8 399 résultats
1974159119Amsterdam: Meteor Film 1974. Five vintage lobby cards from the Dutch release of the 1974 film. Stamps of Meteor Film on the versos and all six with blindstamps on the corners. <br /> <br /> Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films the other being "Frankenstein" released the same year on a double bill both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde circles.<br /> <br /> Set in Italy shot on location in Italy and Serbia. <br /> <br /> 11 x 9 inches. Very Good plus with pinholes and light wear at the corners. <br /> <br /> Criterion Collection 28. Severin Films 721. Meteor Film unknown
1974150272N.p.: Bryanston Pictures 1974. Vintage studio still photograph from the 1974 film featuring Joe Dallesandro and Roman Polanski uncredited in the role of 'man in tavern' here under the working title "Andy Warhol's Dracula" title visible through paper tape covering byline in bottom margin. <br /> <br /> One of Warhol's two horror films the other being "Frankenstein" released the previous year both USA/Italy/France co-productions and the pinnacle of his film career in terms of popularity outside avant-garde film circles. Attempts to court commercial markets included rating the film X and director Paul Morrissey very much influenced by the look of the Hammer horror films of the 1960s gave the films a lurid shocking appeal. <br /> <br /> Set in Italy and shot on location in Italy and Serbia.<br /> <br /> 9.75 x 8 inches. Slight diagonal trim on upper left side margin else Near Fine. <br /> <br /> Criterion Collection 28. Bryanston Pictures unknown
1970141219N.p.: N.p. 1970. Draft script for an unproduced film. <br /> <br /> A police officer discovers a brutal and seemingly random massacre of nine people in a store. With no motives or leads he must track down and stop the killer. Screenwriter Dirk Evans is better known for his work as an actor most notably in "The Professionals" 1966 "Branded" 1966 and "The Silencers" 1966. <br /> <br /> Set in Boston. <br /> <br /> Off-white titled wrappers with credit for screenwriter Dirk Evans. Title page present with credit for screenwriter Dirk Evans. 142 leaves with last page of text numbered 141. Xerographically duplicated rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1969167422Los Angeles: Paragon Pictures 1969. Draft script for the 1969 film.<br /> <br /> Count Dracula and his wife are alive or undead and well in modern-day Arizona where they use their hunchbacked butler to capture and kill young girls allowing them to drink their victims' blood in martini glasses as Bloody Marys. A humorously campy entry in the Dracula canon produced by noted exploitation studio Crown International Pictures.<br /> <br /> Set in Arizona shot on location in Lancaster California. <br /> <br /> Red titled wrappers. Title page present undated. 93 leaves with last page of text numbered 92. Mimeograph duplication rectos only. Pages Very Good wrapper Good moderately soiled and dampstained on the left and right sides bound with two gold brads. Paragon Pictures unknown
1958150599N.p.: N.p. 1958. Four vintage borderless reference photographs from the 1958 film. <br /> <br /> The anemic undead governor of a nineteenth century prison for the criminally insane conducts cruel illegal experiments on his inmates mostly involving blood transfusions. <br /> <br /> Set in Transylvania. <br /> <br /> 7 x 5 inches. Near Fine. N.p. unknown
1977149823Burbank CA: Warner Brothers 1977. Final Draft script for the 1978 film. <br /> <br /> Based on the 1976 coming-of-age novel. A young man from a working class Italian background struggles to balance the blue collar desires of his volatile family with his own dream of becoming a teacher. Nominated for an Academy Award for Best Screenplay.<br /> <br /> Set in the Bronx New York.<br /> <br /> Goldenrod titled Warner Brothers wrappers noted as FINAL on the front wrapper dated March 14 1977. Title page present dated March 14 1977 noted as FINAL DRAFT with credits for screenwriter Walter Newman and novelist Richard Price. 129 leaves with last page of text numbered 132. Mimeograph duplication rectos only with blue revision pages throughout dated 3/28/77. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Warner Brothers unknown
1970150698Los Angeles: American International Pictures AIP 1970. Collection of nine vintage studio still photographs from the 1970 film. One photograph shows director Roger Corman cinematographer John Alonzo and actors Robert De Niro and Shelley Winters on the set.<br /> <br /> Loosely based on the life of Kate "Ma" Barker the head of the Barker-Karpis gang during the Great Depression. An early appearance by actor Robert De Niro who appears as Lloyd the drug-addled youngest brother. <br /> <br /> Shot on location in Arkansas in Little Rock Mountain Home and Yellville. <br /> <br /> 10 x 8 inches. Near Fine. American International Pictures [AIP] unknown
1981142167US: Cinema 77 / Geria Productions / Filmways 1981. Eight vintage borderless color photographs from the 1981 film. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 7 x 9.5 inches. Fine. <br /> <br /> Criterion Collection 562. Grant US. Spicer US Neo-Noir. Cinema 77 / Geria Productions / Filmways unknown
1981127394N.p.: Filmways 1981. Vintage one sheet poster for the 1981 film.<br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 27 x 41 inches. Very Good plus with light splashing to the top third.<br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981151952N.p.: Filmways 1981. Vintage reference photograph of Brian De Palma on the set of the 1981 film. <br /> <br /> Based on Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 1980s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Clover Men Women and Chainsaws. Criterion Collection 562. Grant US. Spicer Neo-Noir. Filmways unknown
1981142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. <br /> <br /> Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. <br /> <br /> Shot on location in Philadelphia. <br /> <br /> 7 x 9.5 inches. Fine. <br /> <br /> Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown
1966162417N.p.: N.p. 1966. Five vintage borderless reference photographs from the 1966 film showing a scene with David Hemmings staging a photoshoot with a topless Vanessa Redgrave<br /> <br /> Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br /> <br /> Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay.<br /> <br /> Set and shot on location in London. <br /> <br /> 9.75 x 8 inches. Near Fine.<br /> <br /> Criterion Collection 865. Ebert I. Grant UK. N.p. unknown
1966168483N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 film showing a sex scene between actors Jane Birkin and Gillian Hills with David Hemmings looking on on the right. Provenance stamps and annotations in manuscript pencil and ink on the verso.<br /> <br /> Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br /> <br /> Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay.<br /> <br /> Set and shot on location in London. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 865. Ebert I. Grant UK. N.p. unknown
1966150834N.p.: N.p. 1966. Vintage borderless double weight photograph of Michelangelo Antonioni on the set of the 1966 film with provenance stamp of film scholar and author "J. P. Berthome" on verso.<br /> <br /> Inspired by the 1959 short story "Las Babas del Diablo" by Julio Cortazar.<br /> <br /> Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom and featuring an international cast. The director's brash use of color set design non-standard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. <br /> <br /> In his 2009 essay on the film Danny Lyon notes "It is apt that through his established style Antonioni made a movie that is perhaps closest to communicating the myth of the swinging Sixties scene but also the confusion of the time. . Britain's new and very chaotic cultural revolution was perhaps most effectively captured by an Italian."<br /> <br /> Winner of the Palme d'Or. Nominated for two Academy Awards for Best Director and Best Screenplay.<br /> <br /> 10 x 8 inches. Light edgewear and creasing in far corners else Near Fine. <br /> <br /> Criterion Collection 865. Ebert I. Grant UK/Italy. N.p. unknown
