4 025 résultats
1950140026London: General Film Distributors GFD / Eagle-Lion Distributors 1950. Original British pressbook for the 1950 British film. <br/><br/>Terence Young's fifth film as director over a decade before directing the first James Bond film "Dr. No" 1962. The Guards Armoured Division in WWII with different campaigns and propaganda depicted throughout. <br/><br/>Cameos include Christopher Lee as a tank commander and Desmond Llewelyn as a tank gunner. <br/><br/>11.5 x 14 inches. 8 pages saddle-stapled black-and-white throughout with color wrapper. Very Good with a vertical fold faint annotations in holograph ink and a few short tears. Scarce. General Film Distributors [GFD] / Eagle-Lion Distributors unknown books
1941149562Culver City CA: RKO Radio Pictures 1941. Early Draft script for the 1948 film dated June 13 1941 preceding its release by seven years.<br/><br/>Based on Edward Anderson's 1937 novel "Thieves Like Us" about an escaped convict who falls in love with a woman who nurses him back to health after he is injured in a robbery. <br/><br/>In December 1936 RKO's considered Anderson's novel but rejected it prior to any adaptation being written. Writer-director Rowland Brown who by 1941 controlled the rights to the novel wrote the first attempted draft of a screenplay. This time around RKO accepted it and Brown sold the rights to them for $10000. When Brown's script was first submitted to the Breen Office in April 1941 director Joseph I. Breen deemed it "unacceptable" claiming that it contained too much criminal activity and "loose sex." Brown revised the first draft on June 13 1941 but it was again rejected by the Breen Office. <br/><br/>A revised script written by Robert D. Andrews was submitted in October 1941 and was rejected for the same reasons as Brown's drafts. RKO did not submit the script again until September 1944 when it was rejected for a fourth time. From Aug 1946 to May 1947 when Ray was working on the script the PCA rejected three more versions of the story stating each time that the adaptation dwelt too much on the characters' crimes and not enough on morality.<br/><br/>Script approval finally came in June 1947 after RKO executives met directly with Breen an incorporated his suggestions into the story. <br/><br/>Set in the American West shot on location throughout California including Canoga Park Newhall Arcadia Griffith Park Benedict Canyon the San Fernando Valley San Bernardino Mountains and the RKO Encino Ranch. <br/><br/>Gray titled wrappers noted as production No. 1243 dated June 13 1941 with a credit for Rowland Brown. Title page integral with first page of text with a credit for Rowland Brown. 153 leaves with last page of text numbered 152. Carbon typescript rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads with washers. RKO Radio Pictures unknown books
1955132970London: Independent Film Distributors IFD / Vandyke Productions 1955. Collection of 44 vintage black-and-white still photographs from the 1955 UK film. <br/><br/>Based on a story by Leonard Mosley about a civil servant who is sentenced to death for murder but reveals that he has long been a foreign spy. He meets with Inspector Brown Terence Morgan and offers to reveal the identity of a spy in return for a reprieve. Before the execution Brown sets out to trace the identity of the spy without having to reprieve the civil servant. <br/><br/>7.75 x 9.75 inches. Moderate faint foxing else Near Fine. <br/><br/>Complete collation details available on request. Independent Film Distributors [IFD] / Vandyke Productions unknown books
1959139878Culver City CA: Columbia Pictures 1959. Vintage US window card poster for the 1959 US film. <br/><br/>Based on Glendon Swarthout's 1958 novel about the 1916 US "war" against Pancho Villa and the group of men who unceremoniously are awarded medals. Together they must return to the battlefront along with a prisoner Hayworth who helped them before. <br/><br/>14 x 22 in unfolded. Near Fine with light toning overall and a slip of paper stapled over the showing time. The paper is contemporary to the poster most likely placed there to indicate a change in viewing time. Columbia Pictures unknown books
1959132640Culver City CA: National Screen Service / Columbia Pictures 1959. Vintage full-color still photograph from the 1959 UK release of the 1959 US film. <br/><br/>Based on Glendon Swarthout's 1958 novel about the 1916 US "war" against Pancho Villa and the group of men who unceremoniously are awarded medals. Together they must return to the battlefront along with a prisoner Hayworth who helped them before. <br/><br/>8 x 10 inches. Faint creasing and rubbing overall else Near Fine. National Screen Service / Columbia Pictures unknown books
1971147931N.p.: Avco Embassy Pictures 1971. Two vintage studio still photographs from the 1971 US release of the 1970 Italian film. <br/><br/>Spaghetti Western comedy from Enzo Barboni under the pseudonym of E.B. Clucher starring Terence Hill and Bud Spencer as Trinity and Bambino two motley brothers trying to defend a Mormon settlement from Mexican bandits led by Major Harriman played by Farley Granger.<br/><br/>Set in California shot on location in Andalucia Spain and Lazio Italy. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Cox "10000 Ways to Die. Avco Embassy Pictures unknown books
