4 025 résultats
1958132720London: National Screen Service / MGM 1958. Collection of 6 vintage full-color still photographs from the 1958 UK release of the 1957 US film. <br/><br/>Based on William Brinkley's 1956 novel about a small island in the South Pacific where the Navy is avoiding war. Lt. Max Siegel Ford has to find a way for one of his soldiers to date the woman of his dreams Francis date the woman of his own dreams Scala and keep his ragtag regiment in line. <br/><br/>Shot at MGM studios in Culver City California. <br/><br/>8 x 10 inches. Light creases at the extremities else Near Fine. <br/><br/>Complete collation details available on request. National Screen Service / MGM unknown books
1958139727London: National Screen Service / MGM 1958. Collection of three vintage black-and-white double weight still photographs from the 1958 UK release of the 1957 US film. <br/><br/>Based on William Brinkley's 1956 novel about a small island in the South Pacific where the Navy is avoiding war. Lt. Max Siegel Ford has to find a way for one of his soldiers to date the woman of his dreams Francis date the woman of his own dreams Scala and keep his ragtag regiment in line. <br/><br/>Shot at MGM studios in Culver City California. <br/><br/>8 x 10 inches. Light creases at the extremities and holograph notation to the verso of image C1715-107 else Near Fine. <br/><br/>Complete collation details available on request. National Screen Service / MGM unknown books
1967119761Universal City CA: Universal Pictures 1967. Final Script for the 1968 film based on the 1966 novel "The Wrong Venus" published in the UK as "Don't Just Stand There!" by Charles Williams who also adapted it for the screen. Prop master C.S. Chrisman's copy with his trademark holograph ink initial on the front wrapper and profuse holograph annotations throughout the text regarding scenes that will require props. <br/><br/>Screenwriter Charles Williams was one of the most popular hard-boiled authors in the Gold Medal stable publishing a string of paperback originals that sold well as well as six hardcover titles in the latter half of his career. All told he produced a body of work that has placed him today in the pantheon of the great hard-boiled writers. Beginning in the early 1960s he found work as a screenwriter adapting his novel "All the Way" first adapted in the US as an obscure late film noir "The 3rd Voice" in 1960 as a comedy for French director Marcel Ophuls. This American adaptation of his novel "The Wrong Venus" for Universal was the first of two screenplays Williams wrote in Hollywood also a comedy. In the story Robert Wagner is hired to finish a "sex" novel by a famous authoress in Europe Mary Tyler Moore who has suddenly decided to stop writing. <br/><br/>Red titled wrappers noted as FINAL SCREENPLAY on the front wrapper and dated February 8 1967. Title page present with credits for producer Stan Marguiles and screenwriter Williams. 131 leaves mimeograph duplication eye-rest green stock. Pages and wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1960125432Los Angeles: Twentieth Century-Fox 1960. Original pressbook for the 1960 film noir. Based on the novel "All the Way" by noted hard-boiled author Charles Williams. <br/><br/>Edmond O'Brien is hired to impersonate a murdered businessman and dominates nearly every scene mostly on the phone as the "third voice" in this strange film post-noir entry. The first adaptation of a of Charles Williams novel and one of only a few American film adaptations of his work. <br/><br/>One sheet folded twice as issued with one insert 13 x 16 inches. Very Good plus with a faint horizontal fold crease at the center of the wrapper and pages a few short closed tears and light rubbing. <br/><br/>Spicer p. 424. Twentieth Century-Fox unknown books
1970142976Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. <br/><br/>One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. <br/><br/>Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. <br/><br/><br/>Set in 1922 Greco-Turkish War shot on location in Turkey. <br/><br/>Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown books
