4 025 résultats
1973132466London: Rank Organisation 1973. Collection of 4 vintage full-color British front-of-house cards from the 1973 UK film. <br/><br/>Based on the 1968 John Blackburn horror novel about three apparent suicides a mysterious bus accident involving 30 oprhan children and the use of hypnosis to determine the truth. Considered to be among the best performances of both Christopher Lee and Peter Cushing. <br/><br/>8 x 10 inches with no borders as issued. Light rubbing to the extremities else Near Fine. Rank Organisation unknown books
1977141868N.p.: N.p. 1977. Draft script for an unproduced film. <br/><br/>Lofton is primarily known for his work on the soap opera "All My Children." At a mission in the New Mexico Territory a newly completed chapel welcomes back an elder nun from her vacation where she is shocked to find the choir balconies have no staircase and are far too high for a typical staircase. The nuns must find some able-bodied men willing to work hard for very little to build them a proper staircase. <br/><br/>Set in New Mexico Territory. <br/><br/>Yellow titled wrappers. Title page present dated January 1977 with credits for screenwriter Christopher Lofton. 103 leaves with last page of text numbered 101. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
2000143225Beverly Hills CA: Newmarket 2000. Collection of five vintage studio still photographs for the Canadian release of the 2000 US film. <br/><br/>The film the introduced Christopher Nolan to the world. Nominated for two Academy Awards including Best Screenplay. Based on a short story "Momento Mori" by Jonathan Nolan who would not only continue to collaborate with his brother but also go on to success as a creator of television. <br/><br/>8 x 10 inches. Fine. <br/><br/>National Film Registry. Grant US. Silver and Ward Neo-Noir. Spicer US Neo-Noir. Newmarket unknown books
1964149462London: Hammer Films 1964. Collection of four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso noting the film's German title "Die brennenden Augen von Schloss Bartimore."<br/><br/>A small village in the early twentieth century is terrorized by Megaera the Gorgon a monster so hideous that even glancing at her face turns humans to stone.<br/><br/>Set in eastern Europe.<br/><br/>Two photographs 10 x 8 inches two photographs 9.25 x 7 inches. Very Good plus lightly faded in portions.<br/><br/>Complete collation details available on request.<br/><br/>Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 241-242. Hammer Films unknown books
1977150559N.p.: Charles Band 1977. Collection of four vintage matte-finish studio still photographs from the 1977 film.<br/><br/>A NASA research scientist accidentally uncovers a supernatural plot to take over Earth by aliens from the planet Utopia. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Charles Band unknown books
1937130740Culver City CA: RKO Radio Pictures 1937. Revised Final Draft script for the 1937 film. Copy belonging to Van Heflin with his holograph annotations throughout. <br/><br/>A romantic drama set to the back drop of the Annapolis Naval Academy. Bill Martin a young midshipman must chose between his love for Julia and his commitment to the navy in this 1937 film. <br/><br/>Mint green titled wrappers rubber-stamped as Revised Final script on the front wrapper rubber-stamped copy No. 70 dated May 18 1937 with credits for writers Cabanne and Twist. Distribution page present with receipt removed. 140 leaves mimeograph duplication with annotations throughout. Pages Very Good wrapper Very Good bound with three gold brads. RKO Radio Pictures unknown books
1940128294Universal City CA: Universal Pictures 1940. Continuity and Dialogue Script for the 1939 film. <br/><br/>A skilled pilot falsely accused of having crashed a civilian transport airplane tries to maintain his honor at an Alaskan air hangar while attempting to clear his name. <br/><br/>White wrappers noted as production No. 1098 dated December 9 1940 with credits for Anne Nagel William Lundigan Guinn "Big Boy" Williams Ona Munson and Theodor von Eltz. Title page integral with the front wrapper as issued. 138 leaves mimeograph duplication. Pages Fine wrapper Fine bound with two gold brads. Universal Pictures unknown books
1937144987Culver City CA: RKO Radio Pictures 1937. Vintage photograph of various members of the cast and crew including script supervisor on the set of the 1937 film. Identifying holograph annotations on the recto helpfully naming each person and holograph annotations and studio stamps on the verso. <br/><br/>Jimmy Hughes Preston Foster a wealthy and eccentric lawyer loses a bet and has to work a day digging a ditch in his suit. While on the job Trudy Olson Joan Fontaine the daughter of the mayor who is up for reelection stops by to campaign. Being the smarmy talker that he is they strike up a conversation. As they fall into disagreement Trudy suggests that Jimmy run himself and in an empty threat he says he will. The newspaper picks up the story and Jimmy is swept up into politics and drawn close to Trudy striking up an unlikely romance. <br/><br/>8 x 9.5 inches. One inch tear in the bottom of the left margin otherwise Near Fine. RKO Radio Pictures unknown books
