Urdang, Lawrence; Baker, Russell; Smith, Hedrick; Buckley, Tom; Middleton, Drew; Bethany, MarilynBiblio.com
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1979143h5310New York: The New York Times Company 1979. Book. Illus. by Julio Fernandez. Good. Single Issue Magazine. First Edition. Folio - over 12" - 15" tall. Features: Jimmy Carter's Race Against Time - Campaigning to defeat Ted Kennedy; The Literary Conspiracies of Richard Condon novelist literary vaudevillian weaver of spells conjurer of darkly garish visions of the United States - and the rest of the world - in the grip of unfathomable conspiracies; That Fateful Week - Article and photos of the week England entered WWII; One-Stop Home Decorating - Retail store decorators; Leftovers Recipes; The Glories That Were - Sicily's Wine Industry; One-Decision Dressing - beautiful color photos of women's fashions; The American Way of Testing in Schools - multiple choice tests have contributed to the decline in writing ability; and more. 48 pages. Excellent color and black and white photo reproductions including fabulous fashion ads and more. Average wear. Discrete school stamp. A sound vintage copy. The New York Times Company Paperback
DADAX0874033985Brand: Standard Publishing Company 0000-00-00. hardcover. New. 0.23x6.48x8.22. Buy with confidence. Excellent Customer Service & Return policy. Brand: Standard Publishing Company hardcover
2013Viva-9781626614864EUROSPAN GROUP 2013. Paperback with Sewing. New. EUROSPAN GROUP paperback
2013Viva-9781626614864EUROSPAN GROUP 2013. Paperback with Sewing. New. EUROSPAN GROUP paperback
6441575Taylor & Francis Group pp. 327 . Hardback. New. Taylor & Francis Group hardcover
ria9781138844629_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Write to Shoot teaches budding screenwriters and screenwriting filmmakers how to write a short script with production in mind. Beker instructs them how to showcase their strengths tailor projects to shoestring budgets resources and p hardcover
20171561049318Pearson Education 2017. Eighth Edition . Loose-leaf. Very Good Condition/No Dust Jacket. Loose-leaf may have pages missing. Text appears clean but may have minor markings inside or on exterior cover. Pages and cover look great with light corner bumps and dings. 400 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. ISBN: 0134256794. ISBN/EAN: 9780134256795. Pictures of this item not already displayed here available upon request. Inventory No: 1561049318. . 9780134256795 Pearson Education unknown
697092846Springer pp. 324 Standard Edition DISTRIBUTORS PVT. LTD 01149347665 . Hardback. New. Springer hardcover
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2023x-1032251751Routledge 2023. Hardcover. New. 4th edition. 432 pages. 9.75x7.00x1.00 inches. Routledge hardcover
2013__1781001618Edward Elgar Pub 2013. Hardcover. New. 497 pages. 9.25x6.25x1.20 inches. Edward Elgar Pub hardcover
2023x-0323776701Elsevier Science Health Science 2023. Paperback. New. 12 pap/psc edition. 1432 pages. 10.50x8.25x2.25 inches. Elsevier Science Health Science paperback
2001SKU0563718McGraw Hill 2020-01-21. loose_leaf. Good. 10x8x0. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking McGraw Hill unknown
2006250622080M Leo Presents Camarillo CA 2006. paperback. New. 8x5x0. ~ NEW Inside and Out! Clean & Crisp Pages. E-mail for more info./pics M Leo Presents (Camarillo, CA) paperback
2006DADAX0754638405Routledge 2006-07-19. 1. hardcover. New. 9.50x1.25x6.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
1994x-0471021768Wiley-Liss 1994. Paperback. New. 1st edition. 228 pages. 9.25x6.25x0.75 inches. Wiley-Liss paperback
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20101-0078945828McGraw-Hill 2010. Hardcover. New. 1st edition. 1144 pages. 11.00x8.50x1.50 inches. McGraw-Hill hardcover
2020__0444642404Elsevier Science Ltd 2020. Hardcover. New. 1st edition. 275 pages. 10.50x7.75x1.00 inches. Elsevier Science Ltd hardcover
2019x-9811368252Springer 2019. Hardcover. New. 358 pages. 9.25x6.10x0.91 inches. Springer hardcover
1997x-0815325134Routledge 1997. Hardcover. New. 374 pages. 9.50x6.50x1.00 inches. Routledge hardcover