1957152173London: Attica Film Company 1957. Archive of material from the 1957 British film including a Draft production script a post-production Release script and a reference photograph inscribed by director Charlie Chaplin to production manager Mickey Delamar: "To Mickey / Thanks for a wonderful job / Charlie Chaplin / July 30th." <br/><br/>Also included are a presumably complete set of nine soundtrack LPs made for use with film projection all in their original mailing box and sealed with the label of the Master Sound System Company in the UK. <br/><br/>Lastly included are approximately 100 vintage photographs all with the stamp of Eric Gray the film's still photographer on the verso. Photographs all have a significant horizontal curl but are all separate and otherwise supple and clean. This segment of the archive is offered as is.<br/><br/>Chaplin's final starring role about a dethroned and penniless king from a fictional European nation living in New York where he inadvertently becomes the target of a HUAC investigation after meeting a politically minded youngster played by Chaplin's son Michael whose parents have been jailed as communist sympathizers. A pointed satire of McCarthyism American consumerism and celebrity culture the film was produced in Europe due to Chaplin's own exile from the United States as a result of his leftist political beliefs and did not receive an US release until 1973. <br/><br/>Mickey Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Francois Truffaut's "Fahrenheit 451" 1966 and Terence Young's "Mayerling" 1968.<br/><br/>Set in New York shot on location in London. <br/><br/>Draft script:<br/><br/>Tall red untitled wrappers. Title page present undated with credits for screenwriter Charles Chaplin. 163 leaves with last page of text numbered 163. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with a silver prong.<br/><br/>Post-Production Release script:<br/><br/>Tall self wrappers. Title page present dated 7th March 1957 noted as RELEASE SCRIPT. Approximately 135 leaves. Mimeograph duplication rectos only. Pages Very Good plus bound with two silver brads.<br/><br/>Presentation photograph:<br/><br/>7.5 x 9.5 inches. Very Good plus lightly toned. <br/><br/>Soundtrack LP set:<br/><br/>LPs well used and scratched but not cracked untested. Outer mailing box Very Good.<br/><br/>Reference photograph set:<br/><br/>All photographs extensively curled and though not examined carefully apparently not stuck together in any way. Very Good. Attica Film Company unknown books
1942151314N.p.: N.p. 1942. Vintage studio still photograph from the 1942 re-release of the 1925 film showing director Charlie Chaplin in costume as The Tramp lining up a two camera shot while cinematographer Roland Thotheroh looks on. With holograph ink and pencil annotations regarding layout on the verso along with a stamp reading Key Set. <br/><br/>From the archive of film historian and author Joel Finler. Finler notes on the verso that the shot and the scene Chaplin was shooting was on location in Truckee Northern California near the mountain pass where the Donner Party-on whom the film is partially based-met their tragic end.<br/><br/>Totheroh would shoot much of Chaplin's work including his greatest films-"The Kid" 1921 "City Lights" "Modern Times" 1936 "The Great Dictator" 1940 and of course this one. <br/><br/>10 x 8 inches. Very Good plus lightly faded with a minute chip at the bottom right corner.<br/><br/>National Film Registry. Criterion Collection 615. Rosenbaum 1000. N.p. unknown books
1962132760Hollywood: Paramount Pictures 1962. Vintage black-and-white double weight still photograph from the UK release of the 1962 US film. <br/><br/>Charlton Heston stars as an American soldier behind Italian lines in WWII attempting to communicate German movements to the Allies by way of carrier pigeons fitted with messages. Unfortunately he becomes distracted by the beautiful daughter of the family he is living with and allows her father to mistakenly cook the birds for Easter dinner<br/><br/>A story set and shot on location in Italy <br/><br/>8 x 10 inches. Brief creases at the extremities else Near Fine. Paramount Pictures unknown books
1953152724N.p.: N.p. 1953. Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. <br/><br/>A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty but his concerns are disregarded by the US Army. <br/><br/>Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others.<br/><br/>Shot on location in Texas.<br/><br/>9 x 13.5 inches. Near Fine. <br/><br/>Pitts 166. N.p. unknown books
1987139456Los Angeles: TNT / Agamemnon Films / British Lion Film Corporation 1987. British Draft script for the 1988 television film originally airing on December 21 1988 on TNT the first made-for-television movie produced for the fledging network. Brief annotations in holograph ink throughout. <br/><br/>Based on the 1960 Broadway play by Robert Bolt about Sir Thomas More's devotion to the Catholic Church during the English Reformation. Previously filmed in a 1966 Academy Award winning theatrical release directed by Fred Zimmerman and starring Paul Scofield Wendy Hiller and Leo McKern. <br/><br/>Tan blank wrappers with die-cut title window. Title page present dated November 16 1987 with a credit for screenwriter Bolt. 180 leaves with last page of text numbered 177. Xerographically reproduced. Pages and wrapper Near Fine bound internally with a silver prong brad. TNT / Agamemnon Films / British Lion Film Corporation unknown books
