4 025 résultats
1963143918Paris: Ucinex 1963. Original pressbook for the 1963 French release of the 1961 Hungarian film here under the French title. Black-and-white film stills surround a brief synopsis with dramatic portrait images of Samoylova and film distribution and publicity credits. <br/><br/>Based on a true love affair between a Hungarian doctor and a Russian girl during World War II. Hajnal Gabor recalls through flashback the parting words of the girl Samoylova "I'll Come Back." Direcot Szemes best-known film winner of a Silver Prize at the 2nd Moscow International Film Festival 1961. <br/><br/>Single sheet folded once vertically 9.5 x 12.5 inches. Very Good overall with small tears creases and light foxing. Ucinex unknown books
1976149638Los Angeles: Twentieth Century-Fox 1976. Vintage borderless reference photograph from the 1976 film showing actress Genevieve Bujold.<br/><br/>Based on the 1973 novella "The Bailbondsman" by Stanley Elkin. A bail bondsman falls for his most recent client a beautiful Romani woman accused of murder.<br/><br/>Shot on location in Columbia and Sonora California.<br/><br/>7 x 9.25 inches. Near Fine. Twentieth Century-Fox unknown books
1970149801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Collection of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br/><br/>All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a holograph pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br/><br/>Pappe worked as a film still and press photographer for 30 years covering a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br/><br/>A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on this past present and possible futures. <br/><br/>One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1976132911London: National Screen Service / EMI 1976. Vintage full-color still photograph from the 1976 UK film. <br/><br/>Based on Bill Naughton's 1970 novel sequel to his 1966 play "Alfie" basis for the 1966 film starring Michael Caine starring Alan Price as the womanizing Alfie galavanting until he meets the equally charged Abby Jill Townsend. <br/><br/>Shot on location in England and France. <br/><br/>8 x 10 inches. Near Fine. National Screen Service / EMI unknown books
1975145527London: Signal Films 1975. Shooting Script for the 1975 film. Sequel to the 1966 film "Alfie" and based on the 1970 novel by Bill Naughton. Copy belonging to director/screenwriter Ken Hughes with his heavy annotations throughout. <br/><br/>Alan Price takes on the role previously played by Michael Caine of Alfie a womanizing truck driver who finally finds a woman he wants to settle down with with tragic results. <br/><br/>Set in France and England shot on location in France and England. <br/><br/>Goldenrod wrappers with a die-cut title window. Title page present noted as Shooting Script with credits for screenwriter Ken Hughes and novelist Bill Naughton. 148 leaves with last page of text numbered 145. Mimeograph on eye-rest green stock rectos only with pink and goldenrod revision pages throughout dated variously between August 25 1974 and September 18 1974. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Signal Films unknown books
1966138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film. Featuring a very relaxed Michael Caine laying across the laps of his four female costars Vivien Merchant Jane Asher Julia Foster and Shelly Winters between takes. Tipped-on snipe humorously describing Michael Caine's interest in the opposite sex on the verso. <br/><br/>Based on Naughton's 1966 play about a young man from the working classes of sexy swinging 1960s London Alfie Caine in his first starring role is a confident charming ladies' man whose appetites for sex are met in the fun-loving Ruby Winters. <br/><br/>Director Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. <br/><br/>Set in London shot on location there and in Middlesex England. <br/><br/>7 x 9 inches. About Fine. Paramount Pictures unknown books
1966133573Hollywood: Paramount Pictures 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos with cropping annotations in the British style millimeters on the verso of one still and a stamp on the verso of the other still. <br/><br/>Based on Naughton's 1966 play about a young man from the working classes of sexy swinging 1960s London Alfie Caine in his first starring role who is a confident charming ladies' man whose appetites for sex are met in the fun-loving Ruby Winters. <br/><br/>Director Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique later used by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in candid style. <br/><br/>Set in London shot on location there and in Middlesex England. <br/><br/>8 x 10 inches borderless. About Near Fine. Paramount Pictures unknown books
