8 853 résultats
1958150778Culver City CA: Columbia Pictures 1958. Collection of three vintage studio still color photographs from the 1958 film. <br/><br/>Based on the 1954 novel by Francoise Sagan. A teenage girl feels her comfortable life begin to change when her widowed father proposes to his girlfriend and the girl becomes determined to end their relationship. <br/><br/>Set and shot on location in Saint-Tropez France. <br/><br/>10 x 8 inches. Very Good lightly edgeworn and lightly and evenly toned. <br/><br/><br/>Godard Histoires du cinema. Twilight Time. Columbia Pictures unknown books
1958139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily holograph description of the scene on the verso. Full provenance available. <br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown books
1957133206Culver City CA: Columbia Pictures 1957. Vintage oversize double weight photograph of Jean Seberg Otto Preminger David Niven and the stand-ins for Seberg and Niven on the set of "Bonjour Tristesse" in the late summer of of 1957 in Cote d'Azur France. Shot struck and mounted by the film's still photographer Bob Willoughby. Willoughby's annotations regarding same present on the verso along with Willoughby's stamps and a stamp for the Sygma Agency in Paris. Full provenance available. <br/><br/>In a subtle homage to early cinema Preminger took the uncommon approach of interspersing black-and-white sequences in what was primarily a color film and pitted the seasoned stalwart David Niven against young and unconventional Jean Seberg the latter fresh from her internationally acclaimed performance in Godard's "Breathless."<br/><br/>After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. <br/><br/>11 x 13.75 inches. Near Fine. Columbia Pictures unknown books
1957138551Culver City CA: Columbia Pictures 1957. Vintage reference photograph of Jean Seberg from the 1957 film. An image we have never seen. <br/><br/>8 x 10 inches. Near Fine. Columbia Pictures unknown books
1973164084N.p.: General Film Corporation 1973. Vintage 33 1/3 RPM microgroove vinyl record containing four radio spot announcements for the 1973 exploitation film. Rare.<br /> <br /> A pair of sisters kill their stepfather after he attempts to rape the younger sister and flee to Los Angeles after the murder where they are pulled into their uncle's money-laundering operation.<br /> <br /> 7 inches. Very Good plus with nominal surface wear housed in a Near Fine white paper sleeve.<br /> <br /> Not in Discogs. General Film Corporation unknown
1997144948Burbank CA: New Line Cinema 1997. Collection of five vintage borderless photographs from the 1997 film. <br/><br/>Director Paul Thomas Anderson's second film bringing him to widespread acclaim about a young man's career in the porn industry during the late 1970s and early 1980s. Nominated for three Academy Awards including Best Original Screenplay for Anderson Best Supporting Actress for Julianne Moore and Best Supporting Actor for Burt Reynolds reinvigorating his career. <br/><br/>Set and shot on location in Los Angeles. <br/><br/>5 x 7 inches. Fine. New Line Cinema unknown books
1968154499N.p.: N.p. 1968. Vintage borderless reference photograph from the set of the 1968 film showing actress Joanna Shimkus enjoying a cigarette while a crew member irons out a crease in the back of her dress. <br /> <br /> Based on Tennessee Williams' 1963 stage play "The Milk Train Don't Stop Here Anymore." A lonely terminally ill woman has an romantic encounter with a mysterious poet who may in fact be the Angel of Death. <br /> <br /> Shot on location in Sardinia Italy. <br /> <br /> 7.25 x 9.5 inches. Near Fine. N.p. unknown
1968143267Universal City: World Film Services / Universal 1968. Vintage studio still photograph from the set of the 1968 film showing director Joseph Losey working with Elizabeth Taylor while the crew resets between takes. With a mimeo snipe on the verso. <br/><br/>Adapted for the screen by Tennessee Williams based of his 1963 stage play "The Milk Train Don't Stop Here Anymore." Taylor in a part written for a much older woman plays a terminally ill woman who has an encounter with a mysterious man played by Richard Burton in a part written for a much younger man who may in fact be the Angel of Death. <br/><br/>Set and shot on location in Italy. <br/><br/>10 x 8 inches. Near Fine with light curling. World Film Services / Universal unknown books
