4 025 résultats
1992132045Culver City CA: TriStar Pictures 1992. Vintage black-and-white still photograph from the 1992 film. <br/><br/>A young FBI agent is partnered with a veteran investigator to crack a crime case on a Sioux Indian reservation. Produced by Robert De Niro. <br/><br/>8 x 10 inches. Two corners lightly creased else Fine. TriStar Pictures unknown books
1929136071Hollywood: Paramount Pictures 1929. Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. <br/><br/>Nominated for an Academy Award. <br/><br/>8 x 10 inches. Very Good plus condition with a handful of pinhole tears and a short closed tear at the extremities. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
1973146566N.p.: N.p. 1973. Second Draft script for an unproduced film. With a business card for talent manager and film producer Arnold Stiefel stapled to the front wrapper and a label sticker for casting agent Paul Kohner to the title page. Included with the script are two xerographically duplicated letters from Rudy Ramos the head of the Speed Classic Racing Association to screenwriter Paul Helmick expressing enthusiasm for the prospective film.<br/><br/>After her boyfriend dies in a boat racing accident a woman begins to date two rival racers despite her belief that she is a boating jinx.<br/><br/>Set in Long Beach CA. <br/><br/>Blue titled wrappers. Title page present noted as Second Draft with credits for screenwriters Paul A. Helmick and Mike Crumplar. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly toned and soiled bound with two gold brads. N.p. unknown books
1942137103Los Angeles: Twentieth Century-Fox 1942. Revised Final Draft script for the 1942 film. Brief annotations in holograph pencil on the versos of two pages. <br/><br/>District Attorney Stephen Pettijohn Craven returns to his alma mater to lecture on circumstantial evidence and references a recent murder case. A local banker weds a young woman against the will of another man and the banker is later found dead. A remake of the 1929 John G. Blystone film of the same name. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 133 dated March 20 1942. Distribution page present with receipt intact. Title page present dated March 20 1942 noted as Final Script with a credit for screenwriter Engel. 101 leaves with last page of text numbered 97. Mimeograph duplication with blue revision pages throughout dated 3/28/42. Pages and wrapper Near Fine bound internally with two gold brads. Twentieth Century-Fox unknown books
1961133624Stockholm: Svensk Filmindustri 1961. Vintage oversize Swedish still photograph from the 1961 film. With the Svensk Filmindustri logo at the bottom right corner. <br/><br/>In a typically heavy moment from the film Max Von Sydow Martin and Lars Passgard Minus stand together in a moment of silence. Shot by the film's cinematographer the legendary Sven Nykvist. <br/><br/>11 x 9 inches. In a custom museum-quality frame archivally mounted with UV glass. Fine. <br/><br/>Criterion Collection 209. Svensk Filmindustri unknown books
1956138529Hollywood: Paramount Pictures 1956. Vintage US one-sheet poster for the 1956 film. Studio rubber stamp on the verso as well as a rubber stamp for the Capitol Theatre in Kamsack Saskatchewan Canada. <br/><br/>Capt. Colt Saunders Heston returns to Texas from the Civil War to find his land wanted by carpetbaggers and his town controlled by corrupt Yankees. <br/><br/>Shot on location in Arizona. <br/><br/>27 x 41 inches folded. Very Good plus with a few small chips tears and stains. <br/><br/>Pitts 4373. Paramount Pictures unknown books
1951WRCLIT70559Los Angeles: United Artists 1951. Three vintage 11 x 14" lobby cards in full color. Occasional tackholes in margins and unobtrusively in images one card has a crease in upper right margin else very good. Three of the studio lobby cards issued to promote the black & white film noir directed by Joseph Losey starring John Drew Barrymore Preston Foster and Joan Lorring. The film was based on a script written by Joseph Losey and Stanley Ellin based on Ellin's 1948 novel DREADFUL SUMMIT. Hugo Butler and Ring Lardner Jr. also contributed to the screenplay but were uncredited when the film was first released. Additional cast members include Dorothy Comingore Philip Bourneuf Howland Chamberlain et al. It was Ellin's first screen credit following two teleplays. United Artists unknown books
1988151514N.p.: AMLF 1988. Two vintage reference photographs of Jacques Demy on the set of the 1988 film. <br/><br/>Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br/><br/>Set in and shot on location in Marseille France. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>Rosenbaum 1000. AMLF unknown books
