8 853 résultats
1980141679N.p.: N.p. 1980. Original Treatment script for an unproduced film. <br/><br/>The wife of a wealthy Los Angelean developer realizes that her mother has become homeless and has been living on the street for six months after having lost the money her husband left her when he died. The discover forces the developer to realize that the "under-utilized" area he was seeking to raze and rebuild will displace low-income people already in distress and he rethinks his plans. <br/><br/>Title page present with credits for screenwriter Lindsay Flickinger. 19 leaves with last leaf of text numbered 18. Xerographically duplicated. Pages Near Fine lacking wrapper bound with a staple. N.p. unknown books
1957168227Beverly Hills CA: United Artists 1957. Vintage studio still photograph from the 1957 film.<br /> <br /> A major in the US Air Force is asked to join a team working on an experimental Boeing B-47 Stratojet bomber although the first experiments with human test subjects prove dangerous. Based on a 1955 episode of the "Climax" anthology television series directed by John Frankenheimer and starring Charlton Heston. <br /> <br /> 10 x 8 inches. Lightly toned on the margins else Near Fine. United Artists unknown
WRCLIT67914Np nd. 1113 leaves. Quarto. Photomechanically reproduced typescript printed on rectos only. Bradbound without wrappers. Title lettered on spine top leaf a bit torn and mended around brads else good. An unspecified draft of this unproduced screenplay by the novelist / screenwriter set in the context of New Orleans professional basketball. unknown books
1965151461N.p.: N.p. 1965. Four vintage reference photographs from the 1965 film. <br /> <br /> A blind musician Ray Charles playing himself helps a blind boy and his down-on-their-luck family including the boy's overprotective mother and her hard-drinking composer boyfriend.<br /> <br /> Shot on location in Paris and London. <br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1964150646Los Angeles: Twentieth Century-Fox 1964. Seven vintage studio still photographs of musician Ray Charles in performance from the 1964 film. <br /> <br /> A blind musician Ray Charles playing himself helps a blind boy and his down-on-their-luck family including the boy's overprotective mother and her hard-drinking composer boyfriend.<br /> <br /> Shot on location in Paris and London. <br /> <br /> 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1965151461N.p.: N.p. 1965. Collection of four vintage reference photographs from the 1965 film. <br/><br/>A blind musician Ray Charles playing himself helps a blind boy and his down-on-their-luck family including the boy's overprotective mother and her hard-drinking composer boyfriend.<br/><br/>Shot on location in Paris and London. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. N.p. unknown books
1970141097Beverly Hills CA: Jerry Adler Productions 1970. Draft script for an unproduced film. <br /> <br /> A drama about the no-man's land between the Nueces River and the Rio Grande technically claimed by America but unofficially belonging to bands of roving outlaws and social outcasts. <br /> <br /> Set in Texas. <br /> <br /> Black titled wrappers. Title page present with credit for screenwriter Herman Groves. 127 leaves with last page of text numbered 124. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Jerry Adler Productions unknown
1974162149N.p.: Sociéte Nouvelle de Cinematographie SNC 1974. Collection of eleven vintage borderless lobby cards for the French release of the 1974 Italian film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> A lawyer agrees to marry a teenage girl with an intellectual disability in order to access her wealthy mother's properties planning to have the girl kidnapped after the marriage only to find himself falling in love with her.<br /> <br /> 11.5 x 9.75 inches. Near Fine. Sociéte Nouvelle de Cinematographie [SNC] unknown
