4 025 résultats
1979145288Los Angeles: California Pictures 1979. Collection of 51 vintage borderless color photographs from the 1979 film. Also included are eight large format negatives for photographs in the collection. <br/><br/>Two US Navy divers taken prisoner by the Japanese in the Philippines are forced to search for millions of dollars worth of silver that the retreating American forces dumped into Manila Bay. <br/><br/>Set and shot in the Philippines. <br/><br/>41 photographs 8 x 10 inches. Ten photographs 5 x 4 inches. Two negatives 8 x 10 inches. Five negatives 5 x 4 inches. Overall Near Fine. <br/><br/>Parish and Hill Black Action Films 159. California Pictures unknown books
1975146241Hollywood: Turman-Foster 1975. First Draft script for an unproduced film. <br/><br/>Based on noted African American writer and academic Cecil Brown's 1969 debut novel. An cynical silver-tongued black man from the rural south makes a living through scamming and stealing which he considers informal reparation for the injustices he has faced. Fed up with the quality of life in the US he decides to leave for Sweden where he spends his days with other black expatriates and his nights with beautiful Swedish women. <br/><br/>Set in New York and Stockholm Sweden. <br/><br/>Blue titled wrappers. Title page present dated March 21 1975 noted as FIRST DRAFT with credits for screenwriter Roland Cutler and novelist Cecil Brown. 120 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Turman-Foster unknown books
142399Los Angeles: Feathertouch Communications. Two screenplays for an unproduced radio drama. Each belongs to actor Billy O'Sullivan who was to play Billy with both holograph and photocopied annotations related to his lines in holograph ink and pencil. <br/><br/>The story of a teddy bear where it comes from and its hopes of becoming someone's toy this upcoming Christmas. <br/><br/>Screenplay #1:<br/><br/>White titled self wrappers with credits for screenwriters Rojay North and Michelle Nosco. Title page integral with front wrapper. 36 leaves with last page of text numbered 8. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine unbound. <br/><br/>Screenplay #2:<br/><br/>White illustrated titled wrappers. Title page present with credits for screenwriter Rojay North. 42 leaves with last page of text numbered 40. Xerographic duplication first generation. Pages Near Fine wrapper Near Fine bound with two gold brads. Feathertouch Communications unknown books
1961139888N.p.: Francos Films 1961. Vintage Spanish one sheet poster for the 1961 French film. <br/><br/>Roger Vadim cast his ex-wife Brigitte Bardot in his romantic comedy about a vengeful spurned ex-girlfriend. When Sophie Bardot discovers her boyfriend is interested in another woman she sets out to either win back his affections or off the competition. The film features Bardot in a body stocking during a "nude" dance scene that provoked controversy upon the film's release. <br/><br/>Shot on location in Alps Haute-Savoir France. <br/><br/>27 x 41 in folded. Near Fine with light tearing and creasing along the fold. Francos Films unknown books
1971135437Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1971. Collection of three vintage black-and-white studio still photographs from the 1971 film. <br/><br/>Roger Vadim's followup to "Barbarella" 1956 may be the only sexploitation crime film ever released by a major studio and managed to break just about every cultural taboo in the book even during the uncertain days of the early 1970s. The story and especially the filmmaking style is a strange response to the sexual revolution in 1970 in which a high school full of randy teachers and students in an unnamed Midwestern town become involved in a series of murders. Vadim's attempt to update .".And God Created Woman" from the male perspective has become a cult film that would be sued out of existence today and a fascinating look at the "revolution" from a middle America perspective. <br/><br/>Based on Francis Pollini's 1968 novel. Ocean View High School's resident faculty hero football coach/guidance counselor "Tiger" McDrew Hudson at his greasiest is married and has a child but this doesn't keep him from seducing many of his female students and persuading the new substitute teacher Miss Smith Dickinson to deflower a troubled virgin. Girls start turning up at the school dead in various states of undress with cryptic notes pinned to intimate parts of their anatomy. The county sheriff Keenan Wynn is forced to defer to a state police investigator Savalas who starts nosing around the school. <br/><br/>8 x 10 inches. About Fine condition. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
1961151518N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. <br/><br/>Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former.<br/><br/>Shot on location in Alps Haute-Savoie France. <br/><br/>7.75 x 10.25 inches. Very Good plus with light creasing. International Classics unknown books