1988151512N.p.: AMLF 1988. Vintage reference photograph of Jacques Demy and Yves Montand on the set of the 1988 film. <br/><br/>Demy's fanciful portrait of the life of singer and actor Yves Montand playing himself who returns to Marseille the city of his childhood to rehearse a stage musical based on his life and falls in love the female lead Marian only to discover she is his daughter. Music by Demy's long-time collaborator Michel Legrand. Demy's final film before his unexpected death in 1990.<br/><br/>Set in and shot on location in Marseille France. <br/><br/>9.5 x 7 inches. Near Fine. <br/><br/>Rosenbaum 1000. AMLF unknown books
1938138787New York: Excelsior Pictures 1938. Three vintage black and white second generation photographs from the groundbreaking 1938 film documenting the 1936 Summer Olympipcs held in Olympic Stadium in Berlin. Released in two parts "Olympia: Festival of Nations" and "Olympia: Festival of Beauty." From the archive of Maurice Bessy with his rubber stamp and light holograph annotations on the verso. <br/><br/>Based on Riefenstahl's photobook from the previous year "Schonheit im Olympischen Kampf." A rare example where a photobook and a film are equally important as both works of art and a historical document. Riefenstahl made the book and the film as propaganda for Hitler and spent a lifetime trying to live down her devotion to him but this work in particular is so powerful as to stand apart from the reasons for which it was made. Easily the most visceral and important document of The Olympics and the spirit of human physical achievement ever produced. <br/><br/>Variously sized between 3.5 x 7 inches and 5 x 6 inches. Fine condition. Excelsior Pictures unknown books
1968WRCLIT70570Burbank: Warner Bros. - Seven Arts 1968. Three color lobby cards 11 x 14". Small bump to lower right corner and pencil notation on verso of one else very good to near fine. Three lobby cards #s2 6 & 7 of the set produced to promote the screen adaptation by Thomas C. Ryan of McCullers's novel directed by Robert Ellis Miller and starring Alan Arkin who received an Academy Award nomination for Best Actor Sondra Locke debut Academy nomination for Best Supporting Actor Chuck McCann Stacy Keach Jr. film debut Cicely Tyson et al. Warner Bros. - Seven Arts unknown books
1938142943Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1938. Vintage Style D US one sheet poster for the 1938 US film. <br/><br/>Based on the 1936 novel by Erich Maria Remarque and to our knowledge F. Scott Fitzgerald's only credited adaptation of a literary work by another author. <br/><br/>Three young German soldiers vie for the love of a dying woman in the years following World War I. <br/><br/>27 x 41 inches on archival linen rolled. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1971WRCLIT83434Los Angeles: Warner Brothers 1971. Three 8x10 color small format lobby cards with printed captions. Light use and multiple pinholes in extreme corners from display ink note on one verso very good. Three examples #s 46 & 7 of the color mini- lobby cards issued to promote the controversial film treatment by Ken Russell of the historical record of Father Grandier and the alleged instances of possession among the Nuns of Loudon based on Huxley's book and Whiting's play. Vanessa Redgrave Oliver Reed and Christopher Logue were among the players and Derek Jarmon's set design is of considerable importance. The stills depict Grandier before the Inquisitors Grandier bound to the stake under assault by the Chief Inquisitor and Vanessa Redgrave's ecstasy prior to Grandier's death. Warner Brothers unknown books
1939147689Los Angeles: Paramount Pictures 1939. Draft script for the 1930 film here under the working title "At Good Old Siwash" with "Those Were the Days" written in holograph pencil above title. Paramount "Return to Story Dept" and "Master File" stamps on front wrapper. Script divided into sequences as was customary for the period. <br/><br/>Middle-aged couple Petey and Martha William Holden Bonita Granville reminisce on their 35th wedding anniversary about their days in college when they first met. <br/><br/>Set in and shot on location at Knox College in Galesburg Illinois. <br/><br/>Self wrappers front wrapper dated October 23 1939 rubber-stamped production No. 1811. 135 leaves with last page of text numbered E-32. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 11-13-39 and 12-12-39. Pages Near Fine bound with three gold brads. Paramount Pictures unknown books
