8 853 résultats
1964133050Hollywood: Paramount Pictures 1964. Original Pressbook for the 1964 film. Unique for a pressbook with a folding front page and a coloring contest to have been used as a herald by distributors. <br/><br/>Based on Jean Anouilh's 1959 play. Winner of an Academy Award for Best Screenplay and nominated for 11 more including Best Picture Best Director and twice for Best Actor. It would be the first of two times O'Toole was nominated for portraying Henry II the other being in 1968 for "The Lion in Winter." <br/><br/>18 pages saddle-stapled 12.25 x 15 inches. Rust to the staples else Near Fine. Paramount Pictures unknown books
1963146394Hollywood: Paramount Pictures 1963. Revised Draft script for the 1964 film. With a few holograph pencil annotations throughout mostly relating to line revisions and props. <br/><br/>Based on the 1959 French play by Jean Anouilh. King Henry II's malcontent relationship with the Church leads to the appointment of his close friend Thomas Becket as the Archbishop of Canterbury. Henry does not anticipate however how seriously Becket will take the vocation leading to the dissolution of their friendship in the face of Becket's rising political power. Nominated for eleven Academy Awards winning one for Best Adapted Screenplay. <br/><br/>Set in England and France.<br/><br/>Beige titled wrappers. Title page present dated 12th February 1963 noted as REVISED. 157 leaves with last page of text numbered 155. Mimeographed on yellow stock rectos only. Pages Near Fine wrapper Very Good plus with some rusting near the binding bound internally with three silver brads. Paramount Pictures unknown books
1935139830Culver City CA: RKO Radio Pictures 1935. Collection of three vintage studio still photographs from the 1935 film. Based on William Makepeace Thackeray's 1848 novel "Vanity Fair." <br/><br/>Based on Thackeray's classic novel the film was the first feature length film to be shot with the three-strip Technicolor technique. However the poorly written script made the film rather unsuccessful commercially. Miriam Hopkins was nominated for Best Actress in a Leading Role for her performance. <br/><br/>10 x 8 inches. Very Good with light creasing overall black holograph annotations to the verso and a small tan piece of paper affixed to the verso of image BS-73. Images vary slightly in size due to cropping. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
1970144362Paris: Les Films du Carrosse 1970. Vintage borderless photograph from the set of the 1970 film. With credits and Cinestar agency stamps and "Cinestar" in manuscript ink on the verso. <br /> <br /> The fourth in Truffaut's five film series about the character Antoine Doinel. Christine Clause Jade and Antoine Doinel Jean-Pierre Léaud are expecting their first child when Antoine has an affair with a woman he meets in a business meeting at his new job after a period of unemployment.<br /> <br /> Shot on location in Paris France. <br /> <br /> 7.25 x 5.25 inches. Near Fine. <br /> <br /> Criterion Collection 187. Les Films du Carrosse unknown
1970162154N.p.: Valoria Films 1970. Vintage pressbook for the 1970 French film.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job.<br /> <br /> Shot on location in Paris. <br /> <br /> 9.25 x 12.5 inches. Single leaf printed on recto and verso. Very Good plus. <br /> <br /> Criterion Collection 187. Valoria Films unknown
1971162142Culver City CA: Columbia Pictures 1971. Four vintage reference photographs from the 1970 French film including three from the American release and one from the Spanish release. One with printed mimeo snipes affixed to the verso along with a date stamp reading MAY 1971.<br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he has an affair with a woman he meets in a business meeting at his new job.<br /> <br /> Shot on location in Paris. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 187. Columbia Pictures unknown
1970144362Paris: Les Films du Carrosse 1970. Vintage borderless photograph from the set of the 1970 film. With credits and Cinestar agency stamps and "Cinestar" in holograph ink on the verso. <br/><br/>The fourth in Truffaut's five film series about the character Antoine Doinel. Christine Clause Jade and Antoine Doinel Jean-Pierre Leaud are expecting their first child when Antoine has an affair with a woman he meets in a business meeting at his new job after a period of unemployment.<br/><br/>Shot on location in Paris France. <br/><br/>7.25 x 5.25 inches. Near Fine. <br/><br/>Criterion Collection 187. Les Films du Carrosse unknown books
1967161527N.p.: Chellee Films 1967. Two vintage studio still photographs from the 1967 film each with a provenance stamp on the versos. <br /> <br /> An early film by prolific sexploitation pioneer Joseph W. Sarno now presumed lost. A married woman kills her lover in a private room at a racketeer's nightcub and must dispose of the body without other patrons and employees knowing. <br /> <br /> 8 x 10 inches. Very Good plus with light creasing and edgewear. Chellee Films unknown
1971161530N.p.: Sherpix 1971. Two vintage studio still photographs from the US release of the 1970 Danish film. Each photograph with a provenance stamp on the versos. <br /> <br /> A popular virginal school teacher Max has thirty days to marry in order to become headmaster and is initiated into the world of sex with the help of his students and the wife and daughter of the former headmaster. The first of the eight "Bedside Films" series directed by John Hilbard.<br /> <br /> Shot on location in Sjaelland Denmark. <br /> <br /> 8 x 10 inches. Near Fine. Sherpix unknown
1964149932Universal City: Universal Pictures 1964. Vintage studio still photograph of producer Stanley Shapiro and actor Marlon Brando in conversation between takes on the set of the 1964 film. With a printed mimeo snipe affixed to the verso. <br /> <br /> A love-them-and-leave-them womanizer meets a man equal in skill at deceiving women but with an added knack for conning them out of money. The two men attempt to seduce a naive American woman to settle a bet as to which one is the better con artist. Later remade as "Dirty Rotten Scoundrels" 1988. <br /> <br /> Set and shot on location in Alpes-Maritimes France. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
11672drame en trois actes en vers. In 8 demie reliure havane, façon cuir glacé, titre doré. Faux-titre, frontispice gravé, (portait de Beethoven) titre VIII, 134 pages, non rogné, A Paris aux éditions du Dauphin Dijon Août 1929. Exemplaire n°XLIX sur vergé de hollande Van Gelder, seul grand papier (tirage total 250 exemplaires) (petite trace de frottement en tête du dernier plat.