1957143311Paris: Cinedis 1957. Collection of 7 original black-and-white still photographs from the 1957 French-Italian film. Five photos feature actors Carlo Delle Piane and Hossein in a rousing bathtub scene one a juxtaposed bar scene and one photo features Arnoul and foreboding mystery man in black with his hand on the door. All with French film titles in holograph ink and series number on the versos and photographer credit printed on the rectos. Housed in a vintage glassine sleeve.<br/><br/>Vadim's second film as director entered into the 7th Berlin International Film Festival. Sophie Arnoul is an amoral French girl betrothed to rich and seedy Eric Hasse an ex-nazi turned forger. Sophie also attracts the attention of Eric's secretary Sforzi Hossein while falling in love with yet another man Michel Marquand. <br/><br/>Photographer Voinquel's films include "Anne-Marie" 1936 "Le Jour se Leve" 1939 "The Hunchback of Notre Dame" 1956 "Belle de Jour" 1967 and "Army of Shadows" 1969. <br/><br/>Four photos 3.5 x 4.75 inches three slightly larger. Vertical crease to one photo else Near Fine overall. Cinedis unknown books
1967152491Paris: Pier Luigi 1967. Vintage oversize borderless double weight reference photograph of director Roger Vadim actor Honey Autumm a crewmember and an extra from the set of the 1968 film. Shot by still photographer Emilio Lari with his stamp on the verso as well cropping annotations in holograph pencil and stamps reading "Noir & Blanc" "APIS-PARIS."<br/><br/>Based on the adult comic book by Jean-Claude Forest and published in the French magazine V in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br/><br/>Set in outer space and shot in Rome. <br/><br/>9.5 x 11.75 inches. Light edgewear else Near Fine. <br/><br/>Vogel Film as a Subversive Art. Pier Luigi unknown books
1968150474N.p.: N.p. 1968. Vntage borderless double weight reference photograph of Jane Fonda and Roger Vadim on the set of the 1968 film. Photographer Alfonso Avincola stamp on verso. <br/><br/>Based on the adult comic book by Jean-Claude Forest and published in the French magazine V in 1962 and 1964.<br/><br/>Jane Fonda's classic role in "Barbarella" an adult SciFi Alice in an out-of-this-world Wonderland remains likely the most campy space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and is now so iconic that it has taken Fonda decades to live down the role. "Barbarella" has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br/><br/>Set in outer space and shot in Rome. <br/><br/>8 x 10.5 inches. Near Fine. <br/><br/>Vogel Film as a Subversive Art. N.p. unknown books
1973142105Paris: Filmsonor 1973. Vintage reference photograph from the 1973 film a striking image of Brigitte Bardot and Jane Birkin in bed together. <br/><br/>Vadim's attempt to explore female freedom and sexuality for women by changing the classical figure of Don Juan into the modern figure of Brigitte Bardot. The fifth film Vadim made starring Bardot and one of two released in 1973 after which she retired from acting. <br/><br/>Shot in Paris. <br/><br/>7 x 5 inches. Near Fine. Filmsonor unknown books
1962152129N.p.: N.p. 1962. Collection of five vintage borderless reference photographs showing actors Brigitte Bardot Macha Méril and Robert Hossein director Roger Vadim and crew members playing music and dancing between takes on the set of the 1962 film. <br/><br/>Based on the 1958 novel "Le repos du guerrier" by Christiane Rochefort. A young independent woman is slowly embroiled in an abusive isolating relationship with a man she helps recover from a suicide attempt. <br/><br/>Set and shot on location in Paris. <br/><br/>Approximately 7 x 5 inches. Near Fine. N.p. unknown books
1958143080France: Iena Productions 1958. Vintage borderless photograph from the 1958 film showing director Roger Vadim positioning actor Brigitte Bardot's hands as she holds a cape. With holograph annotations on the verso identifying the film. <br/><br/>Based on the 1954 novel by Albert Vidalie about a young woman who runs away from a convent only to get entangled with the young man her aunt is having an affair with to deadly consequences. Vadim's second film and the second of five films he would make with Bardot. <br/><br/>Set and shot in Torremolinos Spain. <br/><br/>9.5 x 7 inches. Near Fine. Iena Productions unknown books
1974149708Paris: Sygma 1974. Vintage oversize borderless reference photograph of Sirpa Lane and Mathieu Carriere from the 1974 French film. With a mimeo snipe on the verso in French and English along with the stamps of Sigma Films a date stamp reading "25 NOV. 1974" and holograph ink and pencil annotations.<br/><br/>An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. <br/><br/>11.75 x 8 inches. Very Good plus with a touch of ink bleed from an annotation to the verso near the right edge. Sygma unknown books
