4 025 résultats
1978121517Beverly Hills CA: Incorporated Television Company / United Artists 1978. Original black-and-white US pressbook for the 1978 British film "The Big Sleep" directed and written for the screen by Michael Winner based on the 1939 crime novel by Raymond Chandler. <br/><br/>Starring Robert Mitchum Sarah Miles Richard Boone Candy Clark Joan Collins Edward Fox John Mills and James Stewart. <br/><br/>Chandler's novels have always had some difficulty transferring to film and this version not to be confused with the Howard Hawks film noir starring Humphrey Bogart and Lauren Bacall holds to that belief. Set in a rather clean-looking London with an aging Mitchum cast as Philip Marlowe this version seems tame comparatively. <br/><br/>8 pages 11 x 17 inches saddle-stapled. Easily Near Fine with light rubbing and a very faint horizontal fold at the center. <br/><br/>Spicer p. 425. Incorporated Television Company / United Artists unknown books
1971147168Beverly Hills CA: E-K-Corporation / United Artists 1971. First draft script for the 1973 film written nine months before the production began.<br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>Based on Chandler's 1953 novel the sixth and penultimate Philip Marlowe book. Screenwriter Leigh Brackett who also co-wrote the screenplay for "The Big Sleep" 1946 updated not just the setting from the 1950s to the 1970s but the attitudes themes and relationships as well. The result was less of a straight adaptation than it was a satire of the traditional detective story a New Hollywood classic. <br/><br/>Shot on location in Los Angeles Malibu Hollywood and Mexico<br/><br/>Black titled Studio Duplicating Service Inc. wrappers. Title page present dated September 1971 noted as First Draft with credits for screenwriter Leigh Brackett. 109 leaves with last page of text numbered 108. Mimeographed rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br/><br/>Grant US. Hardy BFI Companion to Crime. Silver Classic Noir. Spicer US. E-K-Corporation / United Artists unknown books
1987140336Los Angeles: Twentieth Century-Fox Television 1987. Collection of four vintage studio still photographs from the 1987 television episode. <br/><br/>Margaret Colin plays Claire McCarron a former Assistant D.A. turned private investigator. The film stills feature Colin and Patrick James Clarke who played her brother and fellow law enforcement official. <br/><br/>Shot on location in New York City. <br/><br/>8 x 10 inches. Near Fine with holograph ink annotations to the versos and occasional dampstaining to the verso. Twentieth Century-Fox Television unknown books
1965151461N.p.: N.p. 1965. Collection of four vintage reference photographs from the 1965 film. <br/><br/>A blind musician Ray Charles playing himself helps a blind boy and his down-on-their-luck family including the boy's overprotective mother and her hard-drinking composer boyfriend.<br/><br/>Shot on location in Paris and London. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. N.p. unknown books
1952110954Beverly Hills CA: United Artists 1952. Original pressbook for the 1952 film. Laid in is a four page "Advertising Supplement."<br/><br/>Unique in the noir era and unheard of for a major motion picture "The Thief" was shot entirely without dialogue. Nominated for five Golden Globes including Best Picture Drama Best Actor Drama for Milland and Most Promising Newcomer Female for Rita Gam. <br/><br/>An American nuclear physicist Ray Milland attempts to flee the country when it is discovered he has been selling secrets to a foreign government. <br/><br/>15 pages saddle stapled 11 x 17 inches. Wrappers are Near Fine clean and bright but almost completely separated along the hinge fold; all internal pages still attached and present. Faint horizontal fold crease at the center of the wrapper and pages with a tiny closed tear to the outer edge of the front wrapper and first leaf. Despite separation wrappers are clean and bright. <br/><br/>Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown books