1968142078Universal City: World Film Services / Universal 1968. Vintage borderless photograph from the set of the 1968 film. Richard Burton and a shirtless Joseph Losey stare into the distance on a slope of the island where the movie was shot surrounded by a camera crew. <br/><br/>Adapted for the screen by Tennessee Williams based of his 1963 stage play "The Milk Train Don't Stop Here Anymore." Elizabeth Taylor in a part written for a much older woman plays a terminally ill woman who has an encounter with a mysterious man played by Richard Burton in a part written for a much younger man who may in fact be the Angel of Death. <br/><br/>Set and shot on location in Italy. <br/><br/>9.5 x 7 inches. Near Fine. World Film Services / Universal unknown books
1968144188Universal City: Universal Pictures 1968. Vintage borderless photograph of director Joseph Losey on the set of the 1968 film. With holograph annotations on the verso. <br/><br/>Adapted for the screen by Tennessee Williams based of his 1963 stage play "The Milk Train Don't Stop Here Anymore." Taylor in a part written for a much older woman plays a terminally ill woman who has an encounter with a mysterious man played by Richard Burton in a part written for a much younger man who may in fact be the Angel of Death. <br/><br/>Shot on location in Sardinia Italy. <br/><br/>7 x 9.5 inches. Near Fine. Universal Pictures unknown books
1946156220Los Angeles: Twentieth Century-Fox 1946. Vintage studio still photograph from the 1947 film noir. "Key Set" stamp on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on a 1945 magazine article by Fulton Oursler writing as Anthony Abbot in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. A public attorney is hired to defend a strange out-of-towner accused of murdering a priest. <br /> <br /> Set in Connecticut and shot on location in Connecticut and New York. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Grant US. Selby Canon. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown
1946132009Los Angeles: Twentieth Century-Fox 1946. Revised Final script for the 1947 film "Boomerang." Brief secretarial notation in holograph pencil on the verso of the last leaf.<br/><br/>Based on a Reader's Digest article 1945 by Fulton Oursler as Anthony Abbot in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. Henry L. Harvey Andrews is a public attorney hired to defend a strange out-of-towner accused of murdering a priest. <br/><br/>Producer Louis De Rochemont's innovative documentary-style filmmaking is perhaps at it's best in this film drawing heavily from his previous film the 1945 Henry Hathaway noir "The House on 92nd Street."<br/><br/>Set in Connecticut shot on location there and in New York. Nominated for an Academy Award. <br/><br/>Self wrappers. Title page integral with front wrapper dated September 6 1946 noted as REVISED Final Script with credits for screenwriter Murphy and writer Oursler as Abbot. 162 leaves with the last leaf of text numbered 155. Mimeograph duplication with blue revision pages throughout dated variously between 9/18/46 and 9/25/46. Near Fine overall bound with two gold brads. <br/><br/>Grant US. Selby Canon. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books
1946155153Los Angeles: Twentieth Century-Fox 1946. Revised Final script for the 1947 film noir. Copy belonging to actor Robert Keith with his name in manuscript pencil annotation on the front wrapper and his manuscript pencil annotations on the inside front wrapper. <br /> <br /> Based on a 1945 article by Fulton Oursler writing as Anthony Abbot in turn based on the 1924 case of a homeless man wrongly accused of murdering a beloved small-town priest. <br /> <br /> Set and shot on location in Connecticut and New York. <br /> <br /> Red titled wrappers dated September 6 1946 noted as Revised Final on the front wrapper. Distribution page present with receipt intact stamped copy No. 135. Title page present dated September 6. 1946 noted as Revised Final script with credits for screenwriter Richard Murphy and story credit to Anthony Abbot. 173 leaves with last page of text numbered 155. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 9/18/46 and 9/25/46. Pages Near Fine wrapper Near Fine with slight yapping bound internally with two gold brads.<br /> <br /> Eureka Masters of Cinema 89. Grant US. Selby Canon. Silver and Ward Classic Noir. Spicer US. Twentieth Century-Fox unknown