140999N.p.: N.p. Original Treatment script for an unproduced film. Screenwriter Christy Cabanne was one of the most prolific directors in the history of American cinema beginning in the silent era and eventually directing low-budget movies all throughout the 1930s and 1940s with Universal. <br/><br/>A recently paroled man gets out of prison and immediately murders someone else resulting in a political whirlwind.<br/><br/>Goldenrod Agency wrappers. Title page present with credits for screenwriter Christy Cabanne. 55 leaves with last leaf of text numbered 53. Carbon typescript. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1986126713New York: Cannon Films 1986. First Draft script for the 1988 film. Seen here under the film's working title "Missing in Action III" with "Braddock" added above in holograph pencil on the title page. <br/><br/>Colonel James Braddock Norris is told that his wife and son are still alive in Communist Vietnam so he mounts a one-man assault to free them. He fights his way into the heart of the country and ends up battling his way out with several dozen kidnapped children while outmaneuvering a sadistic Vietnamese officer. <br/><br/>The third and final installment in Cannon Films' "Missing in Action" trilogy following "Missing in Action" 1984 and "Missing in Action 2: The Beginning" 1985.<br/><br/>Shot on location in the Philippines. <br/><br/>Blue titled wrappers. Title page present with credits for screenwriters Norris and Bruner and for director Aaron Norris dated 11/15/86. 128 leaves xerographically duplicated with the last leaf of text numbered 127. Rubbing to the wrapper else pages and wrapper Near Fine bound internally with two gold brads. Cannon Films unknown books
1951151291Culver City CA: Loew's Incorporated 1951. Draft script for the 1952 film. Script department copy stamped as COMPLETE and RERUN JAN 3 1952. With 94 small borderless reference photographs tipped on the versos of script pages and 23 additional photographs of the cast and crew on the set tipped on blank pages inserted after the end of the script dated between March 27 and May 12 1952. Also bound in is a 25 page appendix detailing historical information about the pilgrims their ship and voyage. <br/><br/>Based on the 1950 novel "The Voyage of the Mayflower" by Ernest Gebler a fictionalized account of the journey of the Mayflower from England to North America. Winner of an Academy Award. <br/><br/>Yellow titled wrappers rubber-stamped copy No. 68 and production No. 1552 dated 12/18/51 with credits for director Clarence Brown and screenwriter Helen Deutsch. Distribution label present on the front wrapper with receipt removed. 187 leaves with last page of text numbered 131. Mimeograph duplication rectos only with white yellow and pink revision pages throughout dated variously between 10-9-50 and 4-16-52. Pages Near Fine wrapper Very Good bound with two gold brads. <br/><br/>Reference photographs between 2.25 x 2.25 and 4.5 x 3.5 inches on the set photographs 5 x 4 inches. Generally Very Good plus to Near Fine. Loew's Incorporated unknown books
1988132528N.p.: Media Home Entertainment 1988. Vintage black-and-white still photograph from the 1988 videocassette release of the 1988 US film. <br/><br/>An action-packed thriller about of drug-related murders in Saigon and the ex-Green Beret who must find the culprits. <br/><br/>8 x 9.75 inches. Near Fine. Media Home Entertainment unknown books
1946138606Paris: Ecran Francais 1946. Original program for the 1946 French film based on the play by Alfred Adam. <br/><br/>On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting which he just sold. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. <br/><br/>12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown books
1966143838Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in holograph pencil on one page. Also included is the original manila folder used to house the material with the working title in holograph red ink on the flap. <br/><br/>Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. <br/><br/>Shot on location in Cambodia. <br/><br/>Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. <br/><br/>Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown books
1970150810N.p.: N.p. 1970. Draft script for an unproduced film. <br/><br/>Based on Claude Brown's successful 1965 autobiographical novel which follows a young African American boy coming of age in Harlem during the 1940s and 1950s. <br/><br/>Set in Harlem.<br/><br/>Gold untitled wrappers. Title page present undated with credits for screenwriter Arnold Federbush and author Claude Brown. 131 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly rusted near the binding bound with a silver prong. N.p. unknown books
1958144701Paris: Ajym Films 1958. Two vintage borderless photographs featuring Bernadette Lafont and Jean-Claude Brialy from the 1958 film. With a rubber stamp on the verso of each. <br/><br/>Director Claude Chabrol's first film. Francois Jean-Claude Brialy returns to his home-town after a long absence to find his friend Serge Gerard Blain depressed an alcoholic and mourning the death of he and his wife Yvonne's stillborn child. Though at odds with provincial life Francois wants to help his friend. <br/><br/>Shot on location in Sardent France. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Criterion Collection 580. Eureka Masters of Cinema. Grant France. Ajym Films unknown books