1993163367Universal City: Universal City Studios 1993. Revised Draft script for the 1993 film.<br /> <br /> Sequel to the successful 1992 family comedy film "Beethoven" about the adventures of the titular St. Bernard dog and his suburban family.<br /> <br /> Self wrappers. Title page present dated May 3 1993 noted as Rev. with credit for screenwriter Len Blum. 127 leaves with last page of text numbered 123. Xerographic duplication rectos only with blue and pink revision pages throughout variously dated 5/6/93 and 5/7/93. Pages Very Good plus bound with two gold brads. Universal City Studios unknown
1951161404Los Angeles: RKO Studios Inc 1951. Revised Final Draft script for the 1951 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Seven reference photographs from the film bound in variously among the script pages each with an RKO photographer stamp for Rod Tolmie on the verso. Original wrapper bound in with manuscript ink and wax pencil annotations of "Files" to the top right and "Changes" Retakes" and "Inserts" each followed by one to three dates center. Script followed by eight pages of "Retakes . After credits."<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960. <br /> <br /> Farley Granger stars as a mild mannered accountant whose wife played by Shelley Winters mistakes a small dog who follows him home-and is wanted by the mob-as a forgotten anniversary gift. <br /> <br /> Shot on location in Los Angeles. <br /> <br /> Bound in light green cloth with dark green quarter leather binding with five raised bands and gilt titles on the spine. Distribution page present with receipt intact. Title page present dated March 9 1951 noted as REVISED FINAL SCRIPT with credits for screenwriter George Beck. 151 leaves with last page of text numbered 8. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/16/51 and 4/21/51. Pages Near Fine binding Very Good plus with light rubbing to the crown and corners. RKO Studios, Inc unknown
1950168509N.p.: N.p. 1950. Vintage eleven-page ribbon copy typescript short story circa 1940s-1950s subsequently serving as the basis for the 1972 adult film. Rare.<br /> <br /> An iteration of an explicit short story penned by an anonymous author sometime before or during World War II circulated underground in retyped typescript or carbon typescript copies during the 1940s and after.<br /> <br /> "Behind the Green Door" is notable as one of of the first American hardcore pictures to receive widespread distribution in the US and one of the first heterosexual pornographic films to feature an interracial sex scene. A breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. <br /> <br /> Eleven leaves last page of text not numbered. Ribbon copy typescript on onionskin stock rectos only. Pages Good or better bound with two staples on the top edges. N.p. unknown
1972170776N.p.: N.p. 1972. Eight vintage borderless reference photographs from the seminal 1972 hardcore film.<br /> <br /> Based on the anonymous short story of the same title circulated throughout the US in the 1950s and 1960s by means of carbon copy. One of of the first American hardcore pictures to receive widespread distribution in the US and one of the first heterosexual pornographic films to feature an interracial sex scene. A breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. <br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown
1964132807Culver City CA: National Screen Service / Columbia Pictures 1964. Vintage black-and-white still photograph from the 1964 US film. <br/><br/>Based on Emeric Pressburger's 1961 novel "Killing a Mouse on Sunday" about Manuel Artiguez Gregory Peck a famous bandit during the Spanish civil war who has lived in French exile for 20 years. He returns to visit his ailing mother unaware that a trap has been set by a Spanish police officer Anthony Quinn. <br/><br/>A story set in France and Spain shot on location in the Pyrenees mountains in France. <br/><br/>8 x 10 inches. A few faint creases else Near Fine. National Screen Service / Columbia Pictures unknown books
1998159108Los Angeles: Propaganda Films 1998. Final Draft script for the 1999 film. <br /> <br /> Director Spike Jonze and screenwriter Charlie Kaufman ended the 1990s and introduced themselves to the world with this highly original film which took the literary concept of metafiction into the realm of popular entertainment and opened many new doors in terms of storytelling in cinema. Nominated for three Academy Awards including Best Screenplay.<br /> <br /> Set and shot on location in Los Angeles and Pasadena California and in Jersey City.<br /> <br /> Self wrappers. Title page present noted as Final Version with credit for screenwriter Charlie Kaufman. 54 leaves with last page of text numbered 107. Xerographic duplication printed on rectos and versos. Pages Fine bound with two gold brads. Propaganda Films unknown
