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WALTER-FILM006440Paramount. No binding. About Fine. Los Angeles: Paramount Pictures 1935. Vintage original 8 x 11"" 20 x 28 cm. black-and-white double weight glossy silver nitrate keybook photo. Minor wear at bottom left edge keybook holes at left edge about fine. Independent film producer Walter Wanger throws a wrap party at the completion of his Paramount-released musical Every Night at Eight on the film's nightclub set and likely on the last day of principal photography; it is rare to find photos showing such events. His stars Alice Faye Frances Langford George Raft and director Raoul Walsh are joined by left-to-right: - Henry Fonda who was placed under contract to Wanger in 1935 after Broadway success and was just finishing his first film The Farmer Takes a Wife; - Gail Patrick Paramount contract player who was appearing in Wanger's Smart Girl at the time; - Walter Wanger producer of the film; - Alice Faye who was on loan from Fox Pictures to star in Wanger's film. She is still in costume; - Ida Lupino who was appearing in and is in costume and makeup for Wanger's production Smart Girl; - William Wellman well-known director writer and producer seemingly between projects; - Alison Skipworth in costume for The Devil is a Woman; - Frances Langford making her feature film debut and debuting her signature song ""I'm In the Mood for Love"". Her costume matches that of Alice Faye; - George Raft lead star of the film and Paramount contract player; - Joan Bennett who would be married to Wanger between 1940-65 and who was appearing in numerous Paramount films in 1935; - Raoul Walsh director of the film; - Bert Hanlon though the verso identifies him as Harry Holman -- the character actor who appeared in over 20 films in 1935 alone including uncredited in this film -- it is incorrect. This is composer songwriter actor author and director Bert Hanlon who wrote dialogue for this film. The party took place in late-June 1935 at General Service Studio Hollywood CA. Ink stamped by the Hollywood Advertising Council June 26 1935. Paramount unknown
1931WALTER-FILM007590<p><em>Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1931. Vintage original 11 x 14" 28 x 36 cm lobby card. Two archival paper remnants on verso. Card is in impeccable condition fine. </em></p><p><em>Tabu</em> was the great German director F. W. Murnau's last film he died shortly before its premiere due to a car accident and one of the final masterpieces of silent film. Murnau traveled to Bora Bora with documentary filmmaker Robert Flaherty with whom he worked on some early versions of the script but disputes arose and Flaherty bowed out. Wikipedia</p><p>Lobby cards from this film are genuinely rare. This card with the film's two protagonists in the center turns up almost never.</p> Paramount
191822311University Library of Autobiography F. Tyler Daniels Co NY 1918. Hardback NODustJacket Green Illustrated Cloth with gold Gilt Decorations 1918 1st Edition VG/G AS-IS NODJ Cover some Rub wear Scuff Tears & RIPS along spine & Small chips across top & Bottom Spine Cover & Rub Interior Nice tight Clean Light wear few Page Tears FoX . Introductory essays by Winthrop E. Stone President Purdue University ILLUSTRATED Frontispiece Drawing William Lilly with Tissue Guard . including Count de Grammont gayest of French Gallants George Fox Founder of Quakers John Bunyan Reformed Drunkard & Visionary Princess Sophia of Hanover ancestress of British & German soveriegn Samuel Pepys most noted of Gossips & Sir Isaac Newton greatest of Scientists including all great autobiographies & autobiographical Data Left by Worlds Famous men & women . First Edition. Hard Cover. University Library of Autobiography, F. Tyler Daniels Co, NY hardcover
58 pages. Features: Full-page ad for 'Airport 1975'; ad for 'The Man With the Golden Gun'; 'Earthquake' - photos; The Cool Bonanza - Photo-illustrated article with Paramount Production Chief Robert Evans; Karel Reisz's 'The Gambler' - photos; 'Breezy' - photos; Son of the Last Fifites Picture Show - part 5 of this series of photos; Films & Filming Honours for 1974; Reviews - 'Murder on the Orient Express', 'Pain in the A__', 'The Mother and the Whore', 'Fantastic Planet', 'Crystal Voyager', 'The Mad Adventures of 'Robbi' Jacob', 'When Taekwondo Strikes', 'Sixty Glorious Years'; 'Alfie Darling' - photos; The Cult Movies - part 3; 'Death Wish' - photos. Average wear. Unmarked. A sound vintage copy. Magazine
193016342Paris Service publicité Paramount (22 x 32 cm) Broché avec cordon apparent 52 pages. Couverture souple illustrée en couleur. Index alphabétique par films et vedettes de la production Paramount. Nombreuses reproductions photographiques tirées en héliogravure en noir ou teintées. Couverture légèrement frottée aux extrémités, très bon état général. Rare. * Voir photographie(s) / See the picture(s).
