8 853 résultats
1963143919Paris: Ucinex 1963. Original Moyenne medium poster for the 1963 French release of the 1961 Hungarian film seen here under the French title "Les cigognes s'envolent a l'aube." Numerical notation on the verso in manuscript pencil. <br /> <br /> Based on a true love affair between a Hungarian doctor and a Russian girl during World War II. Director Mihaly Szemes' best-known film winner of a Silver Prize at the second Moscow International Film Festival in 1961.<br /> <br /> 22.25 x 30 inches folded as issued. About Near Fine lightly creased with toning at the folds. Ucinex unknown
1963143918Paris: Ucinex 1963. Original pressbook for the 1963 French release of the 1961 Hungarian film here under the French title. Black-and-white film stills surround a brief synopsis with dramatic portrait images of Samoylova and film distribution and publicity credits. <br/><br/>Based on a true love affair between a Hungarian doctor and a Russian girl during World War II. Hajnal Gabor recalls through flashback the parting words of the girl Samoylova "I'll Come Back." Direcot Szemes best-known film winner of a Silver Prize at the 2nd Moscow International Film Festival 1961. <br/><br/>Single sheet folded once vertically 9.5 x 12.5 inches. Very Good overall with small tears creases and light foxing. Ucinex unknown books
9293in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA 4/1946.les chasseurs de tête-Steve Evans –Rouletabosse par MARIN. Très bon état
9294in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA .Chasse à l’homme au pays des Jivaros. Steve Evans –Rouletabosse par MARIN. Très bon état
9295in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA . Prisonnier des pirhanas. Steve Evans –Rouletabosse et fend la bise par MARIN. Très bon état
9292in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA 12/1945.Face au monstre. Steve Evans –Jim et Jo les joyeux marins. Petit frottement au deuxième plat état
1976149638Los Angeles: Twentieth Century-Fox 1976. Vintage borderless reference photograph from the 1976 film showing actress Genevieve Bujold.<br/><br/>Based on the 1973 novella "The Bailbondsman" by Stanley Elkin. A bail bondsman falls for his most recent client a beautiful Romani woman accused of murder.<br/><br/>Shot on location in Columbia and Sonora California.<br/><br/>7 x 9.25 inches. Near Fine. Twentieth Century-Fox unknown books
1970149801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Archive of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br /> <br /> All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br /> <br /> Pappe worked as a film still and press photographer for 30 years photographing a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br /> <br /> A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on his past present and possible futures. <br /> <br /> One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1970157995N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing Donald Sutherland watching a fantasy version of himself on a camera crane. Handwritten snipe affixed to the verso.<br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Heavily influenced by Federico Fellini's "8 1/2" 1963 about an aging film director agonizing over his next project loosely based on director Paul Mazursky's own experiences after the success of "Bob and Carol and Ted and Alice" 1969. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> 8 x 10 inches. About Very Good plus with a small tear on the top edge repaired with paper tape. N.p. unknown
1970149801Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Collection of five vintage oversize double weight photographs from the 1970 film four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso all photographs with his stamp. <br/><br/>All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself with one showing the director on the set with a clapboard and crew members in front of him while a second features a holograph pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. <br/><br/>Pappe worked as a film still and press photographer for 30 years covering a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br/><br/>A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success while ruminating on this past present and possible futures. <br/><br/>One photograph 11 x 11 inches four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1976132911London: National Screen Service / EMI 1976. Vintage full-color still photograph from the 1976 UK film. <br/><br/>Based on Bill Naughton's 1970 novel sequel to his 1966 play "Alfie" basis for the 1966 film starring Michael Caine starring Alan Price as the womanizing Alfie galavanting until he meets the equally charged Abby Jill Townsend. <br/><br/>Shot on location in England and France. <br/><br/>8 x 10 inches. Near Fine. National Screen Service / EMI unknown books