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318981<br /> Group of photographs from Horne's performance on Arthur Godfrey's television show Talent Scouts 1955. 7 photographs each 90 x 130 mm. Black and white glossy. In a blue cardstock Kodak "Album Prints" wrapper with Horne's manuscript annotation to upper: "The Arthur Godfrey Show 1954!." Horne auditioned for Arthur Godfrey's Talent Scouts in Los Angeles singing for radio star Goodman Ace 1899-1982. She recounts the experience in her autobiography Marilyn Horne: The Song Continues p. 72: <br /> Goodman a brusque Runyonesque heart-of-gold character had had a bellyful of talent by the time I got to him.<br /> "Okay kid whatcha gonna do" he queried disinterestedly.<br /> "I'm going to sing an operatic aria."<br /> "Esshhh" sighed Goodman obviously not bowled over by my announcement. He sat back with his eyes closed as I sang "Ritorna vincitor" from Aida. When I finished his eyes were wide open.<br /> "What else can you do kid" he asked enthusiastically.<br /> This time I sang a popular song of the day and when I finished Goodman blasted me.<br /> "Are you crazy to sing junk like that with a voice like yours!"<br /> "Listen" I shot back "I'll sing anything!"<br /> "That's the most ridiculous thing I've ever heard. You stick to opera kid."<br /> Horne was given a spot on the show in 1955 and performed "Un bel dì" from Madame Butterfly. In Horne's words: "I sang the hell out of it and won." It was her first appearance on national television and her success meant that she was able to sing on Godfrey's radio show every day for a week. <br /> <br /> 2<br /> Group of 5 role portrait photographs dating from Horne's early career in Gelsenkirchen 1957-1960. <br /> - From Simon Boccanegra 1957. 122 x 91 mm. Colour glossy. <br /> - From Handel's Ezio 1958. 121 x 89 mm. Colour glossy.<br /> - From Handel's Ezio 1958. 138 x 90 mm. Black and white semi-glossy postcard.<br /> - From Wozzeck 1960. 138 x 90 mm. Black and white semi-glossy postcard.<br /> - From La Bohème 1960. 240 x 175 mm. Black and white glossy.<br /> All identified on verso in Horne's hand. After being invited by Igor Stravinsky to perform at the 1956 Venice Festival Horne remained in Europe performing for three seasons with the Gelsenkirchen Opera. This small city in Germany's industrial west significantly raised its artistic profile with the opening of the modernist Musiktheater im Revier in 1959. <br /> <br /> 3<br /> Photographic colour interpositive with Luciano Pavarotti and Joan Sutherland ca. 1975. 124 x 99 mm. With "928 Kodak Safety Film" printed to left upper margin.<br /> <br /> 4<br /> Large broadside for a concert featuring Marilyn Horne at the Teatro Malibran in Venice April 21 1982 with I Soloisti Veneti conducted by Claudio Scimone in a program including works by Handel and Vivaldi. Signed by Horne. 1000 x 350 mm. Rolled. <br /> <br /> 5<br /> Large poster for Rossini's Stabat Mater performed at the Rossini Opera Festival in Pesaro August-September 1987 with Marilyn Horne Susan Dunn Chris Merritt and Simone Alaimo. 1000 x 700 mm. Rolled. Rossini's "Stabat mater is often said to be operatic." Philip Gossett in Grove Music Online. The first version was first performed in Madrid in 1833; a revised second version was first performed in Paris in 1842.<br /> <br /> 6<br /> Large colour poster for L'Italiana in Algeri at the Royal Opera House in London in July of 1989 featuring Marilyn Horne as Isabella Judith Howarth as Elvira and Gillian Knight as Zulma conducted by Donato Renzetti. 762 x 508 mm. Rolled. Rossini's L'Italiana in Algeri was first performed in Venice at the Teatro San Benedetto on May 22 1813. Marilyn Horne has sung the role of Isabella throughout her career always to great acclaim.<br /> <br /> All items with some minor wear but in very good condition overall. "Horne had a voice of extraordinary range rich and tangy in timbre with a stentorian chest register and an exciting top. . In concert she once achieved the feat of singing in a single programme Rossini arias and Brünnhilde's Immolation Scene proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist singing lieder mélodies Spanish and American songs with equal aplomb." Alan Blyth in Grove Music Online. unknown
