8 853 résultats
1967132098Los Angeles: Max E. Youngstein 1967. Draft script for an unproduced film. <br /> <br /> The story of two of brothers a prospector and an oceanographer who drill for oil on a offshore drilling rig in the Caribbean. Screenwriter Schweitzer would go on to work predominantly in television including writing for "The Bold Ones" "The Senator" "Mod Squad" and "Baretta" among others. <br /> <br /> Lavender titled wrappers dated July 10 1967 with credits for screenwriter Schweitzer and producer Youngstein. Title page not present. 130 leaves mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Max E. Youngstein unknown
1989148319Universal City: Universal Pictures 1989. Vintage studio still photograph of Spike Lee and Rosie Perez from the 1989 film. <br /> <br /> Lee's third feature a brilliant study of racial tensions over the course of one very hot day in Brooklyn's Bedford-Stuyvesant neighborhood pivoting about Sal's Pizzaria an Italian Pizzaria in a predominately African American neighborhood.<br /> <br /> The film debuts of Martin Lawrence and Rosie Perez.<br /> <br /> Nominated for two Academy Awards for Best Screenplay and Best Supporting Actor for Danny Aiello.<br /> <br /> Nominated for the Palm d'Or. Chosen for the National Film Registry in 1999.<br /> <br /> Shot on location in Brooklyn New York. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Criterion Collection 97. Rosenbaum 1000. Ebert I. Universal Pictures unknown
1996158404N.p.: N.p. 1996. Vintage reference photograph from the 1996 film showing director Spike Lee with a camera on the set. <br /> <br /> A diverse group of 15 African American men travel by bus from Los Angeles to Washington DC to attend the Million Man March. The first film directed by Lee in which he did not appear. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1990168504N.p.: N.p. 1990. Four vintage color transparencies from the 1990 film. <br /> <br /> Spike Lee's fourth feature film written on the set of "Do the Right Thing" 1989 about a talented jazz trumpeter whose selfishness leads to a decline in his professional and personal relationships. <br /> <br /> Shot on location throughout New York.<br /> <br /> 5 x 4 inches. About Fine. N.p. unknown
1998159108Los Angeles: Propaganda Films 1998. Final Draft script for the 1999 film. <br /> <br /> Director Spike Jonze and screenwriter Charlie Kaufman ended the 1990s and introduced themselves to the world with this highly original film which took the literary concept of metafiction into the realm of popular entertainment and opened many new doors in terms of storytelling in cinema. Nominated for three Academy Awards including Best Screenplay.<br /> <br /> Set and shot on location in Los Angeles and Pasadena California and in Jersey City.<br /> <br /> Self wrappers. Title page present noted as Final Version with credit for screenwriter Charlie Kaufman. 54 leaves with last page of text numbered 107. Xerographic duplication printed on rectos and versos. Pages Fine bound with two gold brads. Propaganda Films unknown
1971WRCLIT40398Los Angeles 1971. 1129 leaves. Quarto. Mimeographed typescript printed on rectos only bradbound in stiff paper wrappers. With many highlights deletions and ink notes in an unknown hand. Very good. A "final shooting script" of Claudia Fraser's screenplay adapted from Stephen Spielberg's original story about barnstormers. The film directed by John Erman was released in 1973 and featured Cliff Robertson Eric Shea Bernadette Peters and Ariana Chase. unknown books
1941163566N.p.: N.p. 1941. Vintage reference photograph from the 1941 film showing actor Spencer Tracy. Annotations in manuscript pencil on the verso. <br /> <br /> Based on Robert Louis Stevenson's classic 1886 novella and a remake of the 1931 film starring Fredric March. Nominated for three Academy Awards. <br /> <br /> 8 x 10 inches. Near Fine. N.p. unknown
1980141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. <br /> <br /> Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. <br /> <br /> White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1964WRCLIT71253Moscow: Mosfilm Cinema 1964. Original Soviet Union film poster. Oblong folio. 25¾ x 40½"; 65 x 103 cm. Folded minor paper discoloration in margin and tiny closed tear at lower left margin else very good or better. This 1964 Soviet film was directed by Vladimir Monakhov and starred Ivan Lapikov Yuri Nazrov Roman Homyatov among others. Gregory Perkel is credited with the design of at least one of the posters for this film. Mosfilm Cinema unknown books
1970WRCLIT67585Los Angeles.: Commonwealth United 1970. Eight 8 x 10" color pictorial mini lobby cards. About fine. A complete set of the mini lobby cards released to promote the US distribution of Southern and Joseph McGrath's embellished film adaptation of Southern's third novel. McGrath directed the British production starring Peter Sellers Ringo Starr Richard Attenborough Laurence Harvey Christopher Lee Spike Milligan Raquel Welch et al. The film was released in the UK on 12 December 1969 with the US opening following on 11 February 1970. Peter Sellers John Cleese and Graham Chapman contributed additional material to the script. Accompanied by a two page single sheet synopsis issued by National Telefilms when it distributed the film in later years. Commonwealth United unknown books