1975145527London: Signal Films 1975. Shooting Script for the 1975 film. Sequel to the 1966 film "Alfie" and based on the 1970 novel by Bill Naughton. Copy belonging to director/screenwriter Ken Hughes with his heavy annotations throughout. <br/><br/>Alan Price takes on the role previously played by Michael Caine of Alfie a womanizing truck driver who finally finds a woman he wants to settle down with with tragic results. <br/><br/>Set in France and England shot on location in France and England. <br/><br/>Goldenrod wrappers with a die-cut title window. Title page present noted as Shooting Script with credits for screenwriter Ken Hughes and novelist Bill Naughton. 148 leaves with last page of text numbered 145. Mimeograph on eye-rest green stock rectos only with pink and goldenrod revision pages throughout dated variously between August 25 1974 and September 18 1974. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Signal Films unknown books
1966159144Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Bill Naughton's 1966 play set in sexy swinging 1960s London about a young working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. <br /> <br /> Set and shot on location in London.<br /> <br /> 10 x 8 inches. Near Fine lightly age toned. Paramount Pictures unknown
1966138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film. Featuring a very relaxed Michael Caine laying across the laps of his four female costars Vivien Merchant Jane Asher Julia Foster and Shelly Winters between takes. Tipped-on snipe humorously describing Michael Caine's interest in the opposite sex on the verso. <br/><br/>Based on Naughton's 1966 play about a young man from the working classes of sexy swinging 1960s London Alfie Caine in his first starring role is a confident charming ladies' man whose appetites for sex are met in the fun-loving Ruby Winters. <br/><br/>Director Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. <br/><br/>Set in London shot on location there and in Middlesex England. <br/><br/>7 x 9 inches. About Fine. Paramount Pictures unknown books
1966133573Hollywood: Paramount Pictures 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos with cropping annotations in the British style millimeters on the verso of one still and a stamp on the verso of the other still. <br/><br/>Based on Naughton's 1966 play about a young man from the working classes of sexy swinging 1960s London Alfie Caine in his first starring role who is a confident charming ladies' man whose appetites for sex are met in the fun-loving Ruby Winters. <br/><br/>Director Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique later used by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in candid style. <br/><br/>Set in London shot on location there and in Middlesex England. <br/><br/>8 x 10 inches borderless. About Near Fine. Paramount Pictures unknown books
1943130860Universal City CA: Universal Pictures 1943. Revised Final Draft script for the 1944 film. Screenwriter Hartmann's final submission for the master mimeo with profuse holograph corrections typeovers attached text and pasted-in text throughout. <br/><br/>The second of Universal's Technicolor fantasy adventures after "Arabian Nights" 1942 and "White Savage" 1943 loosely based on the classic Arabian Nights tales with a fitting score by Edward Ward to match Lubin's directorial flair. A fun but often overlooked desert romp. <br/><br/>Tan titled wrappers noted as copy No. 110 and rubber-stamped production No. 7142 dated May 25 1943 with credit for screenwriter Hartmann. 149 leaves mimeograph duplication with blue and yellow revision pages throughout dated variously between 6-1-43 and 7-24-43. Pages Near Fine wrapper Very Good bound with three gold brads. Wrapper encapsulated in mylar. <br/><br/>Weaver p. 565. Universal Pictures unknown books
1949170744Hollywood: Paramount Pictures 1949. Vintage studio still photograph from the 1949 film noir. Annotations in manuscript pencil on the verso. <br /> <br /> Loosely based on the Faust myth about a district attorney who makes a deal with the devil in order to put a criminal ringleader behind bars. <br /> <br /> 10 x 8 inches. Very Good or better lightly toned with creasing at three corners. <br /> <br /> Grant US. Selby US. Spicer US. Paramount Pictures unknown
1967162219N.p.: Screen Gems 1967. Vintage reference photograph of actor Sammy Davis Jr. in the recording studio on the set of the 1966 animated musical film holding a poster with a drawing by John Tenniel and pointing to the character Davis voiced in the movie-the Cheshire cat. <br /> <br /> A modern adaptation of Lewis Carroll's classic 1865 novel with Alice falling through the "looking glass" of the television screen into Wonderland. Originally broadcast on ABC on March 30 1966 the special featured music by composer Charles Strouse and lyricist Lee Adams best known for the Broadway production "Bye Bye Birdie" 1960. <br /> <br /> 10 x 8 inches. About Near Fine. Screen Gems unknown
