luther" 1953 "Stalag 17" 1953 "The Monster That Challenged the World" 1957 and a host of television movies and episodes. <br /> <br /> Presumed the only screen treatment on Knox the leader of the Protestant Reformation. <br /> <br /> Titled self wrappers noted as Third Draft on the front wrapper dated March 15 1963 with credits for screenwriter Sloane as Sloan and presenter Lothar Wolff. 109 leaves with last page of text numbered 108. Mechanical duplication. Near Fine bound with two gold brads. Louis de Rochemont Associates unknown
1970143943Hollywood: N.p. 1970. Draft script for an unproduced film. <br /> <br /> Don and Irene are a young and unhappy married couple whose lives and relationship are thrown asunder as Don gravitates toward Spiritology a spiritual organization that promises the 'Ultimate Release." <br /> <br /> Gold titled wrappers. Title page present with credits for screenwriter Aaron Nash. 101 leaves with last page of text numbered 100. Xerographically reproduced. Pages Fine wrapper Fine bound with three gold brads. N.p. unknown
1987153170N.p.: N.p. 1987. First Draft script for an unproduced film. <br /> <br /> The white heir to a substantial fortune wakes up one day to discover that his skin has rapidly darkened leading his family to mistake him for an African American and subsequently disown him. <br /> <br /> Red titled wrappers with credits for screenwriter Abraham Eban. Title page present dated August 1987 noted as First Draft with credits for screenwriter Abraham Eban. 123 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine black tape binding. N.p. unknown
130699N.p.: N.p. Treatment script for an unproduced film. <br /> <br /> Four interrelated vignettes about life in the American West featuring Will Bill Hickok praised Indian killer coming a wild town without law enforcement and him acting as sheriff until he humiliated by a woman followed by a story in which he is found in a different town drinking himself to death. A different woman helps him get back on his feet which ultimately leads to him enforcing justice again only to be gunned down. The final two stories involve vengeance on the part of Hickok's friends seeking retribution for their gunned-down friend. <br /> <br /> Mint green titled wrappers. Title page present with credit for screenwriter MacKenzie. 59 leaves mimeograph duplication. Pages Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1965149476Chicago: Esquire 1965. Vintage studio still photograph from the 1965 film. With the stamp of R.I.C. Productions in Brussels on the verso.<br /> <br /> A so-called modeling agency in New York City secretly operates as an undercover prostitution ring.<br /> <br /> Set and shot on location in New York.<br /> <br /> 10 x 8 inches. Very Good plus lightly creased and edgeworn. Esquire unknown
1970135622Spain: Adel Productions 1970. Vintage black-and-white reference still photograph from the Spanish release circa 1970 of the 1969 French-Italian film. Notations in manuscript ink and pencil in Spanish on the recto and verso. Presumably a press photograph with a cropping note on the recto translated: "contrast a little background". <br /> <br /> Jeff Rouquier is the mastermind who has planned a successful robbery but fails to show up for share-out. His girlfriend Eva Darc is tortured by accomplices until she squeals and begins search for Jeff with the help of his confidant Laurent Delon. <br /> <br /> Director Herman and Alain Delon also collaborated on the 1968 crime adventure "Farewell Friend" also starring Charles Bronson. <br /> <br /> 7 x 9.5 inches. Very Good plus with light creasing and foxing. <br /> <br /> Hardy The Gangster Film US. Adel Productions unknown
1970141218N.p.: N.p. 1970. Treatment script for an unproduced television series. <br /> <br /> An American private investigator lives on the French Riviera where he is tasked with bringing perpetrators of white-collar crime to justice.<br /> <br /> Set in France and Italy. <br /> <br /> Orange titled wrappers with credit for screenwriter Albert J. Cohen. Title page present with credit for screenwriter Albert J. Cohen. 14 leaves with last leaf of text numbered twelve. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1985142124N.p.: N.p. 1985. Treatment script for an unproduced film. Single annotation in manuscript ink on page 1. <br /> <br /> An allegory about an unusually powerful man who becomes a danger to his city with the inhabitants unwilling and eventually unable to stop his reign of terror. <br /> <br /> Green untitled wrappers with credits for screenwriter and director Alex Tudor. Title page present dated April 21 1985 with credit for screenwriter Alex Tudor. 16 leaves with last leaf of text numbered 11. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with four staples. <br /> <br /> Pagination available upon request. N.p. unknown
1985141888Munich Munchen: Alex Tudor 1985. Treatment script for an unproduced film. <br /> <br /> An older man holds a party at his castle and attracts the attention of a young woman though no one present understands what one sees in the other. <br /> <br /> Dr. Alexe Tudor is an independent German documentarian who focuses primarily on symbols and expression spotlighting the artist's case for both. Tudor's works include profiling events and exhibitions related to the work of clergyman and artist Ivo Schaible SDS 1999-2012 Der Antifter: Freemasonry 2008 surveying the work of Otmar Alt and the documentary Die Begegnung. <br /> <br /> Set in <br /> <br /> Blue untitled wrappers with a business card for director and screenwriter Alex Tudor affixed at the lower right corner of the front wrapper. Title page present dated 17.03.85 with credits for screenwriter Tudor. 20 leaves with last page of text numbered 17. Xerographically duplicated. Pages Near Fine wrapper Very Good plus bound with four staples. Alex Tudor unknown