1995135826London: Independent Television 1995. Draft scripts for four episodes of the 1996 television show "Delta Wave:" "A Twist of Lemming: Part 1" "A Twist of Lemming: Part 2" "A Glitch in Time: Part 1" and "A Glitch in Time: Part 2."<br/><br/>A television show about two children with psycho-kinetic powers and their scientist caretaker. The show ran for only ten episodes containing five storylines featuring the title characters separated into two episodes each. This listing is for two complete storylines: "A Twist of Lemming" and "A Glitch in Time." Set in Cambridge England. <br/><br/>"A Twist of Lemming: Part One:"<br/><br/>Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 65 leaves with last page of text numbered 65. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. <br/><br/>"A Twist of Lemming: Part Two:"<br/><br/>Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 70 leaves with last page of text numbered 70. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. <br/><br/>"A Glitch in Time: Part One:"<br/><br/>Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 62 leaves with last page of text numbered 62. Mechanical duplication. Pages Near Fine wrapper Near Fine bound prong binding. <br/><br/>"A Glitch in Time: Part Two:"<br/><br/>Tall white self wrappers as issued with credits for screenwriter Pressman. Title page integral with the first page of the text dated 14/08/95 with credits for screenwriter Pressman. 73 leaves with last page of text numbered 73. Mechanical duplication. Pages Near Fine wrapper Near Fine prong binding. Independent Television unknown books
1997135849London: Bentley Productions 1997. 5th Draft script for the 1997 television episode of the show "The Broker's Man." Though broadcast in two parts this script contains both the first and second parts. <br/><br/>Kevin Whately plays Jimmy Griffin an ex-cop now working as an investigator for an insurance company still finds ways to use his detective skills at his new job and somehow between his wife and employees fawning over him manages to create a lot of drama beyond that which he finds through his work. In this episode an ex-soldier kills his father and attempts to claim the father's insurance at which point Jimmy and his whole family gets involved. <br/><br/>Tall white self wrappers as issued noted as 5th Draft on the front wrapper dated 30 January 1997 with credits for screenwriters Ashton and O'Mara. Title page integral with the front wrapper. 163 leaves with last page of text numbered 162. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a single silver brad. Bentley Productions unknown books
142235N.p.: N.p. Treatment script for an unproduced film. <br/><br/>Two men are captured and are being held in a plantation camp deep within the Mexican jungle where conditions are unspeakably horrendous. <br/><br/>Set in Mexico. <br/><br/>Blue untitled wrappers. Title page present with credits for screenwriter Roger Ernest. 25 leaves with last leaf of text numbered 24. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with comb binding. N.p. unknown books
1958138250Los Angeles: Twentieth Century-Fox 1958. Original three-sheet poster for the 1958 US film. Based on the 1951 novel by Joseph Hilton Smyth. <br/><br/>Mobster Joe Sante played by Steve Cochran finds himself in front of a US Senate subcommittee on racketeering and recalls his rise to power via a series of flashbacks. One of Cochran's better roles in which he navigates the nuanced character's strict moral compass as well as his ruthless gangster tendencies. A notable film also for its inclusion of Lili St. Cyr's famed "bubble bath" burlesque act. <br/><br/>41 x 80 inches folded in two sections as issued. Very Good plus with a handful of closed tears at the folds. A bright attractive copy. <br/><br/>Royal Books can arrange for archival linen backing of posters. Please inquire. Twentieth Century-Fox unknown books
1967134693Los Angeles: American International Pictures AIP 1967. Vintage black-and-white still photograph from the 1967 exploitation film White margin with a single credit and copyright date for American International Pictures at the bottom margin. <br/><br/>In the photograph Peter Fonda and Salli Sachse exchange admiring glances during a rare scene where people aren't tripping. <br/><br/>One of the iconoclastic Corman's most idiosyncratic directorial efforts and frequently referred to as his most personal one a time capsule of hippie life and the Sunset Strip back in the swinging 60s. <br/><br/>8 x 10 inches. Single pinholes at the corners some residue on the verso from an old theater window mounting. Very Good plus overall. American International Pictures [AIP] unknown books
1967149898London: American International Pictures AIP 1967. Vintage reference photograph of director Roger Corman filming on location for the 1967 film. With a printed mimeo snipe affixed to the verso.<br/><br/>A television commercial director falls into a tailspin of LSD and free love after being left by his wife. One of Corman's most idiosyncratic directorial efforts frequently referred to as his most personal one a time capsule of hippie life and the Sunset Strip in the swinging 1960s. <br/><br/>Set and shot on location in Los Angeles and Malibu California and Yuma Arizona. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Olive Films 1177. American International Pictures [AIP] unknown books