1928557301 vol. in-4 cartonnage éditeur demi-percaline marron, Société Anonyme Française des Films Paramount, 1928-1929, non paginé, mais 4 pages sont consacrées à chacun des 63 films, avec 64 planches supplémentaires hors texte et annexes
1997002522<p>Los Angeles CA: Revlon/UCLA Women's Cancer Research Program. Offered is the original program for the Fire & Ice Ball To Benefit the Revlon/UCLA Women's Cancer Research Program held on Wednesday December 3 1997 at Paramount Pictures. A massive tribute and fundraising program containing 206 glossy interior pages in softcover with outer dust jacket as issued. Contents include: lists of Honorary Chairs Nicole Kidman Tom Cruise Honorary Guest Liz Tilbens and Honorary Committee; facsimiles of welcome and appreciation letters; full-page tributes from benefactors sponsors and friends. The dust jacket shows the lightest of corner wear; a splendid original copy. . Fine. Soft cover. 1st Edition. 1st Printing. 1997.</p> Revlon/UCLA Women's Cancer Research Program paperback
1964BBS-2022834Amicus Productions Ltd. / Paramount Pictures Corp 1964. Loose Leaf. Good. Five 14in x 11in lobby cards for 'Dr. Terror's House of Horrors' each featuring a different still from the film. Including #s 1-3 and 5-6. Good with toning scuffing and edgewear including small corner creases and a few small closed tears and tiny staple holes or pinpricks in the margins. The first poster also has extensive tape repair reinforcing the edges at back and the movie title penned to back. Posters else unmarked. Amicus Productions, Ltd. / Paramount Pictures Corp unknown
Mm 240x265 Brossura editoriale di pp. 286, copertina illustrata, ricca di illustrazioni in bianco e nero all'interno in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
2011Q-1599907054Bloomsbury USA Childrens 2011-09-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! Bloomsbury USA Childrens paperback
63-8676Paris France: Films Paramount 1930. Autographed Post Card 3.5" x 5.5". Good with creasing; post card removed from album with remains on verso. En Francais. On Verso: Cinemagazine Edition Paris. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Paris, France: Films Paramount, 1930. unknown
WALTER-FILM007820Paramount. No binding. Near Fine. Los Angeles: Paramount 1930. Vintage original 8 x 10" 20 x 25 cm black-and-white glossy silver gelatin photo. Minor wear small edge crease at lower right corner 1930 holograph note on verso. Near fine. Star Gary Cooper poses at center with director Roland V. Lee at left surrounded by crew on location for the pre-Code war romance film A Man from Wyoming. The handwritten notes on verso indicate "10 days ranch pontoon bridge" and dated April May 1930. This came from the collection of one of the crew members likely present in the photo. This story took place during the United States entry into World War I. By 1930 Americans were ready to take in stories about the horrific war Paramount unknown
1981371366Los Angeles : Paramount Pictures 1981. First Edition. Softcover. Single sheet movie poster for Gas. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: Susan Anspach stars in this comedy as a news reporter who investigates a story about stolen milk causing milk and gas prices to rise. During the course of her investigation other people become involved culminating in a multiple car chase. Los Angeles : Paramount Pictures paperback
1985Q-0931787033FASA Corporation 1985-03-15. paperback. New. In shrink wrap. Looks like an interesting title! FASA Corporation paperback
1982371215Los Angeles : Paramount Studios 1982. First Edition. Softcover. Single sheet movie poster for Grease 2. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 68.5 cm x 104 cm. Synopsis: A British student at a 1960s American high school must prove himself to the leader of a girls' gang whose members can only date greasers. Starring Michelle Pfeiffer. Los Angeles : Paramount Studios paperback
19-2105Hollywood CA: Paramount. 1982. 36 x 14 inches. Rolled Full Color Movie Poster Very Good with Slight creasing. Maxwell Caulfield and Michelle Pfeiffer. [Hollywood, CA]: Paramount. 1982. unknown
6 pages. Nice cover illustration with inset photo of Glenn C. Smith's Paramount Orchestra. Prior owner's name on front cover. Moderate wear. A quality vintage copy. Sheet music
WALTER-FILM006420Paramount. No binding. Fine. Los Angeles: Paramount Pictures 1947. Vintage original 8 x 10"" 20 x 25 cm. black-and-white print still photo coded ""10008-110"" fine. This is a great film noir image. Burt Lancaster and Lizabeth Scott stand tensely by a newsstand as its vendor hawks a newspaper with Lancaster's image identified as that of a killer wanted by the police. Silver Ward. Ursini Porfiro p. 146. Grant p. 330. Paramount unknown
