8 853 résultats
163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. <br /> <br /> In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues."<br /> <br /> Shot on location in San Diego Los Angeles Glendale and Long Beach.<br /> <br /> Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown
1945155840Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Vintage borderless reference photograph from the 1945 film showing actors Gene Kelly and Frank Sinatra. Printed mimeo snipe affixed to the verso along with the stamp of Cinema International Corporation. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly followed by "Take Me Out To The Ball Game" and "On the Town" 1949. <br /> <br /> Set and shot on location in Hollywood. <br /> <br /> 8 x 10 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1945159128Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Vintage studio still photograph from the 1945 film showing actors Gene Kelly and Frank Sinatra with then-child actor Dean Stockwell. <br /> <br /> A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly followed by "Take Me Out To The Ball Game" and "On the Town" 1949. <br /> <br /> Set and shot on location in Hollywood. <br /> <br /> 10 x 8 inches. Very Good plus evenly toned with light creasing at the corners. Metro-Goldwyn-Mayer [MGM] unknown
1972135242Paris: Twentieth Century-Fox 1972. Two vintage borderless black-and-white reference still photographs from the 1972 French film "La course du lievre a travers les champs" release in the US as "And Hope to Die." Featured is a rare still of director Clement brandishing a rifle and a still of actor Trintignant contemplating the true value of a ten-dollar bill. <br /> <br /> Loosely based on David Goodis' 1954 seminal hardboiled novel "Black Friday" a paperback original. A French fugitive heads for Canada and ends up joining a gang of criminals in the midst of kidnapping the mentally-challenged daughter of a rival crimelord. The plan goes accordingly until the girl accidentally dies. <br /> <br /> Shot on location in Quebec Canada and Hauts-de-Seine France. <br /> <br /> Both stills 7 x 9.25 inches borderless as issued. Ink annotations on the versos else Near Fine overall. Twentieth Century-Fox unknown
1940131332Los Angeles: Self published 1940. First Draft script for an unproduced film titled "And Now Goodbye" an adaptation of the 1931 novel by James Hilton adapted by the author. Included are three typed letters signed by Hilton. Included with the script are three typed letters signed by Hilton addressed to producer Lester Cowan and variously written on Warner Brothers Columbia Pictures and RKO Radio Pictures letterhead dated October 24 1939 May 14 1940 and May 22 1940 respectively.<br /> <br /> In the letters Hilton discusses his negotiations with Laurence Olivier about the project having lunch with Mrs. Hitchcock and giving her the script hoping she'd impress her husband with it how the war has affected show business his book writing and his transfer from Columbia to RKO.<br /> <br /> Hilton began writing the script 15 days after the release of "Lights Out in Europe" a short war documentary with which he was involved released six months before Hitchcock's "Foreign Correspondent" which also featured dialogue written by Hilton.<br /> <br /> Blue titled wrappers noted as First Draft on the front wrapper dated April 29 1940 with credits for screenwriter Hamilton. Title page present dated April 29 1940 noted as FIRST DRAFT with credits for screenwriter Hamilton. 128 leaves carbon typescript on onionskin stock. Pages Good plus wrapper Poor now encapsulated in archival mylar bound with two gold brads. Self published unknown
1940131332Los Angeles: Self published 1940. First Draft script for an unproduced film titled "And Now Goodbye" an adaptation of his 1931 novel. Included are three typed letters signed by Hilton. Each letter is from Hilton to producer Lester Cowan on Warner Bros. Columbia Pictures and RKO Radio Pictures letterhead dated October 24 1939 May 14 1940 and May 22 1940 respectively. <br/><br/>In the letters Hilton discusses his negotiations with Laurence Olivier about the project having lunch with Mrs. Hitchcock and giving her the script hoping she'd impress her husband with it how the war has affected show business his book writing and his transfer from Columbia to RKO. <br/><br/>Hilton began writing the script 15 days after the release of "Lights Out in Europe" a short war documentary he wrote commentary for six months before the release of Hitchcock's "Foreign Correspondent" with dialogue from Hilton. Set in and around the dilapidated fictional town of Browdley. <br/><br/>Blue titled wrappers noted as First Draft on the front wrapper dated April 29 1940 with credits for screenwriter Hamilton. Title page present dated April 29 1940 noted as FIRST DRAFT with credits for screenwriter Hamilton. 128 leaves carbon typescript on onionskin stock. Pages Good plus wrapper Poor now encapsulated in archival mylar bound with two gold brads. Self published unknown books
1974132718Los Angeles: AVCO Embassy Pictures 1974. Vintage black-and-white still photograph from the 1975 US release of the 1974 French film promoted in the US in 1974. Mimeograph snipe affixed to the verso. <br/><br/>A time-jumping romance showcasing the lives to two lovers taking place over a century and several continents. <br/><br/>Shot on location in Israel New York and Turkey. <br/><br/>8 x 10 inches. Toning from the tape on the verso else Near Fine. AVCO Embassy Pictures unknown books