159835New York: Rollins and Joffe Productions 1970. Draft script for the 1971 film. Annotations in manuscript ink on the title page striking the working title "El Weirdo." <br /> <br /> The draft notably features the film's original ending which Woody Allen's editor Ralph Rosenblum convinced him to replace showing Allen emerging from a bombing in inadvertent sooty blackface and participating in a Black uprising on a university campus.<br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries. Allen's third feature film the first in which he had nearly full creative control and the third and final film he wrote with Mickey Rose. Preceded by "What's Up Tiger Lily" 1966 and "Take the Money and Run" 1969.<br /> <br /> Set in the fictional "banana republic" of San Marcos and shot on location in New York and Puerto Rico. <br /> <br /> Black Studio Duplicating Service wrappers with a rubber stamped titled label. Title page present dated March 24 1970 with credits for screenwriters Woody Allen and Mickey Rose. 126 leaves with last page of text numbered 116. Mimeograph duplication rectos only with pink yellow and green revision pages throughout dated variously between 4-28-70 and 4-30-28. Pages Near Fine wrapper Very Good plus bound with two gold screw brads. Rollins and Joffe Productions unknown
1971149552N.p.: N.p. 1971. Vintage publicity photograph from the 1971 film showing director Woody Allen behind a pile of bananas. With the stamp of London Press Photos Ltd. on the verso along with manuscript pencil annotations regarding layout. <br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br /> <br /> Shot on location in New York and Puerto Rico.<br /> <br /> 8 x 10 inches. Very Good plus with a few tiny nicks and a small faint splash to the bottom edge. N.p. unknown
1971159146N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film showing director Woody Allen and actress Louise Lasser. Printed mimeo snipe affixed to the verso along with annotations in manuscript ink and pencil regarding cropping. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br /> <br /> Shot on location in New York and Puerto Rico.<br /> <br /> 10 x 8 inches. Near Fine. N.p. unknown
1971149552N.p.: N.p. 1971. Vintage publicity photograph from the 1971 film showing director Woody Allen behind a pile of bananas. With the stamp of London Press Photos Ltd. on the verso along with holograph pencil annotations regarding layout. <br/><br/>Anxious to impress his activist ex-girlfriend a blue collar worker travels to a fictitious South American country where he is unwittingly conscripted into a group of violent revolutionaries.<br/><br/>Shot on location in New York and Puerto Rico.<br/><br/>8 x 10 inches. Very Good plus with a few tiny nicks and a small faint splash to the bottom edge. N.p. unknown books
1964161127N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 French film showing Pierre Brasseur and Anna Karina reading a newspaper together. Stamp specific to the French release of the film on the verso.<br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches with wide bottom margin. Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964167663N.p.: N.p. 1964. Five vintage borderless reference photographs from the 1964 French film including two showing director Jean-Luc Godard with a camera on the set. One with a French release stamp on the verso and all with annotations in manuscript ink and pencil on the same. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> Photographs range in size from 9.5 x 7 inches to 7 x 5 inches. Generally Near Fine. <br /> <br /> Grant France. Spicer France. BFI 549. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1964168094N.p.: N.p. 1964. Vintage borderless double weight oversize reference photograph from the 1964 French film showing actors Samy Frey and Claude Brasseur in the middle of a gunfight in the street. Annotations in manuscript ink and pencil on the verso. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 11.5 x 7.5 inches. Pinholes at the top corners else about Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964153077N.p.: N.p. 1964. Two vintage borderless reference photographs from the 1964 French film both showing director Jean-Luc Godard sitting with a camera in the open trunk of a convertible. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches with wide bottom margins. Near Fine.<br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964151743N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 film. <br /> <br /> Based on Dolores Hitchens' 1958 novel "Fools' Gold." A young woman convinces two men to help her steal a large stash of money from her aunt. An outrageous and comical crime film and a classic of French New Wave cinema later described by director Jean-Luc Godard as "'Alice in Wonderland' meets Franz Kafka." <br /> <br /> Shot on location in Paris. <br /> <br /> 9.5 x 7.25 inches. Near Fine. <br /> <br /> BFI 549. Criterion Collection 174. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Spicer France. N.p. unknown
