Kearns, Audrey Hollywood ReporterBiblio.com
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1948126204Hollywood Hollywood Reporter 1948. First Edition. Hardback. Fine copy in the original gilt-blocked pictorial buckram. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 1032 pages; Description: 1032p. Ill. 24 cm. Subjects: Motion pictures. Motion picture plays. Motion picture actors and actresses. Hollywood, Hollywood Reporter hardcover
1951126206Hollywood Hollywood Reporter 1951. First Edition. Hardback. Fine copy in the original gilt-blocked pictorial buckram. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 1226 pages; Description: 1226p. Ill. 24 cm. Subjects: Motion pictures. Motion picture plays. Motion picture actors and actresses. Hollywood, Hollywood Reporter hardcover
0666046735.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
6128751217VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG pp. 196 . Papeback. New. VDM Verlag Dr. Mueller Aktiengesellschaft & Co. KG unknown
17960Both on his letterhead 11 Apple Tree Yard. 23 August and 24 November 1949. Both items in good condition lightly-aged. ONE: 2pp. 4to. Having returned from 'a rather long painting expedition to France' he finds that 'circumstances have arisen in regard to the administration of the Society' the Society of British Film Art Directors and Designers of which Craig was a leading light and in the light of these circumstances Irving feels compelled to resign. 'It is . unlikely that I shall design any more films. Life is short and there is so much to be done that even if anybody wished me to I should hesitate to commit myself to the months not only of work but of preoccupation which a film production involves. Quite apart from this I feel that the principles of film design which however wrongly I have always advocated are being abandoned naturally in the face of economic pressure and the general registration of film making. I am old fashioned enough to believe that the situation into which films have fallen is very largely due to the insistance sic of those who have misguidedly and not very successfully tried to make it into an industry rather than a medium of expression for groups of artists of enterprise and imagination.' Two more paragraphs follow before the letter ends. TWO: 1p. 4to. Following the last letter Irving has been offered honorary membership of the Society and writes: 'I do not feel that I deserve such consideration for you and several others have striven hard to maintain the prestige of Art Directors in the gruelling factory conditions of commercial studios through good and bad times. However as you well know to an artist the only commendation or criticism which really touches him is that of his fellow craftsmen .'. He offers his assistance to the Society before ending: 'I heard from Flower that your meeting in London was a success and that you are going to get out drawings and plans for the proposed Elizabethan theatre. I am very glad to hear this and I know you will find the Stratford people charming to deal with.' Both on his letterhead, 11 Apple Tree Yard. 23 August and 24 November 1949. unknown
24145No date. From Hollywood California. On her letterhead. 1p 12mo. In fair condition on lightly-aged paper with rust stain from paperclip to one margin. The letterhead consists of a stylized vertical arrangement of the letters in the name ‘JOY’ at top left. The ‘signature’ is an extremely good facsimile in black ink. Begins: ‘Dear Friend: / Your request for my picture made me very happy as you must know my fan mail is the only medium whereby it is made known to me to what extent my humble efforts please.’ She requests confirmation of receipt of ‘the picture’ as ‘it will serve me later to know that I have your correct address and allow me to mail you at some future date a new picture’. No date. From Hollywood, California. On her letterhead. unknown
238946 August 1946; on letterhead of the Savoy Hotel London. 2pp 12mo. Twenty-one lines of text. In good condition lightly aged. Signed ‘Lilian Gish’. Begins: ‘Dear Miss Murchison I was so touched by your very sweet letter which was handed to me by the BBC just before we went on the air. / It is heartwarming to come back to England after these long and dreadful years and find that our film friends have not forgotten us. We for our part are full of admiration for the courage and uncomplaining patience of your brave people.’ The ‘brief glimpse of England’s battered cities’ has left her party with ‘unforgettable memories’ and they hope to return for a longer visit ‘when the present travel restrictions are relaxed’. The ‘regulations governing air travel’ prevented them from bringing any photographs so she asks her ‘to take the word for the deed and accept our kindest regards and best wishes’. 6 August 1946; on letterhead of the Savoy Hotel, London. unknown
192225341ELos Angeles 1922. Original Typed Letter Signed by Harold Lloyd to Hollywood producer William E. Keefe. Single sheet 7 inches by 10 1/8 inches. Signed “Harold Lloyd†in black fountain pen ink on his pictorial orange and silver Harold Lloyd letterhead dated “August 17 1922â€. The letter reads in full: “My dear Mr. Keefe:- I want to offer you my sincere thanks for the very kind manner in which you handled GRANDMA’S BOY. It was indeed mighty nice of you and I deeply appreciate it. With my most sincere good wishes Harold Lloydâ€. Very good with two old mailing folds and some minor soiling to the back side. At the time of this letter Lloyd had two films released: the first of which was his favorite film titled Grandma’s Boy directed by Fred C. Newmeyer written by Hal Roach Sam Taylor and Jean C. Havez with Mildred Davis and Anna Townsend and Dr. Jack with Mildred Davis and John T. Prince. Harold Lloyd was one of the biggest stars during Hollywood’s Golden Age of silent film comedy. Some of his most memorable films include Safety Last! 1923 Girl Shy 1924 The Freshman 1925 The Kid Brother 1927 and Speedy 1928. unknown