1936139841Los Angeles: Samuel Goldwyn Company 1936. Two vintage studio still photographs from the 1936 film. Based on Lillian Hellman's 1934 play "The Children's Hour."<br/><br/>The story follows two school teachers whose small school suddenly loses enrollment when a student lies about one professor having an affair with the other's fiance. The film is based on a play by Lillian Hellman in which the female professors are accused of having a lesbian relationship. When asked to adapt her play for the screen she was forced to change the plot and erase any lesbian implications to appease the exceedingly strict Hays Code. The film was well received and Hellman was widely commended for her writing. Costar Bonita Granville was nominated for an Academy Award for her role. <br/><br/>Shot on location in California. <br/><br/>10 x 8 inches. Near Fine. Samuel Goldwyn Company unknown books
1958123633Los Angeles: Twentieth Century-Fox 1958. Final script for the 1959 Western film dated May 22 1958. Signed by lead actor Don Murray on the title page. <br/><br/>Based on the 1956 novel by Pulitzer Prize winning author A.B. Guthrie Jr. the third installment in his sextet about the Old West. An unusual Western with touches of the darkness characteristic of film noir a character study of a cowboy who aspires to ascend the ranks of the burgeoning Wyoming society. He borrows the life savings of a saloon girl to start his ranch and then marries into a higher rank. Though at first he distances himself from the saloon girl in order to run for US Senator Murray must then come to her aid when a rancher has beaten her. <br/><br/>An ambitious film from director Fleischer in which we are asked to question the value of financial success and the labels of "good" and "evil." Some beautiful cinematic moments with Lee Remick giving a standout performance as Callie the saloon girl. Set in Wyoming. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 181 and production No. 740 dated May 22 1958. Title page present noted as Final Script with credits for screenwriter Hayes. 114 leaves mimeograph duplication with blue revision pages throughout dated variously between May 26 1958 and June 2 1958 Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. <br/><br/>Pitts 4333. Twentieth Century-Fox unknown books
1991139691Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1991. Vintage studio still photograph from the 1991 showing director Ridley Scott and actors Susan Sarandon Gina Davis and Michael Madsen relaxing around the iconic 1966 Ford Thunderbird between takes. <br/><br/>Winner of the Academy Award for Best Screenplay and nominated for five more including Best Director and twice for Best Actress. <br/><br/>10 x 8 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1973133028London: Harbour Productions / Cineman Films 1973. Collection of six vintage black-and-white still photographs from the 1973 UK film. <br/><br/>In a film tailor made for his unique screen presence Price plays a Shakespearean actor who exacts bloody revenge on the critics who denied him an acting award using scenes from the Bard's plays as inspiration for each murder. An undeniably appealing cult crossover between high literature and lowbrow horror-comedy. <br/><br/>A story set and shot on location in London. <br/><br/>8 x 10 inches. About Fine. Harbour Productions / Cineman Films unknown books
1957145156Culver City CA: RKO Radio Pictures 1957. Vintage linen backed keybook photograph from the set of the 1957 film. Mimeo snipe on the verso. <br/><br/>Hal Ditmar James MacArthur the teenage son of a wealthy movie producer gets in a fight the manager of a theater and struggles to convince either the police or his father that he acted in self-defense. <br/><br/>Shot on location in Los Angeles. <br/><br/>8 x 10 inches. Near Fine. RKO Radio Pictures unknown books
140157Switzerland: CVB Publishers N.d. Undated reproduction based on the design of the original French grande poster for the 1967 film. <br/><br/>A charming French musical directed by Jacques Demy and staring Catherine Deneuve directly following his 1964 film "The Umbrellas of Cherbourg" also starring Deneuve. Nominated for an Academy Award for Best Musical score. <br/><br/>Shot on location in Rochefort Charente-Maritime France. <br/><br/>20 x 27 inches. Fine. <br/><br/>BFI. Criterion Collection 717. Rosenbaum 1000. CVB Publishers unknown books
1964150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With holograph pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. <br/><br/>Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. <br/><br/>11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown books
1964132696London: National Screen Service / MGM 1964. Vintage full-color still photograph from the 1964 UK film. <br/><br/>A star-studded romantic comedy about the lives and loves of those who own a certain yellow Rolls-Royce. <br/><br/>8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / MGM unknown books
1991151433N.p.: N.p. 1991. Fourth Draft script for the 1992 film. <br/><br/>An international chase ensues in pursuit of the most valuable bottle of wine in history bottled in the year of the Great Comet of 1811. <br/><br/>Shot on location in France Scotland and England. <br/><br/>Self front wrapper integral with title page dated February '91 noted as Fourth draft with credits for screenwriter William Goldman. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine back wrapper Very Good plus with light dampstains on bottom left bound with two gold brads. N.p. unknown books
2000151190Los Angeles: Miramax 2000. Vintage reference photograph of director James Gray and Victor Arnold on the set of the 2000 film.<br/><br/>Leo Mark Wahlberg out of prison for auto theft attempts to go straight and gets a job with his uncle Frank James Caan one of the largest contractors at the rail yards which is rife with corruption and graft. <br/><br/>Nominated for the Palm d'Or.<br/><br/>Set in and shot on location in New York City. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Grant US. Spicer US. Miramax unknown books