1943130860Universal City CA: Universal Pictures 1943. Revised Final Draft script for the 1944 film. Screenwriter Hartmann's final submission for the master mimeo with profuse holograph corrections typeovers attached text and pasted-in text throughout. <br/><br/>The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. <br/><br/>Tan titled wrappers noted as copy No. 110 and rubber-stamped production No. 7142 dated May 25 1943 with credit for screenwriter Hartmann. 149 leaves mimeograph duplication with blue and yellow revision pages throughout dated variously between 6-1-43 and 7-24-43. Pages Near Fine wrapper Very Good bound with three gold brads. Wrapper encapsulated in mylar. <br/><br/>Weaver p. 565. Universal Pictures unknown books
1986142613France: Filmel 1986. Two photographs for airings of the 1977 film on French public television channel France 3. <br/><br/>The first photograph for a September 6 1978 airing is borderless and shows director Chabrol and star Kristel in between takes with the stamp of photographer Robert Cohen and a mimeo snipe on the verso. <br/><br/>The second photograph for an October 2 1986 airing is of a topless Sylvia Kristel with a mimeo snipe on the verso. <br/><br/>Chabrol riffs on both "Alice in Wonderland" and the popular 1970s horror mini-genre where a beautiful young woman becomes trapped through supernatural means in a house after seeking shelter there. In this case it's "Emmanuelle" star Sylvia Kristel whose car breaks down in the middle of the night after she walks out on her husband and Chabrol is more interested in her journey toward emancipation than actual horror. <br/><br/>Both photographs 7 x 5 inches. Fine. Filmel unknown books
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br/><br/>Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br/><br/>Set and shot on location in New York and Massachusetts.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. United Artists unknown books
1968WRCLIT83433New York: Florin Corporation 1968. 1114 leaves modified by lettered and revised inserts. Quarto. Mimeographed typescript printed on rectos only of plain blue yellow and salmon colored stocks. Bolt bound in mimeographed stiff wrappers. Wrapper somewhat creased edgeworn and smudged annotations throughout in pencil and ink some occasional minor stains and frays but a very good and important copy utilized in the production see below. Denoted a "shooting script" but incorporating revisions spanning two months on colored and dated revises and inserts. This significantly used copy bears the ownership signatures and occasionally heavy annotations music cues and highlighting of Fred Hellerman music director for the production. Hellerman 1927 - 2016 was with Pete Seeger Lee Hays and Ronnie Gilbert an original member of the seminal American folk group the Weavers. He produced the 1967 album by Arlo Guthrie that served as the sourcework for this film ALICE'S RESTAURANT. Arthur Penn also directed the film and received an Oscar nomination for Best Director. The cast included Guthrie and Patricia Quinn in the lead with Pete Seeger Lee Hays Emmet Walsh and many others filling in a large and colorful cast. Penn and Herndon's script was nominated for a WGA Award. Florin Corporation unknown books
1979127202New York: Twentieth Century-Fox 1979. Original Program for the classic 1979 science fiction film. A striking program for what can easily be described as an essential Scott film if not his finest. <br/><br/>This deluxe program reflects Scott's use of H. R. Giger's alien designs throughout the film with landscapes just as seemingly cold as the creatures that inhabit them evolving a completely original concept of space. <br/><br/>Illustrated in full color saddle-stapled wrappers 9 x 11.75 inches. Near Fine with a hint of rubbing. Twentieth Century-Fox unknown books
1962143587N.p.: N.p. 1962. Vintage photograph from the set of the 1962 film showing Frankenheimer with camera trained on Warren Beatty. Printed mimeo snipe on the verso that refers to Beatty as the film's "exciting young star" and notes James Leo Herlihy as author of the source novel and playwright William Inge in the unusual role of screenwriter. John Frankenheimer's third film. <br/><br/>Set in Key West Florida and shot on location there. <br/><br/>8 x 10 inches. Near Fine. N.p. unknown books
1948149855Universal City CA: Universal Pictures 1948. Post-production Continuity and Dialogue script for the 1948 film. With a single holograph ink annotation to the first page.<br/><br/>Based on the 1947 play by Arthur Miller. A wealthy industrialist frames his business partner for shipping defective airplane parts during World War II resulting in his partner being sent to prison. Years later the businessman's son announces his plans to marry the daughter of the imprisoned partner forcing the businessman to confront his misdeeds.<br/><br/>White titled wrappers noted as production No. 1563 dated FEBRUARY 4 1948 with credits for director Irving Reis and actors Edward G. Robinson Burt Lancaster and others. Title page integral with the front wrapper as issued. Mimeographed rectos only. Pages Very Good plus lightly edgeworn bound with two gold brads at the top edge.<br/><br/><br/>Selby US. Spicer US. Universal Pictures unknown books