1968WRCLIT77060London: Paramount Pictures 1968. Six 8 x 10" color front of house stills with captions. Some mild use and occasional creases at corners; a good - very good lot. A representative lot of the front of house color stills issued to promote the UK release of Terry Southern's film adaptation of Jean- Claude Forrest's comic. Roger Vadim directed Jane Fonda David Hemmings Anita Pallenberg Milo O'Shea and Marcel Marceau in a camp classic quite redolent of its era for good and bad. Paramount Pictures unknown books
1986009753<p>Los Angeles CA: M/F/S Company. Offered is the screenplay for the proposed film "Her Favorite Husband" not the screenplay for the 1950 British-Italian comedy film of the same name by screenwriter Paul Southerland. A shooting script each scene is numbered the film to my knowledge was never made. The screenplay contains 115 three-hole punched mimeographed loose leaf pages including the title page with title name of screenwriter copyright 1986 Writer's Guild Registered #277074 and contact information: Fred Martin of M/F/S Company with address and telephone number in Los Angeles California. The pages measure 8-1/2" by 11" and are printed on one side. The screenplay is bound in light yellow card covers containing the same information as that on the title page and held together with three brass brads. . Fine. Soft cover. 1st Edition. 1986.</p> M/F/S Company paperback
1958150167N.p.: N.p. 1958. Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso along with the stamp of photographer Bill Avery and holograph pencil annotations regarding layout. <br/><br/>Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife a headstrong Italian woman begins an affair with his youngest son.<br/><br/>Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. <br/><br/>9.5 x 7.5 inches. Near Fine. N.p. unknown books
1958150167N.p.: N.p. 1958. Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. <br /> <br /> Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife a headstrong Italian woman begins an affair with his youngest son.<br /> <br /> Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. <br /> <br /> 9.5 x 7.5 inches. Near Fine. N.p. unknown
1961160054New South Wales: Cine-Alliance / Embassy Pictures 1961. Seven vintage borderless reference photographs from the 1961 film. <br /> <br /> Based on the 1893 play by Victorien Sardou and Émile Moreau. A laundry woman in France follows her husband to the battlefield inadvertently helping Napoleon win a battle. They are both given the title of Duke and Duchess though she does not understand and/or comply with the social manners of courtly life. <br /> <br /> Set in France shot on location in Tuscany Italy and Madrid Spain. <br /> <br /> 7 x 9.25 inches. Very Good plus with some wear to the finish and light offsetting adhesive residue on the verso. Cine-Alliance / Embassy Pictures unknown
1962159186Los Angeles: Twentieth Century-Fox 1962. Vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the verso and provenance stamps on the verso. <br /> <br /> Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. <br /> <br /> Set in Germany shot on location in Hamburg Germany. <br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1956163738N.p.: N.p. 1956. Vintage reference photograph from the 1956 Italian film showing actress Sophia Loren raising her skirt to examine her tights. French provenance stamp on the verso. <br /> <br /> A young woman decides to take a photographer to court after he takes her photograph without telling her and it turns up on the cover of a magazine.<br /> <br /> Shot on location in Rome.<br /> <br /> 10 x 8 inches. Very Good plus with pinholes at the corners. N.p. unknown
1982159782New York: Cinevista / Z Films 1982. Two vintage press kits for the 1982 film. Illustrated pocketed folders one containing over 15 copied reviews of the film and several pages of promotional material and the other containing nine copied reviews a color flyer advertising the film and several gatherings of promotional material. Both kits with Cinevista business cards stapled to the inner pockets. <br /> <br /> Aliens seeking opiates released during human sex land their UFO on top of a New York apartment building where they witness the antics of bisexual androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science fiction film produced on a shoestring budget now considered a cult classic broadly responsible for popularizing the electroclash club scene of the early 2000s. <br /> <br /> Set and shot in downtown New York. <br /> <br /> Folders Very Good plus lightly rubbed. Promotional material and copied reviews Fine. Cinevista / Z Films unknown
1982162551London: Tartan Video 1982. Six vintage photographs from the 1982 film including four reference photographs two borderless and matte finish two glossy and bordered and two studio still photographs. <br /> <br /> Aliens seeking opiates released during human sex land their UFO on top of a New York apartment building where they witness the antics of bisexual androgynous fashion model Margaret and her cocaine-addled friends. A bizarre new wave science fiction film produced on a shoestring budget now considered a cult classic. Broadly responsible for popularizing the electroclash club scene of the early 2000s. <br /> <br /> Set and shot in downtown New York. <br /> <br /> Four photographs 10 x 8 inches two 7 x 5 inches. Near Fine to Very Good plus. Tartan Video unknown
