4 025 résultats
1961132149London: S. F. Film Distributors / Girosign 1961. Vintage black-and-white still photograph from the UK release of the 1961 French film. Distributor rubber-stamp on the verso. <br/><br/>A young man is enamored by the daughter of King Louis XI and will stop at nothing to get her hand and dowry in marriage including kidnapping. <br/><br/>8 x 10 inches. Very Good plus with light corner creases. S. F. Film Distributors / Girosign unknown books
1977WRCLIT69501Los Angeles: Warner Brothers 1977. 11321 leaves plus lettered inserts. Quarto. Mechanically reproduced typescript printed on rectos only of white blue and salmon stock. Bradbound in studio wrappers. Inner top corner of lower wrapper and terminal leaf a bit dust-tanned small spot on lower wrapper typical modest use at overlap wrapper edges but very good or better. Copy #3 of this "Final Draft" of Newman's adaptation to film of Price's 1976 novel but evidencing further revisions over the 8 week stretch noted above. Robert Mulligan directed the Fall 1978 release starring Paul Sorvino Richard Gere Tony Lo Bianco et al. Marcus's screenplay was nominated for both Academy and WGA awards. Newman had a distinguished career as screen and television writer going back to the 1950s with credits on THE MAN WITH THE GOLDEN ARM CAT BALLOU and uncredited work on THE MAGNIFICENT SEVEN. In 1986 with THE COLOR OF MONEY for which he received an Oscar nomination Price emerged in his own right as a significant screen and television writer. Warner Brothers unknown books
1953132550London: Twentieth Century-Fox 1953. Collection of 4 vintage full-color British front-of-house cards from the UK release of the 1952 US film. <br/><br/>A well received and a still appreciated film based on a story of the same title in Damon Runyon's 1931 collection "Guys and Dolls" a Haycraft-Queen Cornerstone. Mitzi Gaynor stars as a backwoods babe with a knack for song-and-dance that she uses to impress a few bigwigs in New York she then becomes a belle of Broadway. They also take a liking to her bloodhounds. <br/><br/>8 x 10 inches. Light toning and a few faint creases overall else Near Fine. <br/><br/>Hirschhorn p. 330. Twentieth Century-Fox unknown books
1969150696N.p.: Constitution Films 1969. Collection of eight vintage studio still photographs from the 1970 film.<br/><br/>Andy Milligan was a notorious off-off-Broadway theatre figure and inadvertently got into filmmaking as a means of making money for projects relating to the stage. His surreal films several now lost were a staple of the 1970s grindhouse circuit in New York and elsewhere. Milligan is the subject of a recent long overdue and massive career retrospective called THE GHASTLY ONE published by FAB Press.<br/><br/>Based on the legend of Sweeney Todd. A barber murders people for their meat which he sends to his neighbor and romantic interest the owner of a pie shop. <br/><br/>Set and shot on location in London.<br/><br/>10 x 8 inches. Most Near Fine two Very Good plus with moderate edgewear.<br/><br/>Complete collation details available on request.<br/><br/>Thrower Nightmare USA. Constitution Films unknown books
1981142167US: Cinema 77 / Geria Productions / Filmways 1981. Collection of eight vintage borderless color photographs from the 1981 film. <br/><br/>Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br/><br/>Shot on location in Philadelphia. <br/><br/>7 x 9.5 inches. Fine. <br/><br/>Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown books
1981132103N.p.: Filmways Pictures 1981. Vintage black-and-white still photograph from the 1981 film. <br/><br/>A De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction."<br/><br/>8 x 10 inches. About Near Fine. Filmways Pictures unknown books
1981142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. <br/><br/>Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br/><br/>Shot on location in Philadelphia. <br/><br/>7 x 9.5 inches. Fine. <br/><br/>Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
1980138685N.p.: Self published 1980. Early Draft script agency copy for the 1981 film "Blow Out" here under the working title "Personal Effects." <br/><br/>A noirish De Palma highspot with influences from Antonioni's "Blow-Up" and Francis Ford Coppola's "The Conversation." A fine role for John Travolta who would experience a slight career dip and bounce back hard with Quentin Tarantino's "Pulp Fiction." Considered by many to be the finest of the director's films of the 1980s a paranoid thriller that is visually arresting from start to finish as well as what Criterion calls .".a devilish reflection on moviemaking." A favorite of the fickle Pauline Kael and the answer to your child's question "Daddy did John Travolta ever make a good film"<br/><br/>Untitled blue wrappers. Title page present dated 1980 with a credit for De Palma. 107 leaves with last page of text numbered 102. Xerographic duplication with photocopied punch holes. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Criterion Collection 502. Grant p. 80. Spicer p. 425. Self published unknown books
1966148795N.p.: N.p. 1966. Collection of 20 vintage borderless photographs from the 1966 film 18 reference photographs and 2 fashion photographs of Rosaleen Murray and Ann Norman. Mimeo snipes on the verso of three of the photographs. <br/><br/>Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.<br/><br/>Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br/><br/>In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian."<br/><br/>Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay.<br/><br/>8 x 10 inches. Lightest edgewear else Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown books