1983151277London: The Other Cinema 1983. Two vintage reference photographs from the 1983 French documentary film. With printed label snipes on the verso specific to the film's UK release.<br/><br/>A loose experimental meditation on memory told through the stream of consciousness of a world traveler. <br/><br/>Shot in Japan Guinea-Bissau Cape Verde Iceland Paris and San Francisco. <br/><br/>10 x 8 inches. Near Fine. The Other Cinema unknown books
1956143253Paris: Les Films Ariane 1956. Collection of 8 vintage black-and-white still photographs from the set of the 1956 French film here under the original French title "Si tous les gars du monde." Featured are images of the caste and crew on the fishing boat seen in the film including director Christian-Jaque and cast family members. All crediting photographer "le grand" on the recto housed in an original French Kodak paper envelope with annotations on the front of the envelope in holograph ink. <br/><br/>A poignant postwar imagining of collaborating countries beliefs and religions about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio before all of them succumb. <br/><br/>Photographs 7 x 9.25 inches. Near Fine overall slight curling. Envelope Near Fine. Les Films Ariane unknown books
1956143915Paris: Les Films Ariane 1956. Two vintage black-and-white still photographs from the set of the 1956 French film here under the original French title "Si tous les gars du monde." Featured are images of the cast and crew on the fishing boat seen in the film including director Christian-Jaque and cast family members. Photographer "le grand" credited on the recto in the bottom right corner. <br/><br/>A poignant postwar imagining of collaborating countries beliefs and religions about twelve fishermen out on the North Sea. Most of them eat spoiled ham and food poisoning incapacitates all but one a Muslim who abstains from eating pork. The crew manages to send an S.O.S. using a radio before all of them succumb. <br/><br/>Photos 7 x 9.25 inches. Near Fine overall slight curling. Envelope Near Fine. Les Films Ariane unknown books
1958140297France / Italy: Filmsonor 1958. Archive of 219 vintage borderless single weight still photographs from the 1958 French-Italian film here under the French title "La loi c'est la loi." Notations on the verso of nearly all photos in holograph pencil and as many rubber-stamped on the verso crediting photographers Hughes Ronald and Paul Ronald and The Dial Press agency in Rome. Housed in three vintage French Kodak and Ilford brand photo paper boxes and in a vintage manila envelope with French film title in holograph ink on the recto. Included in the archive are four pages of film credits and synopsis on Cinedis Paris company parchment. <br/><br/>Seen in the images is starring actor Fernandel as he tutors a class at of children at religion school Toto Genin actress Nathalie Nerval and other members of the cast in action including several scenes from an off-camera cocktail party and images of the cast and crew during filming. <br/><br/>In an imaginary village on the border between Italy and France a French customs agent Fernandel watches every move of an Italian smuggler Toto who eventually discovers that the agent is in fact Italian not French. <br/><br/>Shot on location in Italy. Entered into the 8th Berlin International Film Festival in 1958. <br/><br/>Nearly all photographs approximately 7 x 9.25 inches a handful slightly larger. Very Good plus overall photos with moderate curling. Film credits and synopses Near Fine box and envelope Very Good plus. Filmsonor unknown books
1958144613Paris: Cinedis 1958. Collection of four original single weight black-and-white press photographs from a showing of the 1958 French-Italia film. Starring actor Toto is seen with mistress and colleague Franca Faldini cavorting with fans and Toto with the host of the event. Photographer Traverso's rubberstamp numerical notation in holograph pencil and film title in holograph ink on the verso. Housed in an original Cinedis manila envelope with French film title in holograph pencil on the front.<br/><br/>In an imaginary village on the border between Italy and France a French customs agent Fernandel watches every move of an Italian smuggler Toto who eventually discovers that the agent is Italian not French. Faldini did not appear in this film but collaborated with Toto on eight earlier films including "Toto and the Women" 1952 and "Dov'e la liberta." 1954. <br/><br/>Shot on location in Italy. Entered into the 8th Berlin International Film Festival in 1958.<br/><br/>5 x 7 inches. Light curling else Near Fine. Cinedis unknown books