1960142539Paris: Paris Film 1960. Vintage borderless photograph of director Claude Chabrol goofing about with three of the four bonnes femmes on the set of the 1960 film. With the stamp of photographer Georges Pierre and holograph annotations on the verso. <br/><br/>A light spirited look at the lives of four young women in Paris perhaps the standout of director Chabrol's early New Wave films before he moved on to more successful mainstream features. <br/><br/>Set and shot on location in Paris. <br/><br/>7 x 5 inches. Near Fine. <br/><br/>Grant France. Rosenbaum 1000. Paris Film unknown books
1986142613France: Filmel 1986. Two photographs for airings of the 1977 film on French public television channel France 3. <br/><br/>The first photograph for a September 6 1978 airing is borderless and shows director Chabrol and star Kristel in between takes with the stamp of photographer Robert Cohen and a mimeo snipe on the verso. <br/><br/>The second photograph for an October 2 1986 airing is of a topless Sylvia Kristel with a mimeo snipe on the verso. <br/><br/>Chabrol riffs on both "Alice in Wonderland" and the popular 1970s horror mini-genre where a beautiful young woman becomes trapped through supernatural means in a house after seeking shelter there. In this case it's "Emmanuelle" star Sylvia Kristel whose car breaks down in the middle of the night after she walks out on her husband and Chabrol is more interested in her journey toward emancipation than actual horror. <br/><br/>Both photographs 7 x 5 inches. Fine. Filmel unknown books
1959151991N.p.: Robert and Raymond Hakim 1959. Vintage oversize double weight studio still photograph with bottom margin of Antonella Lualdi from the 1959 film noir. "20" stamp on verso. <br/><br/>Based on 1952 novel "The Key to Nicholas Street" by Stanley Ellin about a wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. Director Claude Chabrol's first color film and his first psychological thriller a genre which would largely define Chabrol's long and prolific career. <br/><br/>Set and shot on location in Aix-en-Provence France. <br/><br/>11.5 x 9.25 inches. Very Good plus with light creasing in far corners and foxing along the bottom margin.<br/><br/>Grant US. Robert and Raymond Hakim unknown books
1959147470Rome: Panitalia 1959. Vintage borderless candid photograph of Antonella Lualdi and members of the film crew on the set of the 1959 film. With a stamp for photographer Jacques Six and mimeo snipe to the verso. <br/><br/>Based on Stanley Ellin's 1952 novel. A wealthy vintner finds it difficult to balance the demands of his wife his children his best friend and his recently murdered mistress. <br/><br/>Set and shot on location in Aix-en-Provence France.<br/><br/>9 x 6 inches. Very Good plus with faint soil.<br/><br/>Grant France. Panitalia unknown books
1973146375Paris: Les Films la Boetie 1973. Draft script for the 1973 film noir. SIGNED by director Claude Chabrol on the title page. Text in French. <br/><br/>A torrid bourgeois crime drama set in a small French village where desire and death convene as tension escalates behind closed doors. When the town's boorish Gaullist mayor discovers his wife and his deputy are having an affair he seizes the opportunity to blackmail the deputy in order to pull off a real estate scam. <br/><br/>Shot on location in Indre France. <br/><br/>Red titled wrappers noted as Scénario original on the front wrapper with credits for director Claude CHABROL. Title page present noted as Scénario original with credits for director Claude CHABROL. 94 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Very Good with light soil throughout wrapper Very Good plus with black comb binding.<br/><br/>Grant France. Spicer France. Les Films la Boetie unknown books
1963149232Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French.<br/><br/>During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan.<br/><br/>Shot on location in Paris and Gambais France. <br/><br/>10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown books
1978144817France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With holograph annotations on the verso. <br/><br/>Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival.<br/><br/>Shot on location in Paris. <br/><br/>9.5 x 6 inches. Near Fine. <br/><br/>Grant Worldwide. Filmel unknown books
1963148754New South Wales: Embassy Pictures 1963. Collection of 16 vintage studio still photographs from the 1963 film.<br/><br/>Based on French serial killer Henri Desire Landru.<br/><br/>During World War I Henri Landru Charles Denner supplements his income by luring middle-class women through newspaper ads to a villa outside Paris where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed.<br/><br/>Shot on location in Paris and Gambais France. <br/><br/>8 x 10 inches. Very Good plus. Light creasing in margins three with pinholes to corners one with notable creasing in left margin. <br/><br/>Complete collation details available on request.<br/><br/>Grant France. Embassy Pictures unknown books
1983147127N.p.: N.p. 1983. Draft script for the 1983 film here under the working title "Herazaal ou La Nuit des Temps" Herazaal or the Mists of Time. Text in French. <br/><br/>A very early draft script bearing little resemblance save the names of the central characters to the final film which focuses on the incestuous power-hungry Sicilian family of Count Carlo de Villafratti.<br/><br/>Set in Venice. <br/><br/>White titled wrappers. Title page present with credits for director Claude d'Anna and screenwriters M.F. Bonin and Monique Lange. 103 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus lightly soiled wrapper Very Good plus with a black comb binding. N.p. unknown books