1964144840Paris: Columbia Films / Anouchka Films / Orsay Films 1964. Vintage borderless photograph of actors Sami Frey Anna Karina and Claude Brasseur rehearsing the 1964 film's iconic dance sequence which they did daily for a month prior to shooting. With holograph annotations and agency stamps on the verso.<br/><br/>An outrageous and comical crime film which Godard himself described as "'Alice in Wonderland' meets Franz Kafka." Based on Dolores Hitchens' 1958 novel "Fools' Gold."<br/><br/>Shot on location in Paris. <br/><br/>8.25 x 11 inches. Near Fine. <br/><br/>BFI 1243. Criterion Collection 174. Godard Histoires du cinema. Rosenbaum 1000. Columbia Films / Anouchka Films / Orsay Films unknown books
1967151601N.p.: N.p. 1967. Vintage contact sheet from the 1967 film showing 36 images of actress Raquel Welch sporting a bandolier and cowboy hat.<br /> <br /> Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. <br /> <br /> Set in Texas shot on location in Arizona Texas and Utah. <br /> <br /> 8.25 x 10.5 inches. Near Fine. <br /> <br /> Pitts 237. N.p. unknown
1968171042N.p.: N.p. 1968. Vintage vernacular color photograph of Dean Martin director Andrew V. McLaglen and uncredited camera operator Al Meyers on the set of the 1968 film.<br /> <br /> Photograph belonging to uncredited camera operator Myers with pencil annotations in Myers' hand on the verso noting the title McLaglen and Martin and "with Bill Clothier 19" William H. Clothier was the director of photography who Myers worked under. <br /> <br /> British born Albert Myers usually credited as Al Myers was a camera operator and camera crew member in Hollywood for over 50 years beginning in the late 1920s. He is credited in 30 films from 1927 to 1978 and assuredly worked on many more films uncredited during that time. His credits include "The Virginian" 1946 "Carmen Jones" 1954 "The Man with the Golden Arm" 1955 and "The Defiant Ones" 1958.<br /> <br /> Two brothers are pursued by a posse after robbing a bank and taking a widow as hostage but accidentally flee into a territory controlled by a gang of violent Mexican bandoleros. <br /> <br /> Set in Texas shot on location in Arizona Texas and Utah. <br /> <br /> 8 x 10 inches mounted to a heavy stock paper. Very Good plus with faint spotting and light edgewear see image.<br /> <br /> Pitts 237. N.p. unknown
1973141286Los Angeles: Filmways 1973. Draft script for an unproduced film. <br /> <br /> Based on the 1971 novel by Jack Curtis about a Kansas farm boy with a big heart who grows up and becomes a crime boss. <br /> <br /> Set in Kansas. <br /> <br /> Blue titled wrappers. Title page present dated December 27 1973 with credits for screenwriter Dennis Shryack and author Jack Curtis. 140 leaves with last page of text numbered 138. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Filmways unknown
1961141289Culver City CA: Columbia Pictures 1961. Vintage color studio still photograph from the 1961 film. <br/><br/>A religious film following the life of Barabbas the prisoner spared by Pontius Pilot in place of Jesus. Notable for its soundtrack which was composed by Mario Nascimbene and conducted by Franco Ferrara. <br/><br/>Shot on location in Italy. <br/><br/>8 x 10 inches. Near Fine with a holograph graphite notation to the verso. Columbia Pictures unknown books
1968160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space shot on location in Rome. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. N.p. unknown
1967168996Paris: Magnum 1967. Vintage borderless double weight reference photograph of Jane Fonda from the 1968 film with a "David Hurn-magnum" photographer's stamp on the verso.<br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 10.5 x 8.25 inches. Near Fine. <br /> <br /> Vogel Film as a Subversive Art. Magnum unknown
1967169559Rome: Fotografica Pierluigi 1967. Two vintage borderless reference photographs from the 1968 film both showing director Roger Vadim with cast and crew members on the set. Fotografica Pierluigi stamps on the versos along with layout annotations in manuscript ink and pencil. <br /> <br /> Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. <br /> <br /> Set in outer space and shot in Rome. <br /> <br /> 7 x 9.5 inches. Very Good plus.<br /> <br /> Vogel Film as a Subversive Art. Fotografica Pierluigi unknown