1947122575Universal City CA: Universal Pictures 1947. First Draft script for the 1948 film noir. The carbon typescript from which the mimeograph copies issued by the studio were made so noted in holograph pencil on the front wrapper in the hand of studio secretary Marion Pecht "Copy from which we mimeod 1st draft". Holograph pencil and ink corrections throughout mostly to formal names on the preliminary pages and page numbers which are re-numbered for the mimeo. <br/><br/>One of the most successful adaptations of a Broadway drama to film during the 1940s based on the 1947 play by Arthur Miller. Edward G. Robinson stars as a business owner who knowingly sold defective parts to the military during World War II resulting in the deaths of many pilots. A young Lancaster plays his son who discovers the truth and makes the painful decision to bring it to light. <br/><br/>Green titled wrappers stamped FIRST DRAFT CONTINUITY on the front wrapper rubber-stamped project No. 7534 and dated July 24 1947 corrected in holograph pencil from July 1 1947. Title page present with credits for playwright Miller and screenwriter Erskine. 152 leaves carbon typescript. Pages and wrapper Near Fine bound with three gold brads. <br/><br/>Selby US. Spicer US. Universal Pictures unknown books
1981132114Universal City CA: Universal Pictures 1981. Vintage black-and-white still photograph from the 1981 film. Features Faith Monton holding up Gene Hackman with finesse. <br/><br/>A less-known Hackman film about a forlorn fellow who has an affair with a distant cousin. <br/><br/>8 x 10 inches. Very Good plus with an ink notation on the verso and tiny corner creases. Universal Pictures unknown books
1978139861Culver City CA: Columbia Pictures 1978. Vintage US one sheet poster for the 1978 US film. Winner of four Academy Awards. <br/><br/>Often compared to Fellini's cinematic masterpiece "8 1/2" "All That Jazz" provides a comprehensive look into the tortured personal life of a highly successful entertainer. Forced to contend with his nearing mortality and confined to a hospital bed following a heart attack director Joe Gideon drifts through hallucinations and memories laced with musical numbers and theatrical routines. Based on director Bob Fosse's personal experience in show business and credited by Fosse as having been loosely inspired by Hilma Wolitzer's 1974 novel "Ending" as well. Winner of four Academy Awards in total and was nominated for another five. <br/><br/>Set in New York City shot on location in New York City. <br/><br/><br/>27 x 41 in folded. Very Good plus with light wear overall. <br/><br/>Criterion Collection 724. Columbia Pictures unknown books
140672N.p.: Montfort-Intermovie. First Draft script for an unproduced film. With annotations to the title page in holograph pencil and ink. <br/><br/>Rocky has been prospecting diamonds for five years enough to build a reputation for himself and grow tired of working in the corporate structure under a boss who owns all the land he can see and a chief of police who hates everything about him. After murdering two men sent to kill him Rocky and his large companion Big Joe head back out to an illegal diamond operation where he has already dug up four or five million dollars worth of jewels only to find the biggest haul of his life and have his boss order hundreds of police into the vast desert owned by the corporation to shoot irregulars on sight. <br/><br/>Set in South Africa. <br/><br/>Blue titled wrappers. Title page present noted as First Draft with credits for screenwriter Claude Rank. 136 leaves with last page of text numbered 135. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound with a silver prong binding. Montfort-Intermovie unknown books
1960132518Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Two vintage full-color still photographs from the 1960 US film. Blank white space at the foot of each still where film credits would later be printed. <br/><br/>A dramatic romance about a minister and his son. The son impregnates his girlfriend but with no future job or money the son is abandoned and the girlfriend goes to Yale with a young student. Redd Foxx makes his film debut as a piano player and husband-and-wife Robert Wagner and Natalie Wood make their first film appearance together. <br/><br/>8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1969140252Burbank CA: American Broadcasting Company ABC 1969. First Draft script for the 1974 television movie. <br/><br/>The wife of a bootlegger in the backwoods dies while giving birth to her seventh child and her husband falls off the roof in a drunken stupor thus leaving the seven children orphaned. Following the guidance of the oldest sibling children seek replacement parents by goading strangers with the youngest and most attractive siblings into taking them in. The new "parents" must then pass a test to see if they are qualified.