1979167522Los Angeles: Lorimar 1979. Production script for the 1980 film created for internal use just prior to the commencement of shooting with Lorimar Studios wrappers but also with copied punch holes throughout see images. Annotation in manuscript ink on the title page noting copy No. 22. Laid in with the script is a three-page synopsis internal reading "NOT FOR PUBLICATION" with an annotation in manuscript ink on the first page noting "File." <br /> <br /> Based on the 1970 novel by screenwriter Jerzy Kosinski. Peter Sellers' final film and the last unqualified success of director Hal Ashby's all too brief career. Winner of an Academy Award for Best Supporting Actor for Melvyn Douglas with Sellers receiving a Best Actor nomination. <br /> <br /> White generic Lorimar wrappers. Title page present dated January 10 1979 with credits for Kosinski and screenwriter Robert C. Jones. 107 leaves with last page of text numbered 106. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two gold brads.<br /> <br /> National Film Registry. Criterion Collection 864. Ebert II. Lorimar unknown
1980134732Los Angeles: Lorimar 1980. Two borderless photographs from the 1980 film. <br/><br/>Though most often remembered as Peter Sellers' final role it also was the last success for the great Hal Ashby as well as Jack Warden's first shot at portraying the President of the United States. <br/><br/>Photographs 8 x 10 inches. Brief emulsion defect to one of the photographs else Fine. Lorimar unknown books
1964WRCLIT67854Bruxelles Belgium: Universal International 1964. Color lithographed affiche 21 x 14". Folded Belgian tax stamp in place a couple of minor tape shadows from mounting at extreme margins a few tiny marginal breaks at folds; otherwise very good and bright. A brilliant color affiche for the Belgian French language release "Enfants non Admis" of the 1964 film adaptation of Hemingway's 1927 short story based on a screenplay by Gene L. Coon directed by Don Siegel and starring Lee Marvin Angie Dickinson John Cassavetes Clu Gulager and Ronald Reagan. The artwork is a spectacular improvement over that utilized for the U.S. publicity paper. Universal International unknown books
1963161531N.p.: Griffith Productions 1963. Three vintage studio still photographs from the 1963 film two with provenance stamps on the versos. Early sexploitation film directed and shot by Herschell Gordon Lewis who would become better known a year later with the release of "Two Thousand Maniacs" and many other Z-budget blood-soaked horror films.<br /> <br /> A young millionaire is obsessed by a woman appearing in a dream. After an investigation he discovers burlesque performer Gina Adair and searches for her at her favorite nudist camp.<br /> <br /> Shot on location in Miami Florida. <br /> <br /> 8 x 10 inches. Very Good plus. Griffith Productions unknown
1923164284Hollywood: Paramount Pictures 1923. Vintage reference photograph taken on the set of the 1923 silent film showing director actress Pola Negri and George Fitzmaurice between takes together consulting a copy of Robert Hichens' source novel. Mimeo snipe provenance stamp and Famous Players-Lasky stamp on the verso.<br /> <br /> Based on Paramount's 1915 film of the same name which was based in turn on Hichens' 1909 novel about the titular seductress and the men who fall into her love trap. Early noir antecedent.<br /> <br /> 10 x 8 inches. Very Good plus with a two-inch flaw in the finish affecting the bottom left corner. Paramount Pictures unknown
1923166685Hollywood: Paramount Pictures 1923. Vintage publicity photograph of Pola Negri in profile taken to promote her appearance in the 1923 film. Paramount stamps and annotations in manuscript pencil on the verso. <br /> <br /> Based on Paramount's 1915 film of the same name which was based in turn on Hichens' 1909 novel about the titular seductress and the men who fall into her love trap. Early noir antecedent.<br /> <br /> 10 x 8 inches. Very Good plus moderately age toned. Paramount Pictures unknown
1968148783Glendale CA: Allied Artists 1968. Eight vintage studio still photographs from the US release of the 1967 French film. <br /> <br /> Buñuel's first color film about a bored and directionless young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> Set in and shot on location in Paris. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Godard Histoires du cinema. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert I. Criterion Collection 593. Allied Artists unknown
1967135078Paris: Robert et Raymond Hakim / Sud-Films Distribution 1967. Vintage black-and-white borderless still photograph of Catherine Deneuve and director Luis Buñuel on the set of the 1967 film. With the French producer's stamp on the verso "Robert et Raymond Hakim" and a printed list of credits in French. <br /> <br /> Buñuel's first color film about a young housewife who begins working in a brothel while her husband is at work with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Criterion Collection. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Vogel Film as a Subversive Art. Robert et Raymond Hakim / Sud-Films Distribution unknown