1942130516Los Angeles: Twentieth Century-Fox 1942. First Draft Continuity for the 1942 film. This is a pre-production continuity not to be confused with a post-production continuity. <br/><br/>The "other woman" in this early 1940s Twentieth Century-Fox programmer turns out to be Emily Virginia Gilmore faithful secretary to master architect Henry Summers James Ellison. Hoping to trap her boss into marriage Emily begins sending "mash notes" to Henry purportedly from a mysterious female admirer. She then coerces her old pal Ralph Dan Duryea to pose as her jealous Southern-fried boy friend of the nonexistent letter-writer. Poor Henry convinced that Ralph is the gangster who's been threatening him with bodily harm takes off for parts unknown. Our heroine spends the rest of the picture chasing Henry until he finally catches her Hal Erickson Rovi. <br/><br/>From the AFI Catalog: "The working title of this film was 'Leap Year' also the title of Lamar Trotti's original story. According to a September 4 1941 memo in the Twentieth Century-Fox Records of the Legal Department located at the UCLA Arts Special Collections Library Trotti wrote the story "sometime ago" and sold it to the studio for one dollar when producer Walter Morosco decided to make it as a "low budget picture." Although the legal records indicate that Jerry Sackheim worked on a screenplay for the picture the extent of his contribution to the completed film has not been determined. <br/><br/>Orange titled wrappers noted as FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped copy No. 185 and production No. 730 dated June 6 1942. Distribution page present with receipt intact. Title page present dated June 6 1942 noted as 1st Draft Continuity with a sole credit for screenwriter Jungmeyer. 135 leaves mimeograph duplication with revision pages on blue stock dated variously between 6/10/42 and 6/20/42. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown books
1969147024Burbank CA: Warner Brothers / Seven Arts 1969. Six vintage temporary tattoos issued as a promotional item for the 1969 film. With the both the original envelope housing the tattoos and a Warner Brothers mailing envelope addressed to film critic photographer and poet Michael S. Dworkin.<br/> <br/>The decals are inspired by the designs for the tattoo makeup worn up Rod Steiger in the film with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered unsurprising given the temporary nature of the item. <br/><br/>Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." <br/><br/>Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one tissue guard attached. Bright and Near Fine. <br/><br/>Promotional envelope 5.25 x 10 inches. Chip to the flap and bruising from wear it was opened else Near Fine. Warner Brothers / Seven Arts unknown books
1980148840Paris: C. Darmon 1980. Collection of 16 vintage color French lobby cards from the 1980 French theatrical release of the 1980 US television miniseries. First broadcast in three parts on NBC on January 27 through 29 1980 in the US released theatrically in France.<br/> <br/>Based on the 1950 novel by Ray Bradbury. A three-episode miniseries which imagines a future world punctuated by catastrophes wherein humans land on Mars encounter a race of Martians whom they attempt to colonize unwittingly begin a global nuclear war on Earth and ultimately cause the mass devastation of life on both planets.<br/><br/>Set on Earth and Mars shot on location in the US Spain and the UK. <br/><br/>8.5 x 10.75 inches. Near Fine. C. Darmon unknown books
1969141817Burbank CA: Warner Brothers / Seven Arts / SKM 1969. Vintage advertising herald for the 1969 film. INSCRIBED by Ray Bradbury on the front wrapper: "Tim! / Ray Bradbury." <br/><br/>Based on three short stories from Bradbury's acclaimed collection "The Veldt" "The Long Rain" and "The Last Night of the World." <br/><br/>7 x 10.5 inches. Folded. Two pages. Fine. Warner Brothers / Seven Arts / SKM unknown books
1969145480Burbank CA: Warner Brothers / Seven Arts 1969. Vintage photograph of science fiction author Ray Bradbury visiting with members of the cast and crew on the set of the 1969 film. With a mimeo snipe on the verso. <br/><br/>A genre-bending film combining heist comedy and Western genres in which multiple gangs converge on Friendly Texas in order to attempt to rob the most unrobbable bank in the West. <br/><br/>10 x 8 inches. Near Fine. Warner Brothers / Seven Arts unknown books
1966132536London: National Screen Service / Boulting Brothers 1966. Vintage full-color still photograph from the 1966 UK film. <br/><br/>An underrated and compassionate film about two newlyweds and their interfering parents. Paul McCartney also makes his film score debut an asset that financially helped the production and distribution. <br/><br/>8 x 10 inches. Very Good plus with a few moderate creases and light creasing overall. National Screen Service / Boulting Brothers unknown books
