8 425 résultats
1936143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Presentation copy bound in green cloth with title in gilt. <br/><br/>An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. <br/><br/>Set in New York and London shot on location in London. <br/><br/>Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown books
1936143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. <br /> <br /> An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. <br /> <br /> Set in New York and London shot on location in London. <br /> <br /> Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown
1940150156N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actors Bela Lugosi Boris Karloff and Peter Lorre.<br/><br/>A popular band takes on a job performing at a wealthy heiress' birthday bash in her large haunted mansion. <br/><br/>10 x 8 inches. Very Good plus with light adhesive residue and wear to the corners. N.p. unknown books
1940150156N.p.: N.p. 1940. Vintage reference photograph from the 1940 film showing actors Bela Lugosi Boris Karloff and Peter Lorre.<br /> <br /> A popular band takes on a job performing at a wealthy heiress' birthday bash in her large haunted mansion. <br /> <br /> 10 x 8 inches. Very Good plus with light adhesive residue and wear to the corners. N.p. unknown
1937159941Beverly Hills CA: United Artists 1937. Vintage reference photograph of director Fritz Lang and a camera crew capturing a scene with actress Sylvia Sidney on the set of the 1937 film. National Film Archive stamp on the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> One of Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. <br /> <br /> 10 x 8 inches. Near Fine. United Artists unknown
1937158246Beverly Hills CA: United Artists 1937. Vintage studio still photograph from the 1937 film "National Film Archive London" stamp on versos. <br /> <br /> One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
1937148240Beverly Hills CA: United Artists 1937. Two vintage studio still photographs from the 1937 film "National Film Archive London" stamp on versos. <br /> <br /> One of Fritz Lang's greatest American films and an important film noir antecedent very much predicting the "crime spree" films that would follow it notably "They Live By Night" 1948 "Gun Crazy" 1950 and "Bonnie and Clyde" 1967. <br /> <br /> 8 x 10 inches. Near Fine. United Artists unknown
1961148075Beverly Hills CA: United Artists 1961. Vintage studio still photograph of Craig Hill Elaine Edwards and Willis Bouchey from the 1961 film. <br/><br/>Dr. Frank Harlow Hill flees to another town and changes his name after witnessing a murder of a detective taking up lodging in a remote home of the wheelchair boound Colonel Maitland Bouchey and his daughter Laurie Edwards. <br/><br/>8 x 10 inches. Small circle in holograph ink over the name of Craig Hill on text in margin otherwise Near Fine. <br/><br/>Complete collation details available on request. United Artists unknown books
1970142976Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. <br/><br/>One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. <br/><br/>Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. <br/><br/><br/>Set in 1922 Greco-Turkish War shot on location in Turkey. <br/><br/>Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown books
1938148755N.p.: N.p. 1938. Vintage borderless double weight sepia photograph of James Stewart and Jean Arthur from the 1938 film. <br/><br/>Based on the Pulitzer Prize-winning 1936 play by George S. Kaufman and Moss Hart about an eccentric family living in a large house in New York City including their daughter who falls in love with a banker a decent and goodhearted man despite his snobbish elitist family. Winner of two Academy Awards for Best Picture and Best Director and nominated for five more. Frank Capra's third Academy Award for Best Director in just five years.<br/><br/>Set in New York City. <br/><br/>8 x 10.25 inches. Near Fine. <br/><br/>Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. N.p. unknown books
1972132503London: National Screen Service / London Screen Distributors 1972. Two vintage full-color British front-of-house cards from the UK release of the 1971 US film. <br/><br/>A young American soldier wants to lose his virginity before he's shipped off to Vietnam and luck would have it as he meets a young woman with a dark secret who appears willing to help out. <br/><br/>8 x 10 inches. Light creases at the extremities else Near Fine. National Screen Service / London Screen Distributors unknown books
