4 025 résultats
1960132752London: Gala Film Distributors 1960. Collection of 5 vintage black-and-white still photographs from the 1960 UK release of the 1960 French-Italian film. Mimeograph snipes and distributor rubber-stamps on the versos. <br/><br/>A married man cons a lonely widow out of money to give to his young mistress who passes it to her boyfriend who in turn is being conned by another woman - and that's just the beginning of this sleazy tale of sex and avarice. <br/><br/>8 x 10 inches. Very Good with all stills uniformly bruised at the extremities and 1 still with a large chunk from the upper left corner. Gala Film Distributors unknown books
1952145822Rome: Ponti-De Laurentils Cinematografica 1952. Vintage photograph of Ingrid Bergman from the classic 1952 Italian neorealist film. With holograph annotations regarding layout mimeo snipe and stamps of distributor Lux Films and "Cinemonde" magazine on the verso. <br/><br/>Ingrid Bergman stars as Irene a wealthy Rome socialite whose life is shattered following her son's suicide. Rossellini taking inspiration in the life of Saint Francis remodels it into a female perspective in post-war Italy.<br/><br/>Set in and shot on location in Rome. <br/><br/>11 x 8.25 inches. Near Fine with slight creasing at corners.<br/><br/>Rosenbaum 1000. Scorcese My Voyage to Italy. Criterion Collection 674. Ponti-De Laurentils Cinematografica unknown books
1963151457N.p.: N.p. 1963. Two vintage borderless reference photographs from the 1963 film. Included is a distributor's pamphlet. <br/><br/>A mondo documentary following the sexual exploits of buxom women across Europe. <br/><br/>Photographs 7 x 9.5 inches. Near Fine. Pamphlet bi-fold 8.5 x 11 inches. Very Good moderately chipped and soiled. N.p. unknown books
1991147653Beverly Hills CA: Orion Pictures 1991. Collection of eight vintage studio still photographs from the 1991 film five of which are compilation prints of multiple stills. <br/><br/>Dr. Eve Simmons Renee Soutendijk in her first US film creates a nuclear armed android EVE VIII also played by Soutendijk for the military which looks and sounds just like its creator and has gotten lost in a big city and Dr. Simmons and Colonel Jim McQuade Gregory Hines must stop it.<br/><br/>Shot on location in New York Los Angeles and San Francisco. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Orion Pictures unknown books
1989141597Beverly Hills CA: Orion 1989. Revised Draft script for the 1991 film. Copy belonging to Brad Ricker an unknown crew member with his name on the front wrapper in holograph ink. <br/><br/>EVE VIII is a military cyborg designed to look like her creator. When it is damaged during a bank robbery it begins accessing dark and tragic personal memories of its creator and sets about on an unstoppable mission to kill. Colonel Jim McQuade Hines is tasked with stopping the machine of death. <br/><br/>Shot on location in San Francisco Los Angeles and New York City. <br/><br/>White untitled wrappers. Title page present dated 10/2/89 noted as Revised with credits for screenwriters Duncan Gibbins and Yale Udoff. 118 leaves with last page of text numbered 117. Xerographically duplicated. Pages Near Fine wrapper Near Fine bound internally with three gold brads. Orion unknown books
1978152405N.p.: The Clockworks Company 1978. First Draft script for an unproduced film circa 1978 by screenwriter Stephen Geller who had previously adapted Kurt Vonnegut's 1969 novel "Slaughterhouse-Five" for George Roy Hill's acclaimed 1972 film. From the estate of actress Monique van Vooren. <br/><br/>Based on 1976 novel by Tom Robbins. The history behind Geller's ambitious and massive 182 pages screenplay is unclear. Entertainment Weekly reported in 1994 that Robert Wusch producer of George Roy Hill's 1977 "Slap Shot" was attached in 1977 his options having run out in 1978 and in 1978 the New York Times reported Phoebe Larmore Robbin's literary agent was attached as Producer both with Geller as screenwriter.<br/><br/>In 1993 Gus Van Sant made a film version with his own screenplay starring Uma Thurman and Lorraine Bracco which was largely panned upon release and has since garnered a cult following.<br/><br/>Brown untitled wrappers. Title page present noted as First Draft with credits for screenwriter Stephen Geller and author Tom Robiins. 183 leaves with last page of text numbered 182. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with prong binding. The Clockworks Company unknown books
1966134748New York: Clifford Hayman 1966. Draft script for an unproduced play. Laid in is an ALS to actor Peter Lawford here associated with Chrislaw Productions from producer Hayman in which Hayman requests Lawford consider funding the project for both a play and a film. <br/><br/>A philandering husband is found out by his wife who has an affair in order to teach him a lesson but ends up falling for her "other man." Set in New York. <br/><br/>Black wrappers. Title page present with credits for screenwriter Davis and producer Hayman. 119 leaves with last page of text numbered 2-2-46. Mimeograph duplication. Pages about Fine wrapper Near fine bound with two silver screw brads. Clifford Hayman unknown books
