4 025 résultats
1971146784Culver City CA: Columbia Pictures 1971. Vintage US silkscreen banner poster for the 1971 film. <br/><br/>Based on Frank Pierson's 1970 novel about an ex-con who initiates a cascade of chaos when he decides to rob his upscale apartment building. Actor Christopher Walken's feature film debut as well as a breakthrough role for Sean Connery who was previously stuck being typecast as James Bond. <br/><br/>Shot on location in New York. <br/><br/>82 x 24 inches. Rolled. About Near Fine with no restoration a few old splashes near the edges some rubbing and scratches three small closed tears in margins and light creases otherwise quite bright and unfaded.<br/><br/>Lee The Heist Film. Spicer US Neo-Noir. Columbia Pictures unknown books
1962144636Paris: Transcontinental Film Productions 1962. Two vintage photographs of Sidney Lumet directing on the set of the 1962 film. With holograph annotations and a rubber stamp on the versos of each. <br/><br/>Based on the 1955 play by Arthur Miller about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men though ultimately it is an act of accusation against one of the men rather than a romantic one.<br/><br/>Shot on location in New York City and Rome. <br/><br/>7.5 x 5.5 inches. Near Fine. Transcontinental Film Productions unknown books
1961144704Paris: Transcontinental Film Productions 1961. Vintage borderless photograph of director Sidney Lumet playwright Arthur Miller and actors Ralf Vallone and Raymond Pellegrin on the set of the 1962 film. With the stamp of photographer Jacques Moreau a mimeo snipe and holograph annotations on the verso. <br/><br/>Based on the 1955 play by Arthur Miller about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men though ultimately it is an act of accusation against one of the men rather than a romantic one. <br/><br/>Filmed in both French and English versions.<br/><br/>Shot on location in New York City and Rome. <br/><br/>9.5 x 7 inches. Near Fine. Transcontinental Film Productions unknown books
1974144955UK: EMI 1974. Vintage photograph from the 1974 film showing director Sidney Lumet hanging onto a train on location at a rail station along with members of the cast on the platform.<br/><br/>Based on the 1934 novel by Agatha Christie which finds her series detective Hercule Poirot investigating a murder aboard a train with the suspects portrayed by a who's who of Hollywood stars. Ingrid Bergman won a Best Supporting Actress Academy Award and the film was nominated for five more including Best Actor for Albert Finney and Best Adapted Screenplay. Remade in 2017 directed by and starring Kenneth Branagh. <br/><br/>10 x 8 inches. Light crease to the upper left corner overall Near Fine. EMI unknown books
1974146919N.p.: EMI Film Distributors 1974. Vintage oversize borderless double weight photograph of Sidney Lumet on the set of the 1974 film. Mimeo Snipe "PHOTO A RENDRE" and "CAMERA PRESS LTD." stamps and "IMAPRESS" stamp on sticker over "PARIMAGE" stamp on the verso. <br/><br/>Based on the 1934 novel by Agatha Christie which finds her series detective Hercule Poirot investigating a murder aboard a train with the suspects portrayed by a who's who of Hollywood stars. Ingrid Bergman won a Best Supporting Actress Academy Award and the film was nominated for five more including Best Actor for Albert Finney and Best Adapted Screenplay. Remade in 2017 directed by and starring Kenneth Branagh. <br/><br/>8.25 x 12 inches. Near Fine some curling wear and creasing at the far corners. <br/><br/><br/>Penzler 101. EMI Film Distributors unknown books
1932135157Los Angeles: Fox Film Corporation 1932. Post-production Screen Continuity script for the 1932 film. Based on the novel by Sarah Addington. <br/><br/>A pair of hard-up dancers in Boston struggle to make their big break only to find themselves drawn apart by wealthy socialites and unhappier when they finally do. <br/><br/>Pale blue studio wrappers dated January 5th 1932 noting footage of 7500 feet. Mimeograph duplication. Very Good plus condition. Fox Film Corporation unknown books