1937144987Culver City CA: RKO Radio Pictures 1937. Vintage photograph of various members of the cast and crew including script supervisor on the set of the 1937 film. Identifying holograph annotations on the recto helpfully naming each person and holograph annotations and studio stamps on the verso. <br/><br/>Jimmy Hughes Preston Foster a wealthy and eccentric lawyer loses a bet and has to work a day digging a ditch in his suit. While on the job Trudy Olson Joan Fontaine the daughter of the mayor who is up for reelection stops by to campaign. Being the smarmy talker that he is they strike up a conversation. As they fall into disagreement Trudy suggests that Jimmy run himself and in an empty threat he says he will. The newspaper picks up the story and Jimmy is swept up into politics and drawn close to Trudy striking up an unlikely romance. <br/><br/>8 x 9.5 inches. One inch tear in the bottom of the left margin otherwise Near Fine. RKO Radio Pictures unknown books
1970142976Culver City CA: Columbia Pictures 1970. Draft script for the 1970 film. <br /> <br /> One of the more notable scripts from character actor and writer Leo Gordon whose Hollywood career began after his dishonorable discharge during WWll for robbing patrons at a bar. Throughout his 40 years as an actor art imitated life as the burly Gordon typically played an outlaw typecast predominately in Westerns. <br /> <br /> Peter Collinson fresh off "The Italian Job" was reportedly a brute force in addition to excruciating temperatures on a set that was 200 miles outside of Istanbul. The pairing of the leads was lauded as Charles Bronson was at the height of European fame alongside a well-established Tony Curtis. <br /> <br /> <br /> Set in 1922 Greco-Turkish War shot on location in Turkey. <br /> <br /> Blue titled wrappers. Title page present with credits for Leo V. Gordon. 129 leaves with last page of text numbered 129. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. Columbia Pictures unknown
1938148755N.p.: N.p. 1938. Vintage borderless double weight sepia photograph of James Stewart and Jean Arthur from the 1938 film. <br /> <br /> Based on the Pulitzer Prize-winning 1936 play by George S. Kaufman and Moss Hart about an eccentric family living in a large house in New York City including their daughter who falls in love with a banker a decent and goodhearted man despite his snobbish elitist family. Winner of two Academy Awards for Best Picture and Best Director and nominated for five more. Frank Capra's third Academy Award for Best Director in just five years.<br /> <br /> Set in New York City. <br /> <br /> 8 x 10.25 inches. Near Fine. <br /> <br /> Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. N.p. unknown
1999160097Los Angeles: Paramount Pictures 1999. For Your Consideration script for the 2000 film. <br /> <br /> Kenneth Lonergan's directorial debut about the complicated relationship between two orphaned adult siblings. Nominated for two Academy Awards: Best Actress for Laura Linney and Best Screenplay for Lonergan. <br /> <br /> Set in the fictional Catskill towns of Scottsville and Auburn shot on location in Margaretville and Phoenicia New York.<br /> <br /> White titled Paramount Pictures wrappers undated with credit for director-screenwriter Kenneth Lonergan. Title page present dated 1999 noted as FINAL DRAFT with credit for Lonergan. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good wrapper Very Good with moderate dampstains affecting the top right corners and fore-edges bound with two gold brads. Paramount Pictures unknown
1938144158Hollywood: Paramount Pictures 1938. Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney Lang on the floor setting up an unusual camera angle and Lang playing a clarinet for baby actor Donald Dodd's who played Silvia Sidney's infant son in the film. <br/><br/>Each photo with a printed snipe on the verso a number annotated and circled in blue pencil 1 2 3 respectively and a stamp crediting Paramount Studios photographer Malcolm Bulloch. <br/><br/>5 x 7 inches. Near Fine. One photo with a faint vertical crease. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books