1967147624Los Angeles: American International Pictures AIP 1967. Collection of five vintage studio still photographs from the 1967 film here under the working title "Blast-Off." <br/><br/>Inspired by the Jules Verne's 1865 novel "From the Earth to the Moon" producer Harry Alan Towers wrote the story under the pseudonym Peter Welbeck which Dave Freeman adapted to a screenplay. Released in the UK as "Jules Verne's Rocket to the Moon" and in the US as "Those Fantastic Flying Fools" to capitalize on the success of Ken Annakin's 1965 film "Those Magnificent Men in their Flying Machines."<br/><br/>Set in Victorian England Phineas T. Barnum Burl Ives who arrives after his circus burns to the ground attempts to launch a rocket from a massive gun barrel as the project is beset with spies saboteurs and embezzlement.<br/><br/>Set in Wales shot on location in Ireland. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request.<br/><br/>Olive Films OF1330. American International Pictures [AIP] unknown books
1965140356Burbank CA: Walt Disney Productions 1965. Vintage studio still photograph from the 1965 film. Based on Paul Annixter's 1950 children's book "Swiftwater."<br/><br/>A sweet tale about a woodsman and his family who share a dream of environmental conservation. Cam Calloway the eccentric fur trapper works with his wife and son to establish a sanctuary for wild geese in a sprawling wetland adjacent to their homestead. <br/><br/>Set in Vermont shot on location in Vermont and Walt Disney Studios. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. Walt Disney Productions unknown books
1963150563N.p.: National Screen Service 1963. Collection of eight vintage black and white studio still photographs from the 1963 film. <br/><br/>An exploration of unusual people and behaviors throughout the world narrated by George Sanders. Includes a performance artist who sticks long needles into his body footage of the Grand Guignol theatre in Paris reindeer castrations and many more. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Complete collation details available on request. National Screen Service unknown books
1942151348Santa Ana CA: RKO Radio Pictures 1942. Final Draft screenplay for the 1942 film. Copy belonging to legendary screenwriter Dudley Nichols inscribed by Nichols to Los Angeles Times film critic Phil Scheuer on the title page: "By Dudley Nichols / Confidential! / For Phil Scheuer from D. Nichols-with admiration." Nichols' ownership name is also in holograph pencil at the top right corner.<br/><br/>Renoir's second American feature an antifascist propaganda film following a meek schoolteacher in a German-occupied European country who is falsely accused of murder and forced to take a stand against the Nazis and their collaborators. <br/><br/>At the peak of his career Nichols worked with many key Golden Age directors including John Ford George Cukor Howard Hawks Fritz Lang and of course Jean Renoir. He was a founding member of the Screen Writers Guild and is best remembered for "The Informer" 1935 for which Nichols won an Academy Award "Bringing Up Baby" 1938 "Stagecoach" 1939 "For Whom the Bell Tolls" 1943 "Scarlet Street" 1945 "And Then There Were None" 1945 "The Bells of St. Mary's" 1945 and "The Tin Star" 1957. He continued to write prolifically for film up until the time of his death in 1960. <br/><br/>Housed in a custom quarter-leather clamshell box. <br/><br/>Pink titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 104 dated OCTOBER 2 1942 with credits for director Jean Renoir and screenwriter Dudley Nichols. Distribution page present with receipt removed. Title page integral with the front wrapper. 169 leaves with last page of text numbered 162. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. RKO Radio Pictures unknown books
1957146149Universal City: Universal-International 1957. Continuity & Dialogue script for the 1957 documentary.<br/><br/>An hour-long documentary exploring Soviet Russia giving curious Westerners a glimpse of life behind the Iron Curtain. Narrator Carey Wilson's final film.<br/><br/>Set and shot on location in Russia. <br/><br/>White titled self wrappers noted as CONTINUITY & DIALOGUE on the front wrapper noted as production No. 1862 dated NOVEMBER 13 1957 with credits for director Sid Feder and actor Carey Wilson. Title page integral with the front wrapper as issued. Approximately 100 leaves. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal-International unknown books