1961143580Beverly Hills CA: United Artists / Caralan Productions 1961. Draft script for the 1961 British horror film here under the working title "The Lady is a Snake" with the release title in holograph pencil on the front wrapper. Though made in the UK the film was a US co-production and this is a US draft of the script noting the US production company Playstar Productions on the front wrapper. <br/><br/>A doctor injects his pregnant wife with snake venom causing her to give birth to a snake woman who grows up to terrorize the local town. <br/><br/>Set in Victorian England. <br/><br/>Tan titled wrappers with credits for screenwriter Orville H. Hampton. Distribution page present with receipt intact. 114 leaves with last page of text numbered 111. Mimeograph Pages Fine. Front wrapper detached. Now encapsulated in mylar else Very Good plus bound with three gold brads. United Artists / Caralan Productions unknown books
1980142611Los Angeles: Twentieth Century-Fox 1980. Archive of seven scripts for the 1982 film. Included is a first draft third draft and five undated drafts one of which appears under the working title "Carlotta: A Haunted Lady." Two scripts with holograph annotations present. From the estate of Frank De Felitta. <br/><br/>De Felitta was a screenwriter and novelist best known for his 1975 occult horror novel Audrey Rose which he also adapted into the screenplay for the 1977 film directed by Robert Wise and starring Marsha Mason and Anthony Hopkins.<br/><br/>Based on the 1978 novel by De Felitta about a real case of an alleged haunting in which a woman claimed the ghosts of three men were sexually assaulting her. De Felitta was present during the initial investigation by two parapsychologists one of whom also who served as a technical advisor on the film. Critics of the time dismissed the film but it has since become a well-regarded cult classic. <br/><br/>1st Draft Screenplay:<br/>Blue untitled wrappers with holograph pencil notation. Title page present dated September 25 1978 noted as First Draft Screenplay with credits for screenwriter Frank DeFelitta. 126 leaves with last page of text numbered 132. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>3rd Draft:<br/>Black titled wrappers. Title page present holograph pencil notation dated March 1980 noted as 3rd Draft with credits for screenwriter Frank DeFelitta. 153 leaves with last page of text numbered 143. Xerographically reproduced. Pages Near Fine wrapper Very Good Plus bound with three gold brads. <br/><br/>Entity Undated 1:<br/>Black titled wrappers. Title page present with credits for screenwriter Frank De Felitta. 145 leaves with last page of text numbered 142. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Entity Undated 2:<br/>Black titled wrappers. Title page present with credits for screenwriter Frank DeFelitta The Paul Kohner Michael Levy Agency producers Joe Wizan and Joyce Lukon. 128 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Entity Undated 3:<br/>Orange untitled wrappers. 126 leaves with last page of text numbered 127. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. <br/><br/>Entity Undated 4 Bound Internally<br/>Black titled wrappers. Title page present with credits for screenwriter Frank De Felitta. Holograph notation type over. 143 leaves with last page of text numbered 139. Xerographically reproduced. Pages Near Fine wrapper Near Fine bound internally with three gold brads. <br/><br/>Carlotta: A Haunted Lady:<br/>Pale yellow untitled wrappers. Title page present with credits for screenwriter Frank De Felitta and producers Joe Wizan and Joyce Lukon. 146 leaves with last page of text numbered 145. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/><br/><br/>Clover Men Women and Chainsaws. Scorsese The Dark Eleven. Twentieth Century-Fox unknown books
1970151307N.p.: N.p. 1970. Vintage borderless black and white photograph from the 1970 film showing actors Robert Redford and Erin O'Reilly.<br/><br/>Two motorbike riders-one a callous womanizer one a shy and unsuspecting young man-find their friendship tested by the arrival of beautiful young runaway at their racetrack. <br/><br/>Shot on location throughout Arizona and California including at the Ascot Park Speedway and the Sonoma Raceway. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1978147884Culver City CA: Columbia Pictures 1978. Vintage studio still photograph of Scott Hylands from the 1978 film. <br/><br/>Follows the lives of five young Marines from boot camp through a hellish tour of Vietnam in 1968. They find a possible way out of battle if they can win a soccer tournament. <br/><br/>Set in Vietnam shot on location in Philippines. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1939129771N.p.: N.p. 1939. Draft script for an unproduced film. <br/><br/>A kind but reclusive woman inherits the fortune of her father a man of dubious morals who was well known at Tammany Hall and with the assistance of the Devil believes she can help put things to rights in part by funding a performance of "Faust." Written by Sidney Howard who received widespread fame for his work on "Gone with the Wind."<br/><br/>Red titled wrappers. Title page present dated June 15 1939 with credits for screenwriter Howard. 141 leaves mimeograph on onionskin stock. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1971132117London: National Screen Service 1971. Two vintage full-color still photographs from the 1971 UK film. Printed with the original title "Revenge."<br/><br/>A family plots revenge for a fallen daughter. <br/><br/>8 x 10 inches with no borders as issued. Light rubbing to the edges else Near Fine. National Screen Service unknown books
1960152388London: Lynx Films / American International Pictures 1960. Vintage reference photograph from the 1960 British film showing actors Vanda Hudson and Jack Carson. <br/><br/>A deranged plastic surgeon becomes the owner of a traveling circus specializing in a "Temple of Beauty" transforming disfigured women into the glamorous stars of his show. Their beauty however comes at a price and any attempts to leave the circus end in their gory demise. The third film in Anglo-Amalgamated's "Sadian trilogy" preceded by "Horrors of the Black Museum" and "Peeping Tom" the previous year. <br/><br/>Set in England and France shot on location in England. <br/><br/>10 x 8 inches. Very Good plus lightly edgeworn. Lynx Films / American International Pictures unknown books
1957146149Universal City: Universal-International 1957. Continuity & Dialogue script for the 1957 documentary.<br/><br/>An hour-long documentary exploring Soviet Russia giving curious Westerners a glimpse of life behind the Iron Curtain. Narrator Carey Wilson's final film.<br/><br/>Set and shot on location in Russia. <br/><br/>White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1862 dated NOVEMBER 13 1957 with credits for director Sid Feder and actor Carey Wilson. Title page integral with the front wrapper as issued. Approximately 100 leaves. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal-International unknown books
1980141462Tokyo: Imamura Productions 1980. Draft script for the 1981 film. Text in Japanese. <br/><br/>A period drama featuring a man returning from exile in America during the Edo era and begins searching for his wife. He gets caught up in revolutionary fervor and his emotions get the best of him. <br/><br/>Orange titled perfect bound wrappers rubber stamped production number 133 dated 1980. Title page present. 201 leaves with last page of text numbered 192. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Imamura Productions unknown books
1987141451Tokyo: Imamura Productions 1987. Draft script for the 1987 film. Text in Japanese. <br/><br/>The greatest pimp in all of Japanese history Iheji Muraoka also known as Zegen or the "Boss of the South Seas" grew in power as Japan grew. Not only were his achievements contributing to his mantle of success but he believed they advanced the global ambitions of his nation promoting patriotic interests. <br/><br/>Blue titled perfect bound wrappers. Title page present. 149 leaves with last page of text numbered 139. Mechanical duplication. Pages Near Fine wrapper Near Fine. Imamura Productions unknown books
1958141434Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br/><br/>Based on a novel by Shinju Fujiwara. Five people assemble ten years after the end of the Pacific War at a military station to uncover a stash of morphine worth a fortune now whcih was buried by the medical officer Mashimoto at the abdication of the Emperor. One of members of the group does not belong there. <br/><br/>Orange titled perfect bound wrappers. Title page present. 131 leaves with last page of text numbered 46. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Nikkatsu unknown books
1958141432Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br/><br/>Title based on a song popularized by the leading actor Frank Nagai. A comedy featuring a drugstore owner who begins an extramarital affair when his wife and child go on vacation. <br/><br/>White illustrated titled perfect bound wrappers. Title page present. 95 leaves with last page of text numbered 18. Mechanical duplication. Pages Near Fine wrapper Near Fine. Nikkatsu unknown books