1938136085Hollywood: Paramount Pictures 1938. Vintage black-and-white studio still photograph from the set of the 1938 film noir antecedent. Shown are director Fritz Lang and George Raft on the set. Stamps on the verso crediting photographer C. Kenneth Lobben Paramount and an exclusivity notice. <br/><br/>8 x 10 inches with wide margins. Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books
1938144158Hollywood: Paramount Pictures 1938. Set of three vintage black-and-white studio still photographs from the set of the 1938 film noir antecedent. Shown respectively are Lang conferring with Silvia Sidney Lang on the floor setting up an unusual camera angle and Lang playing a clarinet for baby actor Donald Dodds who played Silvia Sidney's infant son in the film. <br /> <br /> Each photo with a printed snipe on the verso a number annotated and circled in blue pencil 1 2 3 respectively and a stamp crediting Paramount Studios photographer Malcolm Bulloch. <br /> <br /> 5 x 7 inches. Near Fine. One photo with a faint vertical crease. <br /> <br /> Spicer p. 403. Paramount Pictures unknown
1938136085Hollywood: Paramount Pictures 1938. Vintage studio still photograph from the set of the 1938 noir antecedent showing director Fritz Lang and George Raft on the set. Stamps on the verso crediting photographer C. Kenneth Lobben and Paramount along with an exclusivity notice. <br /> <br /> 8 x 10 inches with wide margins. Near Fine. <br /> <br /> Spicer US Precursor. Paramount Pictures unknown
1960143066Tokyo: Kurosawa Production Company 1960. Shooting script for the legendary 1961 Japanese film. Working copy belonging to Omura Senkichi who played a small role as a traveling servant in the film with his name on the front wrapper and his annotations throughout. <br/><br/>Though not credited as such based thematically on Dashiell Hammett's 1929 novel "Red Harvest" and subsequently the basis for many other films including "A Fistful of Dollars" Sergio Leone 1964 "Django" Sergio Corbucci 1966 and "Last Man Standing" Walter Hill 1996. Director Kurosawa has been quoted as saying that many plot elements from another Hammett novel "The Glass Key" make up the film. <br/><br/>All titles and text in Japanese. <br/><br/>White perfect bound wrappers with purple and black titles. 164 pages printed on recto and verso right to left in the Japanese style with last page numbered "d-33." Mechanical duplication. Light foxing and age toning to both pages and wrapper else Very Good condition. <br/><br/>BFI 505. Criterion Collection 52. Ebert III. Grant Japan. Kurosawa Production Company unknown books
1956142592United Kingdom: Associated British Picture Corporation 1956. Vintage borderless photograph from the set of the 1956 film showing director Thompson adjusting a camera as he looks off screen. With the stamp of Associated British Picture and a mimeo snipe on the verso detailing the film's inclusion in the forthcoming Cannes Film Festival. <br/><br/>Based on the 1954 novel by Joan Henry about a woman who kills her true love's mistress after he proves himself just the latest in a long line of abusive philanderers. Released as "Blonde Sinner" in the US. Nominated for the Palme d'Or. <br/><br/>9.5 x 7.5 inches. Very Good with a diagonal crease to the upper right corner and nicking to the bottom left corner. <br/><br/>Grant UK. Lyons. Selby UK. Spicer UK. Associated British Picture Corporation unknown books
1956140212London: Kentwood Productions / Allied Artists 1956. Vintage front-of-house card for the 1956 British film noir tinted green as issued. Pictured are the busty Diana Dors and Yvonne Mitchell in the midst of having a party. <br/><br/>Released in the US as "Blonde Sinner." <br/><br/>11 x 14 inches. Very Good plus. <br/><br/>Grant US. Selby US. Spicer US. Kentwood Productions / Allied Artists unknown books
1940130425Los Angeles: Twentieth Century-Fox 1940. Final script for the 1940 film. <br/><br/>The AFI Catalog notes: "According to a Twentieth Century- Fox press release this was the first writing effort for Fox sound man William Brent. After his story was bought Brent was made a writer at the studio. Also the first screenwriter assignment for Irving Cummings Jr. and William Conselman Jr. Both men were "second generation Hollywood" as Cummings' father was a director and Conselman's a screenwriter. <br/><br/>"According to Twentieth Century-Fox press releases the football sequences were shot at the Los Angeles Olympic Stadium and at the Pasadena Rose Bowl. Despite a summer heat wave the extras were required to wear heavy