1968149656Paris: Les Films Corona 1968. Vintage oversize borderless color reference photograph of actress Ewa Aulin from the set of the 1968 film showing director Christian Marquand with a hand-held camera getting a close-up shot of Aulin sitting fully clothed but soaking wet on the floor of a shower. With a gold foil title label for the film's French release on the verso.<br/><br/>Based on the 1958 novel co-written by Terry Southern and Mason Hoffenberg following the psychedelic frequently involuntary erotic experiences of a teenager named Candy.<br/><br/>Set in New York and California shot on location in New York.<br/><br/>9.25 x 11.75 inches. Very Good plus with pinholes and light creases to the corners. Les Films Corona unknown books
1967148099Burbank CA: Warner Brothers 1967. Vintage photograph from the 1967 film. A promotional headshot of Dean Jagger in character as Lt. Col. E.J. Baseman. <br/><br/>Sole survivor from his squad at Guadalcanal Sergeant Jack Connell Chad Everett returns home a hero awarded the Metal of Honor and trains recruits only to request a return to active duty on the front lines. <br/><br/>Shot on location at Bell Ranch Santa Susana California Africa U.S.A. Park Boca Raton Florida and Marine Corps Base Camp Pendleton California. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Warner Brothers unknown books
1984WRCLIT61813Burbank: Hajeno Productions / Warner Bros. Television 1984. 1135 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in studio wrappers. Faint use to wrapper title lettered on spine otherwise about fine. A first draft of this adaptation for television of Christie's novel. The production was directed by Dick Lowry and starred Helen Hayes Bette Davis John Mills and Tim Roth. It aired in February 1985. Hajeno Productions / Warner Bros. Television unknown books
1984WRCLIT61811Burbank: Hajeno Productions / Warner Bros. Television 1984. 1116 leaves. Quarto. Mechanically reproduced typescript printed on rectos only. Bradbound in studio wrappers. Faint use to wrapper title lettered on spine otherwise about fine. A revised first draft of this adaptation for television of Christie's novel. The production was directed by Dick Lowry and starred Helen Hayes Bette Davis John Mills and Tim Roth. It aired in February 1985. Hajeno Productions / Warner Bros. Television unknown books
1994151320London: Gala Film Distributors 1994. Vintage studio still photograph from the UK release of the 1994 film under its UK title "Love in the Strangest Way." <br/><br/>A married businessman enjoys what he believes to be a one-night-stand but realizes he's in over his head when the woman shows up for her new job as his son's new nanny. <br/><br/>10 x 8 inches. Near Fine. Gala Film Distributors unknown books
1981135841London: London Weekend Television 1981. Draft camera script for the 1982 episode "Hands Across the Sea" from the British miniseries "We'll Meet Again." Copy belonging to make-up artist Teresa Kelly with a sheet of her notes about each character's makeup laid in. <br/><br/>The series follows the goings-on of a British air base when a group of American airmen take over in April of 1943 and upset the established local order. To the dismay of a couple of the local soldiers they also begin fraternizing with the ladies! Set in Suffolk England shot on location in Kent England. <br/><br/>Tall blue self wrappers as issued noted as CAMERA SCRIPT on the front wrapper production No. 10116 dated 4th and 5th June 1981 with credits for director Hodson screenwriter Butler and 24 other crew members. Title page integral with the front wrapper. 67 leaves with last page of text numbered 62. Mechanical duplication on blue pink yellow and gray stock. Pages Near Fine wrapper Very Good plus bound with a single silver brad. London Weekend Television unknown books
