4 025 résultats
1961149567Spain: Argos SLPC 1961. Vintage poster for the 1961 Spanish film. <br/><br/>27.5 x 38.75 inches. Very Good plus. Light edgewear to the upper right edge minor starting to one of the folds and light soil. Argos SLPC unknown books
1964139436Los Angeles: American International Pictures AIP 1964. Original one-sheet US poster for the 1964 film. Distributor rubber stamp on the verso. <br/><br/>Joanne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. One of his past triumphs an airline hostess re-emerges comes between the couple and eventually breaks up their engagement. <br/><br/>Comedian Dom DeLuise has a small role in the film his second movie credit. <br/><br/>27 x 41 inches folded as issued. A few short closed tears else Near Fine. American International Pictures [AIP] unknown books
1949131899Los Angeles: Lippert Pictures 1949. Oversize vintage black-and-white double weight still photograph of director Samuel Fuller with the cast and crew of the 1949 film dated Nov. 24 1948. <br/><br/>Fuller's auspicious directorial debut one of three films he made for independent producer Robert Lippert before moving to Hollywood studios. An intense portrait of guilt and psychological torment the film based on the life of Robert Ford displays many of the hallmarks of the iconoclastic director's subsequent career. <br/><br/>20 x 15 inches. Very Good plus with a couple of small closed tears to the bottom edge. <br/><br/>Criterion Eclipse 5. Lippert Pictures unknown books
1957151460N.p.: N.p. 1957. Vintage reference photograph from the 1957 film showing actress Angie Dickinson's legs. <br/><br/>In 1954 during the Vietnam conflict a smuggler named "Lucky Legs" and a group of French mercenaries infiltrate and destroy an arms depot near the Chinese border.<br/><br/>10 x 8 inches. Very Good plus lightly and evenly toned. <br/><br/>Olive Films 566. N.p. unknown books
1964152369N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing actress Constance Towers consulting a newspaper with a salacious headline.<br/><br/>Director Samuel Fuller's bizarre outrageous and perverse pulp masterwork. Kelly Constance Towers a former call girl who tries to make good in a new town nursing handicapped children falls in love with the saintly businessman J.L. Grant Michael Dante who has a dark secret of his own.<br/><br/>Set in the fictional town of Grantville USA.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Criterion Collection 18. Scorsese A Personal Journey Through American Movies. Spicer US. Silver and Ward US. Grant US. N.p. unknown books
1950147934Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1950. Vintage double weight studio still photograph of John Hodiak and Don Taylor from the 1950 film. Mimeo snipe on the verso. <br/><br/>Based on the serial "Ambush" by Luke Short which was published in "The Saturday Evening Post" December 25 1948 to February 12 1949.<br/><br/>Ward Kinsman Robert Taylor a prospector and Indian scout is in search of a white woman Mary Carlyle a general's daughter who has been abducted by Apaches.<br/><br/>Sam Wood's final film.<br/><br/>Shot on location in Arizona New Mexico and the Corrigan Ranch in Simi Valley California. <br/><br/>8 x 10 inches. Near Fine with light edgewear. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
1935135204Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1935. Vintage black-and-white reference still photograph from the 1935 film. Blindstamp of the French Customs office just to the left of Myrna Loy's head in the shot. <br/><br/>G-Man Ross McBride Tracy goes undercover to join a gang of jewel thieves when they transport stolen jewels from Paris to New York. Vivian Palmer Loy is amongst the gang and falls in love with McBride leaving the gang shortly after. McBride arrests her when he recovers the jewels but she forgives him. <br/><br/>Set in France and New York. <br/><br/>8 x 10 inches. Very Good plus with pinholes and tiny creases. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
1943150216Los Angeles: Paramount Pictures 1943. Collection of five vintage borderless double weight reference photograph taken on location for the 1943 film most showing director Sam Wood and actors Joseph Calleia Lilo Yarson Gary Cooper Katina Paxinou and Ingrid Bergman. With printed mimeo snipes affixed to the verso. <br/><br/>From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Based on Ernest Hemingway's 1940 novel which follows the experiences of an American fighting against the fascists in the Spanish Civil War and his relationship with a young guerrilla fighter. Nominated for nine Academy Awards winning one for Best Supporting Actress for Katina Paxinou. <br/><br/>Set and shot on location in Spain.<br/><br/>9.5 x 7.5 inches. Near Fine. Paramount Pictures unknown books