winter coats. As such large wind machines behind huge cakes of ice were used to cool off the fields. Thirty-four college football players from local universities were used as extras in this film. They included USC's Ambrose Schindler Bill Howard Red Morgan Tony Tonelli Ollie Day and Owen Hansen and UCLA's Billy Bob Williams Bill Overlin and Bill Radovich. Location filming was done at the Inglewood Railway Station as the station received little use. Because only two freight trains used the station each day movie extras were the only passengers ever to use the station. The press release also reported that the rental cost of a four-car train at the station was $150 per day. HR reported that Fox borrowed Lewis Howard from Universal Pictures for this film."<br/><br/>A Fox programmer about a doctor reflecting on his college days how he was lured onto the football team and away from his studies a flirtation with a widow and meeting his true love. A strong early vehicle for actor Robert Sterling and featuring two notable women from the serial film era Jean Rogers <br/><br/>Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 149 and production No. 518 dated June 24 1940. Distribution page present with receipt intact. Title page present dated June 24 1940 noted as Final Script with credits for screenwriters Conselman Jr. and Cummings Jr. 135 leaves mimeograph duplication with blue revision pages throughout dated variously between 6/25/40 and 7/1/40. Pages Near Fine wrapper Good plus bound internally with three gold brads. Twentieth Century-Fox unknown books
1940130425Los Angeles: Twentieth Century-Fox 1940. Final script for the 1940 film. <br /> <br /> The AFI Catalog notes: "According to a Twentieth Century- Fox press release this was the first writing effort for Fox sound man William Brent. After his story was bought Brent was made a writer at the studio. Also the first screenwriter assignment for Irving Cummings Jr. and William Conselman Jr. Both men were "second generation Hollywood" as Cummings' father was a director and Conselman's a screenwriter. <br /> <br /> "According to Twentieth Century-Fox press releases the football sequences were shot at the Los Angeles Olympic Stadium and at the Pasadena Rose Bowl. Despite a summer heat wave the extras were required to wear heavy winter coats. As such large wind machines behind huge cakes of ice were used to cool off the fields. Thirty-four college football players from local universities were used as extras in this film. They included USC's Ambrose Schindler Bill Howard Red Morgan Tony Tonelli Ollie Day and Owen Hansen and UCLA's Billy Bob Williams Bill Overlin and Bill Radovich. Location filming was done at the Inglewood Railway Station as the station received little use. Because only two freight trains used the station each day movie extras were the only passengers ever to use the station. The press release also reported that the rental cost of a four-car train at the station was $150 per day. HR reported that Fox borrowed Lewis Howard from Universal Pictures for this film."<br /> <br /> A Fox programmer about a doctor reflecting on his college days how he was lured onto the football team and away from his studies a flirtation with a widow and meeting his true love. A strong early vehicle for actor Robert Sterling and featuring two notable women from the serial film era Jean Rogers <br /> <br /> Pale blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 149 and production No. 518 dated June 24 1940. Distribution page present with receipt intact. Title page present dated June 24 1940 noted as Final Script with credits for screenwriters Conselman Jr. and Cummings Jr. 135 leaves mimeograph duplication with blue revision pages throughout dated variously between 6/25/40 and 7/1/40. Pages Near Fine wrapper Good plus bound internally with three gold brads. Twentieth Century-Fox unknown
1968162617N.p.: Cannon Releasing Corporation 1968. Vintage studio still photograph from the 1968 film also released in the US under the title "To Ingrid My Love Lisa." Provenance stamp on the verso.<br /> <br /> Lisa a successful Stockholm fashion designer meets the beautiful 17-year old Ingrid during a country vacation and takes her back to Stockholm to be a model leading to a sapphic May-December relationship.<br /> <br /> Shot on location in Stockholm Sweden. <br /> <br /> 8 x 10 inches. Near Fine. Cannon Releasing Corporation unknown