1957143037Universal City CA: Universal Pictures 1957. Revised Final script for the 1958 film. Based on the 1947 play "For Love or Money" by F. Hugh Herbert. Presentation copy belonging to producer Ross Hunter bound in full navy calf with gilt titles and design with Hunter's name on the front board. <br/><br/>Veteran actor Curd Jurgens begins to have feelings for a young woman Debbie Reynolds much to the chagrin of his romantic partner Alexis Smith. Ultimately Reynolds chooses his younger neighbor John Saxon and Jurgens happily returns to Smith. Winner of a Golden Globe. <br/><br/>Set in Connecticut. <br/><br/>Title page present noted as Revised Final with credits for screenwriter Blake Edwards. 142 leaves with last page of text numbered "135-A and 136." Mimeograph duplication with blue and pink revision pages throughout dated variously between 7/12/57 and 9/24/57. Pages Fine presentation binding about Fine. Universal Pictures unknown books
1958132722London: Unviersal International Pictures 1958. Collection of 8 vintage full-color still photographs from the 1958 UK release of the 1958 US film. <br/><br/>Based on a play by F. Hugh Herbert about a young woman who asks another guest at party to rescue her from her lecherous boss. When her rescuer suggests that she get out of her wet clothes she escapes and finds safety in the home of a retired actor. <br/><br/>A story set in Connecticut shot at Universal Studios in California. <br/><br/>8 x 10 inches. Faint creasing overall else Near Fine. <br/><br/>Complete collation details available on request. Unviersal International Pictures unknown books
1933145456Los Angeles: Paramount Pictures 1933. Collection of five vintage double weight internal studio photographs from the set of the 1933 pre-code film. Holograph annotations on the verso of each. <br/><br/>One photo shown. Please inquire to see others.<br/><br/>High school students unite against a ruthless gang leader. <br/><br/>8 x 10 inches. Near Fine. Paramount Pictures unknown books
1941WRCLIT76221Beverly Hills: Twentieth Century-Fox 1941. 2159 leaves. Quarto. Mimeographed typescript printed on rectos only. Bradbound in studio binder. Title hand-lettered on spine light use to overlap wrapper edges check-out coupon clipped from first leaf. otherwise near fine. A "temporary" script of Sherriff's adaptation to the screen of Knight's 1941 novel of war- time London. The 1942 release directed by Anatole Litvak starred Tyrone Power Joan Fontaine Nigel Bruce et al. It was nominated by the Academy for four technical awards and won for best Interior Design. Sherriff best known for JOURNEY'S END was credited screenwriter of or contributor to a three decades long string of popular film successes. Twentieth Century-Fox unknown books
1950142326N.p.: N.p. 1950. Synopsis script for an unproduced film. Ribbon copy typescript. <br/><br/>The supposed memoir of a showgirl who begins who career simply as a beautiful woman who think she is untalented in all other areas and ends up embarrassing herself rather often at the start of her career. She eventually develops a camaraderie with her fellow performers and begins to accept her life with people who care about her. <br/><br/>Set in England. <br/><br/>Pink titled wrappers with typescript title label affixed to the front wrapper. Title page present with credits for screenwriter G.E. Moore. 32 leaves with last leaf of text numbered 28. Ribbon copy typescript. Pages Near Fine wrapper Very Good plus bound with string binding. N.p. unknown books
1949137081Los Angeles: Twentieth Century-Fox 1949. Post-production Dialogue and Continuity script for the 1949 film. Brief notation in holograph ink on the front wrapper and in pencil on the verso of the last page. <br/><br/>Based on the novel "Thieves' Market" by A.I. Bezzerides who also wrote the screenplay. <br/><br/>Based on Bezzerides' own experiences as a truck driver the author's adaptation of his own novel takes a direct aim at the fruit industry of the West coast resulting in essential proletarian literature. The novel's rich California scenery comes through beautifully in Dassin's visually stunning film reminiscent of the director's earlier noirs "Brute Force" in 1947 and "The Naked City" in 1948 Silver et al. <br/><br/>Blue studio wrappers dated August 19 1949 noting footage of 8437 feet. Mimeograph duplication. Very Good plus overall bound internally with three gold brads. <br/><br/>Criterion Collection 273. Grant US. Hardy The BFI Companion to Crime. 129. Selby Canon. Silver Classic Noir. Spicer US. Twentieth Century-Fox unknown books