1966145971Los Angeles: Twentieth Century-Fox 1966. Draft script for the 1967 British spy film. With producer Richard Zanuck's name written on the front wrapper in holograph ink though not in his hand.<br/><br/>Based on an unpublished novel by Larry Forrester. An American skydiver in Spain is enlisted by a Scottish secret agent to recover the detonator for an H-bomb that has fallen into the hands of hostile enemy agents. One of three 1967 Twentieth Century-Fox films about female spies that functioned primarily as star vehicles for their leading ladies the other two being "Caprice" with Doris Day and "Come Spy with Me" with Andrea Dromm.<br/><br/>Set and shot on location in Andalucia Spain. <br/><br/>Green titled wrappers rubber-stamped production No. 4192. Title page present noted as copy No. 14 in holograph ink dated 15th August 1966 with a credit for screenwriter Lorenzo Semple Jr. 138 leaves with last page of text numbered 137. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus bound with two silver brads. Twentieth Century-Fox unknown books
1959137074Los Angeles: Twentieth Century-Fox 1959. Revised Final Draft script for the 1959 film "A Private's Affair" here under the working title "The Love Maniac." Brief annotations in holograph pencil on a couple of pages. <br/><br/>One of the last films of director Raoul Walsh. Based on a story by Ray Livingston Murphy. Luigi a young Sal Mineo Jerry Coe and Mike Gary Crosby are in boot camp when they are presented with a chance to represent their Army unit on national television. The three meet the opportunity where they sing and dance in a competition and meet three alluring young women Barbara Eden Terry Moore and Christine Carere. <br/><br/>Set in Long Island. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 3 dated March 4 1959. Distribution page present with receipt removed. Title page present dated March 4 1959 noted as Final with a credit for screenwriter Miller. 125 leaves with last page of text numbered 124. Mimeograph duplication with blue revision pages throughout dated variously between 3/13/59 and 4/27/59. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
1956132079London: Twentieth Century-Fox 1956. Collection of 6 vintage full-color British front-of-house cards from the UK release of the 1956 US film. <br/><br/>Based on William Bradford Huie's novel with Jane Russell portraying the down-and-out prostitute who moves to Hawaii and invests in real estate and men. Marilyn Monroe refused the role. <br/><br/>8 x 10 inches. Light corner creases else Near Fine. Twentieth Century-Fox unknown books
1953132573Culver City CA: RKO Radio Pictures 1953. Collection of 8 vintage full-color front-of-house cards from the UK release of the 1953 American-English film. <br/><br/>Based on Victor Hugo's 1866 novel "Les travailleurs de la mer" about a fisherman-turned-smuggler on the isle of Guernsey who helps a beautiful woman to the French coast. The fisherman falls in love with the woman who is actually an English spy pretending to be an ally of Napoleon. <br/><br/>8 x 10 inches. A few brief corner creases and faint soil to the versos else Near Fine. RKO Radio Pictures unknown books
1936143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Presentation copy bound in green cloth with title in gilt. <br/><br/>An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. <br/><br/>Set in New York and London shot on location in London. <br/><br/>Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown books
1955132184Burbank CA: Waterlow and Sons / Warner Brothers 1955. Collection of 7 vintage British front-of-house cards from the UK release of the 1955 US film. <br/><br/>Based on Leon Uris' first book about a new recruitment of Marines primed for battle but the battle comes when they least expect it. <br/><br/>8 x 10 inches. Near Fine. Waterlow and Sons / Warner Brothers unknown books
1935136148Hollywood: Paramount Pictures 1935. Two vintage black-and-white reference studio still photographs from the set of the 1935 film. Based on the 1921 play "Frisco Kate" by West. Here seen under the title "Klondike Lou." Shown in one photo are Mae West and director Raoul Walsh looking over a script. In the other they are joined by 1935 heavyweight boxing champion who was visiting the set. With mimeograph snipes variously affixed and printed to the verso of each photo. One photo has Spanish translation tipped on and "Sintonia" Spanish agency stamp to the verso as well. <br/><br/>A woman accidentally kills her landlord in self defense while he attempts to murder her then escapes on a steamer to Nome Alaska. She takes on the identity of a nun who dies en route giving the censors quite a lot to work with. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1966132651Los Angeles: Goldstone Film Enterprises 1966. Vintage black-and-white still photograph from the 1966 US release of the 1965 French-Italian film. <br/><br/>A well-made low-budget drama about two hit men sent to assassinate a man in France. Sprawling French countryside and a cool jazz-combo score set the tone for the two hit men to get to know each other on the way to kill someone. Considered a forgotten gem with overtones of noir and French New Wave. <br/><br/>7.5 x 9.5 inches. Pinholes and the extremities have been roughly trimmed else Near Fine. Goldstone Film Enterprises unknown books