1977149743N.p.: N.p. 1977. Four vintage borderless reference photographs from the set of the 1977 French film showing actress Sylvia Kristel variously with director Claude Chabrol and actors Charles Vanel and Jean Carmet.<br /> <br /> A young woman in the process of leaving her husband discovers her car's windshield has mysteriously shattered forcing her to spend the night at an isolated mansion in the countryside.<br /> <br /> Shot on location in Villennes sur Seine France.<br /> <br /> 7 x 4.5 inches. Fine. N.p. unknown
1986142613France: Filmel 1986. Two photographs for airings of the 1977 film on French public television channel France 3. <br/><br/>The first photograph for a September 6 1978 airing is borderless and shows director Chabrol and star Kristel in between takes with the stamp of photographer Robert Cohen and a mimeo snipe on the verso. <br/><br/>The second photograph for an October 2 1986 airing is of a topless Sylvia Kristel with a mimeo snipe on the verso. <br/><br/>Chabrol riffs on both "Alice in Wonderland" and the popular 1970s horror mini-genre where a beautiful young woman becomes trapped through supernatural means in a house after seeking shelter there. In this case it's "Emmanuelle" star Sylvia Kristel whose car breaks down in the middle of the night after she walks out on her husband and Chabrol is more interested in her journey toward emancipation than actual horror. <br/><br/>Both photographs 7 x 5 inches. Fine. Filmel unknown books
1969160695Beverly Hills CA: United Artists 1969. Two vintage studio still photographs from the 1969 film both showing Tina Chen and Arlo Guthrie.<br /> <br /> Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br /> <br /> Set and shot on location in New York and Massachusetts.<br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br /> <br /> Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br /> <br /> Set and shot on location in New York and Massachusetts.<br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1969149517Beverly Hills CA: United Artists 1969. Collection of five vintage borderless reference photographs taken on the set of the 1969 film. Included are: 1 a shot of Arlo Guthrie on a motorcycle next to Michael McLanahan 2 a shot of director Arthur Penn producer Hillard Elkins and another crew member on motorcycles 3 a shot of McLanahan Penn and actress Patricia Quinn working on a scene 4 Guthrie with Quinn and 5 Guthrie with a donkey and members of the cast.<br/><br/>Based on Arlo Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. <br/><br/>Set and shot on location in New York and Massachusetts.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. United Artists unknown books
1968WRCLIT83433New York: Florin Corporation 1968. 1114 leaves modified by lettered and revised inserts. Quarto. Mimeographed typescript printed on rectos only of plain blue yellow and salmon colored stocks. Bolt bound in mimeographed stiff wrappers. Wrapper somewhat creased edgeworn and smudged annotations throughout in pencil and ink some occasional minor stains and frays but a very good and important copy utilized in the production see below. Denoted a "shooting script" but incorporating revisions spanning two months on colored and dated revises and inserts. This significantly used copy bears the ownership signatures and occasionally heavy annotations music cues and highlighting of Fred Hellerman music director for the production. Hellerman 1927 - 2016 was with Pete Seeger Lee Hays and Ronnie Gilbert an original member of the seminal American folk group the Weavers. He produced the 1967 album by Arlo Guthrie that served as the sourcework for this film ALICE'S RESTAURANT. Arthur Penn also directed the film and received an Oscar nomination for Best Director. The cast included Guthrie and Patricia Quinn in the lead with Pete Seeger Lee Hays Emmet Walsh and many others filling in a large and colorful cast. Penn and Herndon's script was nominated for a WGA Award. Florin Corporation unknown books
1988169170Los Angeles: Twentieth Century-Fox 1988. Vintage film program for the 1988 film. Bi-fold with a two color front panel and full credits in the interior spread.<br /> <br /> In 1988 Earth makes first contact with an alien civilization and in 1991 after three years of quarantine the "Newcomers" are slowly integrated into society. Mandy Patinkin stars as Sam Francisco the first "Newcomer" police officer partnered with a racist police officer James Caan to investigate a homicide.<br /> <br /> Set in and shot on location in Los Angeles. <br /> <br /> The film spawned a short-lived Fox television series 1989-1990 five Fox network television movies 1994-1997 as well as eight comic books 1988-1992 and eight novels 1993-1995.<br /> <br /> 9 x 11.5 inch Bi-fold. Very Good with light overall rubbing and creasing to the extremities. Twentieth Century-Fox unknown