1989152816N.p.: N.p. 1989. Draft script for the 1990 television film here under the working title "Fast Lane." <br /> <br /> A woman discovers that the man with whom she has just had a one-night stand is a hired assassin and tries to stop him from completing his next hit. <br /> <br /> Set in New York. <br /> <br /> Self wrappers. Missing title page presumably as issued. 107 leaves with last page of text numbered 102. Xerographic duplication on blue stock rectos only with pink yellow and green revision pages throughout. Pages Near Fine bound with two gold brads.<br /> <br /> Reyes 39. N.p. unknown
1939144998Los Angeles: Twentieth Century-Fox 1939. Vintage photograph of director Alfred Werker and actors Preston Foster Lynn Bari George Barbier and Russell Gleason on the set of the 1939 film. Printed description on the verso. <br /> <br /> Steve Drum Preston Foster a crusading newspaper editor helps free a man framed for a crime and aids in finding the real culprit. Staff reporter Maxine Thomas Lynn Bari goes along for the ride. <br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1975162176N.p.: N.p. 1975. Vintage borderless lobby card for the German release of the 1974 Spanish film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A sadistic mentally unstable man tortures the new servant girl at his mother's sprawling countryside estate.<br /> <br /> Shot on location in Venezuela. <br /> <br /> 11.5 x 9.25 inches. Very Good plus with a diagonal crease at the bottom left corner. N.p. unknown
1936130393N.p.: N.p. 1936. Treatment script for an unproduced film. <br /> <br /> A newsboy meets a professional dancer and the pair become highly respected in the couples dance circuit in New York City before the newsboy's boss desires the dancer for himself and sends the newsboy to cover the dance circuit nationwide in order to get him out of the picture. <br /> <br /> Untitled manila wrappers. Title page integral with the first page of the script dated April 22 1936 with credits for screenwriter Rivkin. 12 leaves mimeograph on onionskin stock. Pages Near Fine wrapper Near Fine side stiched. N.p. unknown
1980147126Brussels: Monome 1980. Draft script for an unproduced French film written by French director-screenwriter Andre Soupart. With a manuscript ink annotation on the front wrapper noting the film's title and to the first leaf noting a change of address for Monome Films. Text in French.<br /> <br /> The lives of two women intersect in dreamlike mysterious ways.<br /> <br /> Beige titled wrappers. Title page present noted as Decoupage technique avec amorce de dialogues cutting and dialogue script with credits for screenwriters Andre SOUPART Paul PAQUAY and Jean-Marie VERVISCH. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Very Good plus with a few light splashes throughout wrapper Very Good plus with perfect binding. Monome unknown
1976143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. <br /> <br /> Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1958146742Universal City: Andrew L. Stone Productions 1958. Six vintage studio still photographs from the 1958 film.<br /> <br /> When electronics expert Jim Molnar James Mason sees a news broadcast about an airplane bomb threat he realizes he had been tricked into making the bombs by his ex-Army buddy Paul Hoplin Rod Steiger. As Hoplin tries to extort a half a million dollars from the airlines Hoplin kidnaps and holds Molnar his wife Joan Inger Stevens and their daughter hostage. Hoplin forces Joan to collect the money escorted by thug and predator Steve Neville Brand. An amazing cast rounded out with the help of Angie Dickinson and Jack Klugman.<br /> <br /> Set in New York shot on location in New York New Jersey and California. <br /> <br /> 8 x 10 inches. Very Good plus creasing to 3 2 with uniform fading. <br /> <br /> Selby US. Spicer US. Grant US. Andrew L. Stone Productions unknown
1967132863Universal City CA: Universal Pictures 1967. Eight vintage full-color still photographs from the 1967 UK release of the 1967 US film. <br /> <br /> Josie Doris Day is a widowed sheep farmer in a cattle-farming town and her independence and strong ethics lead to disruption of the town's misogynist leaders when she convinces the local women to band together. An entertaining B-movie that with a strong women's liberation theme. <br /> <br /> A story set in the Southwest shot on location throughout California. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
1963132580London: National Screen Service / MGM 1963. Collection of 6 vintage full-color and 3 black-and-white still photographs from the 1963 UK film. <br /> <br /> A star-studded drama that takes place in a New York airport at the V. I. P. lounge. Taylor's jewelry in the film came mostly from her own collection and this is Taylor's and Burton's second collaborative film credit. Margaret Rutherford won an Academy Award for her supporting role. <br /> <br /> 8 x 10 inches some slightly smaller. Faint creases overall else Near Fine. National Screen Service / MGM unknown
