1 967 résultats
Very Good French Paperback. Folio. (34 x 25 cm). In French. 15 p. 7 p. Stains on pages and cover. [SHEET MUSIC] Ire Valse pour piano Op. 83 par. Marie-Auguste Massacrié-Durand was a French music publisher, organist, and composer. Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862-74). Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821-1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865-1928). In November 1891, Jacques replaced Schoenewerk and the name changed to A. Durand & fils. Jacques assumed control of the company in 1909 when his father died, and brought in his cousin Gaston Choisnel (d. 1921) as a partner. Durand became an expert in the publication of works by French composers including Victorin de Joncières, Edouard Lalo, Jules Massenet, Claude Debussy, Camille Saint-Saëns, Maurice Ravel, Albert Roussel and Paul Dukas. The company also published the French editions of Tannhäuser, The Flying Dutchman and Lohengrin by Richard Wagner and many editions of old masters including, in particular, a complete critical edition of Rameau edited under the initial direction of Saint-Saëns. Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré. [.]. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Naksî Agir Semâî - Muhayyer Naksî Yürük Semâî. Darü'l-Elhan Külliyati No.3 [The House of Melodies Collected Works No. 3]. [With original stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). First Semâîs' composer is unknown, second one is by Eyyûbî Bekir Aga. He was an early classical Turkish composers. Ahmed Hamdi Tanpinar's devoted his book 'Mahur Beste' to Eyyûbî Efendi and inspired by him. Darülelhan published 121 scores before 1928, this is the third one. Özege 3585. Not in OCLC. Extremely rare.
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Muhayyer Remel. Darü'l-Elhan Külliyati No. 7 [The House of Melodies Collected Works No. 7]. [With original personal stamp of Samli Iskender -Kudmanizâde-]. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Almost known nothing for the life of Halil Efendi. There are four compositions with their lyrics up to now. Darülelhan published 121 scores before 1928, this is the seventh one. Özege 3585. Not in OCLC. Extremely rare.
Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 4 p. [SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretapoulou. Music by N. Kokkinou. Sotiri Christides [sic. Christidis] who is contemporary of Andria, started music publications in the 1905's. Christides published in almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operettas' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). He may be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
Very Good Turkish, Ottoman (1500-1928) Original sheet music. Folio. (35 x 25 cm). In Ottoman script. [4] p., scores. [SHEET MUSIC] Sedarabân Mürebb' Zincir ikâ'inda. Darü'l-Elhan Külliyati No. 1. Darülelhan (The House of Melodies) is not a real publishinghouse but a music school established at 10 January 1917, in Istanbul. The principle aim in the establishment of this school was to follow a scientific way in the education and teaching of musical arts, and introduce the old pieces by printing them. Some courses on Turkish and Western music should be given in a course of four years. This school closed in the days of Independence War and reopened by the attempts of Haydar Beg the mayor of Istanbul in 1923. On this publications, it's written usually "Our establishment started to publish the beautiful pieces inhereted from the most famous Turkish composers in order to conserve them. These publications are checked by a scientifically responsible council and found ass quite correct. Up to now, the pieces contining Setarabân, Mâye, Evç-ârâ, Acem Asirân, Müste'ar, Nevâ, Gulizâr, Beyâti, Mâhur, Ferâhfezâ, Ferâhnâk, Nev-eser, Nühüft and Arazbâr Buselik tones, havng the number 72 have already been put on sale for 5 Kurus at the magazine of Samli Iskender in Bayezid Square". (Source: Music publications from Ottoman Empire up to today, 1876-1986.; ALANER, BÜLENT). Haci Sadullah Aga was a composer and performer. He was the son of Hafiz Kerim Efendi, one of the muezzins of Fatih Mosque, and was one of the greatest composers of the reign of Sultan Selim III. In some sources, the information regarding his life have been jumbled together with other namesake composers of his era. Some of his works may have been confused with those of other namesake composers. Therefore, information regarding his life is not precise. As far as it is known, after his first education, he was accepted to Enderun Mektebi (The Palace School in which the devshirmeh [T.N. selected for the army] children were educated) and he was educated in literature and history and gained skill in javelin, Indian club and horse riding. He had served in the Russo-Turkish War in 1767. It is said that he received great attention from Selim III because he had a beautiful voice and he was a master singer (vocalist) and that he was the head of the fasil committee of the sultan for some time. Sadullah Aga, who is accepted as the most powerful composer of the school of Selim III, was also the 'musahib' (talk friend) of the sultan and later he became the head 'musahib'. He was an eloquent and cheerful person with a nice personality. He served as a music teacher at Enderun and served at the Palace during the reign of Mahmud II. Sadullah Agha followed the footsteps of Itrî and under the influence of Itrî he had integrated lyricism to his compositions, which are considered to be among the greatest pieces of the classical repertoire. He developed a style that is pertinent to classical rules but is more lyrical. His influence on all composers of his period can be seen. Around thirty works of Haci Sadullah Aga, who had composed hundreds of works, has reached the present day. Compositions and 'semaî' are dominant among these works. All of these works are secular and mostly literal works. His works contain a high level of lyricism and musicality. Especially all of his works that formed the 'Bayati-Araban' set are among the most beautiful examples of the classical music repertoire. Sadullah Aga, who is among the elite composers of Classical Turkish music, lived his last years by secluding to the residence given to him seven years before his death by the sultan and died at the age of seventy eight. He has many great songs in various tones. Darülelhan published 121 scores before 1928, this is the first one. Özege 3585. Not in OCLC. Extremely rare.
Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 3 p. [SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
Fine English Paperback., Very good., 24 x 17 cm, Türkçe metinler; Türkçe / In English baslik, [Lxx], 330, [12] p. "Bati Trakya Türkleri bibliyografyasi.= A bibliography of Western Thrace Turks.", Ismet Binark, TC Basbakanlik Devlet Arsivleri Genel Müdürlügü, Ank., 1996.
A clean, unmarked book with a tight binding. 220 pages.
20p. + Plus frontis. Illustrated with full page photographs. 12mo. Original full printed wraps. Remains of album mountings on rear wraps. Signs of folding on front wrap. Nice copy. Very scarce. WWI 12
Roy. 4to., with very numerous photographs throughout; pictorial boards, a fine copy in unclipped dustwrapper. Ottley, 18267.
8vo., Facsimile Reissue, with folding map and folding plan; blue cloth, gilt back, a near fine copy in unclipped dustwrapper. Much-needed high quality facsimile reissue of the second edition of 1716. Anderson, p.367 (recording the original edition).
8vo., First Edition, with photographs in the text; pictorial wrappers, covers very lightly age-soiled else a very good, bright, clean copy. SCARCE.
pp. xviii, 240. 740 illustrations, many in full color. 12mo. Original full cloth binding. Original dust jacket, worn with loss. Hardbound. Thirteenth printing. NATURAL HISTORY BOX 9
pp. xviii, 240. Numerous illustrations. Small 8vo. Original full cloth binding. Original worn and chipped dust jacket. Thirteenth Printing. NH 3
8vo., First Edition, with a portrait frontispiece, 20 plates on 14 and pictorial endpapers; cloth, gilt back, a fine copy in unclipped dustwrapper. Baxter, 272.
8vo., Uncorrected Proof Copy, with a frontispiece, 21 plates on 16, and a full-page pedigree and several maps in the text; original printed wrappers, a very good, bright, clean copy. Complete with plates which is unusual in many proofs. Proof copies are scarce.
8vo., Second Edition; blue cloth, gilt back, a near fine copy in unclipped dustwrapper. Much-needed reissue of the scarce original edition of 1918. Enser, p.124, 379 (recording the first edition).
518p., illus. Hardcover Very good condition
105 pages. Generously illustrated with reproductions of colour and black and white photos. The fascinating autobiography of Frank Barnard who, after serving in WWII, returned to Canada and went on to a successful business career in the tree seed business. Clean and unmarked with negligible wear. Gift quality. Book
8vo., First US Edition, with a frontispiece (original captioned tissue guard present), 4 plates and endpaper maps, neat contemporary signature in pencil on frontispiece recto; original green cloth blocked and lettered in gilt and black, gilt back, uncut, a remarkably bright, clean copy. Scarce in this condition. Enser, p.202 (recording the first UK edition of the same year).
A clean, unmarked book with a tight binding. 294 pages. Black and white illustrations.
A clean, unmarked book with a tight binding. Volume 2, pages 305 - 536. Black and white illustrations.
pp. 21-34. Illustrated with a photograph of the church. Tall 8vo. Original printed wraps. Reprinted from the Western Pennsylvania Historical Magazine, March 1961. PA PAMPH 20_16 BX4
1293 pages including index. 74 chapters divided into the following nine sections: The Ingredients of Western Civilization; The Early Middle Ages (400-1000); The High Middle Ages (1000-1300); The Age of Transition (1300-1500); The Age of Religious Revolt and Reform (1500-1600); The Age of Dynastic Statecraft (1600-1775); The Age of Revolution (1775-1850); The Age of the National State (1852-1919); The Age of Total Politics (1919- ). Abundantly illustrated in black and white. Bookplate upon front endpaper. Minimal wear. Unmarked. Bright silver lettering upon navy boards and spine. Excellent copy. Book
pp. x, 500. LACKS pages 497/8. Several other leaves have slight loss. A few signatures defective without loss. Age stained. XLib bookplate of the Library Company of Philadelphia printed by Zachariah Poulson. 4to. Original full leather binding, very worn and shedding. Should be rebound and restored. First edition. A valuable description of the Rhine valley during the spreading disorder caused by the French Revolution. Allibone 1721. SCARCE. **PRICE JUST REDUCED! TRAVEL/5