1954164753Universal City: Universal-International 1954. Vintage publicity photograph from the 1954 film showing actors Yvonne De Carlo and Joel McCrea in a passionate moment. Printed mimeo snipe affixed to the verso.<br /> <br /> A Confederate officer journeys with his men to an outlaw town in Mexico where they hope to use two million dollars in gold to acquire weapons and continue the war effort. A Union soldier determines to stop them. <br /> <br /> From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s.<br /> <br /> Set in Zona Libra Mexico shot on location in Moab Utah and in Morelos Mexico. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Pitts 450. Universal-International unknown
1950160944Universal City: Universal Pictures 1950. Vintage mini-banner poster for the 1950 film noir. <br /> <br /> Police officer Claire Trevor goes undercover to get close to Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Fred MacMurray who unbeknownst to her is an undercover federal agent. <br /> <br /> Shot on location in Southern California. <br /> <br /> 4.75 x 28 inches. Very Good plus with light creasing at the extremities.<br /> <br /> Grant US. Selby US. Spicer US. Universal Pictures unknown
1950144959Paris: Milton H. Bren and William A. Seiter Productions 1950. Vintage photograph of actress Claire Trevor and various members of the crew on the set of the 1950 film noir. Mimeo snipe affixed to the verso. <br /> <br /> US Police officer Madeleine Haley Claire Trevor goes undercover to get close to Pete Ritchie Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Johnny Macklin Fred MacMurray who unbeknownst to her is an undercover federal agent. <br /> <br /> Shot on location in Southern California. <br /> <br /> 10 x 8 inches. Near Fine with three holes punched in the left margin. <br /> <br /> Grant US. Selby US. Spicer US. Milton H. Bren and William A. Seiter Productions unknown
1950144959Paris: Milton H. Bren and William A. Seiter Productions 1950. Vintage photograph of actress Claire Trevor and various members of the crew on the set of the 1950 film noir. Mimeo snipe affixed to the verso. <br/><br/>U.S. Police officer Madeleine Haley Claire Trevor goes undercover to get close to Pete Ritchie Raymond Burr the leader of a drug-smuggling ring in Mexico. Just as she meets Ritchie she is kidnapped by Johnny Macklin Fred MacMurray who unbeknownst to her is an undercover federal agent. <br/><br/>Shot on location in Southern California. <br/><br/>10 x 8 inches. Near Fine with three holes punched in the left margin. <br/><br/>Grant US. Selby US. Spicer US. Milton H. Bren and William A. Seiter Productions unknown books
1953WRCLIT69893Hollywood: ZIV Television Inc. 1953. 344 leaves plus lettered inserts. Quarto. Mimeographed and carbon typescript printed on rectos only. Bradbound in production company wrappers. Very very extensively annotated throughout in pencil and colored pencil with prompts revisions and camera/production notes. Clean slice into fore-margin of upper wrapper otherwise very good. A "Final Master" of this teleplay by Wald written for the FAVORITE STORY series production 70b and based on a short story "The Substitute" by Francois Coppée. Leslie Goodwins directed Robert Blake and Noah Beery Jr. and Adolphe Menjou introduced the episode as usual. This particular copy was intimately involved in the production of the episode and a manuscript designation on the upper wrapper implies it was used by Larry Lund the script supervisor. Wald had an extended and productive career as a screen and television writer for a number of the best known series of the 1950s and early 1960s. He was co-nominated with Albert Maltz for an Oscar and WG Award for screenwriting for the 1948 film THE NAKED CITY. ZIV Television, Inc. unknown books
1938141102Hollywood: Republic Pictures 1938. Collection of five vintage studio still photographs from the 1938 film. Featuring images of Ralph Byrd Doris Weston Ward Bond and others. Written for the screen by Nathanael West. <br /> <br /> Ralph Byrd and Ward Bond play two rough and tumble truckers who agree to take a dangerous load of dynamite to a city in danger of being flooded when a nearby dam breaks. Byrd best known for his role in Republic's "Dick Tracy" series was here being groomed to play better roles for the company. Joe Kane's first non-Western feature film. <br /> <br /> Set in California. <br /> <br /> 10 x 8 inches. Very Good plus with pinhole tears and occasional light foxing to the borders. Republic Pictures unknown