1973132849London: Mallard Productions 1973. Vintage black-and-white still photograph from the 1973 UK release of the 1973 English-Canadian film. Mimeograph snipe and cropping annotations on the verso. <br/><br/>Oliver Reed stars as a satanic butler who kills his lord's son during his acid trip. <br/><br/>8 x 10 inches. Some toning and tiny corner creases else Near Fine. Mallard Productions unknown books
1988144294Los Angeles: Paramount Pictures 1988. Third Draft for an unproduced film. <br/><br/>Mike is an unruly teenage boy who gets sent to a psychiatric hospital after being charged with stealing a car. <br/> <br/>Gray untitled wrappers. Title page present dated November 4 1988 noted as Third Draft with credits for screenwriter Maxine Herman.125 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Paramount Pictures unknown books
1965147218Los Angeles: Twentieth Century-Fox Television 1965. First Draft script for the 14th and final episode of the first and only season of "Blue Light" originally aired on ABC on May 18 1966. With holograph ink annotations to the cast list noting the names of prospective actors for each role.<br/><br/>An American spy living in Germany during World War II receives orders to kill a scientist who appears to be completing an atomic bomb for the SS but soon realizes the man may be working against the Nazis after all.<br/> <br/>Set in Germany. <br/><br/>Red titled wrappers noted as FIRST DRAFT on the front wrapper dated DECEMBER 22 1965. Title page present dated December 22 1965 noted as FIRST DRAFT with credits for screenwriter Harold Livingstone. 36 leaves with last page of text numbered 33. Mimeographed on eye-rest green stock rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown books
1969149414Munich: Constantin-Film 1969. Collection of four vintage borderless reference photographs from the 1969 German release of the US film. With printed mimeo snipes on the verso. <br/><br/>Andy Warhol's final film an attempt to represent sex between a man and a woman Warhol superstars Louis Waldon and Viva respectively as naturalistically as possible. A groundbreaking influential production insofar as it was the first adult film to receive wide theatrical release in the US.<br/><br/>Set and shot on location in New York.<br/><br/>7 x 5 inches. Near Fine. Constantin-Film unknown books
1971132201Los Angeles: National Screen Service Corporation 1971. Vintage full-color still photograph from the 1971 documentary film. <br/><br/>Documents the hunt for a great white shark covering thousands of miles of the Earth's oceans and finally culminating in a sighting near Australia. Marks the first time a great white shark was ever captured on 35mm film. <br/><br/>8 x 10 inches. A few tiny creases else Near Fine. National Screen Service Corporation unknown books
1963148754New South Wales: Embassy Pictures 1963. Collection of 16 vintage studio still photographs from the 1963 film.<br/><br/>Based on French serial killer Henri Desire Landru.<br/><br/>During World War I Henri Landru Charles Denner supplements his income by luring middle-class women through newspaper ads to a villa outside Paris where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed.<br/><br/>Shot on location in Paris and Gambais France. <br/><br/>8 x 10 inches. Very Good plus. Light creasing in margins three with pinholes to corners one with notable creasing in left margin. <br/><br/>Complete collation details available on request.<br/><br/>Grant France. Embassy Pictures unknown books
1972144229N.p.: Gloria Films 1972. Vintage borderless photograph from the 1972 film showing Richard Burton and Raquel Welch in an eerie moment before a kiss. With holograph annotations in black marker and pencil and three press agency stamps on the verso. <br/><br/>Another addition to the many renditions of the Bluebeard tale in which the wealthy Baron von Sepper Richard Burton repeatedly murders and stores the bodies of his dead wives. This time his spouse and potential victim is Anne Joey Heatherton an American woman who must find a way to save herself after finding a freezer full of women in his castle. <br/><br/>Shot on location in Budapest Hungary and Rome Italy. <br/><br/>10.5 x 8 inches. Near Fine. Gloria Films unknown books
1990143683Pasadena CA: Night Train Films 1990. Draft script for an unproduced film. <br/><br/>Set in the 1930s United States. Jack faces the hardships of unemployment jail and a future without promise. He is driven mad ultimately torching the last of what he has in a frenzy. <br/><br/>Black untitled wrappers. Title page present with credits for screenwriter James Elliot. 131 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with three gold brads. Night Train Films unknown books
1973149800Burbank CA: Warner Brothers 1973. Collection of 12 vintage oversize borderless double weight photographs from the 1973 film. Eight photographs with the stamp of photographer Alan Pappe on the verso one photograph additionally SIGNED by the photographer. Five with holograph annotations on the verso identifying either the film the subjects or location of the photograph one bearing the annotated date "1972." <br/><br/>Pappe worked as a film still and press photographer for 30 years covering a who's who of film and music stars including iconic images of Sharon Tate Jimi Hendrix and Liza Minnelli as well as album cover for the "Grease" soundtrack album and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. <br/><br/>A high-powered divorce attorney struggles with the end of his own marriage after he is caught having an affair only to discover his still in love with his ex-wife. <br/><br/>Photographs variously sized between 11.75 x 9.25 and 13 x 10 inches with most being 13.75 x 9.25 inches. Near Fine. Warner Brothers unknown books