<br/><br/>Set in the American South shot on location in Lebanon Tennessee. <br/><br/>Red titled wrappers with credits for screenwriter Clyde Ware. Title page present dated May 1969 noted as First draft with credits for Clyde Ware. 96 leaves with last page of text numbered 95. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two gold brads. <br/><br/> Newman p. 485. American Broadcasting Company [ABC] unknown books
1948WRCLIT70302Np: Robert Rossen Productions Inc. 1948. 294pp. only. Quarto. Mimeographed typescript printed on rectos only. Bradbound with mimeographed production company upper wrapper. Pencil notes on upper wrapper some corner creases shallow nicks to fore-edge of last leaf; good but incomplete. An incomplete copy of this version of the "Revised Final Draft" of Rossen's adaptation of Warren's novel. Rossen also directed the multi award-winning November 1949 release starring Broderick Crawford John Ireland Mercedes McCambridge John Derek and many others. A special prefatory leaf notes that as of 19 November the character name 'Floyd Covington' will be changed to 'Floyd McEvoy." It is difficult to assess precisely how many leaves were not included in this copy sent to "Mr. Bernstein" according to the pencil note on the upper wrapper but a copy of the "3rd Revised Final Shooting Script" dated 1 March 1949 included a total of 140 leaves. Scripts for this film are surprisingly uncommon and although the current example is hobbled at best a preliminary examination of early sequences shows it differs significantly from the final film. Robert Rossen Productions, Inc. unknown books
1976151337N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actor Robert Redford stepping out of a taxi with the US Capitol in the background. With holograph ink annotations on the verso. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>Based on the 1974 book by Carl Bernstein and Bob Woodward. <br/><br/>The iconic New Hollywood account of the Watergate investigation starring Redford and Dustin Hoffman in exceptionally strong performances as the Washington Post reporters who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. <br/><br/>Winner of four Academy Awards including Best Screenplay and nominated for four others.<br/><br/>7.5 x 10 inches. Near Fine. <br/><br/>National Film Registry. Spicer US Neo-Noir. N.p. unknown books
1976150124N.p.: N.p. 1976. Vintage reference photograph with horizontal margins of director Alan J. Pakula Dustin Hoffman and Robert Redford on the set of the 1976 film. <br/><br/>Based on the 1974 book by Carl Bernstein and Bob Woodward. <br/><br/>The iconic New Hollywood account of the Watergate investigation starring Robert Redford and Dustin Hoffman in exceptionally strong performances as Washington Post reporters Bob Woodward and Carl Bernstein respectively who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. <br/><br/>Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. <br/><br/>8 x 10 inches. Near Fine. <br/><br/><br/>National Film Registry. Spicer US Neo-Noir. N.p. unknown books
1974135370Burbank CA: Warner Brothers 1974. Two vintage black and white still reference photographs from the 1974 film. Both with mimeograph snipes on the verso and one with a red press crop line at the right margin. <br/><br/>Winner of four Academy Awards including Best Screenplay and nominated for four others including Best Picture and Best Director. <br/><br/>8 x 10 inches. Near Fine. Warner Brothers unknown books
1962WRCLIT52737Np: Paman Productions Inc. - Paramount Pictures Corp. 1962. 1197 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in titled stiff paper binder. Binder sunned and lightly used at overlap edges a few related pencil notes on verso of last leaf fore-margin of one leaf a bit tanned and frayed extreme upper fore- corner of another leaf torn away but very good. A preproduction draft of this important adaptation to the screen of two Pulitzer- winning literary properties Agee's 1957 novel and Mosel's 1960 adaptation of the novel to the stage. While the specific draft which the script in hand reflects is not identified its length which would translate into a film considerably longer than the eventual release length of 97 minutes suggests further revision lay ahead before shooting. The film under the direction of Alex Segal starred Jean Simmons Robert Preston John Henry Faulk Pat Hingle et al. Paman Productions Inc. - Paramount Pictures Corp. unknown books