1933138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. <br/><br/>The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. <br/><br/>Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. <br/><br/>The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. <br/><br/>9.5 x 13 inches letterpress on pale faded pink stock. Very Good condition with a couple of tiny chips at the extremities and moderate creasing. Kinematrade unknown books
1933138407Germany: Kinematrade 1933. Vintage US poster for the 1932 German communist propaganda film "Kuhle Wampe oder Wem gehort die Welt" The subtitle is seen here under the English translation "Whither Germany." Circa 1933 as identified by the name of the Philadelphia theatre on the poster. <br /> <br /> The last and arguably most important communist film of the Weimar era "Kuhle Wampe oder" is according to screenwriter Brecht a "Collective Presentation" that tells the tale of a family in early 1930s Berlin. After the son is prolongedly unemployed he commits suicide and the family is forced to relocate to a shantytown known as "Kuhle Wampe" or "Empty Stomach." Created under severely limited material conditions with filming constantly being broken up by the Weimar government's paramilitary SA agency the film attempts to depict archetypes of the times including an intellectual clash on a subway between members of the bourgeoisie and the proletariat. <br /> <br /> Banned first by the failing Weimar Republic and subsequently by the Nazi Reich the film was believed to have been lost until it reappeared over 20 years later in East Germany in 1958. This poster likely originates from screenings held in November 1933 by an unknown pro-communist organization in Philadelphia at the short lived left-leaning Philkino theater. A US screening of this film dating before the film's disappearance and only just after the very beginnings of Hitler's rise to power makes this poster not only very scarce but one of significant historical value. <br /> <br /> The poster touting "Kuhle Wampe" as "The Film Hitler Burned" features an image of a man with a hammer and sickle attacking two snakes that form the Nazi swastika and touts the involvement of members of the "Labor Sports Union" in the film. <br /> <br /> 9.5 x 13 inches letterpress on pale faded pink stock. Very Good with expected moderate wear. Kinematrade unknown
1938135920Hollywood: Paramount Pictures 1938. Revised White script for the 1939 film seen here with the title "I Robbed a Bank" which has been stricken through on the title page. <br/><br/>A gang attempts a bank robbery only to find that one of the gang member's sisters works there. The gang abducts her and a truck driver while attempting their getaway and the hostages must secretly try to help the cops find the fugitives. <br/><br/>Written by well loved humorist S.J. Perelman and his wife Laura Perelman "Ambush" marks a significant but entertaining departure from their best-known works such as their co-writing work on Marx Brothers films "Monkey Business" and "Horse Feathers." <br/><br/>White side-stapled titled wrappers dated December 13 1938 noted as production No. 1198 and copy No. 0038. Title page integral with the front wrapper as issued. 115 eaves with last page numbered D-28. Mimeograph duplication with blue revision pages throughout dated between 10-10-38 and 10-21-38. Very Good plus lacking rear wrapper. Paramount Pictures unknown books
1984166590N.p.: N.p. 1984. Revised Draft script for the 1986 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink on the verso of the final page relating to set construction. <br /> <br /> A famous photographer takes a two-week trip to her hometown on the Maryland coast where she reconnects with her high school sweetheart who is now married and running his family's local newspaper. <br /> <br /> Set in Ocean City Maryland and Venice Italy shot on location in Baltimore and Ocean City Maryland and at Rehoboth Beach Delaware. <br /> <br /> White generic Rastar wrappers. Title page present dated July 27 1984 noted as REVISED with credit for screenwriter Naomi Foner. 125 leaves with last page of text numbered 122. Xerographic duplication rectos only with pink revision pages throughout dated July 31 1984. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. N.p. unknown
1977162157N.p.: Arte 7 1977. Collection of 13 vintage borderless lobby cards for the Spanish release of the 1977 Italian film. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> During World War II a German Jewish woman is separated from her boyfriend and sent to live as a prostitute in a Nazi camp. Actress Renata Moar's final film. <br /> <br /> Shot on location in Rome.<br /> <br /> 13.25 x 9.25 inches. About Fine. Arte 7 unknown
1975162089West Germany: Cinerama Filmgesellschaft 1975. Vintage borderless reference photograph from the West German release of the 1974 French film showing actress Sirpa Lane. Printed mimeo snipe in German affixed to the verso.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> An adventurous young woman is determined to enjoy every sexual experience life has to offer even if the pursuit leads her into danger. <br /> <br /> 7 x 5 inches. Near Fine. Cinerama Filmgesellschaft unknown