1960143202Tokyo: Toho Company 1960. Draft script for the 1960 Japanese film. Holograph ink and stamp on the outer page edges. Production designer's script with holograph underlining on numerous pages regarding objects needed for a given scene swimsuits sun cream summer kimonos Persian cat etc. Other annotations in the same hand fill in the names of actors who have been chosen to play the parts of various characters whose names are printed. <br/><br/>The double directed feature intentionally creates a juxtaposition between each director's lens and the credits give no indication of how the two collaborated also intentional. According to Audie Bock author of "Japanese Film Directors" Naruse filmed all of the older generation scenes and the Japanese restaurant scenes while Kawashima did the younger generation and the geisha house scenes comparatively the 'comic relief'. <br/><br/>A family love triangle sees a mother and daughter in competition and parallels the conflicting nature of new and older generations in modern society. <br/><br/>Set in Japan. <br/><br/>White titled wrappers noted as 1 on the front wrapper dated 1960. Title page present. 88 leaves with last page of text numbered g-25. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two staples wrapped in paper on spine. Toho Company unknown books
1970151266New York: Grove Press 1970. Collection of five vintage studio still photographs from the 1970 film.<br/><br/>From the archive of film historian and author Joel Finler. <br/><br/>An aspiring young filmmaker wants to make his own films but to raise the necessary money must first make some stag films enlisting the help of several teenage flower-children in 1968 Greenwich Village. Featuring an early appearance by a young Robert Altman who plays a porno distributor. <br/><br/>Set and shot on location in New York. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Grove Press unknown books
1966137536London: Gala Films 1966. Two vintage black-and-white studio still photographs from the UK release of the 1965 Spanish film "Cabriola" released in the US as "Every Day Is a Holiday." Mimeo snipes affixed to the versos noting cast synopsis and production company. Pictured is Marisol in action and smiley on horseback<br/><br/>Releasing during a time when female bullfighters were widely publicized in national periodicals this film tells the story of Chica Marisol a young Spanish girl who rises to fame as a bullfighter on horseback disguised as a boy. <br/><br/>Set in Spain shot on there location. <br/><br/>8 x 10 inches. About Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Hirschhorn p. 145. Gala Films unknown books
1970152335N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing actor Marty Feldman as a satyr gleefully reading a salacious paperback novel. <br/><br/>An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. <br/><br/>Shot on location in London and Surrey. <br/><br/>8 x 10 inches. Very Good lightly wavy and edgeworn with light soil to the bottom left corner. N.p. unknown books
1980149979N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with holograph marker.<br/><br/>A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. <br/><br/>Nominated for the Palme d'Or.<br/><br/>Shot on location in Switzerland. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Criterion Collection 744. Godard Histoires du cinema. N.p. unknown books
1971147580Beverly Hills CA: United Artists 1971. Collection of nine photographs including six black and white vintage studio still photographs two color studio still photographs and one black and white reference photograph for the 1971 film. Included with the collection is a xerographically duplicated four-page set of captions intended to accompany the set with "for reference" written in holograph ink annotation across the first leaf. <br/><br/>Loosely based on David Reuben's 1969 book. Seven comic vignettes centering different weird and wacky sexual proclivities including exhibitionism bestiality and sadism. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available upon request. United Artists unknown books
1971150578Beverly Hills CA: United Artists 1971. Two vintage color studio still photographs from the 1971 film. Noted as 6 and 8 on the bottom left corners.<br/><br/>Loosely based on David Reuben's 1969 book. Seven comic vignettes centering different weird and wacky sexual proclivities including exhibitionism bestiality and sadism. <br/><br/>10 x 8 inches. One Very Good plus one Very Good edgeworn with vertical creasing across the center of the photograph. United Artists unknown books
1972145746Beverly Hills CA: United Artists 1972. Vintage photograph of Woody Allen and Louise Lasser on the set of the 1972 film. With holograph annotations and adhesive tape on the verso.<br/><br/>Woody Allen's comical take on David Reuben's 1969 book of the same name. <br/><br/>8 x 10 inches. Near Fine. United Artists unknown books
1981151236N.p.: N.p. 1981. Vintage borderless reference photograph from the 1981 film showing actress Lynn Hancock. <br/><br/>An unpopular orphaned military cadet seeks revenge on his bullies by summoning demonic spirits through his computer. <br/><br/>Shot on location in Santa Barbara and Los Angeles. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Nightmare USA. N.p. unknown books