1938141102Hollywood: Republic Pictures 1938. Collection of five vintage studio still photographs from the 1938 film. Featuring images of Ralph Byrd Doris Weston Ward Bond and others. Written for the screen by Nathanael West. <br/><br/>Ralph Byrd and Ward Bond play two rough and tumble truckers who agree to take a dangerous load of dynamite to a city in danger of being flooded when a nearby dam breaks. Byrd best known for his role in Republic's "Dick Tracy" series was here being groomed to play better roles for the company. Joe Kane's first non-Western feature film. <br/><br/>Set in California. <br/><br/>10 x 8 inches. Very Good plus with pinhole tears and occasional light foxing to the borders. <br/><br/>Complete collation details available on request. Republic Pictures unknown books
1953138531California: Elliott-Shelton Films 1953. Vintage US one-sheet poster for the 1953 film. <br/><br/>A young boy Courtney is befriended by a horse trainer Woods who has the boy train a new horse for an upcoming albeit fixed race. <br/><br/>Written for screen by Adele Buffington a major proponent of using original screenplays during the silent film era whose credits extend to over 100 Hollywood films. <br/><br/>27 x 41 inches folded. A tiny tear else Near Fine. <br/><br/>Pitts 470. Elliott-Shelton Films unknown books
1970162139Los Angeles: Paramount Pictures 1970. Vintage borderless studio still photograph from the American release of the 1970 French film showing actor Alain Delon. <br /> <br /> From the collection of artist and author Duncan Hannah.<br /> <br /> Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art.<br /> <br /> Based on Eugene Saccomano's 1959 book "Bandits a Marseille." Two small time gangsters in 1930s Marseille join forces and go into business vying with mob bosses for control. Director Jacques Deray released a sequel "Borsalino and Co" in 1974 starring Delon and Riccardo Cucciolla.<br /> <br /> Set and shot on location in Marseille and Paris. <br /> <br /> 7.5 x 9.75 inches. Very Good plus lightly edgeworn with two pinholes at each corner and adhesive residue on the verso. <br /> <br /> Grant France. Spicer France. Paramount Pictures unknown
1969148989Paris: Adel Productions 1969. Draft script for the 1970 French film noir here under the working title "Marseille 1930." Text in French.<br /> <br /> Annotation on front wrapper of release title written large and boldly in cursive manuscript pencil with working title on title page. Erased annotations in manuscript pencil still visible on upper left of title page of names of actors "Alan Delon" and "Belmondo" with two other names illegible. A few annotations in manuscript pencil and ink on several pages circling characters or props and one noting the camera field of vision otherwise changes to scene numbers.<br /> <br /> Based on the 1959 history of Marseille gangsters "Bandits a Marseille" by Eugene Saccamano. Two small time gangsters Belmondo and Delon in 1930s Marseille join forces and go into business themselves vying for control against mob bosses. Director Jacques Deray released the sequel "Borsalino and Co" in 1974 starring Alain Delon and Riccardo Cucciolla.<br /> <br /> <br /> Set in and shot on location in Marseille and Paris. <br /> <br /> Gray untitled wrappers bound at the left in black cloth tape as issued. Title page present. Mimeograph duplication rectos only. Pages Near Fine with first two pages separating from binding near top wrapper with light soiling else Near Fine bound with binding tape.<br /> <br /> Grant France. Spicer France. Adel Productions unknown
1974141118N.p.: N.p. 1974. Draft script for an unproduced film. Letter stapled to the front wrapper from a publicity agent addressed to Paul Kohner agent Arnold Stiefel urging him to enlist Jan Troell as director for the film. <br /> <br /> An unconventional young woman moves west from Boston becoming a successful prostitute on the frontier.<br /> <br /> Yellow titled wrappers with credit for screenwriter Jerome C. Small. Title page present with credit for screenwriter Jerome C. Small. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1996162508Culver City CA: Columbia Pictures 1996. Vintage studio still photograph of director Wes Anderson on the set of the 1996 film. <br /> <br /> Anderson's feature film directorial debut cowritten with actor Owen Wilson about three friends who plan a heist in the southwestern suburbs. Based on Anderson's 1992 short film of the same title whose success at the 1994 Sundance Film Festival persuaded filmmaker James L. Brooks to finance a full-length version of the film. <br /> <br /> Shot on location in Dallas Fort Worth and Hillsboro Texas and at the Camarillo State Mental Hospital in Camarillo California. <br /> <br /> 8 x 10 inches. Lightly toned else Near Fine. Columbia Pictures unknown