1947149862Universal City CA: Universal Pictures 1947. Post-production Continuity and Dialogue script for the 1947 film. With holograph annotations in ink and pencil to the first leaf reading "Program" and "UF258."<br/><br/>Joan Fontaine hell-bent on seducing her way into money tries to break off her extramarital affair in order to woo a wealthier man. When her new target refuses her affection because of her current marriage she poisons her husband and frames her lover for the crime. A classic visually striking period noir with a ruthless woman dogged police and karmic fate. One of a litany of films released in 1947 that make it the most significant year for the femme fatale joined by "The Paradine Case" and "Out of the Past."<br/><br/>White titled wrappers noted as production No. 1530 dated MAY 23 1947 with credits for director Sam Wood and actors Joan Fontaine Patric Knowles Herbert Marshall Richard Key and others. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Near Fine with a small closed tear to the top edge of the first leaf bound with two gold brads at the top edge.<br/><br/><br/>Selby US. Spicer US. Grant US. Silver and Ward Classic Noir. Universal Pictures unknown books
1993150422N.p.: N.p. 1993. Third Revision Draft script for the 1995 Western film with script divided into the four days of the tournament. From the collection of novelist-screenwriter William Hjortsberg.<br/><br/>Sam Raimi's exuberant homage to the spaghetti western criminally underrated at the time of its release it has since been reassessed a unique and finely crafted revisionist Western. Featuring memorable performances all around including Russell Crowe's first US film role and an up-and-coming Leonardo Di Caprio.<br/><br/>A woman gunfighter "The Lady" Sharon Stone rides into the town of Redemption run by the ruthless outlaw John Herod Gene Hackman to participate in a deadly quick draw elimination tournament with 15 other gunfighters and to exact revenge.<br/><br/>Set in the fictional town of Redemption shot on location in Arizona. <br/><br/>Gray untitled wrappers. Title page present dated July 1993 noted as 3red Revision with credits for screenwriter Simon Moore. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some toning and splashing bound with two gold brads. N.p. unknown books
1998135957Hollywood: Paramount Pictures 1998. Original "For Your Consideration" script post-production for the 1998 crime film. <br/><br/>Printed wrappers in brown black and white with a credit for novelist Scott B. Smith who adapted his story to the screen. Approximately 130 pages with revision pages throughout. Pages and wrapper Near Fine. Paramount Pictures unknown books
1978151425N.p.: N.p. 1978. Vintage borderless reference photograph taken on the set of the 1978 film showing director Sam Peckinpah laughing with actress Ali McGraw in the desert.<br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>An aggrieved group of truck drivers hold an ongoing high-speed protest convoy over a mile long. Peckinpah's most commercially successful film loosely based on the 1975 country song "Convoy" by C. W. McCall. <br/><br/>Shot on location in New Mexico and California. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1965143145Culver City CA: Columbia / Jerry Bresler Productions 1965. Collection of seven vintage lobby cards for the French release of the 1965 US film. <br/><br/>During the Civil War an obsessed glory seeking Union cavalry officer leads a disparate crew of soldiers Confederate POWs and American Indian scouts into Mexico to attack a group of Apaches that have been raiding towns in the US. <br/><br/>11.75 x 9.25. Very Good plus with pinholes to the corners. Columbia / Jerry Bresler Productions unknown books
1971143067Los Angeles: ABC Pictures 1971. Vintage borderless double weight photograph of actress Susan George huddled in a coat on the set of the 1971 film. With a mimeo snipe on the verso. <br/><br/>Based on the 1969 novel "The Siege of Trencher's Farm" by Gordon Williams an American man who returns to his wife's hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Peckinpah's often controversial filmography it is also frequently considered one of his best. Nominated for an Academy Award. <br/><br/>Set and shot on location in Cornwall England. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Criterion Collection 182. Grant US. ABC Pictures unknown books