1982150830N.p.: N.p. 1982. Second Draft script for the 1986 film. A vintage script created for internal distribution four years prior to the film's release with copied holograph annotations throughout noting deletions and editorial revisions copied punch holes and one holograph pencil annotation noting the name "Morrison" on the title page.<br/><br/>Based on Mark Medoff's Tony Award-winning 1979 play. A speech teacher at a school for the deaf falls in love with the school's janitor a deaf woman who has resigned herself to a life of isolation and silence due to her reluctance to learn to communicate with the hearing. Nominated for five Academy Awards winning one for Best Leading Actress for Marlee Matlin making Matlin the first deaf recipient of an Academy Award. <br/><br/>Set and shot on location in Saint John New Brunswick.<br/><br/>Brown titled wrappers. Title page present dated May 4 1982 noted as Second Draft with credits for screenwriter Mark Medoff. 136 leaves with last page of text numbered 137. Xerographic duplication largely second generation rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1960140912Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Collection of six full color vintage lobby cards from the 1960 film. <br/><br/>From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. <br/><br/>A film that rarely screened today and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. <br/><br/>Shot on location in San Francisco California. <br/><br/>17 x 13 inches. Very Good with pin holes and a holograph ink notation to the recto of one lobby card. Metro-Goldwyn-Mayer [MGM] unknown books
1960140916Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Vintage Italian Locandina poster for the 1960 US film. <br/><br/>From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. <br/><br/>A film that rarely screened today and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. <br/><br/>Shot on location in San Francisco California. <br/><br/>13 x 27 inches folded. Near Fine with light wrinkling. Metro-Goldwyn-Mayer [MGM] unknown books
1960144198Beverly Hills CA: MGM 1960. Original vintage photograph of Janice Rule and Gerry Mulligan from the 1960 film. With a type written description and holograph annotations in red crayon and graphite on the verso. <br/><br/>From one perspective a fairly one-dimensional representation-perhaps even a caricature-of Beat culture but culturally fascinating in that it was made at the height of the Beat era with A-list talent by a top studio and until Walter Salles' 2012 adaptation of "On the Road" was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15000 by MGM for the rights to the book and bought his first home with the proceeds on Long Island. <br/><br/>Shot on location in San Francisco. <br/><br/>10 x 8 inches. Near Fine. MGM unknown books
1968141021London: The Rank Organization 1968. Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in holograph ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. <br/><br/>Based on Jon Cleary's 1966 novel of the same title. The New South Wales police sergeant Scobie Malone is summoned for questioning and cooperation when the Australian High Commissioner is wanted in England for murder. Now he must uncover the truth as well protect the High Commissioner from assassination attempts. <br/><br/>Set in London shot on location there as well as New South Wales Australia. <br/><br/>Teal blank wrappers with die cut title window in the British style. Title page present dated October 20 1967 with credits for author Jon Cleary and screenwriter Wilfred Greatorex. 136 leaves with last page of text numbered 132. Mechanical duplication with pink revision pages throughout dated variously between November 15 1967 and January 8 1968. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. The Rank Organization unknown books
1959151138London: J. Arthur Rank 1959. Final Draft script for the 1960 film. <br/><br/>Based on Richard Gordon's 1957 novel. The fourth film in Rank's popular "Doctor" series and the first not to feature actor Dirk Bogarde as Dr. Simon Sparrow although Bogarde would return for the next film in the series "Doctor in Distress" in 1963. The series follows the frequently romantic comic antics of a group of young doctors. <br/><br/>Set and shot on location in London.<br/><br/>Green titled wrappers noted as Semi-final Script on the front wrapper dated 14-12-59. Title page present dated December 1959 with credits for screenwriter Nicholas Phipps and novelist Richard Gordon. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with a silver prong. J. Arthur Rank unknown books