1972148721Burbank CA: Warner Brothers 1972. Final Draft script for the 1973 film here under the working title "Love in Blume." Single numeric annotation in holograph marker on front wrapper. <br/><br/>Paul Mazursky followed his acclaimed film "Bob & Carol & Ted & Alice" 1969 with this sharp romantic comedy about Stephen Blume George Segal who after cheating on his wife Nina Susan Anspach realizes he cannot live without her. Nina naturally has already dumped him and what follows is a poignant and comedic film about the complexity of modern marriage. <br/><br/>Shot on location in Venice Italy and California. <br/><br/>Yellow titled wrappers noted as FINAL on the front wrapper dated July 11 1972. Distribution page present with receipt intact. Title page present dated 7/11/72 with credits for screenwriter Paul Mazursky. 135 leaves with last page of text numbered 133. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus wavy with creasing and light edgewear bound with two gold brads. Warner Brothers unknown books
1973139887Burbank CA: Warner Brothers 1973. Vintage US insert poster for the 1973 US film. <br/><br/>Paul Mazursky follows his acclaimed film "Bob & Carol & Ted & Alice" with this sharp romantic comedy about a cheater who after cheating on his wife realizes he cannot live without her. The wife naturally has already dumped him and what follows is a poignant and comedic film about the complexity of modern marriage. <br/><br/>Shot on location in Venice Italy and California. <br/><br/>14 x 36 in unfolded. Very Good plus with a crease through the center. Warner Brothers unknown books
1969150647Culver City CA: Columbia Pictures 1969. Collection of eight vintage studio still photographs from the 1969 film. With a stamp noting production No. 69-304 on the bottom right corner of the recto. <br/><br/>Quintessential New Hollywood comedy-drama about two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards including Best Original Screenplay.<br/><br/>Set and shot on location in Nevada and California.<br/><br/>10 x 8 inches. Near Fine.<br/><br/>Complete collation details available on request. Columbia Pictures unknown books
1969128245Culver City CA: Columbia Pictures 1969. Original US one sheet poster for the 1969 film. Nominated for several Academy Awards BAFTA awards Golden Globes Laurel Awards and many more. Winner of a few Film Critics awards and a Writer's Guild Award in 1970. <br/><br/>A superb Natalie Wood vehicle one of several movies made in the late 1960s and early 1970s about group therapy and its relationship to marriage monogamy and sex.<br/><br/>27 x 41 inches folded. Studio stamp on the verso. Very Good plus with a few pinholes and a couple of pieces of masking tape and corresponding tape ghosts to the verso. Columbia Pictures unknown books
1968145860Hollywood: M.J. Frankovich Productions 1968. Final Draft script for the 1969 film. With a single holograph notation on the title page.<br/><br/>Quintessential New Hollywood comedy-drama about two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards including Best Original Screenplay.<br/><br/>Set and shot on location in Nevada and California.<br/><br/>Yellow titled wrappers. Title page present dated September 5 1968 noted as FINAL DRAFT with credits for screenwriters Paul Mazursky and Larry Tucker. 150 leaves with last page of text numbered 139. Mimeographed rectos only with blue and yellow revision pages throughout dated variously between September 9 1968 and October 29 1968. Pages Very Good wrapper Very Good plus bound internally with three gold brads. M.J. Frankovich Productions unknown books
1956152432N.p.: N.p. 1956. Vintage oversize borderless reference photograph from the 1956 French film noir showing actor Roger Duchesne surrounded by Gallic toughs. With holograph ink annotations to the verso. <br/><br/>Faced with an unlucky streak and debts to pay a former bank robber turned gambler plans a heist of the Deauville casino during Grand Prix weekend. A key French New Wave antecedent and core French film noir.<br/><br/>Set and shot on location in the Montmartre district in Paris and Calvados France.<br/><br/>9.5 x 12 inches with a small bottom margin. Near Fine with some light edgewear.<br/><br/>Criterion Collection 150. Grant France. Ebert II. Lee The Heist Film. Selby France. N.p. unknown books
1947145154Beverly Hills CA: United Artists 1947. Vintage linen backed keybook photograph of cinematographer James Wong Howe actress Lilli Palmer and members of the crew on the set of the 1947 film noir. Holograph annotations on the verso. <br/><br/>Considered by many to be amongst the best boxing films of all time as well as one of the great 1940s noirs. "Body and Soul" tells the story of a man who became a successful boxer to support himself and his mother after his father is killed but who realizes that he has slowly lost his integrity somewhere along the way. Winner of an Academy Award and nominated for two others. <br/><br/>Shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant US. Hardy The BFI Companion to Crime. Selby Canon US. Silver Classic Noir. Spicer US. United Artists unknown books