1944132072Hollywood: Paramount Pictures 1944. Original US half sheet poster for the 1944 film based on the 1942 best seller by Rachel Field. Chandler's second screenwriting credit and the only non-crime screenplay of his career. <br /> <br /> 28 x 22 inches mounted on board. Near Fine with some minor professional restoration. Paramount Pictures unknown
1944001649Hollywood: Paramount Studios 1944. Chandler Raymond. AND NOW TOMORROW. Hollywood: Paramount 1944. 16 Near Fine original roughly 8" by 10" glossy vintage black & white publicity and scene stills from the movie 11 of which are studio-stamped and double-weight. A rare collection of images from one of only six Hollywood film scripts written by mystery writer Raymond Chandler. Alan Ladd plays a doctor trying to cure deaf Loretta Young even as evil Susan Hayward is scheming ways to steal Barry Sullivan Loretta's husband away from her. The film was directed by Irving Pichel "Jezebel" "The Moon Is Down" "They Won't Believe Me" who was later black-listed and victimized by the infamous McCarthy red scare witch hunt which led to his early death in 1954. Plenty of Chandler touches in the characterizations. An interesting collection in exceptional original condition. First Edition. Near Fine. Photograph. Paramount Studios unknown books
1944132072Hollywood: Paramount Pictures 1944. Original US half sheet poster for the 1944 film based on the 1942 best seller by Rachel Field. Chandler's second screenwriting credit and the only non-crime screenplay of his career. <br/><br/>28 x 22 inches mounted on board. Near Fine with some minor professional restoration. Paramount Pictures unknown books
1943133635Hollywood: Paramount Pictures 1943. Revised Draft script for the 1943 film. Co-written for the screen by Raymond Chandler and Frank Partos. Chandler's contribution to the script had mostly to do with Alan Ladd's character and his tough dialogue elements sneered at by the media upon the film's release. Laid in is an 8-page shooting schedule on blue stock a 6-page revision to sequence "A" on yellow onionskin stock and 14 pages of "inter-office communication" on yellow studio stationery comments on scenes sequences and pages of the script. <br/><br/>Based on Rachel Field's 1942 novel about Emily Blair Loretta Young a wealthy deaf girl whose hometown is named for her family. Doctor Vance Ladd who grew up on the other side of town resents the Blair family but is working on a serum to cure deafness which he tries on Emily and she is eventually cured. <br/><br/>One of only five screenplays written by Chandler this being the second following his script for the classic "Double Indemnity" 1944 based on James M. Cain's novel. <br/><br/>Chandler had a tumultuous career in Hollywood including a suspension in late 1945 from Paramount for "refusing to perform under a contract which is not a proper expression of my standing in the motion picture business" but his influence on film adaptation is nearly unmatched with scripts and stories that pushed the limits of the Production Code Administration. <br/><br/>Script:<br/><br/>White self wrappers production No. SF 8577 dated December 3 1943 with credits for screenwriters Partos and Chandler. Title page integral with front wrapper in the Paramount style. 137 leaves mimeograph duplication with blue and light blue revision pages throughout dated variously between 1/11/43 possibly a typo and 3/30/44 other leaves dated variously between 12/3/43 and 12/5/44 possibly a typo. Pages Near Fine wrapper now encapsulated in mylar with cello tape and spine label remnants bound with two gold brads. <br/><br/>Shooting Schedule:<br/><br/>Corner-stapled blue stock noted as 4TH TENTATIVE BLUE / BASED ON A-B-C-D-E PART SEQUENCES dated 12/13/43 start and 2/9/44 close with credits for director Pichel assistant director O. Oscar Rudolph and businessmanager B. Bernard McEveety. 8 pages folded horizontally rust to the staple else Near Fine. <br/><br/>Revision:<br/><br/>Yellow onionskin stock loose but bound with a paperclip. Holograph annotations in pencil to the last leaf recto and verso detailing a few scene changes. 6 pages folded horizontally paperclip indentation and rust to the clip else Near Fine. <br/><br/>Inter-Office Communication:<br/><br/>Corner-stapled yellow studio stationery dated variously between 2/15/43 and 1/3/44. The earliest dated page contains notes on the script noting Talbot Jennings as the screenwriter. 14 pages hole punches at the top edges rust to the staples else Near Fine. <br/><br/>Luhr Raymond Chandler and Film US. MacShane US. Paramount Pictures unknown books
1960132177Beverly Hills CA: National Screen Service / United Artists 1960. Vintage black-and-white still photograph from the 1960 US release of the 1957 Soviet Union film. <br/><br/>Base on the novel by Mikhail Sholokhov about the life of a villager in southern Russia between 1912 and 1922. The director's cut was 6 hours long. <br/><br/>8 x 10 inches. Near Fine. National Screen Service / United Artists unknown books
1979147030N.p.: N.p. 1979. Draft script for an unproduced television film. <br /> <br /> After being paralyzed from the waist down by a car accident a young girl finds her spirit again with the help of a horse named Rainbow at a physical rehabilitation ranch for children. <br /> <br /> Set in Santa Cruz California.<br /> <br /> Orange untitled wrappers. Title page present dated November 1979 with credits for screenwriters Lawrence J. Serefine and Hal Price. 74 leaves with last page of text numbered 72. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three silver brads. N.p. unknown