17-5533West Hollywood CA: Louis Stern Fine Arts 2003. 4to. 100 pp. Softcovers. Color plates. Very Good. West Hollywood, CA: Louis Stern Fine Arts, 2003. paperback
15-8862West Hollywood CA: Louis Stern Fine Arts 2002. 4to. 127 pp. Soft Covers Very Good. Illustrated. West Hollywood, CA: Louis Stern Fine Arts, 2002. paperback
SKU0000003919Powell Publications Reseda PP155 on Cover & Spine. Very Good. first edition; SC VG modest show of wear free of any markings age tanned very tight copy for additional pictures please inquire Powell Publications, Reseda, PP155 on Cover & Spine unknown
196923939Powell Publications Reseda PP155 on Cover & Spine 1969. PBO 1969 1st Edition COVER Illustrated Color WRAPS of Detective Red Tie & 2 other Men light Scuff Wear VG/VG- PAPERBACK Orginal Interior nice tight Clean light FOX WEAR 206 pgs AD. First Edition. Soft Cover. Powell Publications, Reseda, PP155 on Cover & Spine paperback
1725819805.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
10282563like new. unknown
22067On her letterhead Sherman Oaks California. 28 February 2005. 3pp 4to. In good condition lightly aged. A long and entertaining letter beginning: 'Dear Mr. Fry Probably late in 1949 in a New York City duplex living room two married couples lay prone on the floor fanned out around a single copy of “The Lady's Not for Burning†the better to read aloud all its colorful roles. The couples were Alfred Drake with whom I had played the previous season in my first Broadway play his wife my writer husband i.e. Robert Presnell Jr and I. Alfred had just come across “The Lady†and had to share his discovery with us.' The reading gave her 'a lifetime favorite play'. She describes how she had to 'miss playing in “A Phoenix too Frequent†being hard at work then in G. B. Shaw's “The Devil's Disciple†at the Royale Theatre'. The 'floor-reading foursome' attended a performance of 'The Lady' by the British cast at the same theatre 'and were spellbound. I especially recall the mellow beauty of Pamela Brown's voice and noting well the actor playing Richard the copying clerk also a Richard last name Burton.' She describes a production she was in with Vincent Price 'first at Southern California's La Jolla Playhouse then at San Francisco's Alcazar Theatre': 'Audiences trooped backstage to thank us for the feast of language they had enjoyed – a rare attention to text. Loving the play we all longed to take it on tour but previous commitments forbade and so the magic spell we'd been under was broken. But Vinnie Price and I did have one more go at it a few years later when his hometown St. Louis Missouri showed that middle-America could relish Christopher Fry just as much as did our east and west coasts.' She contrasts how Fry's words 'fly upward like the sparkling drops of an exuberant fountain' with how T. S. Eliot's speeches 'in the simplest barest of words could leave the listener baffled as to what it was he was saying. I even had trouble learning those lines.' She ends by explaining that 'That very nice fellow-actor Ted Donaldson encouraged me to tell you what joy your writing has brought me – and so many others in these distant outposts. Your unique gifts have enriched all who have come across them. Thank you oh thank you for sharing them with us.' On her letterhead, Sherman Oaks, California. 28 February 2005. unknown
1490821929.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
63-1744Hollywood CA: Metro-Goldwyn-Mayer 1928. Glossy 8" x 10" Black & White Photograph. Very Good with minor creasing. Hollywood, CA: Metro-Goldwyn-Mayer, 1928. unknown
63-1745Hollywood CA: Metro-Goldwyn-Mayer ca. 1933. Glossy 8" x 10" Black & White Photograph. Very Good. Hollywood, CA: Metro-Goldwyn-Mayer, [ca. 1933]. unknown
63-1734Hollywood CA: Metro-Goldwyn-Mayer 1948. Glossy 8" x 10" Black & White Photograph. Very Good. Stamped "Walt Disney Productions 1955" on verso even though Command Decision was release in 1948 by MGM. Hollywood, CA: Metro-Goldwyn-Mayer, 1948. unknown
63-1737Hollywood CA: Metro-Goldwyn-Mayer ca. 1927. Glossy 5" x 7" Black & White Photograph. Very Good. Cecil B. DeMille signed Coghlan to a long-term contract in 1926. Coghlan was recognized as the leading juvenile screen actor in the world in 1929. Hollywood, CA: Metro-Goldwyn-Mayer, [ca. 1927]. unknown
63-1746Hollywood CA: Metro-Goldwyn-Mayer ca. 1933. Glossy 8" x 10" Black & White Photograph. Very Good with minor creasing. Hollywood, CA: Metro-Goldwyn-Mayer, [ca. 1933]. unknown
63-1773Hollywood CA: MGM ca. 1924. Printed Signed 9" x 7" Black & White Photograph. Good with marginal tear pin holes at corners minor edge wear. Claire Windsor was an actress in the silent film & talkies eras. The autograph is printed not original. Hollywood, CA: MGM, [ca. 1924]. unknown
63-1768Hollywood CA: MGM ca. 1953. Printed Signed 5" x 7" Black & White Photograph. Very Good with some creasing. Howard Keel starred in many filmed musicals in the 1950s but best-known for his starring role on the TV series Dallas. The autograph is printed not original. Hollywood, CA: MGM, [ca. 1953]. unknown
63-1774Hollywood CA: MGM ca. 1926. Printed Signed 9" x 7" Black & White Photograph. Very Good with pin holes at corners minor staining. Hungarian-born American actress Vilma Banky was a star in the silent film & talkies eras most known for appearing with Rudolph Valentino in The Eagle and The Son Of The Sheik. The autograph is printed not original. Hollywood, CA: MGM, [ca. 1926]. unknown
63-1754Hollywood CA: Melbourne SPU Hollywood ca. 1923. Signed Dedication 9" x 7" Black & White Photograph. Very Good. Canadian silent film star Huntley Gordon appeared in more than 120 films including 1923's Bluebeard's 8th Wife starring opposite Gloria Swanson. Hollywood, CA: Melbourne SPU (Hollywood), [ca. 1923]. unknown