1971151471Los Angeles: ABC Pictures 1971. Vintage borderless satin-finish reference photograph from the set of the 1971 film showing director Sam Peckinpah and actor Jim Norton. With two printed mimeo snipes affixed to the verso. <br/><br/>Based on the 1969 novel "The Siege of Trencher's Farm" by Gordon Williams. An American man returns to his wife's hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Peckinpah's often controversial filmography it is also frequently considered one of his best. <br/><br/>Set and shot on location in Cornwall England. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 182. Grant US. ABC Pictures unknown books
1970143123Talent Associates/N.S.I. / ABC Pictures 1970. Final Draft script for the 1971 film here under the working title and title of the source material "The Siege of Trencher's Farm." <br/><br/>Based on Gordon M. Williams's 1969 novel. Director Sam Peckinpah and screenwriter David Z. Goodman kept only the central concept of the siege itself but completely altered the circumstances around it including the creation of the film's controversial rape scene. Nominated for an Academy Award.<br/><br/>Set in Trencher's Farm in Dando Cornwall shot on location in Cornwall and Middlsex England. <br/><br/>Maroon titled wrappers. Title page present dated 24th August 1970 noted as Final Draft with credits for screenwriters David Z. Goodman and Sam Peckinpah. 131 leaves with last page of text numbered 130. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br/><br/>Clover Men Women and Chainsaws. Criterion Collection 182. Grant US. Talent Associates/N.S.I. / ABC Pictures unknown books
1951146057Hollywood: Tom Productions 1951. Draft script for the 1951 film here under the working title "Off We Go!" With holograph pencil annotations throughout.<br/><br/>An unskilled G.I. desperate to leave his lowly post as a tailgunner asks his girlfriend who owns a cafe on the air base to flirt with his commanding officer in order to get him a promotion. Instead of the better position he desires however the officer finds himself roped by the base special intelligence officer into impersonating the head saboteur of a spy ring.<br/><br/>Grey titled wrappers rubber-stamped copy No. 10 and noted as production No. 1067 dated May 5 1951. Title page present dated May 5 1951 with credits for screenwriter Orville H. Hampton. 114 leaves with last page of text numbered 110. Mimeographed rectos only. Pages Very Good plus wrapper Very Good plus with tidemarks to the lower edge bound with three gold brads. Tom Productions unknown books
1952135865Los Angeles: Lippert Pictures 1952. Draft script for the 1952 film. Copy belonging to an uncredited crew member with brief annotations in holograph pencil on the verso of the last page of text and on a few pages. <br/><br/>An unusual story for a low-budget Western: a tough woman gambler named Iron Mae McLeod Windsor runs a town where law states that men are illegal. The tough McLeod is soon caught in the lusty lasso of Woody Callaway Rober a handsome and persistent cowboy. <br/><br/>The Poverty Row studio Lippert Pictures lasted nearly two decades 1948-1969 and would resurface as the production company for "Don't Do It" 1994. Notable films produced or distributed by Lippert include "Jungle Goddess" 1948 "I Shot Jesse James" 1949 forgotten films noir like "Radar Secret Service" and "Motor Patrol" both 1950 Samuel Fuller's "The Steel Helmet" 1951 Sam Newfield's "Lost Continent" 1951 and Terence Fisher's classic Hammer noir "Man Bait" 1952. <br/><br/>Blue untitled wrappers. Title page integral with first page of text undated with a credit for screenwriter Hampton. 115 leaves with last page of text numbered 115. Mimeograph duplication. Pages and wrapper Near Fine bound with three gold brads. <br/><br/>Hardy The Western p. 218. Okuda 486. Lippert Pictures unknown books
1975141891Rome: Ciesi 1975. First Draft script for the 1976 film. Here under the working title "Scandal." <br/><br/>Eliane is a pharmicist with a dull husband and teenage daughter. A fellow pharmacy clerk makes a pass at her one night after mistaking her for someone else and she allows it to happen ultimately becoming his complete sex slave. <br/><br/>Set in France shot on location in Italy. <br/><br/>Tan untitled wrappers. Title page present dated 1975 noted as First draft with credits for screenwriters Ottavio Jemma and Salvatore Samperi. 324 leaves with last page of text numbered 322. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with gold brads. Ciesi unknown books