1957139216Glendale CA: Allied Artists 1957. Collection of 4 vintage black-and-white studio still photographs from the 1957 film. Included are two film still photos and two advertisement layout photos. Mimeo snipes once affixed to the versos of the film stills detached but present. <br/><br/>Director Corman at his noir-est. The Black Widows a teenage girl gang led by Helen Spain an early favorite of Russ Meyer suspect Barbara Kenney of killing one of their members. Barbara is the sometimes girlfriend of the leader of rival gang and the two gangs prepare for warfare. As the gangs prepare the stories of their private lives unfold and every aspect of family dysfunction is represented showcasing an example of the mid-century "juvenile delinquency" scare. <br/><br/>8 x 10 inches advert photos slightly larger. Very Good plus overall with a corner crease to one film still photo and minor creasing to others. <br/><br/>Complete collation details available on request. <br/><br/>Grant US. Lyons US. Martin 382. Selby US. Spicer US. Allied Artists unknown books
1965150349N.p.: N.p. 1965. Vintage oversize borderless reference photograph from the 1965 film showing actor Rock Hudson wrapped in a lacy sheet. With the stamp of photographer Leo Fuchs on the verso along with the stamp of Vista Photos and several holograph pencil and ink annotations regarding layout. <br/><br/>A well-to-do American businessman and a free-spirited Italian woman meet in London and impulsively marry but soon realize they have little in common and truly dislike each other. <br/><br/>11 x 14 inches with a wide right margin. Very Good with light wear to the edges and cropping annotations in pencil on the right edge. N.p. unknown books
1965128722Universal City CA: Universal Pictures 1965. First Draft script for the 1967 film. <br/><br/>Nominated for an Academy Award. A Canadian POW major is rescued by a special British military unit made up of Germans to help lead an attack on a major Nazi fuel depot in Tobruk Libya. <br/><br/>Lime green titled wrappers noted as First Draft Screenplay and production No. 00737 on the front wrapper dated May 5 1965. Title page present dated May 5 1965 noted as First Draft with credit for screenwriter Gordon. 134 leaves mimeograph duplication with blue revision pages throughout dated 5-10-65. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1980147222Montreal: A.S.A. Productions 1980. Second Draft script for the 1988 television film which originally aired on New Star Entertainment on September 21 here under the working title "Hit and Run." <br/><br/>Based on Tom Alderman's 1976 novel "Hit and Run" wherein a devastated Canadian woman hires a private detective to track down the driver who killed her teenage son in a hit and run accident. <br/><br/>Set and shot on location in New York City and Montreal.<br/> <br/>Blue untitled wrappers white comb binding. Title page present dated 1980 noted as SECOND DRAFT with credits for director ROBIN SPRY screenwriter ARTHUR FULLER and novelist TOM ALDERMAN. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus. A.S.A. Productions unknown books
1959150777N.p.: N.p. 1959. Vintage borderless reference photograph of Roberto Rossellini and Vittorio De Sica on the set of the 1959 film. Italian "Tele Foto" stamp on verso. <br/><br/>Based on the semi-autobiographical 1950 Italian novel "Il generale Della Rovere" by Indro Montanelli. Petty con man Victorio Bardone De Sica is arrested by the Gestapo and coerced into impersonating a dead Resistance leader to extract information from his fellow inmates and identify another Resistance leader.<br/><br/>Nominated for an Academy Award for Best Screenplay. Winner of the Golden Lion at the Venice Film Festival.<br/><br/>Set in Genoa Italy shot on location in Rome Italy. <br/><br/>9.5 x 7 inches. Very small crease in lower left corner else Near Fine. <br/><br/>Criterion Collection 463. N.p. unknown books
1950144758Culver City CA: RKO Radio Pictures 1950. Vintage photograph of actors Ingrid Bergman Gian Paolo Callegari and director Roberto Rosselini on the set of the 1950 Italian-American film. With a typed description and holograph annotations on the verso. Photographs from the set of this film shot on the islands of Stromboli and Farfa in Italy are rare.<br/><br/>After World War II a Lithuanian refugee marries an Italian POW in order to be released from an internment camp only to despair at life on the barren volcanic island he calls home. <br/><br/>A classic example of Italian neorealism featuring documentary like footage from the island of Stromboli and footage from the islands evacuation during one of its many volcanic eruptions.<br/><br/>6.5 x 4.5 inches. Near Fine. <br/><br/>BFI. Criterion Collection 673. Godard Histoires du cinema. Rosenbaum 1000. Scorsese My Voyage to Italy. RKO Radio Pictures unknown books