1996152230Burbank CA: Warner Brothers 1996. Draft script for the 1996 film. <br/><br/>Based on the 1978 musical stage production by Tim Rice and Andrew Lloyd Webber which was in turn based on Rice and Webber's 1976 concept album following the brief life of Argentinean first lady Eva Peron from her impoverished illegitimate beginnings to her later idolatry. The film went through many iterations of production passing between studios and directors with Parker returning to direct in 1994 after having initially rejected the opportunity in 1979. The copy seen here was written by Oliver Stone who was originally slated to direct but would leave the project in 1994 over rising production costs.<br/><br/>Set in Argentina and Europe shot on location in Hungary Argentina Spain and England. <br/><br/>White generic Warner Brothers wrappers. Title page present undated with credits for screenwriter Oliver Stone. 96 leaves with last page of text numbered 94. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
WRCLIT84859Culver City: Selznick Company nd. 17 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in mimeographed wrapper. Fine. A proposal and treatment for an unproduced bio-pic about Eva Peron by the long-time Selznick story editor and historical novelist. One of a small stack of duplicates from the Selznick archives. Selznick Company unknown books
1940135967Los Angeles: David O. Selznick 1940. Report and Story Synopsis script for an unproduced film. <br/><br/>Red titled wrappers noted as Report and Synopsis on the front wrapper with credit for screenwriter Weiss. 17 leaves mimeograph duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. David O. Selznick unknown books
140999N.p.: N.p. Original Treatment script for an unproduced film. Screenwriter Christy Cabanne was one of the most prolific directors in the history of American cinema beginning in the silent era and eventually directing low-budget movies all throughout the 1930s and 1940s with Universal. <br/><br/>A recently paroled man gets out of prison and immediately murders someone else resulting in a political whirlwind.<br/><br/>Goldenrod Agency wrappers. Title page present with credits for screenwriter Christy Cabanne. 55 leaves with last leaf of text numbered 53. Carbon typescript. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1925137139Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe on the verso showing a film crew at work constructing a derailed train inside a studio. Adapted for the screen by Rupert Hughes based on his 1911 stage play previously filmed in 1915 in a version that is now lost. <br/><br/>10 x 8 inches. Very Good with some pinholes and a chip missing at one corner image not affected. Metro-Goldwyn-Mayer [MGM] unknown books
1960137339Beverly Hills CA: United Artists 1960. Original pressbook for the 1960 film based on the best selling novel by Leon Uris about the founding of Israel. Featuring many examples of the iconic design work of Saul Bass throughout. <br/><br/>12.5 x 18 inches. 12 pages saddle stapled. Very Good. Dampstain to the front wrapper and light soiling. United Artists unknown books
1975147480N.p.: Grafopress-Ciampino 1975. Vintage Italian Locandina poster for the 1975 film here under the title "Le Viziose." <br/><br/>"Exorcisme" was released under a number of titles including "Le Viziose" and "Exorcisme et Messes Noires" as well as an X-rated version "Sexorcismes." Footage from "Exorcisme" was later re-edited in 1979 as "El Sadico de Notre-Dame." <br/><br/>Jess Franco directs here under the pseudonym of James P. Johnson or L.P. Johnson as on the poster is the screenwriter under the pseudonym David Khune and acts under the pseudonym Jess Frank.<br/><br/>Franco's "Exorcisme" features Franco in the lead as Mathis Vogel a psychotic defrocked priest who writes S&M stories by day and tortures and murders Satanic black mass dinner theater patrons by night. Also starring Franco's longtime collaborator and later wife Lina Romay as the free spirit Anne.<br/><br/>13 x 27.5 inches folded as issued. Near Fine.<br/><br/>Thrower Stephen. Flowers of Perversion: The Delirious Cinema of Jess Franco Volume Two 1975-2013. Grafopress-Ciampino unknown books
1959145128France: Radio-Television Francaise RTF 1959. Vintage borderless photograph of director Jean Renoir and actor Jean-Louis Barrault on the set of the 1959 film. With the stamp of photographer Albert Decamps on the verso. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>7 x 5 inches. Near Fine. Radio-Television Francaise [RTF] unknown books
1959144576France: Radio-Television Francaise RTF 1959. Vintage photograph of Jean Renoir and members of the crew on the set of the 1959 film. With holograph annotations on the verso. <br/><br/>Renoir's loose adaptation of Robert Louis Stevenson's 1886 novella "The Strange Case of Dr. Jekyll and Mr. Hyde" premiering at the Venice Film Festival followed by airing on French television and an international theatrical release. <br/><br/>11 x 8.25 inches. Near Fine. Radio-Television Francaise [RTF] unknown books