1966141453Tokyo: Toho Company 1966. Draft script for the 1966 film. Text in Japanese. <br/><br/>A pornographer is keeping a low profile to keep out of the way of the mob while also is trying to keep the various people in his life happy including his stepdaughter stepson mistress and wife who believes her first husband was reincarnated as a carp. <br/><br/>White titled perfect bound wrappers. Title page present. 178 leaves with last page of text numbered 27. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br/><br/>Criterion Collection 207. Toho Company unknown books
1963143469Tokyo: Nikkatsu 1963. Draft post-production script for the 1963 film. Round robin copy SIGNED by director Shohei Imamura and six members of the cast and crew on the front wrapper including Sachiko Hidari Kazuo Kitamura Shoichi Ozawa Jitsuko Yoshimura and composer Toshiro Mayuzumi with signatures dated in the mid-1990s. Text in Japanese. <br/><br/>A metaphor for the Twentieth Century Japanese experience particularly through World War II told through the perspective of a woman named Tome born into a lower class family. She finds herself in a cycle of self-defeat repeating the same mistakes that have always plagued her. <br/><br/>White titled perfect bound wrappers with holograph signatures to the front wrappers. Title page present. 83 leaves with last page of text numbered 10-6. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br/><br/>Criterion Collection 473. Eureka 22. Nikkatsu unknown books
1963141423Tokyo: Nikkatsu 1963. Draft script for the 1963 film. Text in Japanese. <br/><br/>A metaphor for the Twentieth Century Japanese experience particularly through World War II told through the perspective of a woman named Tome born into a lower class family. She finds herself in a cycle of self-defeat repeating the same mistakes that have always plagued her. <br/><br/>Yellow titled perfect bound wrappers. Title page present. 156 leaves with last page of text numbered 29. Mechanical duplication. Pages Near Fine wrapper Near Fine. <br/><br/>Criterion Collection 473. Eureka 22. Nikkatsu unknown books
1959141461Tokyo: Nikkatsu 1959. Draft script for the 1959 film. Text in Japanese. <br/><br/>Based on Sueko Yasumoto's novel and one of the first examples of media dealing with the plight of zainchi or ethnically Korean Japanese citizens and their identity and struggles. One man has always worked faithfully for the Toho Company and another man is working for an underworld boss trying to scam Toho. They find each other again when one begins trailing and investigating the other. <br/><br/>White titled perfect bound wrappers. Title page present. 177 leaves with last page of text numbered 16. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with two staples. Nikkatsu unknown books
1965132061Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Collection of 8 vintage full-color still British front-of-house cards from the 1965 film. <br/><br/>Something of an antecedent to Hal Ashby's "Being There" 1981 in which a bumbling idiot inherits a fortune and becomes a high-ranking government official<br/><br/>8 x 10 inches. Faint creases to most else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1963151276N.p.: N.p. 1963. Vintage reference photograph of director Robert Wise and actress Julie Harris on the set of the 1963 film. With holograph ink annotations on the verso.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Based on Shirley Jackson's 1959 novel "The Haunting of Hill House." A group of disparate individuals are invited to a purportedly haunted house by a paramormal investigator.<br/><br/>Set in Massachusetts shot on location in Ettington Park in Warwickshire UK. <br/><br/>8 x 10 inches. Very Good plus.<br/><br/>Scorsese The Dark Eleven. Spicer US. N.p. unknown books
1963151321N.p.: N.p. 1963. Vintage reference photograph from the seminal 1963 film. Partial label on the verso.<br/><br/>Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. <br/><br/>Set and shot on location in New York. <br/><br/>5 x 8 inches trimmed irregularly with wide margins photograph measuring 3.75 x 4.75 inches. Near Fine.<br/><br/>National Film Registry. N.p. unknown books