WALTER-FILM000485No binding. Very Good. Fine Art Print Vintage original 22 x 28"" 56 x 71 cm. half sheet poster style B USA. Burt Lancaster Lizabeth Scott Kirk Douglas Wendell Cory Kristine Miller George Rigaud dir: Byron Haskin; Paramount. Finely remembered and regarded film noir and nice testament to star Lizabeth Scott. When Frankie is sprung out of prison after 14 years he expects his bootlegging partner who has since made good to stick to their 50/50 agreement. Noll Turner has no intention of doing that even though torch singer femme fatale Kay does her best to intervene. Their first film together Douglas and Lancaster would form a company and make six more films. Lancaster appears on this poster with Liz Scott. This is by far the best poster for this film which we have ever seen. Paper-backed originally twice folded with very minor touch-ups ABOUT FINE. unknown books
1991048271Impel/Paramount Pictures 1991. Ephemera. Fine. No Binding. First Edition/First Printing. A shrink wrapped item still in original shrink wrap as issued This item is not returnable if opened. THIS COPY IS IN MY POSSESSION AND NORMALLY SHIPS NEXT DAY. Impel/Paramount Pictures unknown
63-8700Paris France: Films Paramount ca. 1935. B&W post card 9 x 14 cm. Very Good removed from album with remains on verso. Provenance: from the collection of Madeleine Sintes. Many of the photos from the collection have dedications to her. Sintes resided in the South of France. Paris, France: Films Paramount, ca. 1935. unknown
1973371285Los Angeles : Paramount Universal 1973. First Edition. Softcover. Single sheet movie poster for Jonathan Livingston Seagull. Very good copy light wear faint fold marks. Remains well-preserved overall. Physical description: 104cm x 68.5cm. Synopsis: A skilled flyer but very rebellious young seagull is kicked out of his clan. However instead of being sad or lonely he decides to enjoy and explore his newfound freedom. Los Angeles : Paramount Universal paperback
WALTER-FILM007618Paramount. No binding. Near Fine. Los Angeles: Paramount Pictures 1935. Vintage original 14 x 17" 36 x 44 cm jumbo lobby card. Small diagonal crease at extreme upper top reinforced with archival paper on verso overall near fine. Marlene Dietrich Lionel Atwill and Alison Skipworth in a scene from Josef von Sternberg's final collaboration with Dietrich. Paramount unknown
WALTER-FILM007776Paramount. No binding. Just About Fine. Los Angeles: Paramount Pictures 1929. Set of 12 vintage original 8 x 10" 20 x 25 cm black-and-white photos one with mimeographed text on verso three with the film's title stamped on verso overall just about fine. Josef von Sternberg's first talking film. Some historians credit his importance in the evolution of gangster films with his UNDERWORLD 1927. This was by any standard the first significant talking gangster film. It tells the story of a criminal facing execution who wants to kill the man in the next cell for being in love with his former girlfriend. Sternberg experimented with asynchronous sound effects which served to augment or supplement the visual effects or as he framed the process "To be correctly and effectively used the sound had to bring to the image a quality other than what the lens included a quality out of the range of the image. Sound had to counterpoint or compensate for the image add to it – not subtract from it." Rather than the external and complementary musical accompaniment of silent films Sternberg's scores arise organically with the mise-en-scène and form a key component of the film. The music off-screen does not recede in deference to the on-screen dialogue but competes with it. Off-screen voices comment on the visual action but are not identified visually until later in the film sequence contributing to an "unrealistic cadence" that characterizes the film's dialogue. Film historian Andrew Sarris describes it as "a startling experiment. his use of sound and music for mood effects and the very unreality of his style seems to justify the unusual density of his sound track." Sternberg also uses sound expressionistically such as the erratic start-stop of a sewing machine or the "sinister" squeaking of a dog's ball toy squeezed by the condemned criminal in the hours before his death. Wikipedia Paramount unknown
WALTER-FILM007767Paramount. No binding. Very Good. Los Angeles: Paramount Pictures 1928. Set of 5 vintage original 8 x 10" 20 x 25 cm black-and-white photos. Two have mimeographed text on verso another has film's title mimeographed on verso. One is a linen-backed keybook photo two have title written in ink in blank bottom margin. One has a marginal chip at top right overall very good. Josef von Sternberg's gloomy romantic drama with George Bancroft Betty Compson and Olga Baclanova is now considered one of the final classics of the silent film era. Paramount unknown