1956143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Bros. Netherlands on the verso. <br/><br/>Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. <br/><br/>7.25 x 9.25. About Near Fine. <br/><br/>Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1972139738Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Two vintage studio still photographs from the 1972 film. Based on Harry Patterson's 1971 novel "The Wrath of God."<br/><br/>After nearly escaping death by firing squad Van Horne is sent to Central America on a mission to kill a local desperado. <br/><br/>Set in Central America shot on location in Mexico. <br/><br/>8 x 10 inches and 10 x 8 inches 25.5 x 20.5. Near Fine with a holograph notation to the verso. Metro-Goldwyn-Mayer [MGM] unknown books
1972139737Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Two vintage color studio still photographs from the 1972 film. Based on Harry Patterson's 1971 novel "The Wrath of God."<br/><br/>After nearly escaping death by firing squad Van Horne is sent to Central America on a mission to kill a local desperado. <br/><br/>Set in Central America shot on location in Mexico. <br/><br/>10 x 8 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1964146145N.p.: Primex Films 1964. Vintage borderless photograph of Jean-Luc Godard in Morocco from the 1964 film. French mimeo snipe on the verso. <br/><br/>An anthology film featuring five stories about swindlers around the world. Godard's segment stars Jean Seberg as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le Grand escroc" "The Great Swindler". Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski whose segment had been removed at his request. <br/><br/>7.25 x 9.5 inches. Near Fine. <br/><br/>Olive Films 1339. Primex Films unknown books
1964142630France: Ulysse Productions 1964. Vintage borderless photograph of a playful Jean Seberg pointing her prop camera back at the real one on the set of the 1964 film. With the stamp of production company Ulysse Productions and holograph annotations on the verso. <br/><br/>An anthology film featuring five stories about swindlers around the world with Seberg appearing as a journalist accused of passing fake currency who then tracks down and interviews the counterfeiter in the segment "Le grand escroc" "The Great Swindler" directed by Jean-Luc Godard. Other segments were directed by Claude Chabrol Ugo Gregoretti Hiromichi Horikawa and Roman Polanski. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Olive Films 1339. Ulysse Productions unknown books
1981152765Burbank CA: Warner Brothers 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in holograph pencil annotation to the front wrapper and a single holograph ink annotation to the title page noting copy No. 201. <br/><br/>Based on the 1978 novel by John Irving. Director George Roy Hill capped an impressive career with this film one of the best literary adaptations of the 1980s a great example of a successful and uncompromised translation of a novel's idiosyncrasies directly to the screen and a triumph of ensemble acting. Nominated for two Academy Awards for Best Supporting Actor and Best Supporting Actress for John Lithgow and Glenn Close respectively.<br/><br/>Shot on location in New York and New Jersey. <br/><br/>Blue titled wrappers. Title page present dated January 1981 noted as Final Draft with credits for screenwriter Steve Tesich and novelist John Irving. 170 leaves with last page of text numbered 139. Xerographic duplication rectos only with pink blue and yellow undated revision pages throughout. Pages Very Good plus with light foxing to the first and last leaves wrapper Very Good plus with dampstains and light soil to the binding and rear wrapper bound internally with three gold brads. Warner Brothers unknown books
1980140877Burbank CA: Warner Brothers Television 1980. Vintage studio still photograph from the 1980 film. Based on Carol Sobieski's novel of the same name. <br/><br/>A married mother of two leaves her unfaithful husband in order to pursue her education. The made-for-television movie received positive reviews for its feminist message despite being produced by a predominantly male network. <br/><br/>Shot on location in California. <br/><br/>8 x 10 inches. Near Fine. Warner Brothers Television unknown books
1948139636Burbank CA: Warner Brothers 1948. Vintage photograph from the set of the 1948 film. Featuring Eleanor Parker standing next to Sydney Greenstreet with Gig Young kneeling at the feet of Alexis Smith in front of the pair. From the private collection of Eleanor Parker. Photographer Bob Palmer's rubber stamp to the verso. Based on the 1859 Wilkie Collins novel. <br/><br/>An artist Gig Young hired to teach a wealthy woman Eleanor Parker uncovers a plot to erode her sanity. He becomes involved with one of Parker's cousins and together the pair attempt to save her and the family fortune from her conniving invalid uncle and new husband. Set on an English estate. <br/><br/>10 x 8 inches. Near Fine condition. <br/><br/>Selby US. Spicer US. Warner Brothers unknown books
1937139833Culver City CA: RKO Radio Pictures 1937. Collection of three vintage black-and-white double reference studio still photographs from the 1937 film. <br/><br/>A dramatic love triangle occurs between two fellow pilots and one pilot's wife to the backdrop of WWI. <br/><br/>10 x 8 inches. Very Good plus with light toning overall and light soiling to the verso. Blue and red holograph annotations to the verso and a stamp to the verso of image E-88. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books