1980135830London: London Weekly Television 1980. Two Draft scripts for the 1981 television showcase "Dark Secret" which ran split into two episodes of "Sunday Night Thriller." This listing contains the combined Camera Script draft for both episodes and the Film Script draft for the first half. Copies belonging to make-up artist Teresa Kelly with her holograph name to the front wrapper of each. Also contains 14 pages of call sheets maps and other shooting information on pink stock. <br/><br/>A psychological thriller set in a village in the English countryside "Dark Secret" depicts the life of a scientist who gave birth to twin sons one of whom was hidden from her at birth. Inevitably the twins are reunited bringing a wave of death and destruction into the life of the hapless mother. Shot outside of Stroud England. <br/><br/>Film Script draft:<br/><br/>Tall blue self wrappers as issued noted as FILM SCRIPT on the front wrapper production No. 10045/46 dated 28th August/5th September 1980 with credits for screenwriter producer Bowen director Hodson and 13 other crew members. Title integral with the front wrapper. 105 leaves with last page of text numbered 101. Photocopy. Pages Near Fine wrapper Very Good bound with a single silver brad. <br/><br/>Camera Script draft:<br/><br/>Tall blue self wrappers as issued noted as CAMERA SCRIPT on the front wrapper production No. 10045/46 dated 18th and 19th September1980 with credits for screenwriter producer Bowen director Hodson and 22 other crew members. Title integral with the front wrapper. 114 leaves with last page of text numbered 107. Photocopy. Pages Near Fine wrapper Very Good bound with a single silver brad. London Weekly Television unknown books
1981144642London: Sawbuck Productions 1981. Revised Draft script for an unproduced film. Based on the 1980 debut novel by Christopher Hudson who also wrote this screen adaptation. <br/><br/>An ambassador's aide becomes embroiled in a US political coverup when a translator seeks asylum at the embassy only to be carried off by police against diplomatic rules. Co-written by director/screenwriter Stuart Cooper who had previously worked with Hudson on the gritty 1975 World War II film "Overlord." Set in Chile. <br/><br/>White titled wrappers noted as Revised Screenplay on the front wrapper dated 1981 with credits for screenwriters Christopher Hudson and Stuart Cooper. Title page integral with the front wrapper. 134 leaves with last page of text numbered 133. Xerographic duplication rectos only. Pages Fine wrapper Fine unbound leaves. Housed in a manila envelope addressed to Sawbuck Productions with profuse holograph ink annotations on the address label in an unknown hand. Sawbuck Productions unknown books
1984140989New York: Rick Leed 1984. Draft script for an unproduced film. Laid in is a letter from screenwriter and playwright Christopher Humble to John Huston of the Paul Kohner Agency. <br/><br/>Based on Humble's award winning play of the same name "The Flight of the Earls" which derives its title from the important event in Irish history in 1607 where the Earls of Tyrone and Tyrconnell fled Ireland with 90 of their followers to escape British rule and establish an army to invade Ireland from mainland Europe which failed and ultimately brought Protestant rule to Northern Ireland which continues until this day. This is the story of the troubles in Ireland told through the perspective of a family torn apart by the violence. <br/><br/>Set in Ireland. <br/><br/>White titled wrappers. Title page present dated 1984 with credits for screenwriter and playwright Christopher Humble. 127 leaves with last page of text numbered 125. Mechanical duplication. Pages Near Fine wrapper Near fine bound with a spiral binding. Rick Leed unknown books
1971152753London: Hammer Film Productions 1971. Draft script for the 1972 Hammer film here under the working title "Dracula Today." An unusual contemporaneous Xerographic duplicated script with copied line annotations on every page except one script page and title page with annotations in holograph marker on versos of last three pages. <br/><br/>The seventh Hammer Dracula film the sixth starring Christopher Lee and the first since "Dracula" 1958 to reprise Peter Cushing in the role of Van Helsing. Preceded by "Scars of Dracula" 1970 and followed by "The Satanic Rites of Dracula" 1973. <br/><br/>Dracula is brought back to life in modern London and preys on young party-goers including Van Helsing's descendant Jessica Van Helsing Stephanie Beacham.<br/><br/>Set in London shot on location in London and Hertfordshire England. <br/><br/>Self-wrappers integral with title page with credits for screenwriter Don Houghton. 144 leaves with last page of text numbered 151. Xerographic duplication rectos only. Pages Very Good plus with title page beginning to separate from spine and singeing to verso of four pages bound with tape binding.<br/><br/>Johnson and Del Vecchio pp. 349-352. Hammer Film Productions unknown books