1966159977N.p.: N.p. 1966. Vintage borderless double weight reference photograph of director Andrei Tarkovsky talking with actor Nikolay Grinko on the set of the 1966 film. Annotations in manuscript ink and pencil on the verso along with a Photofest label. <br /> <br /> Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 7.5 x 5.5 inches. Very Good plus. <br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966168501N.p.: N.p. 1966. Two vintage oversize borderless reference photographs from the 1966 Russian film showing and Anatoliy Solonitsyn as Rublev and Nikolay Burlyaev from the "Bell" sequence respectively. One with "Cinematheque Française" stamps on the verso.<br /> <br /> Andrei Tarkovsky's sprawling 15th century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 11.75 x 9.25 inches. Very Good plus.<br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966152363N.p.: N.p. 1966. Vintage reference photograph from the 1966 Russian film showing actress Irma Raush.<br /> <br /> Director Andrei Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966164231Paris: Télérama 1966. Vintage borderless reference photograph from the 1966 film showing actress Irma Raush. Provenance stamps and annotations in manuscript ink on the verso. <br /> <br /> Andrei Tarkovsky's sprawling 15th century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 7 x 5 inches. Very Good plus. <br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. Télérama unknown
1966152363N.p.: N.p. 1966. Vintage reference photograph from the 1966 Russian film showing actress Irma Raush.<br/><br/>Director Andrei Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br/><br/>Set in medieval Russia shot on location in Moscow. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
12241Une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAUD S.A éditeur troisième trimestre 1975. 18 titres au dernier plat. ISBN n°0002 205 00910 9. Edition originale.
1987144579Los Angeles: Carolco 1987. Vintage photograph of Alan Parker and Mickey Rourke on the set of the 1987 film sporting the fashions of the day. With holograph annotations and agency stamp on the verso. <br/><br/>Private detective Harold Angel Mickey Rourke is hired by a mysterious Louis Cyphre Robert De Niro to track down the whereabouts of a popular singer Johnny Favorite. The search brings Angel to New Orleans where each person he contacts promptly meets their death leading him to realize the presence of supernatural forces surrounding the investigation. <br/><br/>Shot on location in New York and Louisiana. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Grant Worlwide. Spicer US Neo-Noir. Carolco unknown books
1987139498Culver City CA: TriStar Pictures 1987. Two vintage black-and-white studio still photographs from the 1987 film. <br/><br/>Louis Cyphre Robert De Niro hires detective Harry Angel Mickey Rourke ostensibly to track down a big band singer he made a deal with years ago. However a string of gruesome murders follows in Angel's path and the unnerved detective gradually begins to uncover Cyphre's true intentions. The film stirred controversy for the graphic sex scene between the young Lisa Bonet and Rourke. Parker threatened with an X rating was forced to cut 10 seconds from the scene. At the time Bonet was best known for her role in "The Cosby Show." Generally considered the director's masterpiece and an essential supernatural horror film of the 1980s. Based on William Hjortsberg's 1978 novel "Falling Angel." <br/><br/>Set in New York and New Orleans and shot on location in both places. <br/><br/>8 x 10 inches. Fine. <br/><br/><br/>Grant p. 32. Spicer p. 424. TriStar Pictures unknown books
1937137977Hollywood: Paramount Pictures 1937. Vintage sepia double weight photograph for the 1937 film showing the director and star relaxing on the set. Based on the play "Angyal" by Hungarian playwright Melchior Lengyel. <br/><br/>8 x 10 inches. Near Fine. Paramount Pictures unknown books
1968147011N.p.: N.p. 1968. Treatment script for an unproduced television series. <br /> <br /> An elite team of beautiful highly educated young women work in tandem with an international hotel chain to provide services for guests upon request-whether that be a dining date private hostess tennis partner interpreter or whatever "the busy traveler far away from home" needs.<br /> <br /> Red untitled card wrappers. Title page present dated 3/29/68 with credits for screenwriter MARCIA BORIE and story credits to CHARLES BRONSON. 20 leaves with last page of text numbered 19. Carbon typescript on onionskin stock rectos only. Pages Very Good plus wrapper Very Good bound with three gold brads. N.p. unknown
1974150799N.p.: Calneva International 1974. Five vintage studio still photographs from the 1974 adult film mounted as issued by the distributor on a presentation card. <br /> <br /> Cards 10 x 8 inches. Presentation card 14 x 11 inches. Lobby cards and presentation cards Very Good plus. Calneva International unknown
1974150799N.p.: Calneva International 1974. Collection of five vintage studio still photographs from the 1974 adult film mounted as issued by the distributor on a presentation card. <br/><br/>Cards 10 x 8 inches. Presentation card 14 x 11 inches. Lobby cards and presentation cards Very Good plus. <br/><br/>Complete collation details available on request. Calneva International unknown books