1939WRCLIT61324Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1145 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to wrapper extremities 15 x 40 mm piece torn away from fore-edge of upper wrapper internally near fine. An unspecified - but revised and slightly extended - draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. Another draft dated 17 days earlier is 17 pages shorter. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1939WRCLIT61323Culver City: Metro-Goldwyn-Mayer / Loew's Inc. 1939. 1128 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in printed and variously stamped studio wrappers printed label. Some small chips and tears to label and wrapper extremities otherwise very good internally near fine. An unspecified draft of this unproduced original though drawing on precedents screenplay by Salt undertaken rather early in his career at a point when IMDB records he had only one credited and two uncredited produced films under his belt. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his achievements. The upper wrapper is stamped in succession noting the transition of this copy from "Temporary Complete" to "Vault Copy." Metro-Goldwyn-Mayer / Loew's Inc. unknown books
1971WRCLIT62505Culver City: Metro-Goldwyn-Mayer 1971. 120 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only of white stock Bradbound in printed studio wrappers. Small nick and crease and some modest edge sunning to wrappers title lettered on spine otherwise very good or better. An unspecified but relatively early draft of this adaptation by Salt of Jimmy Breslin's book. The July 1972 release was directed by James Goldstone and starred Jerry Orbach Robert De Niro et al. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often-pseudonymous television writing and commercial work in 1969 he wrote the award-winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his considerable achievements. Metro-Goldwyn-Mayer unknown books
1971WRCLIT61411Culver City: Metro-Goldwyn-Mayer 1971. 120 leaves plus lettered inserts. Quarto. Photomechanically reproduced typescript printed on rectos only of white blue green and yellow stock. Bradbound in printed studio wrappers. Upper wrapper pulled at lower brad scattered relevant pencil annotations in an unknown hand but a very good copy. An unspecified but revised draft of this adaptation by Salt of Jimmy Breslin's book with dated revises on colored stock scattered throughout. The July 1972 release was directed by James Goldstone and starred Jerry Orbach Robert De Niro et al. In April 1951 Salt was called before the HUAC and then placed on the Black List. After struggling for a decade and a half with often- pseudonymous television writing and commercial work in 1969 he wrote the award- winning screenplay for MIDNIGHT COWBOY. Subsequent credits included SERPICO THE DAY OF THE LOCUST and COMING HOME. In 1987 just prior to his death he received the WGA Laurel Award in recognition of his considerable achievements. Metro-Goldwyn-Mayer unknown books
1970WRCLIT69265Np: Twentieth-Century Fox 1970. Eight 10.5 x 14" color stills plus additional slightly 11 X 14" captioned title- card. Some slight offsetting to versos minor use to a couple corners otherwise about fine. A complete set of these deluxe lobby stills for Howard Sackler's adaptation to film of his own play. The 1970 release was directed by Martin Ritt and starred James Earl Jones James Alexander Hal Holbrook et al. Noted director / photographer Lawrence Schiller is known to have taken a number of photographs during the production of the film but the images used for these stills are uncredited. Twentieth-Century Fox unknown books
1936139602N.p.: Cineas 1936. Collection of 13 vintage black-and-white studio still photographs from the French release of the 1936 film. Based on director Sacha Guitry's 1935 only novel "Les Memoires d'un Tricheur." <br/><br/>A delightfully clever film in which Guitry plays an aging con artist reflecting back on his many exploits. After cheating death at a young age the Cheat played by Guirty embarks on a life laden with mischief and deceit. <br/><br/>Set in France and Monaco shot on location in Monaco. <br/><br/>10 x 8 inches. Very Good plus. Occasional notation to the verso and shallow chip in the top margin of image 22. <br/><br/>Complete collation details available on request. <br/><br/>Criterion Eclipse 22. Cineas unknown books
